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Color name
HEX #641295

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #641295 it is the complementary color #9BED6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #641295. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #641295 shade: #691290, #7A24A3, #8B36B6, #9C48C9 and #AD5ADC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #641295. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #641295 shade: #641295, #530082, #42006F, #31005C and #200049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #641295 shade: #641295, #881295, #951280, #95125C and #951239

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #641295 shade: #641295, #411295, #1D1295 and #121295

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #641295 shade matches the following richer shades: #641295 and #6804A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #641295 shade: #641295, #612088, #5D2D7A, #5A3B6C and #56485F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #641295 shade: #1D1295, #401295, #631295, #861295 and #951282

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #641295 shade: #33094C, #4C0D71, #641295, #7D17BA and #961BDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #641295 shade: #641295, #95122A and #12952E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #641295 shade: #641295, #956312 and #129563

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #641295 shade: #641295, #95122A, #449512 and #12957D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #641295 shade: #641295, #952112, #449512 and #128695

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 88 / 0 / 42

HEX #641295

RGB 100 18 149

HSL 277.56, 0.78%, 0.33%

LAB 27.61, 54.94, -53.33

 

Complementary color

CMYK 35 / 0 / 55 / 7

HEX #9BED6A

RGB 155 237 106

HSL 97.56, 0.78%, 0.67%

LAB 86.29, -47.22, 54.84

 

CMYK 27 / 88 / 0 / 44

HEX #691290

RGB 105 18 144

HSL 281.43, 0.78%, 0.32%

LAB 27.98, 54.66, -49.6

 

CMYK 25 / 78 / 0 / 36

HEX #7A24A3

RGB 122 36 163

HSL 280.63, 0.64%, 0.39%

LAB 34.07, 55.97, -51.19

 

CMYK 24 / 70 / 0 / 29

HEX #8B36B6

RGB 139 54 182

HSL 279.84, 0.54%, 0.46%

LAB 40.42, 56.23, -52.14

 

CMYK 22 / 64 / 0 / 21

HEX #9C48C9

RGB 156 72 201

HSL 279.07, 0.54%, 0.54%

LAB 46.87, 55.94, -52.73

 

CMYK 21 / 59 / 0 / 14

HEX #AD5ADC

RGB 173 90 220

HSL 278.31, 0.65%, 0.61%

LAB 53.35, 55.36, -53.1

 

CMYK 33 / 88 / 0 / 42

HEX #641295

RGB 100 18 149

HSL 277.56, 0.78%, 0.33%

LAB 27.61, 54.94, -53.33

 

CMYK 36 / 100 / 0 / 49

HEX #530082

RGB 83 0 130

HSL 278.31, 1%, 0.25%

LAB 21.77, 52.59, -51.14

 

CMYK 41 / 100 / 0 / 56

HEX #42006F

RGB 66 0 111

HSL 275.68, 1%, 0.22%

LAB 17.02, 46.47, -46.86

 

CMYK 47 / 100 / 0 / 64

HEX #31005C

RGB 49 0 92

HSL 271.96, 1%, 0.18%

LAB 12.13, 40.18, -42.43

 

CMYK 56 / 100 / 0 / 71

HEX #200049

RGB 32 0 73

HSL 266.3, 1%, 0.14%

LAB 7.12, 33.58, -37.74

 

CMYK 33 / 88 / 0 / 42

HEX #641295

RGB 100 18 149

HSL 277.56, 0.78%, 0.33%

LAB 27.61, 54.94, -53.33

 

CMYK 9 / 88 / 0 / 42

HEX #881295

RGB 136 18 149

HSL 294.05, 0.78%, 0.33%

LAB 33.64, 60.92, -43.26

 

CMYK 0 / 88 / 14 / 42

HEX #951280

RGB 149 18 128

HSL 309.62, 0.78%, 0.33%

LAB 34.76, 60.16, -28.34

 

CMYK 0 / 88 / 38 / 42

HEX #95125C

RGB 149 18 92

HSL 326.11, 0.78%, 0.33%

LAB 33.12, 55.68, -7.95

 

CMYK 0 / 88 / 62 / 42

HEX #951239

RGB 149 18 57

HSL 342.14, 0.78%, 0.33%

LAB 32.07, 52.69, 13.53

 

CMYK 33 / 88 / 0 / 42

HEX #641295

RGB 100 18 149

HSL 277.56, 0.78%, 0.33%

LAB 27.61, 54.94, -53.33

 

CMYK 56 / 88 / 0 / 42

HEX #411295

RGB 65 18 149

HSL 261.53, 0.78%, 0.33%

LAB 22.75, 50.47, -61.49

 

CMYK 81 / 88 / 0 / 42

HEX #1D1295

RGB 29 18 149

HSL 245.04, 0.78%, 0.33%

LAB 19.49, 47.73, -66.99

 

CMYK 88 / 88 / 0 / 42

HEX #121295

RGB 18 18 149

HSL 240, 0.78%, 0.33%

LAB 18.93, 47.29, -67.93

 

CMYK 33 / 88 / 0 / 42

HEX #641295

RGB 100 18 149

HSL 277.56, 0.78%, 0.33%

LAB 27.61, 54.94, -53.33

 

CMYK 36 / 98 / 0 / 36

HEX #6804A3

RGB 104 4 163

HSL 277.74, 0.95%, 0.33%

LAB 28.58, 61.2, -60.27

 

CMYK 33 / 88 / 0 / 42

HEX #641295

RGB 100 18 149

HSL 277.56, 0.78%, 0.33%

LAB 27.61, 54.94, -53.33

 

