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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6387C4 it is the complementary color #9C783B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6387C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6387C4 shade: #6887BF, #7999D2, #8AABE5, #9BBDF8 and #ACCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6387C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6387C4 shade: #6387C4, #5275B1, #41639E, #30518B and #1F3F78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6387C4 shade: #6387C4, #636DC4, #7363C4, #8D63C4 and #A763C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6387C4 shade: #6387C4, #636DC4 and #6363C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6387C4 shade matches the following richer shades: #6387C4, #5283D5, #417EE6 and #2F7AF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6387C4 shade: #6387C4, #758BB2, #8690A1, #979490 and #A9997E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6387C4 shade: #63BCC4, #63A2C4, #6388C4, #636EC4 and #7263C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6387C4 shade: #3A5E9A, #4570B8, #6387C4, #819ECF and #9FB5DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6387C4 shade: #6387C4, #B263C4 and #AFC463

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6387C4 shade: #6387C4, #C46388 and #88C463

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6387C4 shade: #6387C4, #B263C4, #C49F63 and #75C463

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6387C4 shade: #6387C4, #C463B8, #C49F63 and #63C46E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 31 / 0 / 23

HEX #6387C4

RGB 99 135 196

HSL 217.73, 0.45%, 0.58%

LAB 56.05, 4.45, -35.62

 

Complementary color

CMYK 0 / 23 / 62 / 39

HEX #9C783B

RGB 156 120 59

HSL 37.73, 0.45%, 0.42%

LAB 52.75, 6.98, 38.27

 

CMYK 46 / 29 / 0 / 25

HEX #6887BF

RGB 104 135 191

HSL 218.62, 0.4%, 0.58%

LAB 56.12, 4.18, -32.66

 

CMYK 42 / 27 / 0 / 18

HEX #7999D2

RGB 121 153 210

HSL 218.43, 0.5%, 0.65%

LAB 62.93, 3.63, -32.68

 

CMYK 40 / 25 / 0 / 10

HEX #8AABE5

RGB 138 171 229

HSL 218.24, 0.64%, 0.72%

LAB 69.6, 3.16, -32.75

 

CMYK 38 / 24 / 0 / 3

HEX #9BBDF8

RGB 155 189 248

HSL 218.06, 0.87%, 0.79%

LAB 76.16, 2.76, -32.84

 

CMYK 33 / 19 / 0 / 0

HEX #ACCFFF

RGB 172 207 255

HSL 214.7, 1%, 0.84%

LAB 82.17, -0.58, -27.25

 

CMYK 49 / 31 / 0 / 23

HEX #6387C4

RGB 99 135 196

HSL 217.73, 0.45%, 0.58%

LAB 56.05, 4.45, -35.62

 

CMYK 54 / 34 / 0 / 31

HEX #5275B1

RGB 82 117 177

HSL 217.89, 0.38%, 0.51%

LAB 49.12, 5.26, -35.67

 

CMYK 59 / 37 / 0 / 38

HEX #41639E

RGB 65 99 158

HSL 218.06, 0.42%, 0.44%

LAB 42.02, 6.27, -35.76

 

CMYK 65 / 42 / 0 / 45

HEX #30518B

RGB 48 81 139

HSL 218.24, 0.49%, 0.37%

LAB 34.76, 7.6, -35.89

 

CMYK 74 / 48 / 0 / 53

HEX #1F3F78

RGB 31 63 120

HSL 218.43, 0.59%, 0.3%

LAB 27.3, 9.43, -36.05

 

CMYK 49 / 31 / 0 / 23

HEX #6387C4

RGB 99 135 196

HSL 217.73, 0.45%, 0.58%

LAB 56.05, 4.45, -35.62

 

CMYK 49 / 44 / 0 / 23

HEX #636DC4

RGB 99 109 196

HSL 233.81, 0.45%, 0.58%

LAB 48.98, 20.16, -46.8

 

