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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #641F17 it is the complementary color #9BE0E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #641F17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #641F17 shade: #691F12, #7A3125, #8B4338, #9C554B and #AD675E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #641F17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #641F17 shade: #641F17, #530D04, #420000, #310000 and #200000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #641F17 shade: #631E16 and #631616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #641F17 shade: #631E16, #633316, #634816, #635D16 and #556316

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #641F17 shade matches the following richer shades: #631E16, #6D160C and #770E02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #641F17 shade: #631E16, #592620, #4F2E2A, #463634 and #3C3E3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #641F17 shade: #631638, #631623, #631E16, #633216 and #634716

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #641F17 shade: #200907, #42140F, #631E16, #85281E and #A73325

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #641F17 shade: #641F17, #4C6316 and #162D63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #641F17 shade: #641F17, #16631E and #1E1663

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #641F17 shade: #641F17, #4C6316, #165C63 and #2D1663

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #641F17 shade: #641F17, #356316, #165C63 and #441663

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 77 / 61

HEX #641F17

RGB 100 31 23

HSL 6.23, 0.63%, 0.24%

LAB 22.83, 30.6, 22.15

 

Complementary color

CMYK 33 / 3 / 0 / 9

HEX #9BE0E8

RGB 155 224 232

HSL 186.23, 0.63%, 0.76%

LAB 85.05, -19.57, -10.81

 

CMYK 0 / 70 / 83 / 59

HEX #691F12

RGB 105 31 18

HSL 8.97, 0.71%, 0.24%

LAB 23.76, 32.3, 26.52

 

CMYK 0 / 60 / 70 / 52

HEX #7A3125

RGB 122 49 37

HSL 8.47, 0.53%, 0.31%

LAB 30.56, 31, 23.44

 

CMYK 0 / 52 / 60 / 45

HEX #8B4338

RGB 139 67 56

HSL 7.95, 0.43%, 0.38%

LAB 37.46, 29.59, 20.91

 

CMYK 0 / 46 / 52 / 39

HEX #9C554B

RGB 156 85 75

HSL 7.41, 0.35%, 0.45%

LAB 44.34, 28.27, 18.85

 

CMYK 0 / 40 / 46 / 32

HEX #AD675E

RGB 173 103 94

HSL 6.84, 0.33%, 0.52%

LAB 51.14, 27.07, 17.13

 

CMYK 0 / 69 / 77 / 61

HEX #641F17

RGB 100 31 23

HSL 6.23, 0.63%, 0.24%

LAB 22.83, 30.6, 22.15

 

CMYK 0 / 84 / 95 / 67

HEX #530D04

RGB 83 13 4

HSL 6.84, 0.91%, 0.17%

LAB 16.18, 31.24, 23.18

 

CMYK 0 / 100 / 100 / 74

HEX #420000

RGB 66 0 0

HSL 0, 1%, 0.13%

LAB 10.25, 30.37, 16.16

 

CMYK 0 / 100 / 100 / 81

HEX #310000

RGB 49 0 0

HSL 0, 1%, 0.1%

LAB 5.9, 24.15, 9.32

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 70 / 78 / 61

HEX #631E16

RGB 99 30 22

HSL 6.23, 0.64%, 0.24%

LAB 22.44, 30.64, 22.29

 

CMYK 0 / 78 / 78 / 61

HEX #631616

RGB 99 22 22

HSL 0, 0.64%, 0.24%

LAB 21.15, 34.17, 20.83

 

CMYK 0 / 70 / 78 / 61

HEX #631E16

RGB 99 30 22

HSL 6.23, 0.64%, 0.24%

LAB 22.44, 30.64, 22.29

 

CMYK 0 / 48 / 78 / 61

HEX #633316

RGB 99 51 22

HSL 22.6, 0.64%, 0.24%

LAB 26.96, 19.04, 27.23

 

CMYK 0 / 27 / 78 / 61

HEX #634816

RGB 99 72 22

HSL 38.96, 0.64%, 0.24%

LAB 32.58, 6.08, 33.04

 

CMYK 0 / 6 / 78 / 61

HEX #635D16

RGB 99 93 22

HSL 55.32, 0.64%, 0.24%

LAB 38.79, -6.57, 39.12

 

CMYK 14 / 0 / 78 / 61

HEX #556316

RGB 85 99 22

HSL 70.91, 0.64%, 0.24%

LAB 39.43, -16.64, 39.3

 

CMYK 0 / 70 / 78 / 61

HEX #631E16

RGB 99 30 22

HSL 6.23, 0.64%, 0.24%

LAB 22.44, 30.64, 22.29

 

CMYK 0 / 80 / 89 / 57

HEX #6D160C

RGB 109 22 12

HSL 6.19, 0.8%, 0.24%

LAB 23.17, 37.28, 29.37

 

CMYK 0 / 88 / 98 / 53

HEX #770E02

RGB 119 14 2

HSL 6.15, 0.97%, 0.24%

LAB 24.45, 42.7, 35.49

 

CMYK 0 / 70 / 78 / 61

HEX #631E16

RGB 99 30 22

HSL 6.23, 0.64%, 0.24%

LAB 22.44, 30.64, 22.29

 

CMYK 0 / 57 / 64 / 65

HEX #592620

RGB 89 38 32

HSL 6.32, 0.47%, 0.24%

LAB 22.35, 22.95, 15.21

 

