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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6395C4 it is the complementary color #9C6A3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6395C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6395C4 shade: #6895BF, #79A7D2, #8AB9E5, #9BCBF8 and #ACDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6395C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6395C4 shade: #6395C4, #5283B1, #41719E, #305F8B and #1F4D78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6395C4 shade: #6395C4, #637BC4, #6663C4, #7F63C4 and #9963C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6395C4 shade: #6395C4, #637BC4 and #6363C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6395C4 shade matches the following richer shades: #6395C4, #5295D5, #4196E6 and #2F97F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6395C4 shade: #6395C4, #7594B2, #8694A1, #979390 and #A9937E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6395C4 shade: #63C4BF, #63AFC4, #6395C4, #637BC4 and #6563C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6395C4 shade: #3A6C9A, #4581B8, #6395C4, #81A9CF and #9FBEDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6395C4 shade: #6395C4, #A563C4 and #BCC463

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6395C4 shade: #6395C4, #C46395 and #95C463

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6395C4 shade: #6395C4, #A563C4, #C49263 and #82C463

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6395C4 shade: #6395C4, #C263C4, #C49263 and #65C463

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 24 / 0 / 23

HEX #6395C4

RGB 99 149 196

HSL 209.07, 0.45%, 0.58%

LAB 60.01, -3.65, -29.47

 

Complementary color

CMYK 0 / 32 / 62 / 39

HEX #9C6A3B

RGB 156 106 59

HSL 29.07, 0.45%, 0.42%

LAB 49.12, 14.98, 34.04

 

CMYK 46 / 22 / 0 / 25

HEX #6895BF

RGB 104 149 191

HSL 208.97, 0.4%, 0.58%

LAB 60.07, -3.89, -26.54

 

CMYK 42 / 20 / 0 / 18

HEX #79A7D2

RGB 121 167 210

HSL 208.99, 0.5%, 0.65%

LAB 66.79, -4.24, -26.72

 

CMYK 40 / 19 / 0 / 10

HEX #8AB9E5

RGB 138 185 229

HSL 209.01, 0.64%, 0.72%

LAB 73.39, -4.54, -26.91

 

CMYK 38 / 18 / 0 / 3

HEX #9BCBF8

RGB 155 203 248

HSL 209.03, 0.87%, 0.79%

LAB 79.87, -4.79, -27.13

 

CMYK 33 / 13 / 0 / 0

HEX #ACDDFF

RGB 172 221 255

HSL 204.58, 1%, 0.84%

LAB 85.86, -7.94, -21.64

 

CMYK 49 / 24 / 0 / 23

HEX #6395C4

RGB 99 149 196

HSL 209.07, 0.45%, 0.58%

LAB 60.01, -3.65, -29.47

 

CMYK 54 / 26 / 0 / 31

HEX #5283B1

RGB 82 131 177

HSL 209.05, 0.38%, 0.51%

LAB 53.17, -3.08, -29.34

 

CMYK 59 / 28 / 0 / 38

HEX #41719E

RGB 65 113 158

HSL 209.03, 0.42%, 0.44%

LAB 46.18, -2.36, -29.23

 

CMYK 65 / 32 / 0 / 45

HEX #305F8B

RGB 48 95 139

HSL 209.01, 0.49%, 0.37%

LAB 39.03, -1.38, -29.14

 

CMYK 74 / 36 / 0 / 53

HEX #1F4D78

RGB 31 77 120

HSL 208.99, 0.59%, 0.3%

LAB 31.7, -0.02, -29.05

 

CMYK 49 / 24 / 0 / 23

HEX #6395C4

RGB 99 149 196

HSL 209.07, 0.45%, 0.58%

LAB 60.01, -3.65, -29.47

 

CMYK 49 / 37 / 0 / 23

HEX #637BC4

RGB 99 123 196

HSL 225.15, 0.45%, 0.58%

LAB 52.73, 11.62, -40.84

 

