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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #67FDDB it is the complementary color #980224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #67FDDB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #67FDDB shade: #6CFDD6, #7DFFE9, #8EFFFC, #9FFFFF and #B0FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #67FDDB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #67FDDB shade: #67FDDB, #56EBC8, #45D9B5, #34C7A2 and #23B58F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #67FDDB shade: #68FCDB, #68FCB3, #68FC8B, #6DFC68 and #95FC68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #67FDDB shade: #68FCDB, #68F6FC, #68CEFC, #68A6FC and #687EFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #67FDDB shade matches the following richer shades: #68FCDB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #67FDDB shade: #68FCDB, #74F0D4, #81E3CD, #8DD7C6 and #99CBBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #67FDDB shade: #68FC8A, #68FCB2, #68FCDA, #68F7FC and #68D0FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #67FDDB shade: #17FBC7, #3FFCD1, #68FCDB, #90FDE4 and #B9FDEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #67FDDB shade: #67FDDB, #686DFC and #FC9E68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #67FDDB shade: #67FDDB, #DA68FC and #FCDA68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #67FDDB shade: #67FDDB, #686DFC, #FC688A and #FCF768

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #67FDDB shade: #67FDDB, #8F68FC, #FC688A and #D5FC68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 13 / 1

HEX #67FDDB

RGB 103 253 219

HSL 166.4, 0.97%, 0.7%

LAB 90.89, -47.9, 4.35

 

Complementary color

CMYK 0 / 99 / 76 / 40

HEX #980224

RGB 152 2 36

HSL 346.4, 0.97%, 0.3%

LAB 31.45, 54.97, 26.61

 

CMYK 57 / 0 / 15 / 1

HEX #6CFDD6

RGB 108 253 214

HSL 163.86, 0.97%, 0.71%

LAB 90.91, -48.14, 6.99

 

CMYK 51 / 0 / 9 / 0

HEX #7DFFE9

RGB 125 255 233

HSL 169.85, 1%, 0.75%

LAB 92.47, -41.2, -0.52

 

CMYK 44 / 0 / 1 / 0

HEX #8EFFFC

RGB 142 255 252

HSL 178.41, 1%, 0.78%

LAB 93.58, -32.98, -8.64

 

CMYK 38 / 0 / 0 / 0

HEX #9FFFFF

RGB 159 255 255

HSL 180, 1%, 0.81%

LAB 94.36, -28.26, -8.96

 

CMYK 31 / 0 / 0 / 0

HEX #B0FFFF

RGB 176 255 255

HSL 180, 1%, 0.85%

LAB 95.15, -23.9, -7.7

 

CMYK 59 / 0 / 13 / 1

HEX #67FDDB

RGB 103 253 219

HSL 166.4, 0.97%, 0.7%

LAB 90.89, -47.9, 4.35

 

CMYK 63 / 0 / 15 / 8

HEX #56EBC8

RGB 86 235 200

HSL 165.91, 0.79%, 0.63%

LAB 84.77, -47.67, 5.36

 

CMYK 68 / 0 / 17 / 15

HEX #45D9B5

RGB 69 217 181

HSL 165.41, 0.66%, 0.56%

LAB 78.59, -47.29, 6.46

 

CMYK 74 / 0 / 19 / 22

HEX #34C7A2

RGB 52 199 162

HSL 164.9, 0.59%, 0.49%

LAB 72.35, -46.71, 7.65

 

CMYK 81 / 0 / 21 / 29

HEX #23B58F

RGB 35 181 143

HSL 164.38, 0.68%, 0.42%

LAB 66.05, -45.86, 8.98

 

CMYK 59 / 0 / 13 / 1

HEX #68FCDB

RGB 104 252 219

HSL 166.62, 0.96%, 0.7%

LAB 90.63, -47.29, 3.98

 

CMYK 59 / 0 / 29 / 1

HEX #68FCB3

RGB 104 252 179

HSL 150.41, 0.96%, 0.7%

LAB 89.78, -55.95, 23.36

 

