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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #635EBF it is the complementary color #9CA140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #635EBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #635EBF shade: #685EBA, #7970CD, #8A82E0, #9B94F3 and #ACA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #635EBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #635EBF shade: #635EBF, #524CAC, #413A99, #302886 and #1F1673

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #635EBF shade: #635EBF, #7D5EBF, #975EBF, #B15EBF and #BF5EB2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #635EBF shade: #635EBF and #5E5EBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #635EBF shade matches the following richer shades: #635EBF, #534CD1, #423AE3 and #3228F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #635EBF shade: #635EBF, #7370AC, #84829A, #949588 and #A4A776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #635EBF shade: #5E8DBF, #5E73BF, #635EBF, #7D5EBF and #965EBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #635EBF shade: #3E3991, #4B45AE, #635EBF, #807CCA and #9C99D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #635EBF shade: #635EBF, #BF5EA6 and #80BF5E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #635EBF shade: #635EBF, #BF635E and #5EBF63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #635EBF shade: #635EBF, #BF5EA6, #BABF5E and #5EBF76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #635EBF shade: #635EBF, #BF5E89, #BABF5E and #5EBF93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 51 / 0 / 25

HEX #635EBF

RGB 99 94 191

HSL 243.09, 0.43%, 0.56%

LAB 44.83, 27.85, -50.54

 

Complementary color

CMYK 3 / 0 / 60 / 37

HEX #9CA140

RGB 156 161 64

HSL 63.09, 0.43%, 0.44%

LAB 64.1, -15.05, 48.59

 

CMYK 44 / 49 / 0 / 27

HEX #685EBA

RGB 104 94 186

HSL 246.52, 0.4%, 0.55%

LAB 44.93, 27.51, -47.45

 

CMYK 41 / 45 / 0 / 20

HEX #7970CD

RGB 121 112 205

HSL 245.81, 0.48%, 0.62%

LAB 51.91, 26.37, -47.19

 

CMYK 38 / 42 / 0 / 12

HEX #8A82E0

RGB 138 130 224

HSL 245.11, 0.6%, 0.69%

LAB 58.74, 25.37, -46.98

 

CMYK 36 / 39 / 0 / 5

HEX #9B94F3

RGB 155 148 243

HSL 244.42, 0.8%, 0.77%

LAB 65.45, 24.5, -46.81

 

CMYK 33 / 35 / 0 / 0

HEX #ACA6FF

RGB 172 166 255

HSL 244.04, 1%, 0.83%

LAB 71.73, 21.94, -43.4

 

CMYK 48 / 51 / 0 / 25

HEX #635EBF

RGB 99 94 191

HSL 243.09, 0.43%, 0.56%

LAB 44.83, 27.85, -50.54

 

CMYK 52 / 56 / 0 / 33

HEX #524CAC

RGB 82 76 172

HSL 243.75, 0.39%, 0.49%

LAB 37.74, 29.32, -50.87

 

CMYK 58 / 62 / 0 / 40

HEX #413A99

RGB 65 58 153

HSL 244.42, 0.45%, 0.41%

LAB 30.52, 31.06, -51.2

 

CMYK 64 / 70 / 0 / 47

HEX #302886

RGB 48 40 134

HSL 245.11, 0.54%, 0.34%

LAB 23.23, 33.06, -51.43

 

CMYK 73 / 81 / 0 / 55

HEX #1F1673

RGB 31 22 115

HSL 245.81, 0.68%, 0.27%

LAB 16.02, 35.13, -51.25

 

CMYK 48 / 51 / 0 / 25

HEX #635EBF

RGB 99 94 191

HSL 243.09, 0.43%, 0.56%

LAB 44.83, 27.85, -50.54

 

CMYK 35 / 51 / 0 / 25

HEX #7D5EBF

RGB 125 94 191

HSL 259.18, 0.43%, 0.56%

LAB 47.14, 34.2, -46.71

 

CMYK 21 / 51 / 0 / 25

HEX #975EBF

RGB 151 94 191

HSL 275.26, 0.43%, 0.56%

LAB 49.91, 41.17, -42.14

 

CMYK 7 / 51 / 0 / 25

HEX #B15EBF

RGB 177 94 191

HSL 291.34, 0.43%, 0.56%

LAB 53.07, 48.42, -36.94

 

CMYK 0 / 51 / 7 / 25

HEX #BF5EB2

RGB 191 94 178

HSL 308.04, 0.43%, 0.56%

LAB 54.34, 50.08, -27.32

 

CMYK 48 / 51 / 0 / 25

HEX #635EBF

RGB 99 94 191

HSL 243.09, 0.43%, 0.56%

LAB 44.83, 27.85, -50.54

 

CMYK 51 / 51 / 0 / 25

HEX #5E5EBF

RGB 94 94 191

HSL 240, 0.43%, 0.56%

LAB 44.44, 26.72, -51.18

 

CMYK 48 / 51 / 0 / 25

HEX #635EBF

RGB 99 94 191

HSL 243.09, 0.43%, 0.56%

LAB 44.83, 27.85, -50.54

 

CMYK 60 / 64 / 0 / 18

HEX #534CD1

RGB 83 76 209

HSL 243.16, 0.59%, 0.56%

LAB 40.59, 41.39, -67.87

 

CMYK 71 / 74 / 0 / 11

HEX #423AE3

RGB 66 58 227

HSL 242.84, 0.75%, 0.56%

LAB 37.35, 55.15, -83.55

 

CMYK 80 / 84 / 0 / 4

HEX #3228F5

RGB 50 40 245

HSL 242.93, 0.91%, 0.56%

LAB 35.57, 67.76, -96.74

 

