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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67D750 it is the complementary color #9828AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67D750. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67D750 shade: #6CD74B, #7DE95E, #8EFB71, #9FFF84 and #B0FF97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67D750. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67D750 shade: #67D750, #56C53D, #45B32A, #34A117 and #238F04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67D750 shade: #67D750, #8BD750, #B0D750, #D4D750 and #D7B550

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67D750 shade: #67D750, #50D75D, #50D782, #50D7A6 and #50D7CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67D750 shade matches the following richer shades: #67D750, #5BE83F and #50FA2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67D750 shade: #67D750, #72C661, #7EB473, #89A384 and #959295

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67D750 shade: #B1D750, #8DD750, #69D750, #50D75B and #50D77F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67D750 shade: #3EAD27, #4ACF2F, #67D750, #84DF72 and #A1E693

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67D750 shade: #67D750, #50D5D7 and #D7509F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67D750 shade: #67D750, #5069D7 and #D75069

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67D750 shade: #67D750, #50D5D7, #BE50D7 and #D75250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67D750 shade: #67D750, #50ACD7, #BE50D7 and #D77B50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 63 / 16

HEX #67D750

RGB 103 215 80

HSL 109.78, 0.63%, 0.58%

LAB 77.32, -56.8, 55.38

 

Complementary color

CMYK 13 / 77 / 0 / 31

HEX #9828AF

RGB 152 40 175

HSL 289.78, 0.63%, 0.42%

LAB 40.06, 62.75, -48.47

 

CMYK 50 / 0 / 65 / 16

HEX #6CD74B

RGB 108 215 75

HSL 105.86, 0.64%, 0.57%

LAB 77.46, -55.89, 57.66

 

CMYK 46 / 0 / 60 / 9

HEX #7DE95E

RGB 125 233 94

HSL 106.62, 0.76%, 0.64%

LAB 83.68, -56.15, 56.77

 

CMYK 43 / 0 / 55 / 2

HEX #8EFB71

RGB 142 251 113

HSL 107.39, 0.95%, 0.71%

LAB 89.83, -56.25, 55.71

 

CMYK 38 / 0 / 48 / 0

HEX #9FFF84

RGB 159 255 132

HSL 106.83, 1%, 0.76%

LAB 91.93, -50.55, 49.72

 

CMYK 31 / 0 / 41 / 0

HEX #B0FF97

RGB 176 255 151

HSL 105.58, 1%, 0.8%

LAB 93.01, -42.74, 42.16

 

CMYK 52 / 0 / 63 / 16

HEX #67D750

RGB 103 215 80

HSL 109.78, 0.63%, 0.58%

LAB 77.32, -56.8, 55.38

 

CMYK 56 / 0 / 69 / 23

HEX #56C53D

RGB 86 197 61

HSL 108.97, 0.54%, 0.51%

LAB 71.04, -56.34, 56.17

 

CMYK 61 / 0 / 77 / 30

HEX #45B32A

RGB 69 179 42

HSL 108.18, 0.62%, 0.43%

LAB 64.7, -55.54, 56.47

 

CMYK 68 / 0 / 86 / 37

HEX #34A117

RGB 52 161 23

HSL 107.39, 0.75%, 0.36%

LAB 58.3, -54.25, 55.88

 

CMYK 76 / 0 / 97 / 44

HEX #238F04

RGB 35 143 4

HSL 106.62, 0.95%, 0.29%

LAB 51.85, -52.26, 53.87

 

CMYK 52 / 0 / 63 / 16

HEX #67D750

RGB 103 215 80

HSL 109.78, 0.63%, 0.58%

LAB 77.32, -56.8, 55.38

 

CMYK 35 / 0 / 63 / 16

HEX #8BD750

RGB 139 215 80

HSL 93.78, 0.63%, 0.58%

LAB 78.85, -45.75, 57.51

 