CMYK 59 / 0 / 45 / 1

HEX #68FC8B

RGB 104 252 139

HSL 134.19, 0.96%, 0.7%

LAB 89.12, -62.91, 42.43

 

CMYK 57 / 0 / 59 / 1

HEX #6DFC68

RGB 109 252 104

HSL 117.97, 0.96%, 0.7%

LAB 88.86, -66.33, 58.24

 

CMYK 41 / 0 / 59 / 1

HEX #95FC68

RGB 149 252 104

HSL 101.76, 0.96%, 0.7%

LAB 90.33, -55.47, 60.3

 

CMYK 59 / 0 / 13 / 1

HEX #68FCDB

RGB 104 252 219

HSL 166.62, 0.96%, 0.7%

LAB 90.63, -47.29, 3.98

 

CMYK 59 / 2 / 0 / 1

HEX #68F6FC

RGB 104 246 252

HSL 182.43, 0.96%, 0.7%

LAB 89.8, -36.3, -14.4

 

CMYK 59 / 18 / 0 / 1

HEX #68CEFC

RGB 104 206 252

HSL 198.65, 0.96%, 0.7%

LAB 78.53, -16.74, -31.52

 

CMYK 59 / 34 / 0 / 1

HEX #68A6FC

RGB 104 166 252

HSL 214.86, 0.96%, 0.7%

LAB 67.46, 5.07, -48.77

 

CMYK 59 / 50 / 0 / 1

HEX #687EFC

RGB 104 126 252

HSL 231.08, 0.96%, 0.7%

LAB 56.97, 28.68, -65.49

 

CMYK 59 / 0 / 13 / 1

HEX #68FCDB

RGB 104 252 219

HSL 166.62, 0.96%, 0.7%

LAB 90.63, -47.29, 3.98

 

CMYK 59 / 0 / 13 / 1

HEX #68FCDB

RGB 104 252 219

HSL 166.62, 0.96%, 0.7%

LAB 90.63, -47.29, 3.98

 

CMYK 52 / 0 / 12 / 6

HEX #74F0D4

RGB 116 240 212

HSL 166.45, 0.81%, 0.7%

LAB 87.38, -41.32, 2.96

 

CMYK 43 / 0 / 10 / 11

HEX #81E3CD

RGB 129 227 205

HSL 166.53, 0.64%, 0.7%

LAB 83.97, -34.02, 1.74

 

CMYK 34 / 0 / 8 / 16

HEX #8DD7C6

RGB 141 215 198

HSL 166.22, 0.48%, 0.7%

LAB 80.93, -26.72, 1.09

 

CMYK 25 / 0 / 6 / 20

HEX #99CBBF

RGB 153 203 191

HSL 165.6, 0.32%, 0.7%

LAB 78.02, -18.77, 0.68

 

CMYK 59 / 0 / 45 / 1

HEX #68FC8A

RGB 104 252 138

HSL 133.78, 0.96%, 0.7%

LAB 89.11, -63.06, 42.89

 

CMYK 59 / 0 / 29 / 1

HEX #68FCB2

RGB 104 252 178

HSL 150, 0.96%, 0.7%

LAB 89.76, -56.14, 23.85

 

CMYK 59 / 0 / 13 / 1

HEX #68FCDA

RGB 104 252 218

HSL 166.22, 0.96%, 0.7%

LAB 90.61, -47.53, 4.46

 

CMYK 59 / 2 / 0 / 1

HEX #68F7FC

RGB 104 247 252

HSL 182.03, 0.96%, 0.7%

LAB 90.09, -36.76, -13.98

 

CMYK 59 / 17 / 0 / 1

HEX #68D0FC

RGB 104 208 252

HSL 197.84, 0.96%, 0.7%

LAB 79.09, -17.77, -30.66

 