CMYK 48 / 49 / 0 / 23

HEX #6663C4

RGB 102 99 196

HSL 241.86, 0.45%, 0.58%

LAB 46.62, 27, -50.55

 

CMYK 35 / 49 / 0 / 23

HEX #7F63C4

RGB 127 99 196

HSL 257.32, 0.45%, 0.58%

LAB 48.79, 33.13, -46.97

 

CMYK 22 / 49 / 0 / 23

HEX #9963C4

RGB 153 99 196

HSL 273.4, 0.45%, 0.58%

LAB 51.48, 40.11, -42.53

 

CMYK 49 / 24 / 0 / 23

HEX #6395C4

RGB 99 149 196

HSL 209.07, 0.45%, 0.58%

LAB 60.01, -3.65, -29.47

 

CMYK 49 / 37 / 0 / 23

HEX #637BC4

RGB 99 123 196

HSL 225.15, 0.45%, 0.58%

LAB 52.73, 11.62, -40.84

 

CMYK 49 / 49 / 0 / 23

HEX #6363C4

RGB 99 99 196

HSL 240, 0.45%, 0.58%

LAB 46.39, 26.31, -50.93

 

CMYK 49 / 24 / 0 / 23

HEX #6395C4

RGB 99 149 196

HSL 209.07, 0.45%, 0.58%

LAB 60.01, -3.65, -29.47

 

CMYK 62 / 30 / 0 / 16

HEX #5295D5

RGB 82 149 213

HSL 209.31, 0.61%, 0.58%

LAB 59.97, -1.91, -39.12

 

CMYK 72 / 35 / 0 / 10

HEX #4196E6

RGB 65 150 230

HSL 209.09, 0.77%, 0.58%

LAB 60.47, 0.56, -47.83

 

CMYK 81 / 39 / 0 / 3

HEX #2F97F8

RGB 47 151 248

HSL 208.96, 0.93%, 0.58%

LAB 61.23, 4.41, -56.58

 

CMYK 49 / 24 / 0 / 23

HEX #6395C4

RGB 99 149 196

HSL 209.07, 0.45%, 0.58%

LAB 60.01, -3.65, -29.47

 

CMYK 34 / 17 / 0 / 30

HEX #7594B2

RGB 117 148 178

HSL 209.51, 0.28%, 0.58%

LAB 60.05, -3.37, -19.16

 

CMYK 17 / 8 / 0 / 37

HEX #8694A1

RGB 134 148 161

HSL 208.89, 0.13%, 0.58%

LAB 60.62, -2.18, -8.54

 

CMYK 0 / 3 / 5 / 41

HEX #979390

RGB 151 147 144

HSL 25.71, 0.03%, 0.58%

LAB 61.19, 0.9, 2.1

 

CMYK 0 / 13 / 25 / 34

HEX #A9937E

RGB 169 147 126

HSL 29.3, 0.2%, 0.58%

LAB 62.35, 4.85, 14.14

 

CMYK 49 / 0 / 3 / 23

HEX #63C4BF

RGB 99 196 191

HSL 176.91, 0.45%, 0.58%

LAB 73.48, -29.74, -6.3

 

CMYK 49 / 11 / 0 / 23

HEX #63AFC4

RGB 99 175 196

HSL 192.99, 0.45%, 0.58%

LAB 67.5, -17.83, -17.99

 

CMYK 49 / 24 / 0 / 23

HEX #6395C4

RGB 99 149 196

HSL 209.07, 0.45%, 0.58%

LAB 60.01, -3.65, -29.47

 

CMYK 49 / 37 / 0 / 23

HEX #637BC4

RGB 99 123 196

HSL 225.15, 0.45%, 0.58%

LAB 52.73, 11.62, -40.84

 

CMYK 48 / 49 / 0 / 23

HEX #6563C4

RGB 101 99 196

HSL 241.24, 0.45%, 0.58%

LAB 46.55, 26.77, -50.67

 

