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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #636C8C it is the complementary color #9C9373. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #636C8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #636C8C shade: #686C87, #797E9A, #8A90AD, #9BA2C0 and #ACB4D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #636C8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #636C8C shade: #636C8C, #525A79, #414866, #303653 and #1F2440

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #636C8C shade: #636C8C, #65638C, #70638C, #7B638C and #86638C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #636C8C shade: #636C8C and #63638C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #636C8C shade matches the following richer shades: #636C8C, #50619F, #3C56B3, #294BC6 and #1540D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #636C8C shade: #636C8C, #767778, #8A8265, #9D8D52 and #B1973E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #636C8C shade: #63828C, #63778C, #636C8C, #64638C and #6F638C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #636C8C shade: #41475B, #525974, #636C8C, #79819F and #9198B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #636C8C shade: #636C8C, #8A638C and #7D8C63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #636C8C shade: #636C8C, #8C636C and #6C8C63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #636C8C shade: #636C8C, #8A638C, #8C8263 and #648C63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #636C8C shade: #636C8C, #8C6381, #8C8263 and #638C6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 23 / 0 / 45

HEX #636C8C

RGB 99 108 140

HSL 226.83, 0.17%, 0.47%

LAB 46, 4.39, -18.68

 

Complementary color

CMYK 0 / 6 / 26 / 39

HEX #9C9373

RGB 156 147 115

HSL 46.83, 0.17%, 0.53%

LAB 60.93, -1.96, 18.17

 

CMYK 23 / 20 / 0 / 47

HEX #686C87

RGB 104 108 135

HSL 232.26, 0.13%, 0.47%

LAB 46.2, 4.74, -15.36

 

CMYK 21 / 18 / 0 / 40

HEX #797E9A

RGB 121 126 154

HSL 230.91, 0.14%, 0.54%

LAB 53.3, 4.43, -15.63

 

CMYK 20 / 17 / 0 / 32

HEX #8A90AD

RGB 138 144 173

HSL 229.71, 0.18%, 0.61%

LAB 60.22, 4.15, -15.93

 

CMYK 19 / 16 / 0 / 25

HEX #9BA2C0

RGB 155 162 192

HSL 228.65, 0.23%, 0.68%

LAB 66.99, 3.9, -16.24

 

CMYK 18 / 15 / 0 / 17

HEX #ACB4D3

RGB 172 180 211

HSL 227.69, 0.31%, 0.75%

LAB 73.62, 3.67, -16.56

 

CMYK 29 / 23 / 0 / 45

HEX #636C8C

RGB 99 108 140

HSL 226.83, 0.17%, 0.47%

LAB 46, 4.39, -18.68

 

CMYK 32 / 26 / 0 / 53

HEX #525A79

RGB 82 90 121

HSL 227.69, 0.19%, 0.4%

LAB 38.7, 4.79, -18.53

 

CMYK 36 / 29 / 0 / 60

HEX #414866

RGB 65 72 102

HSL 228.65, 0.22%, 0.33%

LAB 31.16, 5.28, -18.43

 

CMYK 42 / 35 / 0 / 67

HEX #303653

RGB 48 54 83

HSL 229.71, 0.27%, 0.26%

LAB 23.31, 5.91, -18.43

 

CMYK 52 / 44 / 0 / 75

HEX #1F2440

RGB 31 36 64

HSL 230.91, 0.35%, 0.19%

LAB 15.08, 6.81, -18.56

 

CMYK 29 / 23 / 0 / 45

HEX #636C8C

RGB 99 108 140

HSL 226.83, 0.17%, 0.47%

LAB 46, 4.39, -18.68

 

CMYK 28 / 29 / 0 / 45

HEX #65638C

RGB 101 99 140

HSL 242.93, 0.17%, 0.47%

LAB 43.63, 10.52, -22.32

 

CMYK 20 / 29 / 0 / 45

HEX #70638C

RGB 112 99 140

HSL 259.02, 0.17%, 0.47%

LAB 44.61, 14.14, -20.73

 

CMYK 12 / 29 / 0 / 45

HEX #7B638C

RGB 123 99 140

HSL 275.12, 0.17%, 0.47%

LAB 45.67, 17.88, -19

 

CMYK 4 / 29 / 0 / 45

HEX #86638C

RGB 134 99 140

HSL 291.22, 0.17%, 0.47%

LAB 46.82, 21.7, -17.14

 

CMYK 29 / 23 / 0 / 45

HEX #636C8C

RGB 99 108 140

HSL 226.83, 0.17%, 0.47%

LAB 46, 4.39, -18.68

 

CMYK 29 / 29 / 0 / 45

HEX #63638C

RGB 99 99 140

HSL 240, 0.17%, 0.47%

LAB 43.46, 9.88, -22.59

 

CMYK 29 / 23 / 0 / 45

HEX #636C8C

RGB 99 108 140

HSL 226.83, 0.17%, 0.47%

LAB 46, 4.39, -18.68

 

CMYK 50 / 39 / 0 / 38

HEX #50619F

RGB 80 97 159

HSL 227.09, 0.33%, 0.47%

LAB 42.4, 11.35, -35.71

 

CMYK 66 / 52 / 0 / 30

HEX #3C56B3

RGB 60 86 179

HSL 226.89, 0.5%, 0.47%

LAB 39.36, 21.13, -52.46

 

CMYK 79 / 62 / 0 / 22

HEX #294BC6

RGB 41 75 198

HSL 227.01, 0.66%, 0.47%

LAB 37.08, 32.88, -67.34

 

CMYK 90 / 71 / 0 / 15

HEX #1540D9

RGB 21 64 217

HSL 226.84, 0.82%, 0.47%

LAB 35.67, 45.49, -80.67

 