CMYK 91 / 0 / 21 / 2

HEX #17FBC7

RGB 23 251 199

HSL 166.32, 0.97%, 0.54%

LAB 88.59, -60.66, 11.24

 

CMYK 75 / 0 / 17 / 1

HEX #3FFCD1

RGB 63 252 209

HSL 166.35, 0.97%, 0.62%

LAB 89.52, -55.66, 7.45

 

CMYK 59 / 0 / 13 / 1

HEX #68FCDB

RGB 104 252 219

HSL 166.62, 0.96%, 0.7%

LAB 90.63, -47.29, 3.98

 

CMYK 43 / 0 / 10 / 1

HEX #90FDE4

RGB 144 253 228

HSL 166.24, 0.96%, 0.78%

LAB 92.48, -37.16, 2.17

 

CMYK 27 / 0 / 6 / 1

HEX #B9FDEE

RGB 185 253 238

HSL 166.76, 0.94%, 0.86%

LAB 94.63, -24.09, 0.36

 

CMYK 59 / 0 / 13 / 1

HEX #67FDDB

RGB 103 253 219

HSL 166.4, 0.97%, 0.7%

LAB 90.89, -47.9, 4.35

 

CMYK 59 / 57 / 0 / 1

HEX #686DFC

RGB 104 109 252

HSL 237.97, 0.96%, 0.7%

LAB 52.85, 38.87, -72.15

 

CMYK 0 / 37 / 59 / 1

HEX #FC9E68

RGB 252 158 104

HSL 21.89, 0.96%, 0.7%

LAB 73.64, 29.94, 42.57

 

CMYK 59 / 0 / 13 / 1

HEX #67FDDB

RGB 103 253 219

HSL 166.4, 0.97%, 0.7%

LAB 90.89, -47.9, 4.35

 

CMYK 13 / 59 / 0 / 1

HEX #DA68FC

RGB 218 104 252

HSL 286.22, 0.96%, 0.7%

LAB 63.21, 66.05, -54.9

 

CMYK 0 / 13 / 59 / 1

HEX #FCDA68

RGB 252 218 104

HSL 46.22, 0.96%, 0.7%

LAB 87.89, -1.24, 59.33

 

CMYK 59 / 0 / 13 / 1

HEX #67FDDB

RGB 103 253 219

HSL 166.4, 0.97%, 0.7%

LAB 90.89, -47.9, 4.35

 

CMYK 59 / 57 / 0 / 1

HEX #686DFC

RGB 104 109 252

HSL 237.97, 0.96%, 0.7%

LAB 52.85, 38.87, -72.15

 

CMYK 0 / 59 / 45 / 1

HEX #FC688A

RGB 252 104 138

HSL 346.22, 0.96%, 0.7%

LAB 63.7, 59.25, 10.7

 

CMYK 0 / 2 / 59 / 1

HEX #FCF768

RGB 252 247 104

HSL 57.97, 0.96%, 0.7%

LAB 95.25, -15.65, 67.54

 

CMYK 59 / 0 / 13 / 1

HEX #67FDDB

RGB 103 253 219

HSL 166.4, 0.97%, 0.7%

LAB 90.89, -47.9, 4.35

 

CMYK 43 / 59 / 0 / 1

HEX #8F68FC

RGB 143 104 252

HSL 255.81, 0.96%, 0.7%

LAB 54.83, 49.09, -68.79

 

CMYK 0 / 59 / 45 / 1

HEX #FC688A

RGB 252 104 138

HSL 346.22, 0.96%, 0.7%

LAB 63.7, 59.25, 10.7

 

CMYK 15 / 0 / 59 / 1

HEX #D5FC68

RGB 213 252 104

HSL 75.81, 0.96%, 0.7%

LAB 93.78, -33.25, 65.13

 

Description

Color code: HEX #67FDDB | qconv.com Color code: HEX #67FDDB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 103 red, 253 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
103 253 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 13 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 13% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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