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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67CF9E it is the complementary color #983061. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67CF9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67CF9E shade: #6CCF99, #7DE1AC, #8EF3BF, #9FFFD2 and #B0FFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67CF9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67CF9E shade: #67CF9E, #56BD8B, #45AB78, #349965 and #238752

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67CF9E shade: #67CF9E, #67CF82, #68CF67, #84CF67 and #A0CF67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67CF9E shade: #67CF9E, #67CFBA, #67C8CF, #67ACCF and #6790CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67CF9E shade matches the following richer shades: #67CF9E, #57DF9F and #47EFA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67CF9E shade: #67CF9E, #77BF9D, #88AF9C, #989E9B and #A88E9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67CF9E shade: #69CF67, #67CF81, #67CF9D, #67CFB8 and #67CACF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67CF9E shade: #36AD75, #48C58A, #67CF9E, #87D9B2 and #A6E3C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67CF9E shade: #67CF9E, #6785CF and #CF7367

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67CF9E shade: #67CF9E, #9D67CF and #CF9D67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67CF9E shade: #67CF9E, #6785CF, #CF6799 and #CFB167

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67CF9E shade: #67CF9E, #6967CF, #CF6799 and #CDCF67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 24 / 19

HEX #67CF9E

RGB 103 207 158

HSL 151.73, 0.52%, 0.61%

LAB 76.06, -41.58, 15.24

 

Complementary color

CMYK 0 / 68 / 36 / 40

HEX #983061

RGB 152 48 97

HSL 331.73, 0.52%, 0.39%

LAB 37.21, 47.66, -4.99

 

CMYK 48 / 0 / 26 / 19

HEX #6CCF99

RGB 108 207 153

HSL 147.27, 0.51%, 0.62%

LAB 76.14, -41.36, 18.04

 

CMYK 44 / 0 / 24 / 12

HEX #7DE1AC

RGB 125 225 172

HSL 148.2, 0.63%, 0.69%

LAB 82.48, -41.16, 16.96

 

CMYK 42 / 0 / 21 / 5

HEX #8EF3BF

RGB 142 243 191

HSL 149.11, 0.81%, 0.75%

LAB 88.74, -40.93, 15.96

 

CMYK 38 / 0 / 18 / 0

HEX #9FFFD2

RGB 159 255 210

HSL 151.88, 1%, 0.81%

LAB 93.25, -38, 12.65

 

CMYK 31 / 0 / 10 / 0

HEX #B0FFE5

RGB 176 255 229

HSL 160.25, 1%, 0.85%

LAB 94.49, -29.46, 4.74

 

CMYK 50 / 0 / 24 / 19

HEX #67CF9E

RGB 103 207 158

HSL 151.73, 0.52%, 0.61%

LAB 76.06, -41.58, 15.24

 

CMYK 54 / 0 / 26 / 26

HEX #56BD8B

RGB 86 189 139

HSL 150.87, 0.44%, 0.54%

LAB 69.64, -41.69, 16.38

 

CMYK 60 / 0 / 30 / 33

HEX #45AB78

RGB 69 171 120

HSL 150, 0.43%, 0.47%

LAB 63.13, -41.69, 17.63

 

CMYK 66 / 0 / 34 / 40

HEX #349965

RGB 52 153 101

HSL 149.11, 0.49%, 0.4%

LAB 56.54, -41.53, 19.02

 

CMYK 74 / 0 / 39 / 47

HEX #238752

RGB 35 135 82

HSL 148.2, 0.59%, 0.33%

LAB 49.85, -41.07, 20.56

 

CMYK 50 / 0 / 24 / 19

HEX #67CF9E

RGB 103 207 158

HSL 151.73, 0.52%, 0.61%

LAB 76.06, -41.58, 15.24

 

CMYK 50 / 0 / 37 / 19

HEX #67CF82

RGB 103 207 130

HSL 135.58, 0.52%, 0.61%

LAB 75.53, -46.91, 29.25

 

