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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #635A3A it is the complementary color #9CA5C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #635A3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #635A3A shade: #685A35, #796C48, #8A7E5B, #9B906E and #ACA281

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #635A3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #635A3A shade: #635A3A, #524827, #413614, #302401 and #1F1200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #635A3A shade: #635A3A, #634F3A, #63443A and #633A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #635A3A shade: #635A3A, #61633A, #56633A, #4B633A and #40633A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #635A3A shade matches the following richer shades: #635A3A, #70612D, #7D6820, #897014 and #967707

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #635A3A shade: #635A3A, #565347, #4A4C54, #3D4560 and #303D6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #635A3A shade: #63443A, #634F3A, #635A3A, #62633A and #57633A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #635A3A shade: #2F2B1B, #49422B, #635A3A, #7D7249 and #978959

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #635A3A shade: #635A3A, #3B633A and #493A63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #635A3A shade: #635A3A, #3A635A and #5A3A63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #635A3A shade: #635A3A, #3B633A, #3A4463 and #623A63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #635A3A shade: #635A3A, #3A6345, #3A4463 and #633A58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 41 / 61

HEX #635A3A

RGB 99 90 58

HSL 46.83, 0.26%, 0.31%

LAB 38.32, -1.58, 19.81

 

Complementary color

CMYK 21 / 16 / 0 / 23

HEX #9CA5C5

RGB 156 165 197

HSL 226.83, 0.26%, 0.69%

LAB 68.03, 3.69, -17.43

 

CMYK 0 / 13 / 49 / 59

HEX #685A35

RGB 104 90 53

HSL 43.53, 0.32%, 0.31%

LAB 38.75, 0.13, 23.4

 

CMYK 0 / 11 / 40 / 53

HEX #796C48

RGB 121 108 72

HSL 44.08, 0.25%, 0.38%

LAB 45.99, -0.52, 22.02

 

CMYK 0 / 9 / 34 / 46

HEX #8A7E5B

RGB 138 126 91

HSL 44.68, 0.21%, 0.45%

LAB 53.04, -1.02, 20.75

 

CMYK 0 / 7 / 29 / 39

HEX #9B906E

RGB 155 144 110

HSL 45.33, 0.18%, 0.52%

LAB 59.93, -1.43, 19.58

 

CMYK 0 / 6 / 25 / 33

HEX #ACA281

RGB 172 162 129

HSL 46.05, 0.21%, 0.59%

LAB 66.67, -1.76, 18.5

 

CMYK 0 / 9 / 41 / 61

HEX #635A3A

RGB 99 90 58

HSL 46.83, 0.26%, 0.31%

LAB 38.32, -1.58, 19.81

 

CMYK 0 / 12 / 52 / 68

HEX #524827

RGB 82 72 39

HSL 46.05, 0.36%, 0.24%

LAB 30.82, -0.93, 21.25

 

CMYK 0 / 17 / 69 / 75

HEX #413614

RGB 65 54 20

HSL 45.33, 0.53%, 0.17%

LAB 23.04, 0.02, 22.72

 

CMYK 0 / 25 / 98 / 81

HEX #302401

RGB 48 36 1

HSL 44.68, 0.96%, 0.1%

LAB 14.91, 1.39, 21.47

 

CMYK 0 / 42 / 100 / 88

HEX #1F1200

RGB 31 18 0

HSL 34.84, 1%, 0.06%

LAB 6.54, 3.82, 9.86

 

CMYK 0 / 9 / 41 / 61

HEX #635A3A

RGB 99 90 58

HSL 46.83, 0.26%, 0.31%

LAB 38.32, -1.58, 19.81

 

CMYK 0 / 20 / 41 / 61

HEX #634F3A

RGB 99 79 58

HSL 30.73, 0.26%, 0.31%

LAB 35.1, 5.11, 15.57

 

CMYK 0 / 31 / 41 / 61

HEX #63443A

RGB 99 68 58

HSL 14.63, 0.26%, 0.31%

LAB 32.02, 11.94, 11.4

 

