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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67EB0F it is the complementary color #9814F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67EB0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67EB0F shade: #6CEB0A, #7DFD1D, #8EFF30, #9FFF43 and #B0FF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67EB0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67EB0F shade: #67EB0F, #56D900, #45C700, #34B500 and #23A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67EB0F shade: #66EA0E, #A2EA0E, #DDEA0E, #EABC0E and #EA810E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67EB0F shade: #66EA0E, #2BEA0E, #0EEA2D, #0EEA68 and #0EEAA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67EB0F shade matches the following richer shades: #66EA0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67EB0F shade: #66EA0E, #6BD623, #6FC237, #73AE4B and #779A5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67EB0F shade: #DCEA0E, #A1EA0E, #66EA0E, #2CEA0E and #0EEA2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67EB0F shade: #449D0A, #55C40C, #66EA0E, #7EF131 and #96F458

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67EB0F shade: #67EB0F, #0EEABE and #EA0EBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67EB0F shade: #67EB0F, #0E66EA and #EA0E66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67EB0F shade: #67EB0F, #0EEABE, #920EEA and #EA0E3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67EB0F shade: #67EB0F, #0ED4EA, #920EEA and #EA240E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 94 / 8

HEX #67EB0F

RGB 103 235 15

HSL 96, 0.88%, 0.49%

LAB 83.09, -67.41, 78.79

 

Complementary color

CMYK 37 / 92 / 0 / 6

HEX #9814F0

RGB 152 20 240

HSL 276, 0.88%, 0.51%

LAB 43.46, 80.04, -80.56

 

CMYK 54 / 0 / 96 / 8

HEX #6CEB0A

RGB 108 235 10

HSL 93.87, 0.92%, 0.48%

LAB 83.25, -66.2, 79.45

 

CMYK 51 / 0 / 89 / 1

HEX #7DFD1D

RGB 125 253 29

HSL 94.29, 0.98%, 0.55%

LAB 89.25, -67.46, 82.3

 

CMYK 44 / 0 / 81 / 0

HEX #8EFF30

RGB 142 255 48

HSL 92.75, 1%, 0.59%

LAB 90.54, -62.6, 79.83

 

CMYK 38 / 0 / 74 / 0

HEX #9FFF43

RGB 159 255 67

HSL 90.64, 1%, 0.63%

LAB 91.37, -56.3, 75.51

 

CMYK 31 / 0 / 66 / 0

HEX #B0FF56

RGB 176 255 86

HSL 88.05, 1%, 0.67%

LAB 92.32, -49.37, 70.11

 

CMYK 56 / 0 / 94 / 8

HEX #67EB0F

RGB 103 235 15

HSL 96, 0.88%, 0.49%

LAB 83.09, -67.41, 78.79

 

CMYK 60 / 0 / 100 / 15

HEX #56D900

RGB 86 217 0

HSL 96.22, 1%, 0.43%

LAB 77.04, -65.8, 75.11

 

CMYK 65 / 0 / 100 / 22

HEX #45C700

RGB 69 199 0

HSL 99.2, 1%, 0.39%

LAB 70.95, -63.75, 70.09

 

CMYK 71 / 0 / 100 / 29

HEX #34B500

RGB 52 181 0

HSL 102.76, 1%, 0.35%

LAB 64.79, -61.4, 65.02

 

CMYK 79 / 0 / 100 / 36

HEX #23A300

RGB 35 163 0

HSL 107.12, 1%, 0.32%

LAB 58.56, -58.63, 59.92

 

CMYK 56 / 0 / 94 / 8

HEX #66EA0E

RGB 102 234 14

HSL 96, 0.89%, 0.49%

LAB 82.75, -67.35, 78.61

 

CMYK 31 / 0 / 94 / 8

HEX #A2EA0E

RGB 162 234 14

HSL 79.64, 0.89%, 0.49%

LAB 85.28, -48.59, 81.69

 

CMYK 6 / 0 / 94 / 8

HEX #DDEA0E

RGB 221 234 14

HSL 63.55, 0.89%, 0.49%

LAB 89.04, -25.47, 86.24

 

CMYK 0 / 20 / 94 / 8

HEX #EABC0E

RGB 234 188 14

HSL 47.45, 0.89%, 0.49%

LAB 78.16, 3.05, 78.58

 

CMYK 0 / 45 / 94 / 8

HEX #EA810E

RGB 234 129 14

HSL 31.36, 0.89%, 0.49%

LAB 64.34, 34.11, 68.75

 

CMYK 56 / 0 / 94 / 8

HEX #66EA0E

RGB 102 234 14

HSL 96, 0.89%, 0.49%

LAB 82.75, -67.35, 78.61

 

CMYK 82 / 0 / 94 / 8

HEX #2BEA0E

RGB 43 234 14

HSL 112.09, 0.89%, 0.49%

LAB 81.51, -77.98, 77.07

 

CMYK 94 / 0 / 81 / 8

HEX #0EEA2D

RGB 14 234 45

HSL 128.45, 0.89%, 0.49%

LAB 81.36, -78.94, 71.16

 

CMYK 94 / 0 / 56 / 8

HEX #0EEA68

RGB 14 234 104

HSL 144.55, 0.89%, 0.49%

LAB 81.8, -73.37, 49.56

 

CMYK 94 / 0 / 30 / 8

HEX #0EEAA4

RGB 14 234 164

HSL 160.91, 0.89%, 0.49%

LAB 82.71, -62.7, 21.1

 

CMYK 56 / 0 / 94 / 8

HEX #66EA0E

RGB 102 234 14

HSL 96, 0.89%, 0.49%

LAB 82.75, -67.35, 78.61

 

