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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #636C9B it is the complementary color #9C9364. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #636C9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #636C9B shade: #686C96, #797EA9, #8A90BC, #9BA2CF and #ACB4E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #636C9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #636C9B shade: #636C9B, #525A88, #414875, #303662 and #1F244F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #636C9B shade: #636C9B, #69639B, #78639B, #87639B and #96639B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #636C9B shade: #636C9B and #63639B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #636C9B shade matches the following richer shades: #636C9B, #4E5EB0, #3A50C4, #2542D9 and #1034EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #636C9B shade: #636C9B, #787A86, #8C8872, #A1965D and #B5A449

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #636C9B shade: #638A9B, #637B9B, #636C9B, #69639B and #78639B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #636C9B shade: #434969, #535A82, #636C9B, #7C84AB and #959BBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #636C9B shade: #636C9B, #9B6399 and #839B63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #636C9B shade: #636C9B, #9B636C and #6C9B63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #636C9B shade: #636C9B, #9B6399, #9B9263 and #639B65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #636C9B shade: #636C9B, #9B6388, #9B9263 and #639B76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 30 / 0 / 39

HEX #636C9B

RGB 99 108 155

HSL 230.36, 0.22%, 0.5%

LAB 46.64, 8.51, -26.6

 

Complementary color

CMYK 0 / 6 / 36 / 39

HEX #9C9364

RGB 156 147 100

HSL 50.36, 0.22%, 0.5%

LAB 60.65, -3.99, 26.11

 

CMYK 31 / 28 / 0 / 41

HEX #686C96

RGB 104 108 150

HSL 234.78, 0.18%, 0.5%

LAB 46.8, 8.65, -23.35

 

CMYK 28 / 25 / 0 / 34

HEX #797EA9

RGB 121 126 169

HSL 233.75, 0.22%, 0.57%

LAB 53.87, 8.18, -23.45

 

CMYK 27 / 23 / 0 / 26

HEX #8A90BC

RGB 138 144 188

HSL 232.8, 0.27%, 0.64%

LAB 60.76, 7.77, -23.59

 

CMYK 25 / 22 / 0 / 19

HEX #9BA2CF

RGB 155 162 207

HSL 231.92, 0.35%, 0.71%

LAB 67.51, 7.41, -23.76

 

CMYK 24 / 20 / 0 / 11

HEX #ACB4E2

RGB 172 180 226

HSL 231.11, 0.48%, 0.78%

LAB 74.13, 7.08, -23.96

 

CMYK 36 / 30 / 0 / 39

HEX #636C9B

RGB 99 108 155

HSL 230.36, 0.22%, 0.5%

LAB 46.64, 8.51, -26.6

 

CMYK 40 / 34 / 0 / 47

HEX #525A88

RGB 82 90 136

HSL 231.11, 0.25%, 0.43%

LAB 39.38, 9.15, -26.62

 

CMYK 44 / 38 / 0 / 54

HEX #414875

RGB 65 72 117

HSL 231.92, 0.29%, 0.36%

LAB 31.9, 9.94, -26.73

 

CMYK 51 / 45 / 0 / 62

HEX #303662

RGB 48 54 98

HSL 232.8, 0.34%, 0.29%

LAB 24.16, 10.99, -26.94

 

CMYK 61 / 54 / 0 / 69

HEX #1F244F

RGB 31 36 79

HSL 233.75, 0.44%, 0.22%

LAB 16.09, 12.46, -27.26

 

CMYK 36 / 30 / 0 / 39

HEX #636C9B

RGB 99 108 155

HSL 230.36, 0.22%, 0.5%

LAB 46.64, 8.51, -26.6

 

CMYK 32 / 36 / 0 / 39

HEX #69639B

RGB 105 99 155

HSL 246.43, 0.22%, 0.5%

LAB 44.65, 15.82, -29.66

 

CMYK 23 / 36 / 0 / 39

HEX #78639B

RGB 120 99 155

HSL 262.5, 0.22%, 0.5%

LAB 46.02, 20.46, -27.42

 

CMYK 13 / 36 / 0 / 39

HEX #87639B

RGB 135 99 155

HSL 278.57, 0.22%, 0.5%

LAB 47.55, 25.3, -24.93

 

CMYK 3 / 36 / 0 / 39

HEX #96639B

RGB 150 99 155

HSL 294.64, 0.22%, 0.5%

LAB 49.22, 30.25, -22.21

 

CMYK 36 / 30 / 0 / 39

HEX #636C9B

RGB 99 108 155

HSL 230.36, 0.22%, 0.5%

LAB 46.64, 8.51, -26.6

 

CMYK 36 / 36 / 0 / 39

HEX #63639B

RGB 99 99 155

HSL 240, 0.22%, 0.5%

LAB 44.15, 14.04, -30.48

 

CMYK 36 / 30 / 0 / 39

HEX #636C9B

RGB 99 108 155

HSL 230.36, 0.22%, 0.5%

LAB 46.64, 8.51, -26.6

 

CMYK 56 / 47 / 0 / 31

HEX #4E5EB0

RGB 78 94 176

HSL 230.2, 0.39%, 0.5%

LAB 42.4, 18.37, -45.76

 

CMYK 70 / 59 / 0 / 23

HEX #3A50C4

RGB 58 80 196

HSL 230.43, 0.54%, 0.5%

LAB 38.94, 30.84, -63.11

 

CMYK 83 / 70 / 0 / 15

HEX #2542D9

RGB 37 66 217

HSL 230.33, 0.71%, 0.5%

LAB 36.55, 45.08, -79.19

 

CMYK 93 / 78 / 0 / 7

HEX #1034EE

RGB 16 52 238

HSL 230.27, 0.87%, 0.5%

LAB 35.48, 59.13, -92.98

 