CMYK 41 / 49 / 0 / 23

HEX #7363C4

RGB 115 99 196

HSL 249.9, 0.45%, 0.58%

LAB 47.69, 30.09, -48.77

 

CMYK 28 / 49 / 0 / 23

HEX #8D63C4

RGB 141 99 196

HSL 265.98, 0.45%, 0.58%

LAB 50.18, 36.83, -44.66

 

CMYK 15 / 49 / 0 / 23

HEX #A763C4

RGB 167 99 196

HSL 282.06, 0.45%, 0.58%

LAB 53.09, 44.01, -39.88

 

CMYK 49 / 31 / 0 / 23

HEX #6387C4

RGB 99 135 196

HSL 217.73, 0.45%, 0.58%

LAB 56.05, 4.45, -35.62

 

CMYK 49 / 44 / 0 / 23

HEX #636DC4

RGB 99 109 196

HSL 233.81, 0.45%, 0.58%

LAB 48.98, 20.16, -46.8

 

CMYK 49 / 49 / 0 / 23

HEX #6363C4

RGB 99 99 196

HSL 240, 0.45%, 0.58%

LAB 46.39, 26.31, -50.93

 

CMYK 49 / 31 / 0 / 23

HEX #6387C4

RGB 99 135 196

HSL 217.73, 0.45%, 0.58%

LAB 56.05, 4.45, -35.62

 

CMYK 62 / 38 / 0 / 16

HEX #5283D5

RGB 82 131 213

HSL 217.56, 0.61%, 0.58%

LAB 54.9, 8.7, -47.12

 

CMYK 72 / 45 / 0 / 10

HEX #417EE6

RGB 65 126 230

HSL 217.82, 0.77%, 0.58%

LAB 53.77, 14.96, -58.51

 

CMYK 81 / 51 / 0 / 3

HEX #2F7AF8

RGB 47 122 248

HSL 217.61, 0.93%, 0.58%

LAB 53.28, 22.07, -69.36

 

CMYK 49 / 31 / 0 / 23

HEX #6387C4

RGB 99 135 196

HSL 217.73, 0.45%, 0.58%

LAB 56.05, 4.45, -35.62

 

CMYK 34 / 22 / 0 / 30

HEX #758BB2

RGB 117 139 178

HSL 218.36, 0.28%, 0.58%

LAB 57.52, 1.75, -23.02

 

CMYK 17 / 11 / 0 / 37

HEX #8690A1

RGB 134 144 161

HSL 217.78, 0.13%, 0.58%

LAB 59.51, 0.07, -10.19

 

CMYK 0 / 2 / 5 / 41

HEX #979490

RGB 151 148 144

HSL 34.29, 0.03%, 0.58%

LAB 61.46, 0.35, 2.49

 

CMYK 0 / 9 / 25 / 34

HEX #A9997E

RGB 169 153 126

HSL 37.67, 0.2%, 0.58%

LAB 63.94, 1.53, 16.35

 

CMYK 49 / 4 / 0 / 23

HEX #63BCC4

RGB 99 188 196

HSL 184.95, 0.45%, 0.58%

LAB 71.29, -24.48, -12.29

 

CMYK 49 / 17 / 0 / 23

HEX #63A2C4

RGB 99 162 196

HSL 201.03, 0.45%, 0.58%

LAB 63.74, -10.88, -23.73

 

CMYK 49 / 31 / 0 / 23

HEX #6388C4

RGB 99 136 196

HSL 217.11, 0.45%, 0.58%

LAB 56.33, 3.87, -35.19

 

CMYK 49 / 44 / 0 / 23

HEX #636EC4

RGB 99 110 196

HSL 233.2, 0.45%, 0.58%

LAB 49.24, 19.55, -46.38

 

CMYK 42 / 49 / 0 / 23

HEX #7263C4

RGB 114 99 196

HSL 249.28, 0.45%, 0.58%

LAB 47.61, 29.85, -48.92

 

