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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6400B7 it is the complementary color #9BFF48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6400B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6400B7 shade: #6900B2, #7A12C5, #8B24D8, #9C36EB and #AD48FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6400B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6400B7 shade: #6400B7, #5300A4, #420091, #31007E and #20006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6400B7 shade: #6400B7, #9500B7, #B700A7, #B70076 and #B70044

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6400B7 shade: #6400B7, #3200B7, #0100B7 and #0000B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6400B7 shade matches the following richer shades: #6400B7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6400B7 shade: #6400B7, #620EA8, #611D99, #602C8B and #5E3B7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6400B7 shade: #0000B7, #3000B7, #6100B7, #9200B7 and #B700AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6400B7 shade: #370065, #4D008E, #6400B7, #7A00E0 and #900BFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6400B7 shade: #6400B7, #B70030 and #00B718

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6400B7 shade: #6400B7, #B76100 and #00B761

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6400B7 shade: #6400B7, #B70030, #55B700 and #00B786

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6400B7 shade: #6400B7, #B70600, #55B700 and #00B1B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 100 / 0 / 28

HEX #6400B7

RGB 100 0 183

HSL 272.79, 1%, 0.36%

LAB 29.73, 65.68, -70.41

 

Complementary color

CMYK 39 / 0 / 72 / 0

HEX #9BFF48

RGB 155 255 72

HSL 92.79, 1%, 0.64%

LAB 91.21, -57.3, 73.66

 

CMYK 41 / 100 / 0 / 30

HEX #6900B2

RGB 105 0 178

HSL 275.39, 1%, 0.35%

LAB 29.95, 65.1, -67.03

 

CMYK 38 / 91 / 0 / 23

HEX #7A12C5

RGB 122 18 197

HSL 274.86, 0.83%, 0.42%

LAB 35.21, 68.11, -69.55

 

CMYK 36 / 83 / 0 / 15

HEX #8B24D8

RGB 139 36 216

HSL 274.33, 0.71%, 0.49%

LAB 40.75, 69.98, -71.4

 

CMYK 34 / 77 / 0 / 8

HEX #9C36EB

RGB 156 54 235

HSL 273.81, 0.82%, 0.57%

LAB 46.58, 70.77, -72.6

 

CMYK 32 / 72 / 0 / 0

HEX #AD48FE

RGB 173 72 254

HSL 273.3, 0.99%, 0.64%

LAB 52.59, 70.87, -73.37

 

CMYK 45 / 100 / 0 / 28

HEX #6400B7

RGB 100 0 183

HSL 272.79, 1%, 0.36%

LAB 29.73, 65.68, -70.41

 

CMYK 49 / 100 / 0 / 36

HEX #5300A4

RGB 83 0 164

HSL 270.37, 1%, 0.32%

LAB 25.32, 60.03, -66.35

 

CMYK 54 / 100 / 0 / 43

HEX #420091

RGB 66 0 145

HSL 267.31, 1%, 0.28%

LAB 20.84, 54.31, -62.17

 

CMYK 61 / 100 / 0 / 51

HEX #31007E

RGB 49 0 126

HSL 263.33, 1%, 0.25%

LAB 16.3, 48.52, -57.79

 

CMYK 70 / 100 / 0 / 58

HEX #20006B

RGB 32 0 107

HSL 257.94, 1%, 0.21%

LAB 11.75, 42.68, -53.11

 

CMYK 45 / 100 / 0 / 28

HEX #6400B7

RGB 100 0 183

HSL 272.79, 1%, 0.36%

LAB 29.73, 65.68, -70.41

 

CMYK 19 / 100 / 0 / 28

HEX #9500B7

RGB 149 0 183

HSL 288.85, 1%, 0.36%

LAB 37.5, 71.4, -57.39

 

CMYK 0 / 100 / 9 / 28

HEX #B700A7

RGB 183 0 167

HSL 305.25, 1%, 0.36%

LAB 42.55, 74.3, -39.43

 

CMYK 0 / 100 / 36 / 28

HEX #B70076

RGB 183 0 118

HSL 321.31, 1%, 0.36%

LAB 40.21, 68.4, -13.13

 

CMYK 0 / 100 / 63 / 28

HEX #B70044

RGB 183 0 68

HSL 337.7, 1%, 0.36%

LAB 38.7, 64.43, 16.51

 

CMYK 45 / 100 / 0 / 28

HEX #6400B7

RGB 100 0 183

HSL 272.79, 1%, 0.36%

LAB 29.73, 65.68, -70.41

 

CMYK 73 / 100 / 0 / 28

HEX #3200B7

RGB 50 0 183

HSL 256.39, 1%, 0.36%

LAB 23.99, 62.59, -80.11

 

CMYK 99 / 100 / 0 / 28

HEX #0100B7

RGB 1 0 183

HSL 240.33, 1%, 0.36%

LAB 21.67, 61.74, -84.03

 

CMYK 100 / 100 / 0 / 28

HEX #0000B7

RGB 0 0 183

HSL 240, 1%, 0.36%

LAB 21.65, 61.73, -84.07

 

CMYK 45 / 100 / 0 / 28

HEX #6400B7

RGB 100 0 183

HSL 272.79, 1%, 0.36%

LAB 29.73, 65.68, -70.41

 

CMYK 45 / 100 / 0 / 28

HEX #6400B7

RGB 100 0 183

HSL 272.79, 1%, 0.36%

LAB 29.73, 65.68, -70.41

 

