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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #637287 it is the complementary color #9C8D78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #637287. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #637287 shade: #687282, #798495, #8A96A8, #9BA8BB and #ACBACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #637287. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #637287 shade: #637287, #526074, #414E61, #303C4E and #1F2A3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #637287 shade: #637286, #636886, #686386, #716386 and #7B6386

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #637287 shade: #637286, #636886 and #636386

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #637287 shade matches the following richer shades: #637286, #506F99, #3D6CAC, #2A68BF and #1765D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #637287 shade: #637286, #767573, #897860, #9C7B4D and #AF7F3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #637287 shade: #638586, #637B86, #637286, #636886 and #676386

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #637287 shade: #404A57, #525E6F, #637286, #78879B and #909CAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #637287 shade: #637287, #7F6386 and #808663

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #637287 shade: #637287, #866372 and #728663

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #637287 shade: #637287, #7F6386, #867863 and #6B8663

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #637287 shade: #637287, #866383, #867863 and #638666

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 16 / 0 / 47

HEX #637287

RGB 99 114 135

HSL 215, 0.15%, 0.46%

LAB 47.54, -0.51, -13.36

 

Complementary color

CMYK 0 / 10 / 23 / 39

HEX #9C8D78

RGB 156 141 120

HSL 35, 0.15%, 0.54%

LAB 59.41, 2.11, 13.25

 

CMYK 20 / 12 / 0 / 49

HEX #687282

RGB 104 114 130

HSL 216.92, 0.11%, 0.46%

LAB 47.74, -0.07, -10.06

 

CMYK 19 / 11 / 0 / 42

HEX #798495

RGB 121 132 149

HSL 216.43, 0.12%, 0.53%

LAB 54.8, -0.24, -10.47

 

CMYK 18 / 11 / 0 / 34

HEX #8A96A8

RGB 138 150 168

HSL 216, 0.15%, 0.6%

LAB 61.69, -0.39, -10.88

 

CMYK 17 / 10 / 0 / 27

HEX #9BA8BB

RGB 155 168 187

HSL 215.63, 0.19%, 0.67%

LAB 68.43, -0.54, -11.29

 

CMYK 17 / 10 / 0 / 19

HEX #ACBACE

RGB 172 186 206

HSL 215.29, 0.26%, 0.74%

LAB 75.04, -0.68, -11.7

 

CMYK 27 / 16 / 0 / 47

HEX #637287

RGB 99 114 135

HSL 215, 0.15%, 0.46%

LAB 47.54, -0.51, -13.36

 

CMYK 29 / 17 / 0 / 55

HEX #526074

RGB 82 96 116

HSL 215.29, 0.17%, 0.39%

LAB 40.28, -0.3, -13.05

 

CMYK 33 / 20 / 0 / 62

HEX #414E61

RGB 65 78 97

HSL 215.63, 0.2%, 0.32%

LAB 32.78, -0.05, -12.77

 

CMYK 38 / 23 / 0 / 69

HEX #303C4E

RGB 48 60 78

HSL 216, 0.24%, 0.25%

LAB 24.98, 0.26, -12.53

 

CMYK 47 / 29 / 0 / 77

HEX #1F2A3B

RGB 31 42 59

HSL 216.43, 0.31%, 0.18%

LAB 16.81, 0.69, -12.37

 

CMYK 26 / 15 / 0 / 47

HEX #637286

RGB 99 114 134

HSL 214.29, 0.15%, 0.46%

LAB 47.51, -0.76, -12.82

 

CMYK 26 / 22 / 0 / 47

HEX #636886

RGB 99 104 134

HSL 231.43, 0.15%, 0.46%

LAB 44.62, 5.23, -17.21

 

CMYK 22 / 26 / 0 / 47

HEX #686386

RGB 104 99 134

HSL 248.57, 0.15%, 0.46%

LAB 43.64, 9.95, -18.68

 

CMYK 16 / 26 / 0 / 47

HEX #716386

RGB 113 99 134

HSL 264, 0.15%, 0.46%

LAB 44.46, 13.03, -17.36

 

CMYK 8 / 26 / 0 / 47

HEX #7B6386

RGB 123 99 134

HSL 281.14, 0.15%, 0.46%

LAB 45.44, 16.53, -15.77

 

CMYK 26 / 15 / 0 / 47

HEX #637286

RGB 99 114 134

HSL 214.29, 0.15%, 0.46%

LAB 47.51, -0.76, -12.82

 

CMYK 26 / 22 / 0 / 47

HEX #636886

RGB 99 104 134

HSL 231.43, 0.15%, 0.46%

LAB 44.62, 5.23, -17.21

 

CMYK 26 / 26 / 0 / 47

HEX #636386

RGB 99 99 134

HSL 240, 0.15%, 0.46%

LAB 43.21, 8.29, -19.38

 

CMYK 26 / 15 / 0 / 47

HEX #637286

RGB 99 114 134

HSL 214.29, 0.15%, 0.46%

LAB 47.51, -0.76, -12.82

 

CMYK 48 / 27 / 0 / 40

HEX #506F99

RGB 80 111 153

HSL 214.52, 0.31%, 0.46%

LAB 46.14, 0.79, -26.28

 

CMYK 65 / 37 / 0 / 33

HEX #3D6CAC

RGB 61 108 172

HSL 214.59, 0.48%, 0.46%

LAB 45.21, 4.73, -38.99

 

CMYK 78 / 46 / 0 / 25

HEX #2A68BF

RGB 42 104 191

HSL 215.03, 0.64%, 0.46%

LAB 44.45, 11.47, -51.31

 

CMYK 89 / 52 / 0 / 18

HEX #1765D2

RGB 23 101 210

HSL 214.97, 0.8%, 0.46%

LAB 44.44, 19.21, -62.3

 