CMYK 0 / 42 / 47 / 69

HEX #4F2E2A

RGB 79 46 42

HSL 6.49, 0.31%, 0.24%

LAB 22.94, 14.61, 8.98

 

CMYK 0 / 23 / 26 / 73

HEX #463634

RGB 70 54 52

HSL 6.67, 0.15%, 0.24%

LAB 24.28, 6.77, 3.97

 

CMYK 3 / 0 / 0 / 76

HEX #3C3E3E

RGB 60 62 62

HSL 180, 0.02%, 0.24%

LAB 26.02, -0.84, -0.3

 

CMYK 0 / 78 / 43 / 61

HEX #631638

RGB 99 22 56

HSL 333.51, 0.64%, 0.24%

LAB 21.99, 36.95, -1.51

 

CMYK 0 / 78 / 65 / 61

HEX #631623

RGB 99 22 35

HSL 349.87, 0.64%, 0.24%

LAB 21.39, 34.97, 12.28

 

CMYK 0 / 70 / 78 / 61

HEX #631E16

RGB 99 30 22

HSL 6.23, 0.64%, 0.24%

LAB 22.44, 30.64, 22.29

 

CMYK 0 / 49 / 78 / 61

HEX #633216

RGB 99 50 22

HSL 21.82, 0.64%, 0.24%

LAB 26.71, 19.64, 26.97

 

CMYK 0 / 28 / 78 / 61

HEX #634716

RGB 99 71 22

HSL 38.18, 0.64%, 0.24%

LAB 32.3, 6.7, 32.75

 

CMYK 0 / 72 / 78 / 87

HEX #200907

RGB 32 9 7

HSL 4.8, 0.64%, 0.08%

LAB 4.68, 9.81, 4.31

 

CMYK 0 / 70 / 77 / 74

HEX #42140F

RGB 66 20 15

HSL 5.88, 0.63%, 0.16%

LAB 13.79, 21.94, 14.58

 

CMYK 0 / 70 / 78 / 61

HEX #631E16

RGB 99 30 22

HSL 6.23, 0.64%, 0.24%

LAB 22.44, 30.64, 22.29

 

CMYK 0 / 70 / 77 / 48

HEX #85281E

RGB 133 40 30

HSL 5.83, 0.63%, 0.32%

LAB 30.87, 39.13, 28.58

 

CMYK 0 / 69 / 78 / 35

HEX #A73325

RGB 167 51 37

HSL 6.46, 0.64%, 0.4%

LAB 39.1, 46.7, 35.28

 

CMYK 0 / 69 / 77 / 61

HEX #641F17

RGB 100 31 23

HSL 6.23, 0.63%, 0.24%

LAB 22.83, 30.6, 22.15

 

CMYK 23 / 0 / 78 / 61

HEX #4C6316

RGB 76 99 22

HSL 77.92, 0.64%, 0.24%

LAB 38.76, -20.73, 38.41

 

CMYK 78 / 55 / 0 / 61

HEX #162D63

RGB 22 45 99

HSL 222.08, 0.64%, 0.24%

LAB 19.84, 12.22, -34.6

 

CMYK 0 / 69 / 77 / 61

HEX #641F17

RGB 100 31 23

HSL 6.23, 0.63%, 0.24%

LAB 22.83, 30.6, 22.15

 

CMYK 78 / 0 / 70 / 61

HEX #16631E

RGB 22 99 30

HSL 126.23, 0.64%, 0.24%

LAB 36.34, -37.94, 31.66

 

CMYK 70 / 78 / 0 / 61

HEX #1E1663

RGB 30 22 99

HSL 246.23, 0.64%, 0.24%

LAB 14.12, 29.48, -43.9

 

CMYK 0 / 69 / 77 / 61

HEX #641F17

RGB 100 31 23

HSL 6.23, 0.63%, 0.24%

LAB 22.83, 30.6, 22.15

 

CMYK 23 / 0 / 78 / 61

HEX #4C6316

RGB 76 99 22

HSL 77.92, 0.64%, 0.24%

LAB 38.76, -20.73, 38.41

 

CMYK 78 / 7 / 0 / 61

HEX #165C63

RGB 22 92 99

HSL 185.45, 0.64%, 0.24%

LAB 35.45, -18.25, -10.15

 

CMYK 55 / 78 / 0 / 61

HEX #2D1663

RGB 45 22 99

HSL 257.92, 0.64%, 0.24%

LAB 15.66, 31.79, -41.32

 

CMYK 0 / 69 / 77 / 61

HEX #641F17

RGB 100 31 23

HSL 6.23, 0.63%, 0.24%

LAB 22.83, 30.6, 22.15

 

CMYK 46 / 0 / 78 / 61

HEX #356316

RGB 53 99 22

HSL 95.84, 0.64%, 0.24%

LAB 37.37, -30.13, 36.58

 

CMYK 78 / 7 / 0 / 61

HEX #165C63

RGB 22 92 99

HSL 185.45, 0.64%, 0.24%

LAB 35.45, -18.25, -10.15

 

CMYK 31 / 78 / 0 / 61

HEX #441663

RGB 68 22 99

HSL 275.84, 0.64%, 0.24%

LAB 18.82, 36.31, -36.04

 

Description

Color code: HEX #641F17 | qconv.com Color code: HEX #641F17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 31 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 31 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 77 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 77% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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