CMYK 18 / 0 / 63 / 16

HEX #B0D750

RGB 176 215 80

HSL 77.33, 0.63%, 0.58%

LAB 80.97, -32.19, 60.42

 

CMYK 1 / 0 / 63 / 16

HEX #D4D750

RGB 212 215 80

HSL 61.33, 0.63%, 0.58%

LAB 83.54, -17.75, 63.93

 

CMYK 0 / 16 / 63 / 16

HEX #D7B550

RGB 215 181 80

HSL 44.89, 0.63%, 0.58%

LAB 74.87, 0.86, 54.67

 

CMYK 52 / 0 / 63 / 16

HEX #67D750

RGB 103 215 80

HSL 109.78, 0.63%, 0.58%

LAB 77.32, -56.8, 55.38

 

CMYK 63 / 0 / 57 / 16

HEX #50D75D

RGB 80 215 93

HSL 125.78, 0.63%, 0.58%

LAB 76.74, -60.88, 48.8

 

CMYK 63 / 0 / 40 / 16

HEX #50D782

RGB 80 215 130

HSL 142.22, 0.63%, 0.58%

LAB 77.23, -55.34, 31.37

 

CMYK 63 / 0 / 23 / 16

HEX #50D7A6

RGB 80 215 166

HSL 158.22, 0.63%, 0.58%

LAB 77.91, -48.15, 13.49

 

CMYK 63 / 0 / 6 / 16

HEX #50D7CB

RGB 80 215 203

HSL 174.67, 0.63%, 0.58%

LAB 78.82, -39.12, -4.93

 

CMYK 52 / 0 / 63 / 16

HEX #67D750

RGB 103 215 80

HSL 109.78, 0.63%, 0.58%

LAB 77.32, -56.8, 55.38

 

CMYK 61 / 0 / 73 / 9

HEX #5BE83F

RGB 91 232 63

HSL 110.06, 0.79%, 0.58%

LAB 82, -67.24, 66.72

 

CMYK 68 / 0 / 82 / 2

HEX #50FA2D

RGB 80 250 45

HSL 109.76, 0.95%, 0.58%

LAB 87.13, -76.28, 76.75

 

CMYK 52 / 0 / 63 / 16

HEX #67D750

RGB 103 215 80

HSL 109.78, 0.63%, 0.58%

LAB 77.32, -56.8, 55.38

 

CMYK 42 / 0 / 51 / 22

HEX #72C661

RGB 114 198 97

HSL 109.9, 0.47%, 0.58%

LAB 72.78, -44.94, 42.46

 

CMYK 30 / 0 / 36 / 29

HEX #7EB473

RGB 126 180 115

HSL 109.85, 0.3%, 0.58%

LAB 68.25, -30.39, 27.66

 

CMYK 16 / 0 / 19 / 36

HEX #89A384

RGB 137 163 132

HSL 110.32, 0.14%, 0.58%

LAB 64.31, -15.13, 13.15

 

CMYK 0 / 2 / 0 / 42

HEX #959295

RGB 149 146 149

HSL 300, 0.01%, 0.58%

LAB 60.88, 1.68, -1.2

 

CMYK 18 / 0 / 63 / 16

HEX #B1D750

RGB 177 215 80

HSL 76.89, 0.63%, 0.58%

LAB 81.03, -31.8, 60.51

 

CMYK 34 / 0 / 63 / 16

HEX #8DD750

RGB 141 215 80

HSL 92.89, 0.63%, 0.58%

LAB 78.95, -45.07, 57.64

 

CMYK 51 / 0 / 63 / 16

HEX #69D750

RGB 105 215 80

HSL 108.89, 0.63%, 0.58%

LAB 77.39, -56.26, 55.48

 

CMYK 63 / 0 / 58 / 16

HEX #50D75B

RGB 80 215 91

HSL 124.89, 0.63%, 0.58%

LAB 76.72, -61.12, 49.69

 

CMYK 63 / 0 / 41 / 16

HEX #50D77F

RGB 80 215 127

HSL 140.89, 0.63%, 0.58%

LAB 77.18, -55.86, 32.84

 

