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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67EEDA it is the complementary color #981125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67EEDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67EEDA shade: #6CEED5, #7DFFE8, #8EFFFB, #9FFFFF and #B0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67EEDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67EEDA shade: #67EEDA, #56DCC7, #45CAB4, #34B8A1 and #23A68E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67EEDA shade: #67EEDA, #67EEB5, #67EE91, #67EE6D and #86EE67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67EEDA shade: #67EEDA, #67DDEE, #67B9EE, #6795EE and #6770EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67EEDA shade matches the following richer shades: #67EEDA and #59FBE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67EEDA shade: #67EEDA, #75E0D0, #82D2C7, #90C5BD and #9DB7B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67EEDA shade: #67EE92, #67EEB6, #67EED9, #67DEEE and #67BAEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67EEDA shade: #1DE5C8, #42EAD1, #67EEDA, #8CF2E3 and #B1F6EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67EEDA shade: #67EEDA, #6E67EE and #EEA467

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67EEDA shade: #67EEDA, #D967EE and #EED967

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67EEDA shade: #67EEDA, #6E67EE, #EE677B and #E7EE67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67EEDA shade: #67EEDA, #9667EE, #EE677B and #BFEE67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 8 / 7

HEX #67EEDA

RGB 103 238 218

HSL 171.11, 0.8%, 0.67%

LAB 86.55, -41.59, -1.45

 

Complementary color

CMYK 0 / 89 / 76 / 40

HEX #981125

RGB 152 17 37

HSL 351.11, 0.8%, 0.33%

LAB 32.28, 52.67, 26.92

 

CMYK 55 / 0 / 11 / 7

HEX #6CEED5

RGB 108 238 213

HSL 168.46, 0.79%, 0.68%

LAB 86.57, -41.84, 1.23

 

CMYK 51 / 0 / 9 / 0

HEX #7DFFE8

RGB 125 255 232

HSL 169.38, 1%, 0.75%

LAB 92.45, -41.44, -0.04

 

CMYK 44 / 0 / 2 / 0

HEX #8EFFFB

RGB 142 255 251

HSL 177.88, 1%, 0.78%

LAB 93.55, -33.22, -8.17

 

CMYK 38 / 0 / 0 / 0

HEX #9FFFFF

RGB 159 255 255

HSL 180, 1%, 0.81%

LAB 94.36, -28.26, -8.96

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 57 / 0 / 8 / 7

HEX #67EEDA

RGB 103 238 218

HSL 171.11, 0.8%, 0.67%

LAB 86.55, -41.59, -1.45

 

CMYK 61 / 0 / 10 / 14

HEX #56DCC7

RGB 86 220 199

HSL 170.6, 0.66%, 0.6%

LAB 80.34, -41.39, -0.55

 

CMYK 66 / 0 / 11 / 21

HEX #45CAB4

RGB 69 202 180

HSL 170.08, 0.56%, 0.53%

LAB 74.06, -41.04, 0.43

 

CMYK 72 / 0 / 13 / 28

HEX #34B8A1

RGB 52 184 161

HSL 169.55, 0.56%, 0.46%

LAB 67.71, -40.52, 1.51

 

CMYK 79 / 0 / 14 / 35

HEX #23A68E

RGB 35 166 142

HSL 169.01, 0.65%, 0.39%

LAB 61.29, -39.72, 2.71

 

CMYK 57 / 0 / 8 / 7

HEX #67EEDA

RGB 103 238 218

HSL 171.11, 0.8%, 0.67%

LAB 86.55, -41.59, -1.45

 

CMYK 57 / 0 / 24 / 7

HEX #67EEB5

RGB 103 238 181

HSL 154.67, 0.8%, 0.67%

LAB 85.69, -50.04, 16.65

 

CMYK 57 / 0 / 39 / 7

HEX #67EE91

RGB 103 238 145

HSL 138.67, 0.8%, 0.67%

LAB 85.04, -56.85, 34.17

 