CMYK 0 / 41 / 41 / 61

HEX #633A3A

RGB 99 58 58

HSL 0, 0.26%, 0.31%

LAB 29.37, 18.14, 7.74

 

CMYK 0 / 9 / 41 / 61

HEX #635A3A

RGB 99 90 58

HSL 46.83, 0.26%, 0.31%

LAB 38.32, -1.58, 19.81

 

CMYK 2 / 0 / 41 / 61

HEX #61633A

RGB 97 99 58

HSL 62.93, 0.26%, 0.31%

LAB 40.85, -7.78, 23.03

 

CMYK 13 / 0 / 41 / 61

HEX #56633A

RGB 86 99 58

HSL 79.02, 0.26%, 0.31%

LAB 39.93, -12.64, 21.66

 

CMYK 24 / 0 / 41 / 61

HEX #4B633A

RGB 75 99 58

HSL 95.12, 0.26%, 0.31%

LAB 39.11, -17.28, 20.45

 

CMYK 35 / 0 / 41 / 61

HEX #40633A

RGB 64 99 58

HSL 111.22, 0.26%, 0.31%

LAB 38.41, -21.6, 19.4

 

CMYK 0 / 9 / 41 / 61

HEX #635A3A

RGB 99 90 58

HSL 46.83, 0.26%, 0.31%

LAB 38.32, -1.58, 19.81

 

CMYK 0 / 13 / 60 / 56

HEX #70612D

RGB 112 97 45

HSL 46.57, 0.43%, 0.31%

LAB 41.51, -1.07, 31.4

 

CMYK 0 / 17 / 74 / 51

HEX #7D6820

RGB 125 104 32

HSL 46.45, 0.59%, 0.31%

LAB 44.75, 0.1, 41.65

 

CMYK 0 / 18 / 85 / 46

HEX #897014

RGB 137 112 20

HSL 47.18, 0.75%, 0.31%

LAB 48.21, 0.68, 49.77

 

CMYK 0 / 21 / 95 / 41

HEX #967707

RGB 150 119 7

HSL 46.99, 0.91%, 0.31%

LAB 51.49, 2.54, 56.02

 

CMYK 0 / 9 / 41 / 61

HEX #635A3A

RGB 99 90 58

HSL 46.83, 0.26%, 0.31%

LAB 38.32, -1.58, 19.81

 

CMYK 0 / 3 / 17 / 66

HEX #565347

RGB 86 83 71

HSL 48, 0.1%, 0.31%

LAB 35.24, -1.13, 7.47

 

CMYK 12 / 10 / 0 / 67

HEX #4A4C54

RGB 74 76 84

HSL 228, 0.06%, 0.31%

LAB 32.4, 1.04, -5

 

CMYK 36 / 28 / 0 / 62

HEX #3D4560

RGB 61 69 96

HSL 226.29, 0.22%, 0.31%

LAB 29.65, 4.13, -16.97

 

CMYK 56 / 44 / 0 / 57

HEX #303D6D

RGB 48 61 109

HSL 227.21, 0.39%, 0.31%

LAB 26.93, 10.06, -29.61

 

CMYK 0 / 31 / 41 / 61

HEX #63443A

RGB 99 68 58

HSL 14.63, 0.26%, 0.31%

LAB 32.02, 11.94, 11.4

 

CMYK 0 / 20 / 41 / 61

HEX #634F3A

RGB 99 79 58

HSL 30.73, 0.26%, 0.31%

LAB 35.1, 5.11, 15.57

 

CMYK 0 / 9 / 41 / 61

HEX #635A3A

RGB 99 90 58

HSL 46.83, 0.26%, 0.31%

LAB 38.32, -1.58, 19.81

 

CMYK 1 / 0 / 41 / 61

HEX #62633A

RGB 98 99 58

HSL 61.46, 0.26%, 0.31%

LAB 40.94, -7.33, 23.16

 

