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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #637E8C it is the complementary color #9C8173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #637E8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #637E8C shade: #687E87, #79909A, #8AA2AD, #9BB4C0 and #ACC6D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #637E8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #637E8C shade: #637E8C, #526C79, #415A66, #304853 and #1F3640

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #637E8C shade: #637E8C, #63738C, #63688C, #69638C and #74638C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #637E8C shade: #637E8C, #63738C, #63688C and #63638C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #637E8C shade matches the following richer shades: #637E8C, #50849F, #3C8AB3, #2990C6 and #1596D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #637E8C shade: #637E8C, #767878, #8A7265, #9D6B52 and #B1653E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #637E8C shade: #638C84, #63898C, #637E8C, #63738C and #63688C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #637E8C shade: #41525B, #526874, #637E8C, #79929F and #91A6B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #637E8C shade: #637E8C, #79638C and #8C8963

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #637E8C shade: #637E8C, #8C637E and #7E8C63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #637E8C shade: #637E8C, #79638C, #8C7163 and #768C63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #637E8C shade: #637E8C, #85638C, #8C7163 and #6A8C63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 10 / 0 / 45

HEX #637E8C

RGB 99 126 140

HSL 200.49, 0.17%, 0.47%

LAB 51.23, -6.21, -10.74

 

Complementary color

CMYK 0 / 17 / 26 / 39

HEX #9C8173

RGB 156 129 115

HSL 20.49, 0.17%, 0.53%

LAB 56.09, 8.13, 11.46

 

CMYK 23 / 7 / 0 / 47

HEX #687E87

RGB 104 126 135

HSL 197.42, 0.13%, 0.47%

LAB 51.4, -5.83, -7.53

 

CMYK 21 / 6 / 0 / 40

HEX #79909A

RGB 121 144 154

HSL 198.18, 0.14%, 0.54%

LAB 58.36, -5.86, -8.02

 

CMYK 20 / 6 / 0 / 32

HEX #8AA2AD

RGB 138 162 173

HSL 198.86, 0.18%, 0.61%

LAB 65.17, -5.9, -8.49

 

CMYK 19 / 6 / 0 / 25

HEX #9BB4C0

RGB 155 180 192

HSL 199.46, 0.23%, 0.68%

LAB 71.84, -5.94, -8.96

 

CMYK 18 / 6 / 0 / 17

HEX #ACC6D3

RGB 172 198 211

HSL 200, 0.31%, 0.75%

LAB 78.38, -5.99, -9.43

 

CMYK 29 / 10 / 0 / 45

HEX #637E8C

RGB 99 126 140

HSL 200.49, 0.17%, 0.47%

LAB 51.23, -6.21, -10.74

 

CMYK 32 / 11 / 0 / 53

HEX #526C79

RGB 82 108 121

HSL 200, 0.19%, 0.4%

LAB 44.09, -6.14, -10.32

 

CMYK 36 / 12 / 0 / 60

HEX #415A66

RGB 65 90 102

HSL 199.46, 0.22%, 0.33%

LAB 36.73, -6.06, -9.9

 

CMYK 42 / 13 / 0 / 67

HEX #304853

RGB 48 72 83

HSL 198.86, 0.27%, 0.26%

LAB 29.13, -5.96, -9.48

 

CMYK 52 / 16 / 0 / 75

HEX #1F3640

RGB 31 54 64

HSL 198.18, 0.35%, 0.19%

LAB 21.21, -5.77, -9.06

 

CMYK 29 / 10 / 0 / 45

HEX #637E8C

RGB 99 126 140

HSL 200.49, 0.17%, 0.47%

LAB 51.23, -6.21, -10.74

 

CMYK 29 / 18 / 0 / 45

HEX #63738C

RGB 99 115 140

HSL 216.59, 0.17%, 0.47%

LAB 48.02, 0.2, -15.6

 

CMYK 29 / 26 / 0 / 45

HEX #63688C

RGB 99 104 140

HSL 232.68, 0.17%, 0.47%

LAB 44.87, 6.82, -20.42

 