CMYK 50 / 0 / 50 / 19

HEX #68CF67

RGB 104 207 103

HSL 119.42, 0.52%, 0.61%

LAB 75.17, -50.77, 42.38

 

CMYK 36 / 0 / 50 / 19

HEX #84CF67

RGB 132 207 103

HSL 103.27, 0.52%, 0.61%

LAB 76.38, -42.3, 44.14

 

CMYK 23 / 0 / 50 / 19

HEX #A0CF67

RGB 160 207 103

HSL 87.12, 0.52%, 0.61%

LAB 77.92, -32.47, 46.37

 

CMYK 50 / 0 / 24 / 19

HEX #67CF9E

RGB 103 207 158

HSL 151.73, 0.52%, 0.61%

LAB 76.06, -41.58, 15.24

 

CMYK 50 / 0 / 10 / 19

HEX #67CFBA

RGB 103 207 186

HSL 167.88, 0.52%, 0.61%

LAB 76.71, -35.3, 1.18

 

CMYK 50 / 3 / 0 / 19

HEX #67C8CF

RGB 103 200 207

HSL 184.04, 0.52%, 0.61%

LAB 75.26, -26.62, -12.3

 

CMYK 50 / 17 / 0 / 19

HEX #67ACCF

RGB 103 172 207

HSL 200.19, 0.52%, 0.61%

LAB 67.2, -12.2, -24.51

 

CMYK 50 / 30 / 0 / 19

HEX #6790CF

RGB 103 144 207

HSL 216.35, 0.52%, 0.61%

LAB 59.28, 3.49, -36.76

 

CMYK 50 / 0 / 24 / 19

HEX #67CF9E

RGB 103 207 158

HSL 151.73, 0.52%, 0.61%

LAB 76.06, -41.58, 15.24

 

CMYK 61 / 0 / 29 / 13

HEX #57DF9F

RGB 87 223 159

HSL 151.76, 0.68%, 0.61%

LAB 80.35, -51.62, 20.61

 

CMYK 70 / 0 / 33 / 6

HEX #47EFA0

RGB 71 239 160

HSL 151.79, 0.84%, 0.61%

LAB 84.8, -60.37, 26.12

 

CMYK 50 / 0 / 24 / 19

HEX #67CF9E

RGB 103 207 158

HSL 151.73, 0.52%, 0.61%

LAB 76.06, -41.58, 15.24

 

CMYK 38 / 0 / 18 / 25

HEX #77BF9D

RGB 119 191 157

HSL 151.67, 0.36%, 0.61%

LAB 71.97, -30.18, 10.11

 

CMYK 22 / 0 / 11 / 31

HEX #88AF9C

RGB 136 175 156

HSL 150.77, 0.2%, 0.61%

LAB 68.24, -17.13, 5.44

 

CMYK 4 / 0 / 2 / 38

HEX #989E9B

RGB 152 158 155

HSL 150, 0.03%, 0.61%

LAB 64.56, -2.73, 0.81

 

CMYK 0 / 15 / 8 / 34

HEX #A88E9A

RGB 168 142 154

HSL 332.31, 0.13%, 0.61%

LAB 61.66, 11.85, -2.71

 

CMYK 49 / 0 / 50 / 19

HEX #69CF67

RGB 105 207 103

HSL 118.85, 0.52%, 0.61%

LAB 75.21, -50.5, 42.43

 

CMYK 50 / 0 / 38 / 19

HEX #67CF81

RGB 103 207 129

HSL 135, 0.52%, 0.61%

LAB 75.51, -47.08, 29.74

 

CMYK 50 / 0 / 24 / 19

HEX #67CF9D

RGB 103 207 157

HSL 151.15, 0.52%, 0.61%

LAB 76.03, -41.79, 15.74

 

CMYK 50 / 0 / 11 / 19

HEX #67CFB8

RGB 103 207 184

HSL 166.73, 0.52%, 0.61%

LAB 76.66, -35.78, 2.18

 

