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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6384BA it is the complementary color #9C7B45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6384BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6384BA shade: #6884B5, #7996C8, #8AA8DB, #9BBAEE and #ACCCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6384BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6384BA shade: #6384BA, #5272A7, #416094, #304E81 and #1F3C6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6384BA shade: #6384BA, #636CBA, #7163BA, #8863BA and #A063BA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6384BA shade: #6384BA, #636CBA and #6363BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6384BA shade matches the following richer shades: #6384BA, #507FCC, #3E7BDE and #2C77F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6384BA shade: #6384BA, #7588A8, #878D96, #999184 and #AB9571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6384BA shade: #63B3BA, #639BBA, #6384BA, #636DBA and #7063BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6384BA shade: #3D5B8D, #4A6EA9, #6384BA, #7F9AC7 and #9CB1D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6384BA shade: #6384BA, #AA63BA and #A7BA63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6384BA shade: #6384BA, #BA6384 and #84BA63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6384BA shade: #6384BA, #AA63BA, #BA9963 and #73BA63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6384BA shade: #6384BA, #BA63B0, #BA9963 and #63BA6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 29 / 0 / 27

HEX #6384BA

RGB 99 132 186

HSL 217.24, 0.39%, 0.56%

LAB 54.76, 3.19, -31.95

 

Complementary color

CMYK 0 / 21 / 56 / 39

HEX #9C7B45

RGB 156 123 69

HSL 37.24, 0.39%, 0.44%

LAB 53.67, 6.08, 34.11

 

CMYK 43 / 27 / 0 / 29

HEX #6884B5

RGB 104 132 181

HSL 218.18, 0.34%, 0.56%

LAB 54.85, 3.01, -28.93

 

CMYK 40 / 25 / 0 / 22

HEX #7996C8

RGB 121 150 200

HSL 217.97, 0.42%, 0.63%

LAB 61.7, 2.55, -29.01

 

CMYK 37 / 23 / 0 / 14

HEX #8AA8DB

RGB 138 168 219

HSL 217.78, 0.53%, 0.7%

LAB 68.4, 2.16, -29.11

 

CMYK 35 / 22 / 0 / 7

HEX #9BBAEE

RGB 155 186 238

HSL 217.59, 0.71%, 0.77%

LAB 74.99, 1.82, -29.25

 

CMYK 33 / 20 / 0 / 0

HEX #ACCCFF

RGB 172 204 255

HSL 216.87, 1%, 0.84%

LAB 81.39, 1.02, -28.45

 

CMYK 47 / 29 / 0 / 27

HEX #6384BA

RGB 99 132 186

HSL 217.24, 0.39%, 0.56%

LAB 54.76, 3.19, -31.95

 

CMYK 51 / 32 / 0 / 35

HEX #5272A7

RGB 82 114 167

HSL 217.41, 0.34%, 0.49%

LAB 47.78, 3.87, -31.95

 

CMYK 56 / 35 / 0 / 42

HEX #416094

RGB 65 96 148

HSL 217.59, 0.39%, 0.42%

LAB 40.62, 4.74, -32.01

 

CMYK 63 / 40 / 0 / 49

HEX #304E81

RGB 48 78 129

HSL 217.78, 0.46%, 0.35%

LAB 33.27, 5.89, -32.11

 

CMYK 72 / 45 / 0 / 57

HEX #1F3C6E

RGB 31 60 110

HSL 217.97, 0.56%, 0.28%

LAB 25.71, 7.51, -32.26

 

CMYK 47 / 29 / 0 / 27

HEX #6384BA

RGB 99 132 186

HSL 217.24, 0.39%, 0.56%

LAB 54.76, 3.19, -31.95

 

CMYK 47 / 42 / 0 / 27

HEX #636CBA

RGB 99 108 186

HSL 233.79, 0.39%, 0.56%

LAB 48.16, 17.68, -42.33

 

