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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67A5D0 it is the complementary color #985A2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67A5D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67A5D0 shade: #6CA5CB, #7DB7DE, #8EC9F1, #9FDBFF and #B0EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67A5D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67A5D0 shade: #67A5D0, #5693BD, #4581AA, #346F97 and #235D84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67A5D0 shade: #66A5D0, #6688D0, #666CD0, #7D66D0 and #9A66D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67A5D0 shade: #66A5D0, #6688D0, #666CD0 and #6666D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67A5D0 shade matches the following richer shades: #66A5D0, #56A8E0 and #46AAF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67A5D0 shade: #66A5D0, #76A2C0, #879FB0, #979C9F and #A7998F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67A5D0 shade: #66D0C2, #66C2D0, #66A6D0, #6689D0 and #666DD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67A5D0 shade: #357DAE, #4792C6, #66A5D0, #86B7D9 and #A5CAE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67A5D0 shade: #67A5D0, #A666D0 and #D0D066

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67A5D0 shade: #67A5D0, #D066A6 and #A6D066

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67A5D0 shade: #67A5D0, #A666D0, #D09166 and #91D066

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67A5D0 shade: #67A5D0, #C566D0, #D09166 and #71D066

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 21 / 0 / 18

HEX #67A5D0

RGB 103 165 208

HSL 204.57, 0.53%, 0.61%

LAB 65.24, -8.1, -28.08

 

Complementary color

CMYK 0 / 41 / 69 / 40

HEX #985A2F

RGB 152 90 47

HSL 24.57, 0.53%, 0.39%

LAB 44.51, 21.55, 35.04

 

CMYK 47 / 19 / 0 / 20

HEX #6CA5CB

RGB 108 165 203

HSL 204, 0.48%, 0.61%

LAB 65.29, -8.36, -25.21

 

CMYK 44 / 18 / 0 / 13

HEX #7DB7DE

RGB 125 183 222

HSL 204.12, 0.6%, 0.68%

LAB 71.89, -8.66, -25.46

 

CMYK 41 / 17 / 0 / 5

HEX #8EC9F1

RGB 142 201 241

HSL 204.24, 0.78%, 0.75%

LAB 78.39, -8.9, -25.71

 

CMYK 38 / 14 / 0 / 0

HEX #9FDBFF

RGB 159 219 255

HSL 202.5, 1%, 0.81%

LAB 84.61, -10.37, -23.59

 

CMYK 31 / 7 / 0 / 0

HEX #B0EDFF

RGB 176 237 255

HSL 193.67, 1%, 0.85%

LAB 90.33, -15.02, -14.88

 

CMYK 50 / 21 / 0 / 18

HEX #67A5D0

RGB 103 165 208

HSL 204.57, 0.53%, 0.61%

LAB 65.24, -8.1, -28.08

 

CMYK 54 / 22 / 0 / 26

HEX #5693BD

RGB 86 147 189

HSL 204.47, 0.44%, 0.54%

LAB 58.53, -7.61, -27.86

 

CMYK 59 / 24 / 0 / 33

HEX #4581AA

RGB 69 129 170

HSL 204.36, 0.42%, 0.47%

LAB 51.69, -6.98, -27.65

 

CMYK 66 / 26 / 0 / 41

HEX #346F97

RGB 52 111 151

HSL 204.24, 0.49%, 0.4%

LAB 44.71, -6.14, -27.43

 

CMYK 73 / 30 / 0 / 48

HEX #235D84

RGB 35 93 132

HSL 204.12, 0.58%, 0.33%

LAB 37.58, -4.97, -27.2

 

CMYK 51 / 21 / 0 / 18

HEX #66A5D0

RGB 102 165 208

HSL 204.34, 0.53%, 0.61%

LAB 65.19, -8.33, -28.15

 

CMYK 51 / 35 / 0 / 18

HEX #6688D0

RGB 102 136 208

HSL 220.75, 0.53%, 0.61%

LAB 57.06, 8.26, -40.81

 