CMYK 62 / 30 / 0 / 40

HEX #3A6C9A

RGB 58 108 154

HSL 208.75, 0.45%, 0.42%

LAB 44.17, -2.14, -30.03

 

CMYK 63 / 30 / 0 / 28

HEX #4581B8

RGB 69 129 184

HSL 208.7, 0.45%, 0.5%

LAB 52.32, -2.34, -34.74

 

CMYK 49 / 24 / 0 / 23

HEX #6395C4

RGB 99 149 196

HSL 209.07, 0.45%, 0.58%

LAB 60.01, -3.65, -29.47

 

CMYK 38 / 18 / 0 / 19

HEX #81A9CF

RGB 129 169 207

HSL 209.23, 0.45%, 0.66%

LAB 67.69, -4.04, -23.65

 

CMYK 27 / 13 / 0 / 15

HEX #9FBEDA

RGB 159 190 218

HSL 208.47, 0.44%, 0.74%

LAB 75.61, -4.13, -17.45

 

CMYK 49 / 24 / 0 / 23

HEX #6395C4

RGB 99 149 196

HSL 209.07, 0.45%, 0.58%

LAB 60.01, -3.65, -29.47

 

CMYK 16 / 49 / 0 / 23

HEX #A563C4

RGB 165 99 196

HSL 280.82, 0.45%, 0.58%

LAB 52.85, 43.45, -40.27

 

CMYK 4 / 0 / 49 / 23

HEX #BCC463

RGB 188 196 99

HSL 64.95, 0.45%, 0.58%

LAB 76.72, -16.63, 47.31

 

CMYK 49 / 24 / 0 / 23

HEX #6395C4

RGB 99 149 196

HSL 209.07, 0.45%, 0.58%

LAB 60.01, -3.65, -29.47

 

CMYK 0 / 49 / 24 / 23

HEX #C46395

RGB 196 99 149

HSL 329.07, 0.45%, 0.58%

LAB 54.9, 44.59, -9.51

 

CMYK 24 / 0 / 49 / 23

HEX #95C463

RGB 149 196 99

HSL 89.07, 0.45%, 0.58%

LAB 74.04, -31.84, 43.45

 

CMYK 49 / 24 / 0 / 23

HEX #6395C4

RGB 99 149 196

HSL 209.07, 0.45%, 0.58%

LAB 60.01, -3.65, -29.47

 

CMYK 16 / 49 / 0 / 23

HEX #A563C4

RGB 165 99 196

HSL 280.82, 0.45%, 0.58%

LAB 52.85, 43.45, -40.27

 

CMYK 0 / 26 / 49 / 23

HEX #C49263

RGB 196 146 99

HSL 29.07, 0.45%, 0.58%

LAB 64.32, 13.19, 32.17

 

CMYK 34 / 0 / 49 / 23

HEX #82C463

RGB 130 196 99

HSL 100.82, 0.45%, 0.58%

LAB 72.98, -38.61, 41.9

 

CMYK 49 / 24 / 0 / 23

HEX #6395C4

RGB 99 149 196

HSL 209.07, 0.45%, 0.58%

LAB 60.01, -3.65, -29.47

 

CMYK 1 / 49 / 0 / 23

HEX #C263C4

RGB 194 99 196

HSL 298.76, 0.45%, 0.58%

LAB 56.46, 51.66, -34.34

 

CMYK 0 / 26 / 49 / 23

HEX #C49263

RGB 196 146 99

HSL 29.07, 0.45%, 0.58%

LAB 64.32, 13.19, 32.17

 

CMYK 48 / 0 / 49 / 23

HEX #65C463

RGB 101 196 99

HSL 118.76, 0.45%, 0.58%

LAB 71.65, -47.69, 39.98

 

Description

Color code: HEX #6395C4 | qconv.com Color code: HEX #6395C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 99 red, 149 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
99 149 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 24 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 24% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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