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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67AAD5 it is the complementary color #98552A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67AAD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67AAD5 shade: #6CAAD0, #7DBCE3, #8ECEF6, #9FE0FF and #B0F2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67AAD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67AAD5 shade: #67AAD5, #5698C2, #4586AF, #34749C and #236289

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67AAD5 shade: #66AAD5, #668CD5, #666ED5, #7C66D5 and #9A66D5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67AAD5 shade: #66AAD5, #668CD5, #666ED5 and #6666D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67AAD5 shade matches the following richer shades: #66AAD5, #57ADE5 and #47B1F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67AAD5 shade: #66AAD5, #76A6C5, #86A3B5, #959FA6 and #A59C96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67AAD5 shade: #66D5C4, #66C8D5, #66AAD5, #668DD5 and #6670D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67AAD5 shade: #3283B7, #4698CC, #66AAD5, #87BCDE and #A7CEE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67AAD5 shade: #67AAD5, #A766D5 and #D5D366

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67AAD5 shade: #67AAD5, #D566AA and #AAD566

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67AAD5 shade: #67AAD5, #A766D5, #D59166 and #94D566

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67AAD5 shade: #67AAD5, #C866D5, #D59166 and #73D566

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 20 / 0 / 16

HEX #67AAD5

RGB 103 170 213

HSL 203.45, 0.57%, 0.62%

LAB 66.85, -9.37, -28.35

 

Complementary color

CMYK 0 / 44 / 72 / 40

HEX #98552A

RGB 152 85 42

HSL 23.45, 0.57%, 0.38%

LAB 43.27, 24.1, 36.32

 

CMYK 48 / 18 / 0 / 18

HEX #6CAAD0

RGB 108 170 208

HSL 202.8, 0.52%, 0.62%

LAB 66.89, -9.67, -25.51

 

CMYK 45 / 17 / 0 / 11

HEX #7DBCE3

RGB 125 188 227

HSL 202.94, 0.65%, 0.69%

LAB 73.46, -9.97, -25.77

 

CMYK 42 / 16 / 0 / 4

HEX #8ECEF6

RGB 142 206 246

HSL 203.08, 0.85%, 0.76%

LAB 79.92, -10.21, -26.04

 

CMYK 38 / 12 / 0 / 0

HEX #9FE0FF

RGB 159 224 255

HSL 199.38, 1%, 0.81%

LAB 85.96, -12.94, -21.56

 

CMYK 31 / 5 / 0 / 0

HEX #B0F2FF

RGB 176 242 255

HSL 189.87, 1%, 0.85%

LAB 91.66, -17.52, -12.88

 

CMYK 52 / 20 / 0 / 16

HEX #67AAD5

RGB 103 170 213

HSL 203.45, 0.57%, 0.62%

LAB 66.85, -9.37, -28.35

 

CMYK 56 / 22 / 0 / 24

HEX #5698C2

RGB 86 152 194

HSL 203.33, 0.47%, 0.55%

LAB 60.19, -8.87, -28.12

 

CMYK 61 / 23 / 0 / 31

HEX #4586AF

RGB 69 134 175

HSL 203.21, 0.43%, 0.48%

LAB 53.4, -8.22, -27.88

 

CMYK 67 / 26 / 0 / 39

HEX #34749C

RGB 52 116 156

HSL 203.08, 0.5%, 0.41%

LAB 46.47, -7.36, -27.64

 

CMYK 74 / 28 / 0 / 46

HEX #236289

RGB 35 98 137

HSL 202.94, 0.59%, 0.34%

LAB 39.41, -6.17, -27.37

 

CMYK 52 / 20 / 0 / 16

HEX #66AAD5

RGB 102 170 213

HSL 203.24, 0.57%, 0.62%

LAB 66.81, -9.59, -28.43

 

CMYK 52 / 34 / 0 / 16

HEX #668CD5

RGB 102 140 213

HSL 219.46, 0.57%, 0.62%

LAB 58.4, 7.45, -41.52

 