CMYK 36 / 30 / 0 / 39

HEX #636C9B

RGB 99 108 155

HSL 230.36, 0.22%, 0.5%

LAB 46.64, 8.51, -26.6

 

CMYK 10 / 9 / 0 / 47

HEX #787A86

RGB 120 122 134

HSL 231.43, 0.06%, 0.5%

LAB 51.42, 1.79, -6.78

 

CMYK 0 / 3 / 19 / 45

HEX #8C8872

RGB 140 136 114

HSL 50.77, 0.1%, 0.5%

LAB 56.48, -2.41, 12.37

 

CMYK 0 / 7 / 42 / 37

HEX #A1965D

RGB 161 150 93

HSL 50.29, 0.27%, 0.5%

LAB 61.81, -4.36, 31.49

 

CMYK 0 / 9 / 60 / 29

HEX #B5A449

RGB 181 164 73

HSL 50.56, 0.43%, 0.5%

LAB 67.17, -5.18, 48.45

 

CMYK 36 / 11 / 0 / 39

HEX #638A9B

RGB 99 138 155

HSL 198.21, 0.22%, 0.5%

LAB 55.27, -9.08, -13.36

 

CMYK 36 / 21 / 0 / 39

HEX #637B9B

RGB 99 123 155

HSL 214.29, 0.22%, 0.5%

LAB 50.9, -0.47, -20.01

 

CMYK 36 / 30 / 0 / 39

HEX #636C9B

RGB 99 108 155

HSL 230.36, 0.22%, 0.5%

LAB 46.64, 8.51, -26.6

 

CMYK 32 / 36 / 0 / 39

HEX #69639B

RGB 105 99 155

HSL 246.43, 0.22%, 0.5%

LAB 44.65, 15.82, -29.66

 

CMYK 23 / 36 / 0 / 39

HEX #78639B

RGB 120 99 155

HSL 262.5, 0.22%, 0.5%

LAB 46.02, 20.46, -27.42

 

CMYK 36 / 30 / 0 / 59

HEX #434969

RGB 67 73 105

HSL 230.53, 0.22%, 0.34%

LAB 31.76, 6.17, -19.39

 

CMYK 36 / 31 / 0 / 49

HEX #535A82

RGB 83 90 130

HSL 231.06, 0.22%, 0.42%

LAB 39.18, 7.68, -23.29

 

CMYK 36 / 30 / 0 / 39

HEX #636C9B

RGB 99 108 155

HSL 230.36, 0.22%, 0.5%

LAB 46.64, 8.51, -26.6

 

CMYK 27 / 23 / 0 / 33

HEX #7C84AB

RGB 124 132 171

HSL 229.79, 0.22%, 0.58%

LAB 55.81, 6.11, -21.59

 

CMYK 20 / 17 / 0 / 27

HEX #959BBB

RGB 149 155 187

HSL 230.53, 0.22%, 0.66%

LAB 64.5, 4.74, -17.26

 

CMYK 36 / 30 / 0 / 39

HEX #636C9B

RGB 99 108 155

HSL 230.36, 0.22%, 0.5%

LAB 46.64, 8.51, -26.6

 

CMYK 0 / 36 / 1 / 39

HEX #9B6399

RGB 155 99 153

HSL 302.14, 0.22%, 0.5%

LAB 49.73, 31.52, -20.2

 

CMYK 15 / 0 / 36 / 39

HEX #839B63

RGB 131 155 99

HSL 85.71, 0.22%, 0.5%

LAB 60.93, -18.52, 26.65

 

CMYK 36 / 30 / 0 / 39

HEX #636C9B

RGB 99 108 155

HSL 230.36, 0.22%, 0.5%

LAB 46.64, 8.51, -26.6

 

CMYK 0 / 36 / 30 / 39

HEX #9B636C

RGB 155 99 108

HSL 350.36, 0.22%, 0.5%

LAB 48.23, 23.91, 4.38

 

CMYK 30 / 0 / 36 / 39

HEX #6C9B63

RGB 108 155 99

HSL 110.36, 0.22%, 0.5%

LAB 59.46, -27.1, 24.45

 

CMYK 36 / 30 / 0 / 39

HEX #636C9B

RGB 99 108 155

HSL 230.36, 0.22%, 0.5%

LAB 46.64, 8.51, -26.6

 

CMYK 0 / 36 / 1 / 39

HEX #9B6399

RGB 155 99 153

HSL 302.14, 0.22%, 0.5%

LAB 49.73, 31.52, -20.2

 

CMYK 0 / 6 / 36 / 39

HEX #9B9263

RGB 155 146 99

HSL 50.36, 0.22%, 0.5%

LAB 60.27, -3.98, 26.14

 

CMYK 36 / 0 / 35 / 39

HEX #639B65

RGB 99 155 101

HSL 122.14, 0.22%, 0.5%

LAB 59.01, -29.85, 22.66

 

CMYK 36 / 30 / 0 / 39

HEX #636C9B

RGB 99 108 155

HSL 230.36, 0.22%, 0.5%

LAB 46.64, 8.51, -26.6

 

CMYK 0 / 36 / 12 / 39

HEX #9B6388

RGB 155 99 136

HSL 320.36, 0.22%, 0.5%

LAB 49.09, 28.38, -11.08

 

CMYK 0 / 6 / 36 / 39

HEX #9B9263

RGB 155 146 99

HSL 50.36, 0.22%, 0.5%

LAB 60.27, -3.98, 26.14

 

CMYK 36 / 0 / 24 / 39

HEX #639B76

RGB 99 155 118

HSL 140.36, 0.22%, 0.5%

LAB 59.35, -26.69, 13.68

 

Description

Color code: HEX #636C9B | qconv.com Color code: HEX #636C9B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 108 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 108 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 30 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 30% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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