CMYK 12 / 0 / 41 / 61

HEX #57633A

RGB 87 99 58

HSL 77.56, 0.26%, 0.31%

LAB 40.01, -12.2, 21.78

 

CMYK 0 / 9 / 43 / 82

HEX #2F2B1B

RGB 47 43 27

HSL 48, 0.27%, 0.15%

LAB 17.51, -1.22, 11.1

 

CMYK 0 / 10 / 41 / 71

HEX #49422B

RGB 73 66 43

HSL 46, 0.26%, 0.23%

LAB 28.08, -1.02, 15.1

 

CMYK 0 / 9 / 41 / 61

HEX #635A3A

RGB 99 90 58

HSL 46.83, 0.26%, 0.31%

LAB 38.32, -1.58, 19.81

 

CMYK 0 / 9 / 42 / 51

HEX #7D7249

RGB 125 114 73

HSL 47.31, 0.26%, 0.39%

LAB 48.1, -2.1, 24.27

 

CMYK 0 / 9 / 41 / 41

HEX #978959

RGB 151 137 89

HSL 46.45, 0.26%, 0.47%

LAB 57.26, -1.91, 27.64

 

CMYK 0 / 9 / 41 / 61

HEX #635A3A

RGB 99 90 58

HSL 46.83, 0.26%, 0.31%

LAB 38.32, -1.58, 19.81

 

CMYK 40 / 0 / 41 / 61

HEX #3B633A

RGB 59 99 58

HSL 118.54, 0.26%, 0.31%

LAB 38.13, -23.43, 18.97

 

CMYK 26 / 41 / 0 / 61

HEX #493A63

RGB 73 58 99

HSL 261.95, 0.26%, 0.31%

LAB 27.69, 16.28, -21.85

 

CMYK 0 / 9 / 41 / 61

HEX #635A3A

RGB 99 90 58

HSL 46.83, 0.26%, 0.31%

LAB 38.32, -1.58, 19.81

 

CMYK 41 / 0 / 9 / 61

HEX #3A635A

RGB 58 99 90

HSL 166.83, 0.26%, 0.31%

LAB 38.83, -16.75, 0.59

 

CMYK 9 / 41 / 0 / 61

HEX #5A3A63

RGB 90 58 99

HSL 286.83, 0.26%, 0.31%

LAB 29.66, 22.12, -18.63

 

CMYK 0 / 9 / 41 / 61

HEX #635A3A

RGB 99 90 58

HSL 46.83, 0.26%, 0.31%

LAB 38.32, -1.58, 19.81

 

CMYK 40 / 0 / 41 / 61

HEX #3B633A

RGB 59 99 58

HSL 118.54, 0.26%, 0.31%

LAB 38.13, -23.43, 18.97

 

CMYK 41 / 31 / 0 / 61

HEX #3A4463

RGB 58 68 99

HSL 225.37, 0.26%, 0.31%

LAB 29.25, 4.76, -19.53

 

CMYK 1 / 41 / 0 / 61

HEX #623A63

RGB 98 58 99

HSL 298.54, 0.26%, 0.31%

LAB 30.7, 24.94, -16.95

 

CMYK 0 / 9 / 41 / 61

HEX #635A3A

RGB 99 90 58

HSL 46.83, 0.26%, 0.31%

LAB 38.32, -1.58, 19.81

 

CMYK 41 / 0 / 30 / 61

HEX #3A6345

RGB 58 99 69

HSL 136.1, 0.26%, 0.31%

LAB 38.29, -21.67, 12.64

 

CMYK 41 / 31 / 0 / 61

HEX #3A4463

RGB 58 68 99

HSL 225.37, 0.26%, 0.31%

LAB 29.25, 4.76, -19.53

 

CMYK 0 / 41 / 11 / 61

HEX #633A58

RGB 99 58 88

HSL 316.1, 0.26%, 0.31%

LAB 30.36, 23.07, -10.37

 

Description

Color code: HEX #635A3A | qconv.com Color code: HEX #635A3A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 90 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 90 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 41 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 41% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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