CMYK 26 / 15 / 0 / 47

HEX #637286

RGB 99 114 134

HSL 214.29, 0.15%, 0.46%

LAB 47.51, -0.76, -12.82

 

CMYK 0 / 1 / 3 / 54

HEX #767573

RGB 118 117 115

HSL 40, 0.01%, 0.46%

LAB 49.27, -0.01, 1.23

 

CMYK 0 / 12 / 30 / 46

HEX #897860

RGB 137 120 96

HSL 35.12, 0.18%, 0.46%

LAB 51.38, 2.67, 15.61

 

CMYK 0 / 21 / 51 / 39

HEX #9C7B4D

RGB 156 123 77

HSL 34.94, 0.34%, 0.46%

LAB 53.78, 6.83, 29.91

 

CMYK 0 / 27 / 67 / 31

HEX #AF7F3A

RGB 175 127 58

HSL 35.38, 0.5%, 0.46%

LAB 56.68, 11.43, 43.77

 

CMYK 26 / 1 / 0 / 47

HEX #638586

RGB 99 133 134

HSL 181.71, 0.15%, 0.46%

LAB 53.11, -11.64, -4.44

 

CMYK 26 / 8 / 0 / 47

HEX #637B86

RGB 99 123 134

HSL 198.86, 0.15%, 0.46%

LAB 50.14, -6, -8.85

 

CMYK 26 / 15 / 0 / 47

HEX #637286

RGB 99 114 134

HSL 214.29, 0.15%, 0.46%

LAB 47.51, -0.76, -12.82

 

CMYK 26 / 22 / 0 / 47

HEX #636886

RGB 99 104 134

HSL 231.43, 0.15%, 0.46%

LAB 44.62, 5.23, -17.21

 

CMYK 23 / 26 / 0 / 47

HEX #676386

RGB 103 99 134

HSL 246.86, 0.15%, 0.46%

LAB 43.55, 9.62, -18.82

 

CMYK 26 / 15 / 0 / 66

HEX #404A57

RGB 64 74 87

HSL 213.91, 0.15%, 0.3%

LAB 31.06, -0.66, -9.03

 

CMYK 26 / 15 / 0 / 56

HEX #525E6F

RGB 82 94 111

HSL 215.17, 0.15%, 0.38%

LAB 39.49, -0.41, -11.18

 

CMYK 26 / 15 / 0 / 47

HEX #637286

RGB 99 114 134

HSL 214.29, 0.15%, 0.46%

LAB 47.51, -0.76, -12.82

 

CMYK 23 / 13 / 0 / 39

HEX #78879B

RGB 120 135 155

HSL 214.29, 0.15%, 0.54%

LAB 55.77, -0.86, -12.48

 

CMYK 17 / 10 / 0 / 32

HEX #909CAD

RGB 144 156 173

HSL 215.17, 0.15%, 0.62%

LAB 63.94, -0.63, -10.29

 

CMYK 27 / 16 / 0 / 47

HEX #637287

RGB 99 114 135

HSL 215, 0.15%, 0.46%

LAB 47.54, -0.51, -13.36

 

CMYK 5 / 26 / 0 / 47

HEX #7F6386

RGB 127 99 134

HSL 288, 0.15%, 0.46%

LAB 45.85, 17.95, -15.1

 

CMYK 4 / 0 / 26 / 47

HEX #808663

RGB 128 134 99

HSL 70.29, 0.15%, 0.46%

LAB 54.6, -8.49, 18.15

 

CMYK 27 / 16 / 0 / 47

HEX #637287

RGB 99 114 135

HSL 215, 0.15%, 0.46%

LAB 47.54, -0.51, -13.36

 

CMYK 0 / 26 / 15 / 47

HEX #866372

RGB 134 99 114

HSL 334.29, 0.15%, 0.46%

LAB 45.92, 16.65, -2.89

 

CMYK 15 / 0 / 26 / 47

HEX #728663

RGB 114 134 99

HSL 94.29, 0.15%, 0.46%

LAB 53.52, -14.05, 16.51

 

CMYK 27 / 16 / 0 / 47

HEX #637287

RGB 99 114 135

HSL 215, 0.15%, 0.46%

LAB 47.54, -0.51, -13.36

 

CMYK 5 / 26 / 0 / 47

HEX #7F6386

RGB 127 99 134

HSL 288, 0.15%, 0.46%

LAB 45.85, 17.95, -15.1

 

CMYK 0 / 10 / 26 / 47

HEX #867863

RGB 134 120 99

HSL 36, 0.15%, 0.46%

LAB 51.15, 1.87, 13.51

 

CMYK 20 / 0 / 26 / 47

HEX #6B8663

RGB 107 134 99

HSL 106.29, 0.15%, 0.46%

LAB 53.03, -16.73, 15.76

 

CMYK 27 / 16 / 0 / 47

HEX #637287

RGB 99 114 135

HSL 215, 0.15%, 0.46%

LAB 47.54, -0.51, -13.36

 

CMYK 0 / 26 / 2 / 47

HEX #866383

RGB 134 99 131

HSL 305.14, 0.15%, 0.46%

LAB 46.49, 19.85, -12.27

 

CMYK 0 / 10 / 26 / 47

HEX #867863

RGB 134 120 99

HSL 36, 0.15%, 0.46%

LAB 51.15, 1.87, 13.51

 

CMYK 26 / 0 / 24 / 47

HEX #638666

RGB 99 134 102

HSL 125.14, 0.15%, 0.46%

LAB 52.58, -19.12, 13.34

 

Description

Color code: HEX #637287 | qconv.com Color code: HEX #637287 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 114 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 114 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 16 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 16% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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