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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #63872B it is the complementary color #9C78D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #63872B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #63872B shade: #688726, #799939, #8AAB4C, #9BBD5F and #ACCF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #63872B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #63872B shade: #63872B, #527518, #416305, #305100 and #1F3F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #63872B shade: #63872A, #7C872A, #87792A, #87602A and #87472A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #63872B shade: #63872A, #4A872A, #31872A, #2A873D and #2A8756

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #63872B shade matches the following richer shades: #63872A, #66961C and #69A40D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #63872B shade: #63872A, #607939, #5D6A47, #595C56 and #564D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #63872B shade: #87792A, #7C872A, #64872A, #4B872A and #32872A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #63872B shade: #354817, #4C6820, #63872A, #7AA734 and #90C341

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #63872B shade: #63872B, #2A8760 and #862A87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #63872B shade: #63872B, #2A6487 and #872A64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #63872B shade: #63872B, #2A8760, #4E2A87 and #872A51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #63872B shade: #63872B, #2A877C, #4E2A87 and #872A35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 68 / 47

HEX #63872B

RGB 99 135 43

HSL 83.48, 0.52%, 0.35%

LAB 52.01, -27.56, 43.67

 

Complementary color

CMYK 26 / 43 / 0 / 17

HEX #9C78D4

RGB 156 120 212

HSL 263.48, 0.52%, 0.65%

LAB 57.32, 32.91, -42.38

 

CMYK 23 / 0 / 72 / 47

HEX #688726

RGB 104 135 38

HSL 79.18, 0.56%, 0.34%

LAB 52.3, -25.86, 46.15

 

CMYK 21 / 0 / 63 / 40

HEX #799939

RGB 121 153 57

HSL 80, 0.46%, 0.41%

LAB 59.11, -26.26, 45.53

 

CMYK 19 / 0 / 56 / 33

HEX #8AAB4C

RGB 138 171 76

HSL 80.84, 0.38%, 0.48%

LAB 65.79, -26.52, 44.56

 

CMYK 18 / 0 / 50 / 26

HEX #9BBD5F

RGB 155 189 95

HSL 81.7, 0.42%, 0.56%

LAB 72.36, -26.67, 43.44

 

CMYK 17 / 0 / 45 / 19

HEX #ACCF72

RGB 172 207 114

HSL 82.58, 0.49%, 0.63%

LAB 78.82, -26.76, 42.28

 

CMYK 27 / 0 / 68 / 47

HEX #63872B

RGB 99 135 43

HSL 83.48, 0.52%, 0.35%

LAB 52.01, -27.56, 43.67

 

CMYK 30 / 0 / 79 / 54

HEX #527518

RGB 82 117 24

HSL 82.58, 0.66%, 0.28%

LAB 45.06, -27.09, 43.86

 

CMYK 34 / 0 / 95 / 61

HEX #416305

RGB 65 99 5

HSL 81.7, 0.9%, 0.2%

LAB 37.95, -26.3, 42.7

 

CMYK 41 / 0 / 100 / 68

HEX #305100

RGB 48 81 0

HSL 84.44, 1%, 0.16%

LAB 30.67, -24.95, 38.06

 

CMYK 51 / 0 / 100 / 75

HEX #1F3F00

RGB 31 63 0

HSL 90.48, 1%, 0.12%

LAB 23.16, -23.27, 31.07

 

CMYK 27 / 0 / 69 / 47

HEX #63872A

RGB 99 135 42

HSL 83.23, 0.53%, 0.35%

LAB 52, -27.64, 44.09

 

CMYK 8 / 0 / 69 / 47

HEX #7C872A

RGB 124 135 42

HSL 67.1, 0.53%, 0.35%

LAB 53.79, -16.96, 46.5

 

CMYK 0 / 10 / 69 / 47

HEX #87792A

RGB 135 121 42

HSL 50.97, 0.53%, 0.35%

LAB 50.68, -4.34, 43.6

 

