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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67D50B it is the complementary color #982AF4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67D50B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67D50B shade: #6CD506, #7DE719, #8EF92C, #9FFF3F and #B0FF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67D50B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67D50B shade: #67D50B, #56C300, #45B100, #349F00 and #238D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67D50B shade: #67D50B, #9DD50B, #D4D50B, #D59F0B and #D5690B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67D50B shade: #67D50B, #30D50B, #0BD51C, #0BD552 and #0BD589

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67D50B shade matches the following richer shades: #67D50B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67D50B shade: #67D50B, #68C31D, #6AB02F, #6C9E41 and #6D8C53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67D50B shade: #D5D50B, #9FD50B, #69D50B, #33D50B and #0BD518

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67D50B shade: #418607, #54AD09, #67D50B, #7BF216 and #91F43E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67D50B shade: #67D50B, #0BD59F and #D50BBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67D50B shade: #67D50B, #0B69D5 and #D50B69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67D50B shade: #67D50B, #0BD59F, #760BD5 and #D50B41

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67D50B shade: #67D50B, #0BCED5, #760BD5 and #D5110B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 95 / 16

HEX #67D50B

RGB 103 213 11

HSL 92.67, 0.9%, 0.44%

LAB 76.37, -59.83, 73.75

 

Complementary color

CMYK 38 / 83 / 0 / 4

HEX #982AF4

RGB 152 42 244

HSL 272.67, 0.9%, 0.56%

LAB 45.45, 75.98, -79.55

 

CMYK 49 / 0 / 97 / 16

HEX #6CD506

RGB 108 213 6

HSL 90.43, 0.95%, 0.43%

LAB 76.55, -58.45, 74.45

 

CMYK 46 / 0 / 89 / 9

HEX #7DE719

RGB 125 231 25

HSL 90.87, 0.81%, 0.5%

LAB 82.69, -59.62, 77.45

 

CMYK 43 / 0 / 82 / 2

HEX #8EF92C

RGB 142 249 44

HSL 91.32, 0.94%, 0.57%

LAB 88.77, -60.51, 79.2

 

CMYK 38 / 0 / 75 / 0

HEX #9FFF3F

RGB 159 255 63

HSL 90, 1%, 0.62%

LAB 91.35, -56.52, 76.73

 

CMYK 31 / 0 / 68 / 0

HEX #B0FF52

RGB 176 255 82

HSL 87.4, 1%, 0.66%

LAB 92.29, -49.64, 71.56

 

CMYK 52 / 0 / 95 / 16

HEX #67D50B

RGB 103 213 11

HSL 92.67, 0.9%, 0.44%

LAB 76.37, -59.83, 73.75

 

CMYK 56 / 0 / 100 / 24

HEX #56C300

RGB 86 195 0

HSL 93.54, 1%, 0.38%

LAB 70.18, -58.31, 69.69

 

CMYK 61 / 0 / 100 / 31

HEX #45B100

RGB 69 177 0

HSL 96.61, 1%, 0.35%

LAB 63.92, -56.44, 64.52

 

CMYK 67 / 0 / 100 / 38

HEX #349F00

RGB 52 159 0

HSL 100.38, 1%, 0.31%

LAB 57.58, -54.29, 59.3

 

CMYK 75 / 0 / 100 / 45

HEX #238D00

RGB 35 141 0

HSL 105.11, 1%, 0.28%

LAB 51.16, -51.74, 54.03

 

CMYK 52 / 0 / 95 / 16

HEX #67D50B

RGB 103 213 11

HSL 92.67, 0.9%, 0.44%

LAB 76.37, -59.83, 73.75

 

CMYK 26 / 0 / 95 / 16

HEX #9DD50B

RGB 157 213 11

HSL 76.63, 0.9%, 0.44%

LAB 78.91, -41.55, 76.85

 

CMYK 0 / 0 / 95 / 16

HEX #D4D50B

RGB 212 213 11

HSL 60.3, 0.9%, 0.44%

LAB 82.71, -19.14, 81.41

 

CMYK 0 / 25 / 95 / 16

HEX #D59F0B

RGB 213 159 11

HSL 43.96, 0.9%, 0.44%

LAB 68.73, 9.18, 71.11

 

CMYK 0 / 51 / 95 / 16

HEX #D5690B

RGB 213 105 11

HSL 27.92, 0.9%, 0.44%

LAB 56.36, 37.93, 62.49

 

CMYK 52 / 0 / 95 / 16

HEX #67D50B

RGB 103 213 11

HSL 92.67, 0.9%, 0.44%

LAB 76.37, -59.83, 73.75

 

CMYK 77 / 0 / 95 / 16

HEX #30D50B

RGB 48 213 11

HSL 109.01, 0.9%, 0.44%

LAB 74.98, -71.47, 72.03

 

CMYK 95 / 0 / 87 / 16

HEX #0BD51C

RGB 11 213 28

HSL 125.05, 0.9%, 0.44%

LAB 74.66, -74.14, 69.06

 

CMYK 95 / 0 / 62 / 16

HEX #0BD552

RGB 11 213 82

HSL 141.09, 0.9%, 0.44%

LAB 74.99, -69.92, 51.44

 

CMYK 95 / 0 / 36 / 16

HEX #0BD589

RGB 11 213 137

HSL 157.43, 0.9%, 0.44%

LAB 75.74, -60.98, 25.6

 

CMYK 52 / 0 / 95 / 16

HEX #67D50B

RGB 103 213 11

HSL 92.67, 0.9%, 0.44%

LAB 76.37, -59.83, 73.75

 

CMYK 52 / 0 / 95 / 16

HEX #67D50B

RGB 103 213 11

HSL 92.67, 0.9%, 0.44%

LAB 76.37, -59.83, 73.75

 

