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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #636A73 it is the complementary color #9C958C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #636A73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #636A73 shade: #686A6E, #797C81, #8A8E94, #9BA0A7 and #ACB2BA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #636A73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #636A73 shade: #636A73, #525860, #41464D, #30343A and #1F2227

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #636A73 shade: #636A72, #636672, #656372, #696372 and #6D6372

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #636A73 shade: #636A72, #636672 and #636372

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #636A73 shade matches the following richer shades: #636A72, #526783, #406595, #2F63A6 and #1E61B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #636A73 shade: #636A72, #746C61, #866E4F, #97703E and #A8722D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #636A73 shade: #637272, #636E72, #636A72, #636672 and #646372

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #636A73 shade: #3D4146, #50555C, #636A72, #767E88 and #8C939B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #636A73 shade: #636A73, #6E6372 and #707263

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #636A73 shade: #636A73, #72636A and #6A7263

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #636A73 shade: #636A73, #6E6372, #726B63 and #677263

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #636A73 shade: #636A73, #726371, #726B63 and #637264

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 8 / 0 / 55

HEX #636A73

RGB 99 106 115

HSL 213.75, 0.07%, 0.42%

LAB 44.52, -0.65, -5.94

 

Complementary color

CMYK 0 / 4 / 10 / 39

HEX #9C958C

RGB 156 149 140

HSL 33.75, 0.07%, 0.58%

LAB 62.05, 0.94, 5.66

 

CMYK 5 / 4 / 0 / 57

HEX #686A6E

RGB 104 106 110

HSL 220, 0.03%, 0.42%

LAB 44.77, 0.08, -2.51

 

CMYK 6 / 4 / 0 / 49

HEX #797C81

RGB 121 124 129

HSL 217.5, 0.03%, 0.49%

LAB 51.91, -0.08, -3.11

 

CMYK 7 / 4 / 0 / 42

HEX #8A8E94

RGB 138 142 148

HSL 216, 0.04%, 0.56%

LAB 58.87, -0.24, -3.7

 

CMYK 7 / 4 / 0 / 35

HEX #9BA0A7

RGB 155 160 167

HSL 215, 0.06%, 0.63%

LAB 65.67, -0.38, -4.26

 

CMYK 8 / 4 / 0 / 27

HEX #ACB2BA

RGB 172 178 186

HSL 214.29, 0.09%, 0.7%

LAB 72.33, -0.52, -4.8

 

CMYK 14 / 8 / 0 / 55

HEX #636A73

RGB 99 106 115

HSL 213.75, 0.07%, 0.42%

LAB 44.52, -0.65, -5.94

 

CMYK 15 / 8 / 0 / 62

HEX #525860

RGB 82 88 96

HSL 214.29, 0.08%, 0.35%

LAB 37.15, -0.51, -5.42

 

CMYK 16 / 9 / 0 / 70

HEX #41464D

RGB 65 70 77

HSL 215, 0.08%, 0.28%

LAB 29.51, -0.36, -4.9

 

CMYK 17 / 10 / 0 / 77

HEX #30343A

RGB 48 52 58

HSL 216, 0.09%, 0.21%

LAB 21.54, -0.19, -4.36

 

CMYK 21 / 13 / 0 / 85

HEX #1F2227

RGB 31 34 39

HSL 217.5, 0.11%, 0.14%

LAB 13.12, -0.01, -3.81

 

CMYK 13 / 7 / 0 / 55

HEX #636A72

RGB 99 106 114

HSL 212, 0.07%, 0.42%

LAB 44.48, -0.88, -5.39

 

CMYK 13 / 11 / 0 / 55

HEX #636672

RGB 99 102 114

HSL 228, 0.07%, 0.42%

LAB 43.32, 1.51, -7.13

 

CMYK 11 / 13 / 0 / 55

HEX #656372

RGB 101 99 114

HSL 248, 0.07%, 0.42%

LAB 42.62, 4.05, -8.15

 

CMYK 8 / 13 / 0 / 55

HEX #696372

RGB 105 99 114

HSL 264, 0.07%, 0.42%

LAB 42.98, 5.54, -7.58

 

CMYK 4 / 13 / 0 / 55

HEX #6D6372

RGB 109 99 114

HSL 280, 0.07%, 0.42%

LAB 43.34, 7.04, -6.99

 

CMYK 13 / 7 / 0 / 55

HEX #636A72

RGB 99 106 114

HSL 212, 0.07%, 0.42%

LAB 44.48, -0.88, -5.39

 

CMYK 13 / 11 / 0 / 55

HEX #636672

RGB 99 102 114

HSL 228, 0.07%, 0.42%

LAB 43.32, 1.51, -7.13

 

CMYK 13 / 13 / 0 / 55

HEX #636372

RGB 99 99 114

HSL 240, 0.07%, 0.42%

LAB 42.45, 3.32, -8.43

 

CMYK 13 / 7 / 0 / 55

HEX #636A72

RGB 99 106 114

HSL 212, 0.07%, 0.42%

LAB 44.48, -0.88, -5.39

 

CMYK 37 / 21 / 0 / 49

HEX #526783

RGB 82 103 131

HSL 214.29, 0.23%, 0.42%

LAB 42.96, -0.38, -18.06

 

CMYK 57 / 32 / 0 / 42

HEX #406595

RGB 64 101 149

HSL 213.88, 0.4%, 0.42%

LAB 42.1, 1.72, -30.28

 

CMYK 72 / 40 / 0 / 35

HEX #2F63A6

RGB 47 99 166

HSL 213.78, 0.56%, 0.42%

LAB 41.66, 5.85, -41.13

 

CMYK 84 / 47 / 0 / 28

HEX #1E61B7

RGB 30 97 183

HSL 213.73, 0.72%, 0.42%

LAB 41.6, 11.67, -51.25

 

