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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6382FD it is the complementary color #9C7D02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6382FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6382FD shade: #6882F8, #7994FF, #8AA6FF, #9BB8FF and #ACCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6382FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6382FD shade: #6382FD, #5270EA, #415ED7, #304CC4 and #1F3AB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6382FD shade: #6382FC, #6D63FC, #9763FC, #C063FC and #E963FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6382FD shade: #6382FC and #6363FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6382FD shade matches the following richer shades: #6382FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6382FD shade: #6382FC, #7089EF, #7C91E3, #8999D6 and #96A0C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6382FD shade: #63D6FC, #63ADFC, #6384FC, #6A63FC and #9363FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6382FD shade: #1140FB, #3A61FC, #6382FC, #8BA2FD and #B4C3FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6382FD shade: #6382FD, #FA63FC and #C1FC63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6382FD shade: #6382FD, #FC6384 and #84FC63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6382FD shade: #6382FD, #FA63FC, #FCDB63 and #65FC63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6382FD shade: #6382FD, #FC63D1, #FCDB63 and #63FC8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 49 / 0 / 1

HEX #6382FD

RGB 99 130 253

HSL 227.92, 0.97%, 0.69%

LAB 57.76, 25.71, -64.78

 

Complementary color

CMYK 0 / 20 / 99 / 39

HEX #9C7D02

RGB 156 125 2

HSL 47.92, 0.97%, 0.31%

LAB 53.75, 1.89, 58.9

 

CMYK 58 / 48 / 0 / 3

HEX #6882F8

RGB 104 130 248

HSL 229.17, 0.91%, 0.69%

LAB 57.74, 24.98, -62.05

 

CMYK 53 / 42 / 0 / 0

HEX #7994FF

RGB 121 148 255

HSL 227.91, 1%, 0.74%

LAB 63.73, 19.87, -56.27

 

CMYK 46 / 35 / 0 / 0

HEX #8AA6FF

RGB 138 166 255

HSL 225.64, 1%, 0.77%

LAB 69.4, 13.26, -47.23

 

CMYK 39 / 28 / 0 / 0

HEX #9BB8FF

RGB 155 184 255

HSL 222.6, 1%, 0.8%

LAB 75.12, 7.36, -38.2

 

CMYK 33 / 21 / 0 / 0

HEX #ACCAFF

RGB 172 202 255

HSL 218.31, 1%, 0.84%

LAB 80.87, 2.09, -29.25

 

CMYK 61 / 49 / 0 / 1

HEX #6382FD

RGB 99 130 253

HSL 227.92, 0.97%, 0.69%

LAB 57.76, 25.71, -64.78

 

CMYK 65 / 52 / 0 / 8

HEX #5270EA

RGB 82 112 234

HSL 228.16, 0.78%, 0.62%

LAB 51.06, 27.51, -65.07

 

CMYK 70 / 56 / 0 / 16

HEX #415ED7

RGB 65 94 215

HSL 228.4, 0.65%, 0.55%

LAB 44.28, 29.65, -65.35

 

CMYK 76 / 61 / 0 / 23

HEX #304CC4

RGB 48 76 196

HSL 228.65, 0.61%, 0.48%

LAB 37.45, 32.2, -65.55

 

CMYK 82 / 67 / 0 / 31

HEX #1F3AB1

RGB 31 58 177

HSL 228.9, 0.7%, 0.41%

LAB 30.62, 35.2, -65.58

 

CMYK 61 / 48 / 0 / 1

HEX #6382FC

RGB 99 130 252

HSL 227.84, 0.96%, 0.69%

LAB 57.7, 25.38, -64.33

 

CMYK 57 / 61 / 0 / 1

HEX #6D63FC

RGB 109 99 252

HSL 243.92, 0.96%, 0.69%

LAB 50.92, 45.56, -75.26

 

CMYK 40 / 61 / 0 / 1

HEX #9763FC

RGB 151 99 252

HSL 260.39, 0.96%, 0.69%

LAB 54.59, 53.43, -69.15

 

CMYK 24 / 61 / 0 / 1

HEX #C063FC

RGB 192 99 252

HSL 276.47, 0.96%, 0.69%

LAB 59.12, 62.32, -61.61

 

CMYK 8 / 61 / 0 / 1

HEX #E963FC

RGB 233 99 252

HSL 292.55, 0.96%, 0.69%

LAB 64.38, 71.78, -52.91

 

CMYK 61 / 48 / 0 / 1

HEX #6382FC

RGB 99 130 252

HSL 227.84, 0.96%, 0.69%

LAB 57.7, 25.38, -64.33

 

CMYK 61 / 61 / 0 / 1

HEX #6363FC

RGB 99 99 252

HSL 240, 0.96%, 0.69%

LAB 50.22, 43.97, -76.43

 

CMYK 61 / 48 / 0 / 1

HEX #6382FC

RGB 99 130 252

HSL 227.84, 0.96%, 0.69%

LAB 57.7, 25.38, -64.33

 

CMYK 61 / 48 / 0 / 1

HEX #6382FC

RGB 99 130 252

HSL 227.84, 0.96%, 0.69%

LAB 57.7, 25.38, -64.33

 

CMYK 53 / 43 / 0 / 6

HEX #7089EF

RGB 112 137 239

HSL 228.19, 0.8%, 0.69%

LAB 59.5, 19.52, -54.23

 