CMYK 50 / 2 / 0 / 19

HEX #67CACF

RGB 103 202 207

HSL 182.88, 0.52%, 0.61%

LAB 75.84, -27.6, -11.43

 

CMYK 69 / 0 / 32 / 32

HEX #36AD75

RGB 54 173 117

HSL 151.76, 0.52%, 0.45%

LAB 63.31, -46.06, 19.45

 

CMYK 63 / 0 / 30 / 23

HEX #48C58A

RGB 72 197 138

HSL 151.68, 0.52%, 0.53%

LAB 71.65, -48.22, 19.64

 

CMYK 50 / 0 / 24 / 19

HEX #67CF9E

RGB 103 207 158

HSL 151.73, 0.52%, 0.61%

LAB 76.06, -41.58, 15.24

 

CMYK 38 / 0 / 18 / 15

HEX #87D9B2

RGB 135 217 178

HSL 151.46, 0.52%, 0.69%

LAB 80.73, -33.59, 11.4

 

CMYK 27 / 0 / 13 / 11

HEX #A6E3C6

RGB 166 227 198

HSL 151.48, 0.52%, 0.77%

LAB 85.57, -25.24, 7.96

 

CMYK 50 / 0 / 24 / 19

HEX #67CF9E

RGB 103 207 158

HSL 151.73, 0.52%, 0.61%

LAB 76.06, -41.58, 15.24

 

CMYK 50 / 36 / 0 / 19

HEX #6785CF

RGB 103 133 207

HSL 222.69, 0.52%, 0.61%

LAB 56.25, 9.97, -41.52

 

CMYK 0 / 44 / 50 / 19

HEX #CF7367

RGB 207 115 103

HSL 6.92, 0.52%, 0.61%

LAB 58.51, 34.83, 22.63

 

CMYK 50 / 0 / 24 / 19

HEX #67CF9E

RGB 103 207 158

HSL 151.73, 0.52%, 0.61%

LAB 76.06, -41.58, 15.24

 

CMYK 24 / 50 / 0 / 19

HEX #9D67CF

RGB 157 103 207

HSL 271.15, 0.52%, 0.61%

LAB 53.36, 41.55, -45.81

 

CMYK 0 / 24 / 50 / 19

HEX #CF9D67

RGB 207 157 103

HSL 31.15, 0.52%, 0.61%

LAB 68.28, 12.14, 35.32

 

CMYK 50 / 0 / 24 / 19

HEX #67CF9E

RGB 103 207 158

HSL 151.73, 0.52%, 0.61%

LAB 76.06, -41.58, 15.24

 

CMYK 50 / 36 / 0 / 19

HEX #6785CF

RGB 103 133 207

HSL 222.69, 0.52%, 0.61%

LAB 56.25, 9.97, -41.52

 

CMYK 0 / 50 / 26 / 19

HEX #CF6799

RGB 207 103 153

HSL 331.15, 0.52%, 0.61%

LAB 57.33, 46.78, -8.04

 

CMYK 0 / 14 / 50 / 19

HEX #CFB167

RGB 207 177 103

HSL 42.69, 0.52%, 0.61%

LAB 73.34, 1.4, 41.62

 

CMYK 50 / 0 / 24 / 19

HEX #67CF9E

RGB 103 207 158

HSL 151.73, 0.52%, 0.61%

LAB 76.06, -41.58, 15.24

 

CMYK 49 / 50 / 0 / 19

HEX #6967CF

RGB 105 103 207

HSL 241.15, 0.52%, 0.61%

LAB 48.52, 28.6, -53.81

 

CMYK 0 / 50 / 26 / 19

HEX #CF6799

RGB 207 103 153

HSL 331.15, 0.52%, 0.61%

LAB 57.33, 46.78, -8.04

 

CMYK 1 / 0 / 50 / 19

HEX #CDCF67

RGB 205 207 103

HSL 61.15, 0.52%, 0.61%

LAB 81.06, -14.91, 50.87

 

Description

Color code: HEX #67CF9E | qconv.com Color code: HEX #67CF9E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 207 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 207 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 24 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 24% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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