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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6382A7 it is the complementary color #9C7D58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6382A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6382A7 shade: #6882A2, #7994B5, #8AA6C8, #9BB8DB and #ACCAEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6382A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6382A7 shade: #6382A7, #527094, #415E81, #304C6E and #1F3A5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6382A7 shade: #6281A6, #626FA6, #6862A6, #7A62A6 and #8D62A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6382A7 shade: #6281A6, #626FA6 and #6262A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6382A7 shade matches the following richer shades: #6281A6, #4E7FBA, #3A7ECE, #267CE2 and #137AF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6382A7 shade: #6281A6, #768393, #89857F, #9D866B and #B18857

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6382A7 shade: #62A6A6, #6294A6, #6282A6, #6270A6 and #6662A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6382A7 shade: #415974, #506D8F, #6281A6, #7C96B5 and #97ABC4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6382A7 shade: #6382A7, #9462A6 and #9DA662

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6382A7 shade: #6382A7, #A66282 and #82A662

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6382A7 shade: #6382A7, #9462A6, #A68662 and #74A662

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6382A7 shade: #6382A7, #A662A4, #A68662 and #62A664

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 22 / 0 / 35

HEX #6382A7

RGB 99 130 167

HSL 212.65, 0.28%, 0.52%

LAB 53.39, -1.2, -23.16

 

Complementary color

CMYK 0 / 20 / 44 / 39

HEX #9C7D58

RGB 156 125 88

HSL 32.65, 0.28%, 0.48%

LAB 54.49, 6.86, 24.69

 

CMYK 36 / 20 / 0 / 36

HEX #6882A2

RGB 104 130 162

HSL 213.1, 0.24%, 0.52%

LAB 53.51, -1.17, -20.06

 

CMYK 33 / 18 / 0 / 29

HEX #7994B5

RGB 121 148 181

HSL 213, 0.29%, 0.59%

LAB 60.41, -1.42, -20.28

 

CMYK 31 / 17 / 0 / 22

HEX #8AA6C8

RGB 138 166 200

HSL 212.9, 0.36%, 0.66%

LAB 67.16, -1.64, -20.53

 

CMYK 29 / 16 / 0 / 14

HEX #9BB8DB

RGB 155 184 219

HSL 212.81, 0.47%, 0.73%

LAB 73.78, -1.83, -20.79

 

CMYK 28 / 15 / 0 / 7

HEX #ACCAEE

RGB 172 202 238

HSL 212.73, 0.66%, 0.8%

LAB 80.28, -2.01, -21.07

 

CMYK 41 / 22 / 0 / 35

HEX #6382A7

RGB 99 130 167

HSL 212.65, 0.28%, 0.52%

LAB 53.39, -1.2, -23.16

 

CMYK 45 / 24 / 0 / 42

HEX #527094

RGB 82 112 148

HSL 212.73, 0.29%, 0.45%

LAB 46.34, -0.81, -23.01

 

CMYK 50 / 27 / 0 / 49

HEX #415E81

RGB 65 94 129

HSL 212.81, 0.33%, 0.38%

LAB 39.09, -0.3, -22.9

 

CMYK 56 / 31 / 0 / 57

HEX #304C6E

RGB 48 76 110

HSL 212.9, 0.39%, 0.31%

LAB 31.63, 0.39, -22.84

 

CMYK 66 / 36 / 0 / 64

HEX #1F3A5B

RGB 31 58 91

HSL 213, 0.49%, 0.24%

LAB 23.91, 1.4, -22.83

 

CMYK 41 / 22 / 0 / 35

HEX #6281A6

RGB 98 129 166

HSL 212.65, 0.28%, 0.52%

LAB 53, -1.18, -23.18

 

CMYK 41 / 33 / 0 / 35

HEX #626FA6

RGB 98 111 166

HSL 228.53, 0.28%, 0.52%

LAB 47.9, 9.57, -31.1

 