CMYK 45 / 36 / 0 / 11

HEX #7C91E3

RGB 124 145 227

HSL 227.77, 0.65%, 0.69%

LAB 61.72, 13.91, -44.01

 

CMYK 36 / 29 / 0 / 16

HEX #8999D6

RGB 137 153 214

HSL 227.53, 0.48%, 0.69%

LAB 64.13, 9.03, -32.97

 

CMYK 25 / 20 / 0 / 21

HEX #96A0C9

RGB 150 160 201

HSL 228.24, 0.32%, 0.69%

LAB 66.4, 5.56, -22.17

 

CMYK 61 / 15 / 0 / 1

HEX #63D6FC

RGB 99 214 252

HSL 194.9, 0.96%, 0.69%

LAB 80.61, -21.71, -28.34

 

CMYK 61 / 31 / 0 / 1

HEX #63ADFC

RGB 99 173 252

HSL 210.98, 0.96%, 0.69%

LAB 69.16, 0.17, -46.11

 

CMYK 61 / 48 / 0 / 1

HEX #6384FC

RGB 99 132 252

HSL 227.06, 0.96%, 0.69%

LAB 58.21, 24.18, -63.51

 

CMYK 58 / 61 / 0 / 1

HEX #6A63FC

RGB 106 99 252

HSL 242.75, 0.96%, 0.69%

LAB 50.71, 45.07, -75.62

 

CMYK 42 / 61 / 0 / 1

HEX #9363FC

RGB 147 99 252

HSL 258.82, 0.96%, 0.69%

LAB 54.19, 52.61, -69.81

 

CMYK 93 / 75 / 0 / 2

HEX #1140FB

RGB 17 64 251

HSL 227.95, 0.97%, 0.53%

LAB 39.16, 57.03, -94.19

 

CMYK 77 / 62 / 0 / 1

HEX #3A61FC

RGB 58 97 252

HSL 227.94, 0.97%, 0.61%

LAB 47.59, 40.11, -80.81

 

CMYK 61 / 48 / 0 / 1

HEX #6382FC

RGB 99 130 252

HSL 227.84, 0.96%, 0.69%

LAB 57.7, 25.38, -64.33

 

CMYK 45 / 36 / 0 / 1

HEX #8BA2FD

RGB 139 162 253

HSL 227.89, 0.97%, 0.77%

LAB 68.33, 15.21, -47.81

 

CMYK 29 / 23 / 0 / 1

HEX #B4C3FD

RGB 180 195 253

HSL 227.67, 0.95%, 0.85%

LAB 79.51, 7.63, -30.21

 

CMYK 61 / 49 / 0 / 1

HEX #6382FD

RGB 99 130 253

HSL 227.92, 0.97%, 0.69%

LAB 57.76, 25.71, -64.78

 

CMYK 1 / 61 / 0 / 1

HEX #FA63FC

RGB 250 99 252

HSL 299.22, 0.96%, 0.69%

LAB 66.73, 75.77, -49.05

 

CMYK 23 / 0 / 61 / 1

HEX #C1FC63

RGB 193 252 99

HSL 83.14, 0.96%, 0.69%

LAB 92.51, -41.07, 65.46

 

CMYK 61 / 49 / 0 / 1

HEX #6382FD

RGB 99 130 253

HSL 227.92, 0.97%, 0.69%

LAB 57.76, 25.71, -64.78

 

CMYK 0 / 61 / 48 / 1

HEX #FC6384

RGB 252 99 132

HSL 347.06, 0.96%, 0.69%

LAB 62.75, 60.87, 12.82

 

CMYK 48 / 0 / 61 / 1

HEX #84FC63

RGB 132 252 99

HSL 107.06, 0.96%, 0.69%

LAB 89.59, -60.94, 61.4

 

CMYK 61 / 49 / 0 / 1

HEX #6382FD

RGB 99 130 253

HSL 227.92, 0.97%, 0.69%

LAB 57.76, 25.71, -64.78

 

CMYK 1 / 61 / 0 / 1

HEX #FA63FC

RGB 250 99 252

HSL 299.22, 0.96%, 0.69%

LAB 66.73, 75.77, -49.05

 

CMYK 0 / 13 / 61 / 1

HEX #FCDB63

RGB 252 219 99

HSL 47.06, 0.96%, 0.69%

LAB 88.09, -2.08, 61.79

 

CMYK 60 / 0 / 61 / 1

HEX #65FC63

RGB 101 252 99

HSL 119.22, 0.96%, 0.69%

LAB 88.59, -68.67, 59.99

 

CMYK 61 / 49 / 0 / 1

HEX #6382FD

RGB 99 130 253

HSL 227.92, 0.97%, 0.69%

LAB 57.76, 25.71, -64.78

 

CMYK 0 / 61 / 17 / 1

HEX #FC63D1

RGB 252 99 209

HSL 316.86, 0.96%, 0.69%

LAB 65.14, 69.72, -27.61

 

CMYK 0 / 13 / 61 / 1

HEX #FCDB63

RGB 252 219 99

HSL 47.06, 0.96%, 0.69%

LAB 88.09, -2.08, 61.79

 

CMYK 61 / 0 / 44 / 1

HEX #63FC8E

RGB 99 252 142

HSL 136.86, 0.96%, 0.69%

LAB 89.03, -63.48, 40.83

 

Description

Color code: HEX #6382FD | qconv.com Color code: HEX #6382FD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 130 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 130 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 49 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 49% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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