CMYK 39 / 47 / 0 / 27

HEX #7163BA

RGB 113 99 186

HSL 249.66, 0.39%, 0.56%

LAB 46.95, 26.74, -44.19

 

CMYK 27 / 47 / 0 / 27

HEX #8863BA

RGB 136 99 186

HSL 265.52, 0.39%, 0.56%

LAB 49.13, 32.97, -40.58

 

CMYK 14 / 47 / 0 / 27

HEX #A063BA

RGB 160 99 186

HSL 282.07, 0.39%, 0.56%

LAB 51.77, 39.87, -36.25

 

CMYK 47 / 29 / 0 / 27

HEX #6384BA

RGB 99 132 186

HSL 217.24, 0.39%, 0.56%

LAB 54.76, 3.19, -31.95

 

CMYK 47 / 42 / 0 / 27

HEX #636CBA

RGB 99 108 186

HSL 233.79, 0.39%, 0.56%

LAB 48.16, 17.68, -42.33

 

CMYK 47 / 47 / 0 / 27

HEX #6363BA

RGB 99 99 186

HSL 240, 0.39%, 0.56%

LAB 45.8, 23.23, -46.08

 

CMYK 47 / 29 / 0 / 27

HEX #6384BA

RGB 99 132 186

HSL 217.24, 0.39%, 0.56%

LAB 54.76, 3.19, -31.95

 

CMYK 61 / 38 / 0 / 20

HEX #507FCC

RGB 80 127 204

HSL 217.26, 0.55%, 0.56%

LAB 53.22, 7.7, -44.7

 

CMYK 72 / 45 / 0 / 13

HEX #3E7BDE

RGB 62 123 222

HSL 217.13, 0.71%, 0.56%

LAB 52.36, 13.53, -56.29

 

CMYK 82 / 51 / 0 / 5

HEX #2C77F1

RGB 44 119 241

HSL 217.16, 0.88%, 0.56%

LAB 51.93, 21.08, -67.65

 

CMYK 47 / 29 / 0 / 27

HEX #6384BA

RGB 99 132 186

HSL 217.24, 0.39%, 0.56%

LAB 54.76, 3.19, -31.95

 

CMYK 30 / 19 / 0 / 34

HEX #7588A8

RGB 117 136 168

HSL 217.65, 0.23%, 0.56%

LAB 56.3, 0.86, -19.17

 

CMYK 10 / 6 / 0 / 41

HEX #878D96

RGB 135 141 150

HSL 216, 0.07%, 0.56%

LAB 58.42, -0.31, -5.54

 

CMYK 0 / 5 / 14 / 40

HEX #999184

RGB 153 145 132

HSL 37.14, 0.09%, 0.56%

LAB 60.51, 0.64, 7.95

 

CMYK 0 / 13 / 34 / 33

HEX #AB9571

RGB 171 149 113

HSL 37.24, 0.26%, 0.56%

LAB 62.8, 2.75, 22.05

 

CMYK 47 / 4 / 0 / 27

HEX #63B3BA

RGB 99 179 186

HSL 184.83, 0.39%, 0.56%

LAB 68.34, -22.63, -11.2

 

CMYK 47 / 17 / 0 / 27

HEX #639BBA

RGB 99 155 186

HSL 201.38, 0.39%, 0.56%

LAB 61.34, -9.93, -21.79

 

CMYK 47 / 29 / 0 / 27

HEX #6384BA

RGB 99 132 186

HSL 217.24, 0.39%, 0.56%

LAB 54.76, 3.19, -31.95

 

CMYK 47 / 41 / 0 / 27

HEX #636DBA

RGB 99 109 186

HSL 233.1, 0.39%, 0.56%

LAB 48.43, 17.07, -41.9

 

CMYK 40 / 47 / 0 / 27

HEX #7063BA

RGB 112 99 186

HSL 248.97, 0.39%, 0.56%

LAB 46.86, 26.48, -44.33

 