CMYK 29 / 76 / 0 / 47

HEX #612088

RGB 97 32 136

HSL 277.5, 0.62%, 0.33%

LAB 27.71, 46.75, -45.11

 

CMYK 24 / 63 / 0 / 52

HEX #5D2D7A

RGB 93 45 122

HSL 277.4, 0.46%, 0.33%

LAB 28.4, 36.21, -35.25

 

CMYK 17 / 45 / 0 / 58

HEX #5A3B6C

RGB 90 59 108

HSL 277.96, 0.29%, 0.33%

LAB 30.36, 23.65, -23.3

 

CMYK 9 / 24 / 0 / 63

HEX #56485F

RGB 86 72 95

HSL 276.52, 0.14%, 0.33%

LAB 32.79, 10.83, -11.32

 

CMYK 81 / 88 / 0 / 42

HEX #1D1295

RGB 29 18 149

HSL 245.04, 0.78%, 0.33%

LAB 19.49, 47.73, -66.99

 

CMYK 57 / 88 / 0 / 42

HEX #401295

RGB 64 18 149

HSL 261.07, 0.78%, 0.33%

LAB 22.63, 50.37, -61.69

 

CMYK 34 / 88 / 0 / 42

HEX #631295

RGB 99 18 149

HSL 277.1, 0.78%, 0.33%

LAB 27.45, 54.79, -53.59

 

CMYK 10 / 88 / 0 / 42

HEX #861295

RGB 134 18 149

HSL 293.13, 0.78%, 0.33%

LAB 33.29, 60.56, -43.85

 

CMYK 0 / 88 / 13 / 42

HEX #951282

RGB 149 18 130

HSL 308.7, 0.78%, 0.33%

LAB 34.87, 60.44, -29.42

 

CMYK 33 / 88 / 0 / 70

HEX #33094C

RGB 51 9 76

HSL 277.61, 0.79%, 0.17%

LAB 12.1, 32.72, -31.55

 

CMYK 33 / 88 / 0 / 56

HEX #4C0D71

RGB 76 13 113

HSL 277.8, 0.79%, 0.25%

LAB 20.11, 44.59, -43.02

 

CMYK 33 / 88 / 0 / 42

HEX #641295

RGB 100 18 149

HSL 277.56, 0.78%, 0.33%

LAB 27.61, 54.94, -53.33

 

CMYK 33 / 88 / 0 / 27

HEX #7D17BA

RGB 125 23 186

HSL 277.55, 0.78%, 0.41%

LAB 35.04, 65.14, -63.33

 

CMYK 33 / 88 / 0 / 13

HEX #961BDF

RGB 150 27 223

HSL 277.65, 0.78%, 0.49%

LAB 42.15, 75.14, -73.06

 

CMYK 33 / 88 / 0 / 42

HEX #641295

RGB 100 18 149

HSL 277.56, 0.78%, 0.33%

LAB 27.61, 54.94, -53.33

 

CMYK 0 / 88 / 72 / 42

HEX #95122A

RGB 149 18 42

HSL 349.01, 0.78%, 0.33%

LAB 31.78, 51.84, 22.98

 

CMYK 88 / 0 / 69 / 42

HEX #12952E

RGB 18 149 46

HSL 132.82, 0.78%, 0.33%

LAB 53.84, -53.79, 43.5

 

CMYK 33 / 88 / 0 / 42

HEX #641295

RGB 100 18 149

HSL 277.56, 0.78%, 0.33%

LAB 27.61, 54.94, -53.33

 

CMYK 0 / 34 / 88 / 42

HEX #956312

RGB 149 99 18

HSL 37.1, 0.78%, 0.33%

LAB 46.12, 13.77, 49.2

 

CMYK 88 / 0 / 34 / 42

HEX #129563

RGB 18 149 99

HSL 157.1, 0.78%, 0.33%

LAB 54.58, -44.97, 17.36

 

CMYK 33 / 88 / 0 / 42

HEX #641295

RGB 100 18 149

HSL 277.56, 0.78%, 0.33%

LAB 27.61, 54.94, -53.33

 

CMYK 0 / 88 / 72 / 42

HEX #95122A

RGB 149 18 42

HSL 349.01, 0.78%, 0.33%

LAB 31.78, 51.84, 22.98

 

CMYK 54 / 0 / 88 / 42

HEX #449512

RGB 68 149 18

HSL 97.1, 0.78%, 0.33%

LAB 54.83, -46.12, 54.18

 

CMYK 88 / 0 / 16 / 42

HEX #12957D

RGB 18 149 125

HSL 169.01, 0.78%, 0.33%

LAB 55.18, -38.43, 3.46

 

CMYK 33 / 88 / 0 / 42

HEX #641295

RGB 100 18 149

HSL 277.56, 0.78%, 0.33%

LAB 27.61, 54.94, -53.33

 

CMYK 0 / 78 / 88 / 42

HEX #952112

RGB 149 33 18

HSL 6.87, 0.78%, 0.33%

LAB 32.96, 46.87, 38.29

 

CMYK 54 / 0 / 88 / 42

HEX #449512

RGB 68 149 18

HSL 97.1, 0.78%, 0.33%

LAB 54.83, -46.12, 54.18

 

CMYK 88 / 10 / 0 / 42

HEX #128695

RGB 18 134 149

HSL 186.87, 0.78%, 0.33%

LAB 51.09, -23.89, -16.49

 

Description

Color code: HEX #641295 | qconv.com Color code: HEX #641295 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 18 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 18 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 88 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 88% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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