CMYK 48 / 51 / 0 / 25

HEX #635EBF

RGB 99 94 191

HSL 243.09, 0.43%, 0.56%

LAB 44.83, 27.85, -50.54

 

CMYK 33 / 35 / 0 / 33

HEX #7370AC

RGB 115 112 172

HSL 243, 0.27%, 0.56%

LAB 49.75, 15.51, -31.61

 

CMYK 14 / 16 / 0 / 40

HEX #84829A

RGB 132 130 154

HSL 245, 0.11%, 0.56%

LAB 55.28, 5.82, -12.55

 

CMYK 1 / 0 / 9 / 42

HEX #949588

RGB 148 149 136

HSL 64.62, 0.06%, 0.56%

LAB 61.28, -2.79, 6.73

 

CMYK 2 / 0 / 29 / 35

HEX #A4A776

RGB 164 167 118

HSL 63.67, 0.22%, 0.56%

LAB 67.16, -9.15, 25.06

 

CMYK 51 / 26 / 0 / 25

HEX #5E8DBF

RGB 94 141 191

HSL 210.93, 0.43%, 0.56%

LAB 57.26, -1.76, -30.93

 

CMYK 51 / 40 / 0 / 25

HEX #5E73BF

RGB 94 115 191

HSL 227.01, 0.43%, 0.56%

LAB 49.98, 13.74, -42.35

 

CMYK 48 / 51 / 0 / 25

HEX #635EBF

RGB 99 94 191

HSL 243.09, 0.43%, 0.56%

LAB 44.83, 27.85, -50.54

 

CMYK 35 / 51 / 0 / 25

HEX #7D5EBF

RGB 125 94 191

HSL 259.18, 0.43%, 0.56%

LAB 47.14, 34.2, -46.71

 

CMYK 21 / 51 / 0 / 25

HEX #965EBF

RGB 150 94 191

HSL 274.64, 0.43%, 0.56%

LAB 49.8, 40.89, -42.32

 

CMYK 57 / 61 / 0 / 43

HEX #3E3991

RGB 62 57 145

HSL 243.41, 0.44%, 0.4%

LAB 29.4, 28.44, -48.14

 

CMYK 57 / 60 / 0 / 32

HEX #4B45AE

RGB 75 69 174

HSL 243.43, 0.43%, 0.48%

LAB 35.61, 32.95, -55.53

 

CMYK 48 / 51 / 0 / 25

HEX #635EBF

RGB 99 94 191

HSL 243.09, 0.43%, 0.56%

LAB 44.83, 27.85, -50.54

 

CMYK 37 / 39 / 0 / 21

HEX #807CCA

RGB 128 124 202

HSL 243.08, 0.42%, 0.64%

LAB 55.35, 20.21, -40

 

CMYK 27 / 29 / 0 / 16

HEX #9C99D6

RGB 156 153 214

HSL 242.95, 0.43%, 0.72%

LAB 65.52, 14.49, -30.7

 

CMYK 48 / 51 / 0 / 25

HEX #635EBF

RGB 99 94 191

HSL 243.09, 0.43%, 0.56%

LAB 44.83, 27.85, -50.54

 

CMYK 0 / 51 / 13 / 25

HEX #BF5EA6

RGB 191 94 166

HSL 315.46, 0.43%, 0.56%

LAB 53.85, 48.09, -21.1

 

CMYK 33 / 0 / 51 / 25

HEX #80BF5E

RGB 128 191 94

HSL 98.97, 0.43%, 0.56%

LAB 71.32, -37.66, 42.3

 

CMYK 48 / 51 / 0 / 25

HEX #635EBF

RGB 99 94 191

HSL 243.09, 0.43%, 0.56%

LAB 44.83, 27.85, -50.54

 

CMYK 0 / 48 / 51 / 25

HEX #BF635E

RGB 191 99 94

HSL 3.09, 0.43%, 0.56%

LAB 52.74, 36.28, 19.7

 

CMYK 51 / 0 / 48 / 25

HEX #5EBF63

RGB 94 191 99

HSL 123.09, 0.43%, 0.56%

LAB 69.85, -47.58, 37.68

 

CMYK 48 / 51 / 0 / 25

HEX #635EBF

RGB 99 94 191

HSL 243.09, 0.43%, 0.56%

LAB 44.83, 27.85, -50.54

 

CMYK 0 / 51 / 13 / 25

HEX #BF5EA6

RGB 191 94 166

HSL 315.46, 0.43%, 0.56%

LAB 53.85, 48.09, -21.1

 

CMYK 3 / 0 / 51 / 25

HEX #BABF5E

RGB 186 191 94

HSL 63.09, 0.43%, 0.56%

LAB 75.14, -15.38, 47.79

 

CMYK 51 / 0 / 38 / 25

HEX #5EBF76

RGB 94 191 118

HSL 134.85, 0.43%, 0.56%

LAB 70.14, -44.58, 28.3

 

CMYK 48 / 51 / 0 / 25

HEX #635EBF

RGB 99 94 191

HSL 243.09, 0.43%, 0.56%

LAB 44.83, 27.85, -50.54

 

CMYK 0 / 51 / 28 / 25

HEX #BF5E89

RGB 191 94 137

HSL 333.4, 0.43%, 0.56%

LAB 52.83, 43.78, -5.6

 

CMYK 3 / 0 / 51 / 25

HEX #BABF5E

RGB 186 191 94

HSL 63.09, 0.43%, 0.56%

LAB 75.14, -15.38, 47.79

 

CMYK 51 / 0 / 23 / 25

HEX #5EBF93

RGB 94 191 147

HSL 152.78, 0.43%, 0.56%

LAB 70.7, -38.98, 13.58

 

Description

Color code: HEX #635EBF | qconv.com Color code: HEX #635EBF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 94 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 94 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 51 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 51% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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