CMYK 52 / 48 / 0 / 16

HEX #666ED5

RGB 102 110 213

HSL 235.68, 0.57%, 0.62%

LAB 50.43, 25.54, -54.18

 

CMYK 42 / 52 / 0 / 16

HEX #7C66D5

RGB 124 102 213

HSL 251.89, 0.57%, 0.62%

LAB 50.21, 35.3, -54.44

 

CMYK 28 / 52 / 0 / 16

HEX #9A66D5

RGB 154 102 213

HSL 268.11, 0.57%, 0.62%

LAB 53.14, 42.74, -49.58

 

CMYK 52 / 20 / 0 / 16

HEX #66AAD5

RGB 102 170 213

HSL 203.24, 0.57%, 0.62%

LAB 66.81, -9.59, -28.43

 

CMYK 52 / 34 / 0 / 16

HEX #668CD5

RGB 102 140 213

HSL 219.46, 0.57%, 0.62%

LAB 58.4, 7.45, -41.52

 

CMYK 52 / 48 / 0 / 16

HEX #666ED5

RGB 102 110 213

HSL 235.68, 0.57%, 0.62%

LAB 50.43, 25.54, -54.18

 

CMYK 52 / 52 / 0 / 16

HEX #6666D5

RGB 102 102 213

HSL 240, 0.57%, 0.62%

LAB 48.43, 30.42, -57.4

 

CMYK 52 / 20 / 0 / 16

HEX #66AAD5

RGB 102 170 213

HSL 203.24, 0.57%, 0.62%

LAB 66.81, -9.59, -28.43

 

CMYK 62 / 24 / 0 / 10

HEX #57ADE5

RGB 87 173 229

HSL 203.66, 0.73%, 0.62%

LAB 67.7, -9.31, -35.88

 

CMYK 71 / 27 / 0 / 4

HEX #47B1F4

RGB 71 177 244

HSL 203.24, 0.89%, 0.62%

LAB 68.98, -9.11, -42.12

 

CMYK 52 / 20 / 0 / 16

HEX #66AAD5

RGB 102 170 213

HSL 203.24, 0.57%, 0.62%

LAB 66.81, -9.59, -28.43

 

CMYK 40 / 16 / 0 / 23

HEX #76A6C5

RGB 118 166 197

HSL 203.54, 0.41%, 0.62%

LAB 65.87, -8.03, -20.94

 

CMYK 26 / 10 / 0 / 29

HEX #86A3B5

RGB 134 163 181

HSL 202.98, 0.24%, 0.62%

LAB 65.44, -5.85, -12.59

 

CMYK 10 / 4 / 0 / 35

HEX #959FA6

RGB 149 159 166

HSL 204.71, 0.09%, 0.62%

LAB 64.91, -2.11, -4.87

 

CMYK 0 / 5 / 9 / 35

HEX #A59C96

RGB 165 156 150

HSL 24, 0.08%, 0.62%

LAB 64.95, 2.2, 4.3

 

CMYK 52 / 0 / 8 / 16

HEX #66D5C4

RGB 102 213 196

HSL 170.81, 0.57%, 0.62%

LAB 78.69, -35.86, -1.3

 

CMYK 52 / 6 / 0 / 16

HEX #66C8D5

RGB 102 200 213

HSL 187.03, 0.57%, 0.62%

LAB 75.41, -25.21, -15.32

 

CMYK 52 / 20 / 0 / 16

HEX #66AAD5

RGB 102 170 213

HSL 203.24, 0.57%, 0.62%

LAB 66.81, -9.59, -28.43

 

CMYK 52 / 34 / 0 / 16

HEX #668DD5

RGB 102 141 213

HSL 218.92, 0.57%, 0.62%

LAB 58.68, 6.87, -41.09

 

CMYK 52 / 47 / 0 / 16

HEX #6670D5

RGB 102 112 213

HSL 234.59, 0.57%, 0.62%

LAB 50.94, 24.32, -53.36

 