CMYK 57 / 0 / 54 / 7

HEX #67EE6D

RGB 103 238 109

HSL 122.67, 0.8%, 0.67%

LAB 84.55, -62.11, 50.92

 

CMYK 44 / 0 / 57 / 7

HEX #86EE67

RGB 134 238 103

HSL 106.22, 0.8%, 0.67%

LAB 85.6, -54.54, 55.14

 

CMYK 57 / 0 / 8 / 7

HEX #67EEDA

RGB 103 238 218

HSL 171.11, 0.8%, 0.67%

LAB 86.55, -41.59, -1.45

 

CMYK 57 / 7 / 0 / 7

HEX #67DDEE

RGB 103 221 238

HSL 187.56, 0.8%, 0.67%

LAB 82.25, -28.45, -18.4

 

CMYK 57 / 22 / 0 / 7

HEX #67B9EE

RGB 103 185 238

HSL 203.56, 0.8%, 0.67%

LAB 72.06, -10.04, -33.97

 

CMYK 57 / 37 / 0 / 7

HEX #6795EE

RGB 103 149 238

HSL 219.56, 0.8%, 0.67%

LAB 62.13, 10.26, -49.53

 

CMYK 57 / 53 / 0 / 7

HEX #6770EE

RGB 103 112 238

HSL 236, 0.8%, 0.67%

LAB 52.56, 32.44, -64.83

 

CMYK 57 / 0 / 8 / 7

HEX #67EEDA

RGB 103 238 218

HSL 171.11, 0.8%, 0.67%

LAB 86.55, -41.59, -1.45

 

CMYK 65 / 0 / 10 / 2

HEX #59FBE3

RGB 89 251 227

HSL 171.11, 0.95%, 0.67%

LAB 90.17, -47.42, -0.89

 

CMYK 57 / 0 / 8 / 7

HEX #67EEDA

RGB 103 238 218

HSL 171.11, 0.8%, 0.67%

LAB 86.55, -41.59, -1.45

 

CMYK 48 / 0 / 7 / 12

HEX #75E0D0

RGB 117 224 208

HSL 171.03, 0.63%, 0.67%

LAB 82.73, -34.76, -1.72

 

CMYK 38 / 0 / 5 / 18

HEX #82D2C7

RGB 130 210 199

HSL 171.75, 0.47%, 0.67%

LAB 79.02, -27.04, -2.3

 

CMYK 27 / 0 / 4 / 23

HEX #90C5BD

RGB 144 197 189

HSL 170.94, 0.31%, 0.67%

LAB 75.78, -18.9, -1.58

 

CMYK 14 / 0 / 2 / 28

HEX #9DB7B3

RGB 157 183 179

HSL 170.77, 0.15%, 0.67%

LAB 72.42, -9.66, -0.96

 

CMYK 57 / 0 / 39 / 7

HEX #67EE92

RGB 103 238 146

HSL 139.11, 0.8%, 0.67%

LAB 85.05, -56.68, 33.69

 

CMYK 57 / 0 / 24 / 7

HEX #67EEB6

RGB 103 238 182

HSL 155.11, 0.8%, 0.67%

LAB 85.71, -49.83, 16.16

 

CMYK 57 / 0 / 9 / 7

HEX #67EED9

RGB 103 238 217

HSL 170.67, 0.8%, 0.67%

LAB 86.53, -41.84, -0.96

 

CMYK 57 / 7 / 0 / 7

HEX #67DEEE

RGB 103 222 238

HSL 187.11, 0.8%, 0.67%

LAB 82.54, -28.94, -17.97

 

CMYK 57 / 22 / 0 / 7

HEX #67BAEE

RGB 103 186 238

HSL 203.11, 0.8%, 0.67%

LAB 72.34, -10.57, -33.54

 