CMYK 25 / 29 / 0 / 45

HEX #69638C

RGB 105 99 140

HSL 248.78, 0.17%, 0.47%

LAB 43.97, 11.82, -21.76

 

CMYK 17 / 29 / 0 / 45

HEX #74638C

RGB 116 99 140

HSL 264.88, 0.17%, 0.47%

LAB 44.98, 15.49, -20.12

 

CMYK 29 / 10 / 0 / 45

HEX #637E8C

RGB 99 126 140

HSL 200.49, 0.17%, 0.47%

LAB 51.23, -6.21, -10.74

 

CMYK 29 / 18 / 0 / 45

HEX #63738C

RGB 99 115 140

HSL 216.59, 0.17%, 0.47%

LAB 48.02, 0.2, -15.6

 

CMYK 29 / 26 / 0 / 45

HEX #63688C

RGB 99 104 140

HSL 232.68, 0.17%, 0.47%

LAB 44.87, 6.82, -20.42

 

CMYK 29 / 29 / 0 / 45

HEX #63638C

RGB 99 99 140

HSL 240, 0.17%, 0.47%

LAB 43.46, 9.88, -22.59

 

CMYK 29 / 10 / 0 / 45

HEX #637E8C

RGB 99 126 140

HSL 200.49, 0.17%, 0.47%

LAB 51.23, -6.21, -10.74

 

CMYK 50 / 17 / 0 / 38

HEX #50849F

RGB 80 132 159

HSL 200.51, 0.33%, 0.47%

LAB 52.63, -9.67, -19.79

 

CMYK 66 / 23 / 0 / 30

HEX #3C8AB3

RGB 60 138 179

HSL 200.67, 0.5%, 0.47%

LAB 54.44, -10.82, -28.58

 

CMYK 79 / 27 / 0 / 22

HEX #2990C6

RGB 41 144 198

HSL 200.64, 0.66%, 0.47%

LAB 56.58, -10.19, -36.09

 

CMYK 90 / 31 / 0 / 15

HEX #1596D9

RGB 21 150 217

HSL 200.51, 0.82%, 0.47%

LAB 58.96, -8.21, -43.05

 

CMYK 29 / 10 / 0 / 45

HEX #637E8C

RGB 99 126 140

HSL 200.49, 0.17%, 0.47%

LAB 51.23, -6.21, -10.74

 

CMYK 2 / 0 / 0 / 53

HEX #767878

RGB 118 120 120

HSL 180, 0.01%, 0.47%

LAB 50.26, -0.75, -0.27

 

CMYK 0 / 17 / 27 / 46

HEX #8A7265

RGB 138 114 101

HSL 21.08, 0.15%, 0.47%

LAB 49.95, 7.3, 10.72

 

CMYK 0 / 32 / 48 / 38

HEX #9D6B52

RGB 157 107 82

HSL 20, 0.31%, 0.47%

LAB 49.85, 16.92, 22.04

 

CMYK 0 / 43 / 65 / 31

HEX #B1653E

RGB 177 101 62

HSL 20.35, 0.48%, 0.47%

LAB 50.69, 27.05, 34.94

 

CMYK 29 / 0 / 6 / 45

HEX #638C84

RGB 99 140 132

HSL 168.29, 0.17%, 0.47%

LAB 55.15, -15.93, -0.28

 

CMYK 29 / 2 / 0 / 45

HEX #63898C

RGB 99 137 140

HSL 184.39, 0.17%, 0.47%

LAB 54.49, -12.38, -5.88

 

CMYK 29 / 10 / 0 / 45

HEX #637E8C

RGB 99 126 140

HSL 200.49, 0.17%, 0.47%

LAB 51.23, -6.21, -10.74

 

CMYK 29 / 18 / 0 / 45

HEX #63738C

RGB 99 115 140

HSL 216.59, 0.17%, 0.47%

LAB 48.02, 0.2, -15.6

 