CMYK 29 / 23 / 0 / 45

HEX #636C8C

RGB 99 108 140

HSL 226.83, 0.17%, 0.47%

LAB 46, 4.39, -18.68

 

CMYK 2 / 1 / 0 / 53

HEX #767778

RGB 118 119 120

HSL 210, 0.01%, 0.47%

LAB 49.98, -0.17, -0.69

 

CMYK 0 / 6 / 27 / 46

HEX #8A8265

RGB 138 130 101

HSL 47.03, 0.15%, 0.47%

LAB 54.35, -1.87, 16.82

 

CMYK 0 / 10 / 48 / 38

HEX #9D8D52

RGB 157 141 82

HSL 47.2, 0.31%, 0.47%

LAB 58.81, -2.32, 33.51

HEX #9D8D52

CMYK 0 / 15 / 65 / 31

HEX #B1973E

RGB 177 151 62

HSL 46.43, 0.48%, 0.47%

LAB 63.2, -0.69, 49.06

HEX #B1973E

CMYK 29 / 7 / 0 / 45

HEX #63828C

RGB 99 130 140

HSL 194.63, 0.17%, 0.47%

LAB 52.41, -8.48, -8.97

 

CMYK 29 / 15 / 0 / 45

HEX #63778C

RGB 99 119 140

HSL 210.73, 0.17%, 0.47%

LAB 49.18, -2.16, -13.84

 

CMYK 29 / 23 / 0 / 45

HEX #636C8C

RGB 99 108 140

HSL 226.83, 0.17%, 0.47%

LAB 46, 4.39, -18.68

 

CMYK 29 / 29 / 0 / 45

HEX #64638C

RGB 100 99 140

HSL 241.46, 0.17%, 0.47%

LAB 43.55, 10.2, -22.46

 

CMYK 21 / 29 / 0 / 45

HEX #6F638C

RGB 111 99 140

HSL 257.56, 0.17%, 0.47%

LAB 44.51, 13.8, -20.88

 

CMYK 29 / 22 / 0 / 64

HEX #41475B

RGB 65 71 91

HSL 226.15, 0.17%, 0.31%

LAB 30.37, 2.73, -12.63

 

CMYK 29 / 23 / 0 / 55

HEX #525974

RGB 82 89 116

HSL 227.65, 0.17%, 0.39%

LAB 38.2, 4.03, -16.23

 

CMYK 29 / 23 / 0 / 45

HEX #636C8C

RGB 99 108 140

HSL 226.83, 0.17%, 0.47%

LAB 46, 4.39, -18.68

 

CMYK 24 / 19 / 0 / 38

HEX #79819F

RGB 121 129 159

HSL 227.37, 0.17%, 0.55%

LAB 54.31, 3.9, -16.99

 

CMYK 18 / 14 / 0 / 31

HEX #9198B1

RGB 145 152 177

HSL 226.88, 0.17%, 0.63%

LAB 63.05, 2.84, -13.86

 

CMYK 29 / 23 / 0 / 45

HEX #636C8C

RGB 99 108 140

HSL 226.83, 0.17%, 0.47%

LAB 46, 4.39, -18.68

 

CMYK 1 / 29 / 0 / 45

HEX #8A638C

RGB 138 99 140

HSL 297.07, 0.17%, 0.47%

LAB 47.26, 23.1, -16.43

 

CMYK 11 / 0 / 29 / 45

HEX #7D8C63

RGB 125 140 99

HSL 81.95, 0.17%, 0.47%

LAB 56.1, -12.97, 20.16

 

CMYK 29 / 23 / 0 / 45

HEX #636C8C

RGB 99 108 140

HSL 226.83, 0.17%, 0.47%

LAB 46, 4.39, -18.68

 

CMYK 0 / 29 / 23 / 45

HEX #8C636C

RGB 140 99 108

HSL 346.83, 0.17%, 0.47%

LAB 46.42, 17.99, 1.54

 

CMYK 23 / 0 / 29 / 45

HEX #6C8C63

RGB 108 140 99

HSL 106.83, 0.17%, 0.47%

LAB 54.91, -19.51, 18.34

 

CMYK 29 / 23 / 0 / 45

HEX #636C8C

RGB 99 108 140

HSL 226.83, 0.17%, 0.47%

LAB 46, 4.39, -18.68

 

CMYK 1 / 29 / 0 / 45

HEX #8A638C

RGB 138 99 140

HSL 297.07, 0.17%, 0.47%

LAB 47.26, 23.1, -16.43

 

CMYK 0 / 7 / 29 / 45

HEX #8C8263

RGB 140 130 99

HSL 45.37, 0.17%, 0.47%

LAB 54.49, -1.34, 18.18

 

CMYK 29 / 0 / 29 / 45

HEX #648C63

RGB 100 140 99

HSL 118.54, 0.17%, 0.47%

LAB 54.41, -22.43, 17.58

 

CMYK 29 / 23 / 0 / 45

HEX #636C8C

RGB 99 108 140

HSL 226.83, 0.17%, 0.47%

LAB 46, 4.39, -18.68

 

CMYK 0 / 29 / 8 / 45

HEX #8C6381

RGB 140 99 129

HSL 316.1, 0.17%, 0.47%

LAB 47.08, 21.66, -10.1

 

CMYK 0 / 7 / 29 / 45

HEX #8C8263

RGB 140 130 99

HSL 45.37, 0.17%, 0.47%

LAB 54.49, -1.34, 18.18

 

CMYK 29 / 0 / 21 / 45

HEX #638C6E

RGB 99 140 110

HSL 136.1, 0.17%, 0.47%

LAB 54.59, -20.7, 11.56

 

Description

Color code: HEX #636C8C | qconv.com Color code: HEX #636C8C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 108 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 108 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 23 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 23% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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