CMYK 87 / 0 / 13 / 10

HEX #1DE5C8

RGB 29 229 200

HSL 171.3, 0.79%, 0.51%

LAB 82.09, -51.42, 1.36

 

CMYK 72 / 0 / 11 / 8

HEX #42EAD1

RGB 66 234 209

HSL 171.07, 0.8%, 0.59%

LAB 84.28, -47.88, -0.14

 

CMYK 57 / 0 / 8 / 7

HEX #67EEDA

RGB 103 238 218

HSL 171.11, 0.8%, 0.67%

LAB 86.55, -41.59, -1.45

 

CMYK 42 / 0 / 6 / 5

HEX #8CF2E3

RGB 140 242 227

HSL 171.18, 0.8%, 0.75%

LAB 89.22, -33.28, -2.1

 

CMYK 28 / 0 / 4 / 4

HEX #B1F6EC

RGB 177 246 236

HSL 171.3, 0.79%, 0.83%

LAB 92.27, -23.42, -2.1

 

CMYK 57 / 0 / 8 / 7

HEX #67EEDA

RGB 103 238 218

HSL 171.11, 0.8%, 0.67%

LAB 86.55, -41.59, -1.45

 

CMYK 54 / 57 / 0 / 7

HEX #6E67EE

RGB 110 103 238

HSL 243.11, 0.8%, 0.67%

LAB 50.91, 39.12, -67.48

 

CMYK 0 / 31 / 57 / 7

HEX #EEA467

RGB 238 164 103

HSL 27.11, 0.8%, 0.67%

LAB 73.36, 21.1, 42.36

 

CMYK 57 / 0 / 8 / 7

HEX #67EEDA

RGB 103 238 218

HSL 171.11, 0.8%, 0.67%

LAB 86.55, -41.59, -1.45

 

CMYK 9 / 57 / 0 / 7

HEX #D967EE

RGB 217 103 238

HSL 290.67, 0.8%, 0.67%

LAB 62.19, 63.61, -48.78

 

CMYK 0 / 9 / 57 / 7

HEX #EED967

RGB 238 217 103

HSL 50.67, 0.8%, 0.67%

LAB 86.4, -6.52, 57.76

 

CMYK 57 / 0 / 8 / 7

HEX #67EEDA

RGB 103 238 218

HSL 171.11, 0.8%, 0.67%

LAB 86.55, -41.59, -1.45

 

CMYK 54 / 57 / 0 / 7

HEX #6E67EE

RGB 110 103 238

HSL 243.11, 0.8%, 0.67%

LAB 50.91, 39.12, -67.48

 

CMYK 0 / 57 / 48 / 7

HEX #EE677B

RGB 238 103 123

HSL 351.11, 0.8%, 0.67%

LAB 61.05, 53.74, 15.32

 

CMYK 3 / 0 / 57 / 7

HEX #E7EE67

RGB 231 238 103

HSL 63.11, 0.8%, 0.67%

LAB 91.29, -19.73, 63.12

 

CMYK 57 / 0 / 8 / 7

HEX #67EEDA

RGB 103 238 218

HSL 171.11, 0.8%, 0.67%

LAB 86.55, -41.59, -1.45

 

CMYK 37 / 57 / 0 / 7

HEX #9667EE

RGB 150 103 238

HSL 260.89, 0.8%, 0.67%

LAB 54.4, 47.46, -61.66

 

CMYK 0 / 57 / 48 / 7

HEX #EE677B

RGB 238 103 123

HSL 351.11, 0.8%, 0.67%

LAB 61.05, 53.74, 15.32

 

CMYK 20 / 0 / 57 / 7

HEX #BFEE67

RGB 191 238 103

HSL 80.89, 0.8%, 0.67%

LAB 88.55, -35.21, 59.29

 

Description

Color code: HEX #67EEDA | qconv.com Color code: HEX #67EEDA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 238 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 238 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 8 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 8% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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