CMYK 0 / 29 / 69 / 47

HEX #87602A

RGB 135 96 42

HSL 34.84, 0.53%, 0.35%

LAB 43.78, 10.08, 36.23

 

CMYK 0 / 47 / 69 / 47

HEX #87472A

RGB 135 71 42

HSL 18.71, 0.53%, 0.35%

LAB 37.53, 24.65, 29.19

 

CMYK 27 / 0 / 69 / 47

HEX #63872A

RGB 99 135 42

HSL 83.23, 0.53%, 0.35%

LAB 52, -27.64, 44.09

 

CMYK 45 / 0 / 69 / 47

HEX #4A872A

RGB 74 135 42

HSL 99.35, 0.53%, 0.35%

LAB 50.63, -37.02, 42.22

 

CMYK 64 / 0 / 69 / 47

HEX #31872A

RGB 49 135 42

HSL 115.48, 0.53%, 0.35%

LAB 49.68, -44.33, 40.91

 

CMYK 69 / 0 / 55 / 47

HEX #2A873D

RGB 42 135 61

HSL 132.26, 0.53%, 0.35%

LAB 49.69, -43.51, 31.75

 

CMYK 69 / 0 / 36 / 47

HEX #2A8756

RGB 42 135 86

HSL 148.39, 0.53%, 0.35%

LAB 50.09, -39.01, 18.65

 

CMYK 27 / 0 / 69 / 47

HEX #63872A

RGB 99 135 42

HSL 83.23, 0.53%, 0.35%

LAB 52, -27.64, 44.09

 

CMYK 32 / 0 / 81 / 41

HEX #66961C

RGB 102 150 28

HSL 83.61, 0.69%, 0.35%

LAB 56.8, -34.35, 53.92

 

CMYK 36 / 0 / 92 / 36

HEX #69A40D

RGB 105 164 13

HSL 83.44, 0.85%, 0.35%

LAB 61.29, -39.92, 61.26

 

CMYK 27 / 0 / 69 / 47

HEX #63872A

RGB 99 135 42

HSL 83.23, 0.53%, 0.35%

LAB 52, -27.64, 44.09

 

CMYK 21 / 0 / 53 / 53

HEX #607939

RGB 96 121 57

HSL 83.44, 0.36%, 0.35%

LAB 47.57, -20.41, 31.86

 

CMYK 12 / 0 / 33 / 58

HEX #5D6A47

RGB 93 106 71

HSL 82.29, 0.2%, 0.35%

LAB 42.9, -11.66, 18.07

 

CMYK 3 / 0 / 7 / 64

HEX #595C56

RGB 89 92 86

HSL 90, 0.03%, 0.35%

LAB 38.64, -2.44, 3.03

 

CMYK 14 / 23 / 0 / 61

HEX #564D64

RGB 86 77 100

HSL 263.48, 0.13%, 0.35%

LAB 34.41, 8.85, -12.02

 

CMYK 0 / 10 / 69 / 47

HEX #87792A

RGB 135 121 42

HSL 50.97, 0.53%, 0.35%

LAB 50.68, -4.34, 43.6

 

CMYK 8 / 0 / 69 / 47

HEX #7C872A

RGB 124 135 42

HSL 67.1, 0.53%, 0.35%

LAB 53.79, -16.96, 46.5

 

CMYK 26 / 0 / 69 / 47

HEX #64872A

RGB 100 135 42

HSL 82.58, 0.53%, 0.35%

LAB 52.07, -27.23, 44.17

 

CMYK 44 / 0 / 69 / 47

HEX #4B872A

RGB 75 135 42

HSL 98.71, 0.53%, 0.35%

LAB 50.68, -36.68, 42.28

 

CMYK 63 / 0 / 69 / 47

HEX #32872A

RGB 50 135 42

HSL 114.84, 0.53%, 0.35%

LAB 49.71, -44.09, 40.96

 