CMYK 51 / 48 / 0 / 18

HEX #666CD0

RGB 102 108 208

HSL 236.6, 0.53%, 0.61%

LAB 49.62, 25.2, -52.63

 

CMYK 40 / 51 / 0 / 18

HEX #7D66D0

RGB 125 102 208

HSL 253.02, 0.53%, 0.61%

LAB 50, 34.14, -51.92

 

CMYK 26 / 51 / 0 / 18

HEX #9A66D0

RGB 154 102 208

HSL 269.43, 0.53%, 0.61%

LAB 52.87, 41.54, -47.17

 

CMYK 51 / 21 / 0 / 18

HEX #66A5D0

RGB 102 165 208

HSL 204.34, 0.53%, 0.61%

LAB 65.19, -8.33, -28.15

 

CMYK 51 / 35 / 0 / 18

HEX #6688D0

RGB 102 136 208

HSL 220.75, 0.53%, 0.61%

LAB 57.06, 8.26, -40.81

 

CMYK 51 / 48 / 0 / 18

HEX #666CD0

RGB 102 108 208

HSL 236.6, 0.53%, 0.61%

LAB 49.62, 25.2, -52.63

 

CMYK 51 / 51 / 0 / 18

HEX #6666D0

RGB 102 102 208

HSL 240, 0.53%, 0.61%

LAB 48.11, 28.86, -55.05

 

CMYK 51 / 21 / 0 / 18

HEX #66A5D0

RGB 102 165 208

HSL 204.34, 0.53%, 0.61%

LAB 65.19, -8.33, -28.15

 

CMYK 62 / 25 / 0 / 12

HEX #56A8E0

RGB 86 168 224

HSL 204.35, 0.69%, 0.61%

LAB 66.03, -8.33, -35.74

 

CMYK 71 / 29 / 0 / 6

HEX #46AAF0

RGB 70 170 240

HSL 204.71, 0.85%, 0.61%

LAB 66.78, -6.72, -43.38

 

CMYK 51 / 21 / 0 / 18

HEX #66A5D0

RGB 102 165 208

HSL 204.34, 0.53%, 0.61%

LAB 65.19, -8.33, -28.15

 

CMYK 39 / 16 / 0 / 25

HEX #76A2C0

RGB 118 162 192

HSL 204.32, 0.37%, 0.61%

LAB 64.56, -7.17, -20.15

 

CMYK 23 / 10 / 0 / 31

HEX #879FB0

RGB 135 159 176

HSL 204.88, 0.21%, 0.61%

LAB 64.23, -4.52, -11.6

 

CMYK 5 / 2 / 0 / 38

HEX #979C9F

RGB 151 156 159

HSL 202.5, 0.04%, 0.61%

LAB 64.05, -1.19, -2.2

 

CMYK 0 / 8 / 14 / 35

HEX #A7998F

RGB 167 153 143

HSL 25, 0.12%, 0.61%

LAB 64.15, 3.41, 7.11

 

CMYK 51 / 0 / 7 / 18

HEX #66D0C2

RGB 102 208 194

HSL 172.08, 0.53%, 0.61%

LAB 77.18, -34.03, -2.45

 

CMYK 51 / 7 / 0 / 18

HEX #66C2D0

RGB 102 194 208

HSL 187.92, 0.53%, 0.61%

LAB 73.52, -23.58, -15.46

 

CMYK 51 / 20 / 0 / 18

HEX #66A6D0

RGB 102 166 208

HSL 203.77, 0.53%, 0.61%

LAB 65.48, -8.87, -27.71

 

CMYK 51 / 34 / 0 / 18

HEX #6689D0

RGB 102 137 208

HSL 220.19, 0.53%, 0.61%

LAB 57.34, 7.67, -40.38

 

CMYK 51 / 48 / 0 / 18

HEX #666DD0

RGB 102 109 208

HSL 236.04, 0.53%, 0.61%

LAB 49.88, 24.58, -52.22

 