CMYK 29 / 26 / 0 / 45

HEX #63688C

RGB 99 104 140

HSL 232.68, 0.17%, 0.47%

LAB 44.87, 6.82, -20.42

 

CMYK 29 / 10 / 0 / 64

HEX #41525B

RGB 65 82 91

HSL 200.77, 0.17%, 0.31%

LAB 33.8, -4.23, -7.43

 

CMYK 29 / 10 / 0 / 55

HEX #526874

RGB 82 104 116

HSL 201.18, 0.17%, 0.39%

LAB 42.7, -5.11, -9.4

 

CMYK 29 / 10 / 0 / 45

HEX #637E8C

RGB 99 126 140

HSL 200.49, 0.17%, 0.47%

LAB 51.23, -6.21, -10.74

 

CMYK 24 / 8 / 0 / 38

HEX #79929F

RGB 121 146 159

HSL 200.53, 0.17%, 0.55%

LAB 59.09, -5.8, -9.78

 

CMYK 18 / 6 / 0 / 31

HEX #91A6B1

RGB 145 166 177

HSL 200.63, 0.17%, 0.63%

LAB 66.87, -4.92, -8.14

 

CMYK 29 / 10 / 0 / 45

HEX #637E8C

RGB 99 126 140

HSL 200.49, 0.17%, 0.47%

LAB 51.23, -6.21, -10.74

 

CMYK 14 / 29 / 0 / 45

HEX #79638C

RGB 121 99 140

HSL 272.2, 0.17%, 0.47%

LAB 45.47, 17.19, -19.33

 

CMYK 0 / 2 / 29 / 45

HEX #8C8963

RGB 140 137 99

HSL 55.61, 0.17%, 0.47%

LAB 56.45, -5.25, 20.84

 

CMYK 29 / 10 / 0 / 45

HEX #637E8C

RGB 99 126 140

HSL 200.49, 0.17%, 0.47%

LAB 51.23, -6.21, -10.74

 

CMYK 0 / 29 / 10 / 45

HEX #8C637E

RGB 140 99 126

HSL 320.49, 0.17%, 0.47%

LAB 46.98, 21.1, -8.46

 

CMYK 10 / 0 / 29 / 45

HEX #7E8C63

RGB 126 140 99

HSL 80.49, 0.17%, 0.47%

LAB 56.18, -12.57, 20.27

 

CMYK 29 / 10 / 0 / 45

HEX #637E8C

RGB 99 126 140

HSL 200.49, 0.17%, 0.47%

LAB 51.23, -6.21, -10.74

 

CMYK 14 / 29 / 0 / 45

HEX #79638C

RGB 121 99 140

HSL 272.2, 0.17%, 0.47%

LAB 45.47, 17.19, -19.33

 

CMYK 0 / 19 / 29 / 45

HEX #8C7163

RGB 140 113 99

HSL 20.49, 0.17%, 0.47%

LAB 49.84, 8.41, 11.78

 

CMYK 16 / 0 / 29 / 45

HEX #768C63

RGB 118 140 99

HSL 92.2, 0.17%, 0.47%

LAB 55.59, -15.71, 19.38

 

CMYK 29 / 10 / 0 / 45

HEX #637E8C

RGB 99 126 140

HSL 200.49, 0.17%, 0.47%

LAB 51.23, -6.21, -10.74

 

CMYK 5 / 29 / 0 / 45

HEX #85638C

RGB 133 99 140

HSL 289.76, 0.17%, 0.47%

LAB 46.72, 21.35, -17.31

 

CMYK 0 / 19 / 29 / 45

HEX #8C7163

RGB 140 113 99

HSL 20.49, 0.17%, 0.47%

LAB 49.84, 8.41, 11.78

 

CMYK 24 / 0 / 29 / 45

HEX #6A8C63

RGB 106 140 99

HSL 109.76, 0.17%, 0.47%

LAB 54.78, -20.25, 18.15

 

Description

Color code: HEX #637E8C | qconv.com Color code: HEX #637E8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 126 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 126 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 10 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 10% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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