CMYK 64 / 0 / 77 / 32

HEX #3EAD27

RGB 62 173 39

HSL 109.7, 0.63%, 0.42%

LAB 62.56, -55.26, 55.31

 

CMYK 64 / 0 / 77 / 19

HEX #4ACF2F

RGB 74 207 47

HSL 109.88, 0.63%, 0.5%

LAB 73.73, -63.66, 63.66

 

CMYK 52 / 0 / 63 / 16

HEX #67D750

RGB 103 215 80

HSL 109.78, 0.63%, 0.58%

LAB 77.32, -56.8, 55.38

 

CMYK 41 / 0 / 49 / 13

HEX #84DF72

RGB 132 223 114

HSL 110.09, 0.63%, 0.66%

LAB 81.23, -47.76, 44.79

 

CMYK 30 / 0 / 36 / 10

HEX #A1E693

RGB 161 230 147

HSL 109.88, 0.62%, 0.74%

LAB 85.14, -37.04, 33.75

 

CMYK 52 / 0 / 63 / 16

HEX #67D750

RGB 103 215 80

HSL 109.78, 0.63%, 0.58%

LAB 77.32, -56.8, 55.38

 

CMYK 63 / 1 / 0 / 16

HEX #50D5D7

RGB 80 213 215

HSL 180.89, 0.63%, 0.58%

LAB 78.58, -34.95, -11.72

 

CMYK 0 / 63 / 26 / 16

HEX #D7509F

RGB 215 80 159

HSL 324.89, 0.63%, 0.58%

LAB 54.75, 60.63, -15.31

 

CMYK 52 / 0 / 63 / 16

HEX #67D750

RGB 103 215 80

HSL 109.78, 0.63%, 0.58%

LAB 77.32, -56.8, 55.38

 

CMYK 63 / 51 / 0 / 16

HEX #5069D7

RGB 80 105 215

HSL 228.89, 0.63%, 0.58%

LAB 47.9, 25.04, -59.46

 

CMYK 0 / 63 / 51 / 16

HEX #D75069

RGB 215 80 105

HSL 348.89, 0.63%, 0.58%

LAB 53.17, 54.83, 14.4

 

CMYK 52 / 0 / 63 / 16

HEX #67D750

RGB 103 215 80

HSL 109.78, 0.63%, 0.58%

LAB 77.32, -56.8, 55.38

 

CMYK 63 / 1 / 0 / 16

HEX #50D5D7

RGB 80 213 215

HSL 180.89, 0.63%, 0.58%

LAB 78.58, -34.95, -11.72

 

CMYK 12 / 63 / 0 / 16

HEX #BE50D7

RGB 190 80 215

HSL 288.89, 0.63%, 0.58%

LAB 53.59, 63.04, -49.74

 

CMYK 0 / 62 / 63 / 16

HEX #D75250

RGB 215 82 80

HSL 0.89, 0.63%, 0.58%

LAB 53.02, 52.12, 28.93

 

CMYK 52 / 0 / 63 / 16

HEX #67D750

RGB 103 215 80

HSL 109.78, 0.63%, 0.58%

LAB 77.32, -56.8, 55.38

 

CMYK 63 / 20 / 0 / 16

HEX #50ACD7

RGB 80 172 215

HSL 199.11, 0.63%, 0.58%

LAB 66.61, -14.41, -29.91

 

CMYK 12 / 63 / 0 / 16

HEX #BE50D7

RGB 190 80 215

HSL 288.89, 0.63%, 0.58%

LAB 53.59, 63.04, -49.74

 

CMYK 0 / 43 / 63 / 16

HEX #D77B50

RGB 215 123 80

HSL 19.11, 0.63%, 0.58%

LAB 60.95, 31.93, 38.69

 

Description

Color code: HEX #67D750 | qconv.com Color code: HEX #67D750 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 215 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 215 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 63 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 63% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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