CMYK 57 / 35 / 0 / 45

HEX #3D5B8D

RGB 61 91 141

HSL 217.5, 0.4%, 0.4%

LAB 38.55, 4.6, -31.07

 

CMYK 56 / 35 / 0 / 34

HEX #4A6EA9

RGB 74 110 169

HSL 217.26, 0.39%, 0.48%

LAB 46.27, 5.11, -35.51

 

CMYK 47 / 29 / 0 / 27

HEX #6384BA

RGB 99 132 186

HSL 217.24, 0.39%, 0.56%

LAB 54.76, 3.19, -31.95

 

CMYK 36 / 23 / 0 / 22

HEX #7F9AC7

RGB 127 154 199

HSL 217.5, 0.39%, 0.64%

LAB 63.13, 1.66, -26.2

 

CMYK 26 / 16 / 0 / 17

HEX #9CB1D3

RGB 156 177 211

HSL 217.09, 0.38%, 0.72%

LAB 71.7, 0.35, -19.58

 

CMYK 47 / 29 / 0 / 27

HEX #6384BA

RGB 99 132 186

HSL 217.24, 0.39%, 0.56%

LAB 54.76, 3.19, -31.95

 

CMYK 9 / 47 / 0 / 27

HEX #AA63BA

RGB 170 99 186

HSL 288.97, 0.39%, 0.56%

LAB 52.97, 42.8, -34.29

 

CMYK 10 / 0 / 47 / 27

HEX #A7BA63

RGB 167 186 99

HSL 73.1, 0.39%, 0.56%

LAB 72.38, -20.05, 41.7

 

CMYK 47 / 29 / 0 / 27

HEX #6384BA

RGB 99 132 186

HSL 217.24, 0.39%, 0.56%

LAB 54.76, 3.19, -31.95

 

CMYK 0 / 47 / 29 / 27

HEX #BA6384

RGB 186 99 132

HSL 337.24, 0.39%, 0.56%

LAB 52.98, 38.8, -2.49

 

CMYK 29 / 0 / 47 / 27

HEX #84BA63

RGB 132 186 99

HSL 97.24, 0.39%, 0.56%

LAB 70.12, -33.35, 38.4

 

CMYK 47 / 29 / 0 / 27

HEX #6384BA

RGB 99 132 186

HSL 217.24, 0.39%, 0.56%

LAB 54.76, 3.19, -31.95

 

CMYK 9 / 47 / 0 / 27

HEX #AA63BA

RGB 170 99 186

HSL 288.97, 0.39%, 0.56%

LAB 52.97, 42.8, -34.29

 

CMYK 0 / 18 / 47 / 27

HEX #BA9963

RGB 186 153 99

HSL 37.24, 0.39%, 0.56%

LAB 65.06, 5.17, 32.91

 

CMYK 38 / 0 / 47 / 27

HEX #73BA63

RGB 115 186 99

HSL 108.97, 0.39%, 0.56%

LAB 69.23, -39.17, 37.09

 

CMYK 47 / 29 / 0 / 27

HEX #6384BA

RGB 99 132 186

HSL 217.24, 0.39%, 0.56%

LAB 54.76, 3.19, -31.95

 

CMYK 0 / 47 / 5 / 27

HEX #BA63B0

RGB 186 99 176

HSL 306.9, 0.39%, 0.56%

LAB 54.55, 45.71, -25.89

 

CMYK 0 / 18 / 47 / 27

HEX #BA9963

RGB 186 153 99

HSL 37.24, 0.39%, 0.56%

LAB 65.06, 5.17, 32.91

 

CMYK 47 / 0 / 41 / 27

HEX #63BA6D

RGB 99 186 109

HSL 126.9, 0.39%, 0.56%

LAB 68.66, -42.58, 31.1

 

Description

Color code: HEX #6384BA | qconv.com Color code: HEX #6384BA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 132 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 132 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 29 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 29% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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