CMYK 42 / 92 / 0 / 34

HEX #620EA8

RGB 98 14 168

HSL 272.73, 0.85%, 0.36%

LAB 28.74, 59.79, -63.06

 

CMYK 37 / 81 / 0 / 40

HEX #611D99

RGB 97 29 153

HSL 272.9, 0.68%, 0.36%

LAB 28.69, 51.89, -54.02

 

CMYK 31 / 68 / 0 / 45

HEX #602C8B

RGB 96 44 139

HSL 272.84, 0.52%, 0.36%

LAB 29.79, 41.65, -43.62

 

CMYK 24 / 52 / 0 / 51

HEX #5E3B7C

RGB 94 59 124

HSL 272.31, 0.36%, 0.36%

LAB 31.72, 28.9, -31.21

 

CMYK 100 / 100 / 0 / 28

HEX #0000B7

RGB 0 0 183

HSL 240, 1%, 0.36%

LAB 21.65, 61.73, -84.07

 

CMYK 74 / 100 / 0 / 28

HEX #3000B7

RGB 48 0 183

HSL 255.74, 1%, 0.36%

LAB 23.83, 62.52, -80.38

 

CMYK 47 / 100 / 0 / 28

HEX #6100B7

RGB 97 0 183

HSL 271.8, 1%, 0.36%

LAB 29.31, 65.42, -71.12

 

CMYK 20 / 100 / 0 / 28

HEX #9200B7

RGB 146 0 183

HSL 287.87, 1%, 0.36%

LAB 36.99, 70.99, -58.24

 

CMYK 0 / 100 / 7 / 28

HEX #B700AB

RGB 183 0 171

HSL 303.93, 1%, 0.36%

LAB 42.77, 74.85, -41.45

 

CMYK 46 / 100 / 0 / 60

HEX #370065

RGB 55 0 101

HSL 272.67, 1%, 0.2%

LAB 14.13, 42.96, -45.11

 

CMYK 46 / 100 / 0 / 44

HEX #4D008E

RGB 77 0 142

HSL 272.54, 1%, 0.28%

LAB 22.06, 54.57, -58.23

 

CMYK 45 / 100 / 0 / 28

HEX #6400B7

RGB 100 0 183

HSL 272.79, 1%, 0.36%

LAB 29.73, 65.68, -70.41

 

CMYK 46 / 100 / 0 / 12

HEX #7A00E0

RGB 122 0 224

HSL 272.68, 1%, 0.44%

LAB 36.97, 76.26, -82.3

 

CMYK 44 / 96 / 0 / 0

HEX #900BFF

RGB 144 11 255

HSL 272.7, 1%, 0.52%

LAB 43.34, 83.4, -89.22

 

CMYK 45 / 100 / 0 / 28

HEX #6400B7

RGB 100 0 183

HSL 272.79, 1%, 0.36%

LAB 29.73, 65.68, -70.41

 

CMYK 0 / 100 / 74 / 28

HEX #B70030

RGB 183 0 48

HSL 344.26, 1%, 0.36%

LAB 38.34, 63.47, 28.78

 

CMYK 100 / 0 / 87 / 28

HEX #00B718

RGB 0 183 24

HSL 127.87, 1%, 0.36%

LAB 64.91, -66.49, 61.28

 

CMYK 45 / 100 / 0 / 28

HEX #6400B7

RGB 100 0 183

HSL 272.79, 1%, 0.36%

LAB 29.73, 65.68, -70.41

 

CMYK 0 / 47 / 100 / 28

HEX #B76100

RGB 183 97 0

HSL 31.8, 1%, 0.36%

LAB 50.24, 29.66, 58.6

 

CMYK 100 / 0 / 47 / 28

HEX #00B761

RGB 0 183 97

HSL 151.8, 1%, 0.36%

LAB 65.54, -58.64, 32.87

 

CMYK 45 / 100 / 0 / 28

HEX #6400B7

RGB 100 0 183

HSL 272.79, 1%, 0.36%

LAB 29.73, 65.68, -70.41

 

CMYK 0 / 100 / 74 / 28

HEX #B70030

RGB 183 0 48

HSL 344.26, 1%, 0.36%

LAB 38.34, 63.47, 28.78

 

CMYK 54 / 0 / 100 / 28

HEX #55B700

RGB 85 183 0

HSL 92.13, 1%, 0.36%

LAB 66.37, -54.3, 66.67

 

CMYK 100 / 0 / 27 / 28

HEX #00B786

RGB 0 183 134

HSL 163.93, 1%, 0.36%

LAB 66.2, -50.93, 14.09

 

CMYK 45 / 100 / 0 / 28

HEX #6400B7

RGB 100 0 183

HSL 272.79, 1%, 0.36%

LAB 29.73, 65.68, -70.41

 

CMYK 0 / 97 / 100 / 28

HEX #B70600

RGB 183 6 0

HSL 1.97, 1%, 0.36%

LAB 38.19, 61.77, 52.47

 

CMYK 54 / 0 / 100 / 28

HEX #55B700

RGB 85 183 0

HSL 92.13, 1%, 0.36%

LAB 66.37, -54.3, 66.67

 

CMYK 100 / 3 / 0 / 28

HEX #00B1B7

RGB 0 177 183

HSL 181.97, 1%, 0.36%

LAB 65.64, -34.7, -13.79

 

Description

Color code: HEX #6400B7 | qconv.com Color code: HEX #6400B7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, none green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 0 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 100 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 100% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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