CMYK 70 / 28 / 0 / 32

HEX #357DAE

RGB 53 125 174

HSL 204.3, 0.53%, 0.45%

LAB 50.07, -6.2, -32.52

 

CMYK 64 / 26 / 0 / 22

HEX #4792C6

RGB 71 146 198

HSL 204.57, 0.53%, 0.53%

LAB 58.01, -7.13, -33.79

 

CMYK 51 / 21 / 0 / 18

HEX #66A5D0

RGB 102 165 208

HSL 204.34, 0.53%, 0.61%

LAB 65.19, -8.33, -28.15

 

CMYK 38 / 16 / 0 / 15

HEX #86B7D9

RGB 134 183 217

HSL 204.58, 0.52%, 0.69%

LAB 72.19, -7.67, -22.23

 

CMYK 27 / 11 / 0 / 11

HEX #A5CAE3

RGB 165 202 227

HSL 204.19, 0.53%, 0.77%

LAB 79.49, -6.63, -16.41

 

CMYK 50 / 21 / 0 / 18

HEX #67A5D0

RGB 103 165 208

HSL 204.57, 0.53%, 0.61%

LAB 65.24, -8.1, -28.08

 

CMYK 20 / 51 / 0 / 18

HEX #A666D0

RGB 166 102 208

HSL 276.23, 0.53%, 0.61%

LAB 54.2, 44.75, -44.98

 

CMYK 0 / 0 / 51 / 18

HEX #D0D066

RGB 208 208 102

HSL 60, 0.53%, 0.61%

LAB 81.56, -14.29, 51.98

 

CMYK 50 / 21 / 0 / 18

HEX #67A5D0

RGB 103 165 208

HSL 204.57, 0.53%, 0.61%

LAB 65.24, -8.1, -28.08

 

CMYK 0 / 51 / 20 / 18

HEX #D066A6

RGB 208 102 166

HSL 323.77, 0.53%, 0.61%

LAB 57.72, 49.45, -14.99

 

CMYK 20 / 0 / 51 / 18

HEX #A6D066

RGB 166 208 102

HSL 83.77, 0.53%, 0.61%

LAB 78.57, -30.8, 47.7

 

CMYK 50 / 21 / 0 / 18

HEX #67A5D0

RGB 103 165 208

HSL 204.57, 0.53%, 0.61%

LAB 65.24, -8.1, -28.08

 

CMYK 20 / 51 / 0 / 18

HEX #A666D0

RGB 166 102 208

HSL 276.23, 0.53%, 0.61%

LAB 54.2, 44.75, -44.98

 

CMYK 0 / 30 / 51 / 18

HEX #D09166

RGB 208 145 102

HSL 24.34, 0.53%, 0.61%

LAB 65.45, 18.98, 32.27

 

CMYK 30 / 0 / 51 / 18

HEX #91D066

RGB 145 208 102

HSL 95.66, 0.53%, 0.61%

LAB 77.34, -38.44, 45.93

 

CMYK 50 / 21 / 0 / 18

HEX #67A5D0

RGB 103 165 208

HSL 204.57, 0.53%, 0.61%

LAB 65.24, -8.1, -28.08

 

CMYK 5 / 51 / 0 / 18

HEX #C566D0

RGB 197 102 208

HSL 293.77, 0.53%, 0.61%

LAB 57.97, 53.23, -38.79

 

CMYK 0 / 30 / 51 / 18

HEX #D09166

RGB 208 145 102

HSL 24.34, 0.53%, 0.61%

LAB 65.45, 18.98, 32.27

 

CMYK 46 / 0 / 51 / 18

HEX #71D066

RGB 113 208 102

HSL 113.77, 0.53%, 0.61%

LAB 75.81, -48.76, 43.73

 

Description

Color code: HEX #67A5D0 | qconv.com Color code: HEX #67A5D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 165 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 165 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 21 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 21% 0% 18% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - マリサグレース公式通販 | 2014カタ...
Link: http://marisagracestore.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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