CMYK 13 / 7 / 0 / 55

HEX #636A72

RGB 99 106 114

HSL 212, 0.07%, 0.42%

LAB 44.48, -0.88, -5.39

 

CMYK 0 / 7 / 16 / 55

HEX #746C61

RGB 116 108 97

HSL 34.74, 0.09%, 0.42%

LAB 46.04, 1.09, 7.28

 

CMYK 0 / 18 / 41 / 47

HEX #866E4F

RGB 134 110 79

HSL 33.82, 0.26%, 0.42%

LAB 47.99, 4.9, 20.85

 

CMYK 0 / 26 / 59 / 41

HEX #97703E

RGB 151 112 62

HSL 33.71, 0.42%, 0.42%

LAB 50.12, 9.54, 33.46

 

CMYK 0 / 32 / 73 / 34

HEX #A8722D

RGB 168 114 45

HSL 33.66, 0.58%, 0.42%

LAB 52.45, 14.89, 45.2

 

CMYK 13 / 0 / 0 / 55

HEX #637272

RGB 99 114 114

HSL 180, 0.07%, 0.42%

LAB 46.85, -5.58, -1.9

 

CMYK 13 / 4 / 0 / 55

HEX #636E72

RGB 99 110 114

HSL 196, 0.07%, 0.42%

LAB 45.66, -3.25, -3.64

 

CMYK 13 / 7 / 0 / 55

HEX #636A72

RGB 99 106 114

HSL 212, 0.07%, 0.42%

LAB 44.48, -0.88, -5.39

 

CMYK 13 / 11 / 0 / 55

HEX #636672

RGB 99 102 114

HSL 228, 0.07%, 0.42%

LAB 43.32, 1.51, -7.13

 

CMYK 12 / 13 / 0 / 55

HEX #646372

RGB 100 99 114

HSL 244, 0.07%, 0.42%

LAB 42.53, 3.69, -8.29

 

CMYK 13 / 7 / 0 / 73

HEX #3D4146

RGB 61 65 70

HSL 213.33, 0.07%, 0.26%

LAB 27.34, -0.46, -3.61

 

CMYK 13 / 8 / 0 / 64

HEX #50555C

RGB 80 85 92

HSL 215, 0.07%, 0.34%

LAB 35.94, -0.37, -4.75

 

CMYK 13 / 7 / 0 / 55

HEX #636A72

RGB 99 106 114

HSL 212, 0.07%, 0.42%

LAB 44.48, -0.88, -5.39

 

CMYK 13 / 7 / 0 / 47

HEX #767E88

RGB 118 126 136

HSL 213.33, 0.07%, 0.5%

LAB 52.45, -0.79, -6.43

 

CMYK 10 / 5 / 0 / 39

HEX #8C939B

RGB 140 147 155

HSL 212, 0.07%, 0.58%

LAB 60.61, -0.88, -5.09

 

CMYK 14 / 8 / 0 / 55

HEX #636A73

RGB 99 106 115

HSL 213.75, 0.07%, 0.42%

LAB 44.52, -0.65, -5.94

 

CMYK 4 / 13 / 0 / 55

HEX #6E6372

RGB 110 99 114

HSL 284, 0.07%, 0.42%

LAB 43.44, 7.41, -6.84

 

CMYK 2 / 0 / 13 / 55

HEX #707263

RGB 112 114 99

HSL 68, 0.07%, 0.42%

LAB 47.47, -3.67, 8.06

 

CMYK 14 / 8 / 0 / 55

HEX #636A73

RGB 99 106 115

HSL 213.75, 0.07%, 0.42%

LAB 44.52, -0.65, -5.94

 

CMYK 0 / 13 / 7 / 55

HEX #72636A

RGB 114 99 106

HSL 332, 0.07%, 0.42%

LAB 43.57, 7.32, -1.75

 

CMYK 7 / 0 / 13 / 55

HEX #6A7263

RGB 106 114 99

HSL 92, 0.07%, 0.42%

LAB 46.97, -6.05, 7.29

 

CMYK 14 / 8 / 0 / 55

HEX #636A73

RGB 99 106 115

HSL 213.75, 0.07%, 0.42%

LAB 44.52, -0.65, -5.94

 

CMYK 4 / 13 / 0 / 55

HEX #6E6372

RGB 110 99 114

HSL 284, 0.07%, 0.42%

LAB 43.44, 7.41, -6.84

 

CMYK 0 / 6 / 13 / 55

HEX #726B63

RGB 114 107 99

HSL 32, 0.07%, 0.42%

LAB 45.63, 1.23, 5.46

 

CMYK 10 / 0 / 13 / 55

HEX #677263

RGB 103 114 99

HSL 104, 0.07%, 0.42%

LAB 46.74, -7.22, 6.92

 

CMYK 14 / 8 / 0 / 55

HEX #636A73

RGB 99 106 115

HSL 213.75, 0.07%, 0.42%

LAB 44.52, -0.65, -5.94

 

CMYK 0 / 13 / 1 / 55

HEX #726371

RGB 114 99 113

HSL 304, 0.07%, 0.42%

LAB 43.79, 8.72, -5.67

 

CMYK 0 / 6 / 13 / 55

HEX #726B63

RGB 114 107 99

HSL 32, 0.07%, 0.42%

LAB 45.63, 1.23, 5.46

 

CMYK 13 / 0 / 12 / 55

HEX #637264

RGB 99 114 100

HSL 124, 0.07%, 0.42%

LAB 46.46, -8.56, 5.88

 

Description

Color code: HEX #636A73 | qconv.com Color code: HEX #636A73 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 106 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 106 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 8 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 8% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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