CMYK 73 / 28 / 0 / 28

HEX #3283B7

RGB 50 131 183

HSL 203.46, 0.57%, 0.46%

LAB 52.21, -6.98, -34.38

 

CMYK 66 / 25 / 0 / 20

HEX #4698CC

RGB 70 152 204

HSL 203.28, 0.57%, 0.54%

LAB 60, -8.7, -34.08

 

CMYK 52 / 20 / 0 / 16

HEX #66AAD5

RGB 102 170 213

HSL 203.24, 0.57%, 0.62%

LAB 66.81, -9.59, -28.43

 

CMYK 39 / 15 / 0 / 13

HEX #87BCDE

RGB 135 188 222

HSL 203.45, 0.57%, 0.7%

LAB 73.8, -8.78, -22.5

 

CMYK 28 / 11 / 0 / 9

HEX #A7CEE7

RGB 167 206 231

HSL 203.44, 0.57%, 0.78%

LAB 80.81, -7.22, -16.56

 

CMYK 52 / 20 / 0 / 16

HEX #67AAD5

RGB 103 170 213

HSL 203.45, 0.57%, 0.62%

LAB 66.85, -9.37, -28.35

 

CMYK 22 / 52 / 0 / 16

HEX #A766D5

RGB 167 102 213

HSL 275.14, 0.57%, 0.62%

LAB 54.58, 46.14, -47.21

 

CMYK 0 / 1 / 52 / 16

HEX #D5D366

RGB 213 211 102

HSL 58.92, 0.57%, 0.62%

LAB 82.75, -13.76, 53.48

 

CMYK 52 / 20 / 0 / 16

HEX #67AAD5

RGB 103 170 213

HSL 203.45, 0.57%, 0.62%

LAB 66.85, -9.37, -28.35

 

CMYK 0 / 52 / 20 / 16

HEX #D566AA

RGB 213 102 170

HSL 323.24, 0.57%, 0.62%

LAB 58.56, 51.6, -15.97

 

CMYK 20 / 0 / 52 / 16

HEX #AAD566

RGB 170 213 102

HSL 83.24, 0.57%, 0.62%

LAB 80.23, -31.64, 49.75

 

CMYK 52 / 20 / 0 / 16

HEX #67AAD5

RGB 103 170 213

HSL 203.45, 0.57%, 0.62%

LAB 66.85, -9.37, -28.35

 

CMYK 22 / 52 / 0 / 16

HEX #A766D5

RGB 167 102 213

HSL 275.14, 0.57%, 0.62%

LAB 54.58, 46.14, -47.21

 

CMYK 0 / 32 / 52 / 16

HEX #D59166

RGB 213 145 102

HSL 23.24, 0.57%, 0.62%

LAB 66.03, 21.03, 33.12

 

CMYK 31 / 0 / 52 / 16

HEX #94D566

RGB 148 213 102

HSL 95.14, 0.57%, 0.62%

LAB 78.95, -39.62, 47.91

 

CMYK 52 / 20 / 0 / 16

HEX #67AAD5

RGB 103 170 213

HSL 203.45, 0.57%, 0.62%

LAB 66.85, -9.37, -28.35

 

CMYK 6 / 52 / 0 / 16

HEX #C866D5

RGB 200 102 213

HSL 292.97, 0.57%, 0.62%

LAB 58.59, 54.99, -40.61

 

CMYK 0 / 32 / 52 / 16

HEX #D59166

RGB 213 145 102

HSL 23.24, 0.57%, 0.62%

LAB 66.03, 21.03, 33.12

 

CMYK 46 / 0 / 52 / 16

HEX #73D566

RGB 115 213 102

HSL 112.97, 0.57%, 0.62%

LAB 77.4, -50.22, 45.67

 

Description

Color code: HEX #67AAD5 | qconv.com Color code: HEX #67AAD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 170 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 170 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 20 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 20% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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