CMYK 37 / 41 / 0 / 35

HEX #6862A6

RGB 104 98 166

HSL 245.29, 0.28%, 0.52%

LAB 44.85, 19.22, -35.87

 

CMYK 27 / 41 / 0 / 35

HEX #7A62A6

RGB 122 98 166

HSL 261.18, 0.28%, 0.52%

LAB 46.48, 24.45, -33.18

 

CMYK 15 / 41 / 0 / 35

HEX #8D62A6

RGB 141 98 166

HSL 277.94, 0.28%, 0.52%

LAB 48.45, 30.28, -29.96

 

CMYK 41 / 22 / 0 / 35

HEX #6281A6

RGB 98 129 166

HSL 212.65, 0.28%, 0.52%

LAB 53, -1.18, -23.18

 

CMYK 41 / 33 / 0 / 35

HEX #626FA6

RGB 98 111 166

HSL 228.53, 0.28%, 0.52%

LAB 47.9, 9.57, -31.1

 

CMYK 41 / 41 / 0 / 35

HEX #6262A6

RGB 98 98 166

HSL 240, 0.28%, 0.52%

LAB 44.35, 17.57, -36.67

 

CMYK 41 / 22 / 0 / 35

HEX #6281A6

RGB 98 129 166

HSL 212.65, 0.28%, 0.52%

LAB 53, -1.18, -23.18

 

CMYK 58 / 32 / 0 / 27

HEX #4E7FBA

RGB 78 127 186

HSL 212.78, 0.44%, 0.52%

LAB 52.22, 1.3, -36

 

CMYK 72 / 39 / 0 / 19

HEX #3A7ECE

RGB 58 126 206

HSL 212.43, 0.6%, 0.52%

LAB 52.15, 5.35, -47.59

 

CMYK 83 / 45 / 0 / 11

HEX #267CE2

RGB 38 124 226

HSL 212.55, 0.76%, 0.52%

LAB 52.2, 11.81, -58.84

 

CMYK 92 / 50 / 0 / 4

HEX #137AF6

RGB 19 122 246

HSL 212.78, 0.93%, 0.52%

LAB 52.63, 19.6, -69.32

 

CMYK 41 / 22 / 0 / 35

HEX #6281A6

RGB 98 129 166

HSL 212.65, 0.28%, 0.52%

LAB 53, -1.18, -23.18

 

CMYK 20 / 11 / 0 / 42

HEX #768393

RGB 118 131 147

HSL 213.1, 0.12%, 0.52%

LAB 54.23, -1.14, -10.19

 

CMYK 0 / 3 / 7 / 46

HEX #89857F

RGB 137 133 127

HSL 36, 0.04%, 0.52%

LAB 55.71, 0.36, 3.75

 

CMYK 0 / 15 / 32 / 38

HEX #9D866B

RGB 157 134 107

HSL 32.4, 0.2%, 0.52%

LAB 57.35, 4.56, 17.79

 

CMYK 0 / 23 / 51 / 31

HEX #B18857

RGB 177 136 87

HSL 32.67, 0.37%, 0.52%

LAB 59.57, 9.56, 32.2

 

CMYK 41 / 0 / 0 / 35

HEX #62A6A6

RGB 98 166 166

HSL 180, 0.28%, 0.52%

LAB 63.85, -21.48, -6.78

 

CMYK 41 / 11 / 0 / 35

HEX #6294A6

RGB 98 148 166

HSL 195.88, 0.28%, 0.52%

LAB 58.54, -11.93, -14.74

 

CMYK 41 / 22 / 0 / 35

HEX #6282A6

RGB 98 130 166

HSL 211.76, 0.28%, 0.52%

LAB 53.29, -1.76, -22.74

 

CMYK 41 / 33 / 0 / 35

HEX #6270A6

RGB 98 112 166

HSL 227.65, 0.28%, 0.52%

LAB 48.18, 8.96, -30.66

 