CMYK 26 / 0 / 68 / 72

HEX #354817

RGB 53 72 23

HSL 83.27, 0.52%, 0.19%

LAB 27.99, -16.56, 26.3

 

CMYK 27 / 0 / 69 / 59

HEX #4C6820

RGB 76 104 32

HSL 83.33, 0.53%, 0.27%

LAB 40.48, -22.58, 35.9

 

CMYK 27 / 0 / 69 / 47

HEX #63872A

RGB 99 135 42

HSL 83.23, 0.53%, 0.35%

LAB 52, -27.64, 44.09

 

CMYK 27 / 0 / 69 / 35

HEX #7AA734

RGB 122 167 52

HSL 83.48, 0.53%, 0.43%

LAB 63.36, -32.94, 52.21

 

CMYK 26 / 0 / 67 / 24

HEX #90C341

RGB 144 195 65

HSL 83.54, 0.52%, 0.51%

LAB 73.12, -36.39, 57.58

 

CMYK 27 / 0 / 68 / 47

HEX #63872B

RGB 99 135 43

HSL 83.48, 0.52%, 0.35%

LAB 52.01, -27.56, 43.67

 

CMYK 69 / 0 / 29 / 47

HEX #2A8760

RGB 42 135 96

HSL 154.84, 0.53%, 0.35%

LAB 50.29, -36.81, 13.23

 

CMYK 1 / 69 / 0 / 47

HEX #862A87

RGB 134 42 135

HSL 299.35, 0.53%, 0.35%

LAB 34.95, 50.78, -32.57

 

CMYK 27 / 0 / 68 / 47

HEX #63872B

RGB 99 135 43

HSL 83.48, 0.52%, 0.35%

LAB 52.01, -27.56, 43.67

 

CMYK 69 / 26 / 0 / 47

HEX #2A6487

RGB 42 100 135

HSL 202.58, 0.53%, 0.35%

LAB 40.17, -6.99, -24.95

 

CMYK 0 / 69 / 26 / 47

HEX #872A64

RGB 135 42 100

HSL 322.58, 0.53%, 0.35%

LAB 33.41, 45.44, -12.93

 

CMYK 27 / 0 / 68 / 47

HEX #63872B

RGB 99 135 43

HSL 83.48, 0.52%, 0.35%

LAB 52.01, -27.56, 43.67

 

CMYK 69 / 0 / 29 / 47

HEX #2A8760

RGB 42 135 96

HSL 154.84, 0.53%, 0.35%

LAB 50.29, -36.81, 13.23

 

CMYK 42 / 69 / 0 / 47

HEX #4E2A87

RGB 78 42 135

HSL 263.23, 0.53%, 0.35%

LAB 26.81, 37.7, -46.08

 

CMYK 0 / 69 / 40 / 47

HEX #872A51

RGB 135 42 81

HSL 334.84, 0.53%, 0.35%

LAB 32.7, 43.01, -1.72

 

CMYK 27 / 0 / 68 / 47

HEX #63872B

RGB 99 135 43

HSL 83.48, 0.52%, 0.35%

LAB 52.01, -27.56, 43.67

 

CMYK 69 / 0 / 8 / 47

HEX #2A877C

RGB 42 135 124

HSL 172.9, 0.53%, 0.35%

LAB 51.01, -29.53, -1.99

 

CMYK 42 / 69 / 0 / 47

HEX #4E2A87

RGB 78 42 135

HSL 263.23, 0.53%, 0.35%

LAB 26.81, 37.7, -46.08

 

CMYK 0 / 69 / 61 / 47

HEX #872A35

RGB 135 42 53

HSL 352.9, 0.53%, 0.35%

LAB 31.95, 40.34, 15.49

 

Description

Color code: HEX #63872B | qconv.com Color code: HEX #63872B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 135 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 135 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 68 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 68% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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