CMYK 47 / 0 / 85 / 24

HEX #68C31D

RGB 104 195 29

HSL 92.89, 0.74%, 0.44%

LAB 70.91, -52.38, 66.29

 

CMYK 40 / 0 / 73 / 31

HEX #6AB02F

RGB 106 176 47

HSL 92.56, 0.58%, 0.44%

LAB 65.22, -43.16, 55.72

 

CMYK 32 / 0 / 59 / 38

HEX #6C9E41

RGB 108 158 65

HSL 92.26, 0.42%, 0.44%

LAB 59.91, -32.98, 42.52

 

CMYK 22 / 0 / 41 / 45

HEX #6D8C53

RGB 109 140 83

HSL 92.63, 0.26%, 0.44%

LAB 54.69, -21.64, 26.95

 

CMYK 0 / 0 / 95 / 16

HEX #D5D50B

RGB 213 213 11

HSL 60, 0.9%, 0.44%

LAB 82.78, -18.71, 81.51

 

CMYK 25 / 0 / 95 / 16

HEX #9FD50B

RGB 159 213 11

HSL 76.04, 0.9%, 0.44%

LAB 79.03, -40.78, 76.99

 

CMYK 51 / 0 / 95 / 16

HEX #69D50B

RGB 105 213 11

HSL 92.08, 0.9%, 0.44%

LAB 76.45, -59.25, 73.84

 

CMYK 76 / 0 / 95 / 16

HEX #33D50B

RGB 51 213 11

HSL 108.12, 0.9%, 0.44%

LAB 75.02, -71.05, 72.09

 

CMYK 95 / 0 / 89 / 16

HEX #0BD518

RGB 11 213 24

HSL 123.86, 0.9%, 0.44%

LAB 74.65, -74.28, 69.8

 

CMYK 51 / 0 / 95 / 47

HEX #418607

RGB 65 134 7

HSL 92.6, 0.9%, 0.28%

LAB 49.72, -41.54, 51.95

 

CMYK 51 / 0 / 95 / 32

HEX #54AD09

RGB 84 173 9

HSL 92.56, 0.9%, 0.36%

LAB 63.17, -50.71, 62.97

 

CMYK 52 / 0 / 95 / 16

HEX #67D50B

RGB 103 213 11

HSL 92.67, 0.9%, 0.44%

LAB 76.37, -59.83, 73.75

 

CMYK 49 / 0 / 91 / 5

HEX #7BF216

RGB 123 242 22

HSL 92.45, 0.89%, 0.52%

LAB 85.89, -64.3, 80.52

 

CMYK 41 / 0 / 75 / 4

HEX #91F43E

RGB 145 244 62

HSL 92.64, 0.89%, 0.6%

LAB 87.52, -56.8, 73.14

 

CMYK 52 / 0 / 95 / 16

HEX #67D50B

RGB 103 213 11

HSL 92.67, 0.9%, 0.44%

LAB 76.37, -59.83, 73.75

 

CMYK 95 / 0 / 25 / 16

HEX #0BD59F

RGB 11 213 159

HSL 163.96, 0.9%, 0.44%

LAB 76.17, -56.13, 14.62

 

CMYK 0 / 95 / 13 / 16

HEX #D50BBA

RGB 213 11 186

HSL 308.02, 0.9%, 0.44%

LAB 49.41, 81.23, -39.43

 

CMYK 52 / 0 / 95 / 16

HEX #67D50B

RGB 103 213 11

HSL 92.67, 0.9%, 0.44%

LAB 76.37, -59.83, 73.75

 

CMYK 95 / 51 / 0 / 16

HEX #0B69D5

RGB 11 105 213

HSL 212.08, 0.9%, 0.44%

LAB 45.6, 17.28, -62.13

 

CMYK 0 / 95 / 51 / 16

HEX #D50B69

RGB 213 11 105

HSL 332.08, 0.9%, 0.44%

LAB 46.18, 72.81, 4.5

 

CMYK 52 / 0 / 95 / 16

HEX #67D50B

RGB 103 213 11

HSL 92.67, 0.9%, 0.44%

LAB 76.37, -59.83, 73.75

 

CMYK 95 / 0 / 25 / 16

HEX #0BD59F

RGB 11 213 159

HSL 163.96, 0.9%, 0.44%

LAB 76.17, -56.13, 14.62

 

CMYK 45 / 95 / 0 / 16

HEX #760BD5

RGB 118 11 213

HSL 271.78, 0.9%, 0.44%

LAB 35.78, 72.21, -77.94

 

CMYK 0 / 95 / 69 / 16

HEX #D50B41

RGB 213 11 65

HSL 343.96, 0.9%, 0.44%

LAB 45.31, 70.43, 28.16

 

CMYK 52 / 0 / 95 / 16

HEX #67D50B

RGB 103 213 11

HSL 92.67, 0.9%, 0.44%

LAB 76.37, -59.83, 73.75

 

CMYK 95 / 3 / 0 / 16

HEX #0BCED5

RGB 11 206 213

HSL 182.08, 0.9%, 0.44%

LAB 75.46, -38.54, -15.42

 

CMYK 45 / 95 / 0 / 16

HEX #760BD5

RGB 118 11 213

HSL 271.78, 0.9%, 0.44%

LAB 35.78, 72.21, -77.94

 

CMYK 0 / 92 / 95 / 16

HEX #D5110B

RGB 213 17 11

HSL 1.78, 0.9%, 0.44%

LAB 45.04, 68.4, 55.56

 

Description

Color code: HEX #67D50B | qconv.com Color code: HEX #67D50B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 213 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 213 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 95 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 95% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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