CMYK 56 / 0 / 94 / 8

HEX #66EA0E

RGB 102 234 14

HSL 96, 0.89%, 0.49%

LAB 82.75, -67.35, 78.61

 

CMYK 50 / 0 / 84 / 16

HEX #6BD623

RGB 107 214 35

HSL 95.87, 0.72%, 0.49%

LAB 76.88, -58.38, 70.22

 

CMYK 43 / 0 / 72 / 24

HEX #6FC237

RGB 111 194 55

HSL 95.83, 0.56%, 0.49%

LAB 71.04, -48.36, 58.73

 

CMYK 34 / 0 / 57 / 32

HEX #73AE4B

RGB 115 174 75

HSL 95.76, 0.4%, 0.49%

LAB 65.3, -36.71, 44.11

 

CMYK 23 / 0 / 38 / 40

HEX #779A5F

RGB 119 154 95

HSL 95.59, 0.24%, 0.49%

LAB 59.76, -23.19, 27.13

 

CMYK 6 / 0 / 94 / 8

HEX #DCEA0E

RGB 220 234 14

HSL 63.82, 0.89%, 0.49%

LAB 88.97, -25.88, 86.15

 

CMYK 31 / 0 / 94 / 8

HEX #A1EA0E

RGB 161 234 14

HSL 79.91, 0.89%, 0.49%

LAB 85.23, -48.95, 81.63

 

CMYK 56 / 0 / 94 / 8

HEX #66EA0E

RGB 102 234 14

HSL 96, 0.89%, 0.49%

LAB 82.75, -67.35, 78.61

 

CMYK 81 / 0 / 94 / 8

HEX #2CEA0E

RGB 44 234 14

HSL 111.82, 0.89%, 0.49%

LAB 81.52, -77.87, 77.08

 

CMYK 94 / 0 / 81 / 8

HEX #0EEA2C

RGB 14 234 44

HSL 128.18, 0.89%, 0.49%

LAB 81.36, -78.99, 71.41

 

CMYK 57 / 0 / 94 / 38

HEX #449D0A

RGB 68 157 10

HSL 96.33, 0.88%, 0.33%

LAB 57.43, -49.37, 57.87

 

CMYK 57 / 0 / 94 / 23

HEX #55C40C

RGB 85 196 12

HSL 96.2, 0.88%, 0.41%

LAB 70.48, -58.71, 68.59

 

CMYK 56 / 0 / 94 / 8

HEX #66EA0E

RGB 102 234 14

HSL 96, 0.89%, 0.49%

LAB 82.75, -67.35, 78.61

 

CMYK 48 / 0 / 80 / 5

HEX #7EF131

RGB 126 241 49

HSL 95.94, 0.87%, 0.57%

LAB 85.79, -62.15, 75.02

 

CMYK 39 / 0 / 64 / 4

HEX #96F458

RGB 150 244 88

HSL 96.15, 0.88%, 0.65%

LAB 87.92, -53.4, 64.26

 

CMYK 56 / 0 / 94 / 8

HEX #67EB0F

RGB 103 235 15

HSL 96, 0.88%, 0.49%

LAB 83.09, -67.41, 78.79

 

CMYK 94 / 0 / 19 / 8

HEX #0EEABE

RGB 14 234 190

HSL 168, 0.89%, 0.49%

LAB 83.26, -56.63, 8.31

 

CMYK 0 / 94 / 19 / 8

HEX #EA0EBE

RGB 234 14 190

HSL 312, 0.89%, 0.49%

LAB 53.52, 85.32, -35.04

 

CMYK 56 / 0 / 94 / 8

HEX #67EB0F

RGB 103 235 15

HSL 96, 0.88%, 0.49%

LAB 83.09, -67.41, 78.79

 

CMYK 94 / 56 / 0 / 8

HEX #0E66EA

RGB 14 102 234

HSL 216, 0.89%, 0.49%

LAB 46.36, 27.52, -72.8

 

CMYK 0 / 94 / 56 / 8

HEX #EA0E66

RGB 234 14 102

HSL 336, 0.89%, 0.49%

LAB 50.41, 77.13, 12.91

 

CMYK 56 / 0 / 94 / 8

HEX #67EB0F

RGB 103 235 15

HSL 96, 0.88%, 0.49%

LAB 83.09, -67.41, 78.79

 

CMYK 94 / 0 / 19 / 8

HEX #0EEABE

RGB 14 234 190

HSL 168, 0.89%, 0.49%

LAB 83.26, -56.63, 8.31

 

CMYK 38 / 94 / 0 / 8

HEX #920EEA

RGB 146 14 234

HSL 276, 0.89%, 0.49%

LAB 41.79, 79.02, -79.93

 

CMYK 0 / 94 / 75 / 8

HEX #EA0E3A

RGB 234 14 58

HSL 348, 0.89%, 0.49%

LAB 49.63, 74.98, 38.51

 

CMYK 56 / 0 / 94 / 8

HEX #67EB0F

RGB 103 235 15

HSL 96, 0.88%, 0.49%

LAB 83.09, -67.41, 78.79

 

CMYK 94 / 9 / 0 / 8

HEX #0ED4EA

RGB 14 212 234

HSL 186, 0.89%, 0.49%

LAB 77.95, -34.75, -22.94

 

CMYK 38 / 94 / 0 / 8

HEX #920EEA

RGB 146 14 234

HSL 276, 0.89%, 0.49%

LAB 41.79, 79.02, -79.93

 

CMYK 0 / 85 / 94 / 8

HEX #EA240E

RGB 234 36 14

HSL 6, 0.89%, 0.49%

LAB 50.44, 70.79, 59.94

 

Description

Color code: HEX #67EB0F | qconv.com Color code: HEX #67EB0F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 235 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 235 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 94 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 94% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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