CMYK 39 / 41 / 0 / 35

HEX #6662A6

RGB 102 98 166

HSL 243.53, 0.28%, 0.52%

LAB 44.68, 18.67, -36.14

 

CMYK 44 / 23 / 0 / 55

HEX #415974

RGB 65 89 116

HSL 211.76, 0.28%, 0.35%

LAB 36.98, -1.29, -18.2

 

CMYK 44 / 24 / 0 / 44

HEX #506D8F

RGB 80 109 143

HSL 212.38, 0.28%, 0.44%

LAB 45.12, -1.06, -21.94

 

CMYK 41 / 22 / 0 / 35

HEX #6281A6

RGB 98 129 166

HSL 212.65, 0.28%, 0.52%

LAB 53, -1.18, -23.18

 

CMYK 31 / 17 / 0 / 29

HEX #7C96B5

RGB 124 150 181

HSL 212.63, 0.28%, 0.6%

LAB 61.16, -1.66, -19.12

 

CMYK 23 / 13 / 0 / 23

HEX #97ABC4

RGB 151 171 196

HSL 213.33, 0.28%, 0.68%

LAB 69.25, -1.42, -15.07

 

CMYK 41 / 22 / 0 / 35

HEX #6382A7

RGB 99 130 167

HSL 212.65, 0.28%, 0.52%

LAB 53.39, -1.2, -23.16

 

CMYK 11 / 41 / 0 / 35

HEX #9462A6

RGB 148 98 166

HSL 284.12, 0.28%, 0.52%

LAB 49.23, 32.48, -28.68

 

CMYK 5 / 0 / 41 / 35

HEX #9DA662

RGB 157 166 98

HSL 67.94, 0.28%, 0.52%

LAB 66, -13.98, 34.1

 

CMYK 41 / 22 / 0 / 35

HEX #6382A7

RGB 99 130 167

HSL 212.65, 0.28%, 0.52%

LAB 53.39, -1.2, -23.16

 

CMYK 0 / 41 / 22 / 35

HEX #A66282

RGB 166 98 130

HSL 331.76, 0.28%, 0.52%

LAB 50.04, 31.9, -5.95

 

CMYK 22 / 0 / 41 / 35

HEX #82A662

RGB 130 166 98

HSL 91.76, 0.28%, 0.52%

LAB 64.08, -24.61, 31.26

 

CMYK 41 / 22 / 0 / 35

HEX #6382A7

RGB 99 130 167

HSL 212.65, 0.28%, 0.52%

LAB 53.39, -1.2, -23.16

 

CMYK 11 / 41 / 0 / 35

HEX #9462A6

RGB 148 98 166

HSL 284.12, 0.28%, 0.52%

LAB 49.23, 32.48, -28.68

 

CMYK 0 / 19 / 41 / 35

HEX #A68662

RGB 166 134 98

HSL 31.76, 0.28%, 0.52%

LAB 58.07, 7.17, 23.99

 

CMYK 30 / 0 / 41 / 35

HEX #74A662

RGB 116 166 98

HSL 104.12, 0.28%, 0.52%

LAB 63.23, -29.75, 30

 

CMYK 41 / 22 / 0 / 35

HEX #6382A7

RGB 99 130 167

HSL 212.65, 0.28%, 0.52%

LAB 53.39, -1.2, -23.16

 

CMYK 0 / 41 / 1 / 35

HEX #A662A4

RGB 166 98 164

HSL 301.76, 0.28%, 0.52%

LAB 51.29, 37.79, -24.14

 

CMYK 0 / 19 / 41 / 35

HEX #A68662

RGB 166 134 98

HSL 31.76, 0.28%, 0.52%

LAB 58.07, 7.17, 23.99

 

CMYK 41 / 0 / 40 / 35

HEX #62A664

RGB 98 166 100

HSL 121.76, 0.28%, 0.52%

LAB 62.33, -35.48, 27.58

 

Description

Color code: HEX #6382A7 | qconv.com Color code: HEX #6382A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 130 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 130 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 22 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 22% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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