CMYK 62 / 39 / 0 / 40

HEX #3A5E9A

RGB 58 94 154

HSL 217.5, 0.45%, 0.42%

LAB 39.98, 6.59, -36.64

 

CMYK 63 / 39 / 0 / 28

HEX #4570B8

RGB 69 112 184

HSL 217.57, 0.45%, 0.5%

LAB 47.38, 7.95, -42.51

 

CMYK 49 / 31 / 0 / 23

HEX #6387C4

RGB 99 135 196

HSL 217.73, 0.45%, 0.58%

LAB 56.05, 4.45, -35.62

 

CMYK 38 / 24 / 0 / 19

HEX #819ECF

RGB 129 158 207

HSL 217.69, 0.45%, 0.66%

LAB 64.66, 2.1, -28.29

 

CMYK 27 / 17 / 0 / 15

HEX #9FB5DA

RGB 159 181 218

HSL 217.63, 0.44%, 0.74%

LAB 73.21, 0.74, -21.09

 

CMYK 49 / 31 / 0 / 23

HEX #6387C4

RGB 99 135 196

HSL 217.73, 0.45%, 0.58%

LAB 56.05, 4.45, -35.62

 

CMYK 9 / 49 / 0 / 23

HEX #B263C4

RGB 178 99 196

HSL 288.87, 0.45%, 0.58%

LAB 54.42, 47.12, -37.69

 

CMYK 11 / 0 / 49 / 23

HEX #AFC463

RGB 175 196 99

HSL 72.99, 0.45%, 0.58%

LAB 75.76, -21.84, 45.92

 

CMYK 49 / 31 / 0 / 23

HEX #6387C4

RGB 99 135 196

HSL 217.73, 0.45%, 0.58%

LAB 56.05, 4.45, -35.62

 

CMYK 0 / 49 / 31 / 23

HEX #C46388

RGB 196 99 136

HSL 337.11, 0.45%, 0.58%

LAB 54.49, 42.81, -2.48

 

CMYK 31 / 0 / 49 / 23

HEX #88C463

RGB 136 196 99

HSL 97.11, 0.45%, 0.58%

LAB 73.29, -36.53, 42.36

 

CMYK 49 / 31 / 0 / 23

HEX #6387C4

RGB 99 135 196

HSL 217.73, 0.45%, 0.58%

LAB 56.05, 4.45, -35.62

 

CMYK 9 / 49 / 0 / 23

HEX #B263C4

RGB 178 99 196

HSL 288.87, 0.45%, 0.58%

LAB 54.42, 47.12, -37.69

 

CMYK 0 / 19 / 49 / 23

HEX #C49F63

RGB 196 159 99

HSL 37.11, 0.45%, 0.58%

LAB 67.6, 6.1, 36.32

 

CMYK 40 / 0 / 49 / 23

HEX #75C463

RGB 117 196 99

HSL 108.87, 0.45%, 0.58%

LAB 72.34, -42.89, 40.97

 

CMYK 49 / 31 / 0 / 23

HEX #6387C4

RGB 99 135 196

HSL 217.73, 0.45%, 0.58%

LAB 56.05, 4.45, -35.62

 

CMYK 0 / 49 / 6 / 23

HEX #C463B8

RGB 196 99 184

HSL 307.42, 0.45%, 0.58%

LAB 56.21, 50.12, -27.84

 

CMYK 0 / 19 / 49 / 23

HEX #C49F63

RGB 196 159 99

HSL 37.11, 0.45%, 0.58%

LAB 67.6, 6.1, 36.32

 

CMYK 49 / 0 / 44 / 23

HEX #63C46E

RGB 99 196 110

HSL 126.8, 0.45%, 0.58%

LAB 71.73, -46.65, 34.54

 

Description

Color code: HEX #6387C4 | qconv.com Color code: HEX #6387C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 135 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 135 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 31 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 31% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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