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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64373D it is the complementary color #9BC8C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64373D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64373D shade: #693738, #7A494B, #8B5B5E, #9C6D71 and #AD7F84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64373D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64373D shade: #64373D, #53252A, #421317, #310104 and #200000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64373D shade: #62363C and #623636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64373D shade: #62363C, #623648, #623654, #623660 and #593662

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64373D shade matches the following richer shades: #62363C, #6F2933, #7B1D2A, #871121 and #940417

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64373D shade: #62363C, #564245, #494F4E, #3D5B57 and #316760

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64373D shade: #623653, #623648, #62363C, #623C36 and #624836

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64373D shade: #2D191B, #48272B, #62363C, #7D444C and #97535C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64373D shade: #64373D, #5F6236 and #364D62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64373D shade: #64373D, #3C6236 and #363C62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64373D shade: #64373D, #5F6236, #36625C and #393662

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64373D shade: #64373D, #526236, #36625C and #463662

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 39 / 61

HEX #64373D

RGB 100 55 61

HSL 352, 0.29%, 0.3%

LAB 28.85, 20.81, 5.05

 

Complementary color

CMYK 23 / 0 / 3 / 22

HEX #9BC8C2

RGB 155 200 194

HSL 172, 0.29%, 0.7%

LAB 77.38, -15.99, -1.86

 

CMYK 0 / 48 / 47 / 59

HEX #693738

RGB 105 55 56

HSL 358.8, 0.31%, 0.31%

LAB 29.47, 22.29, 9.31

 

CMYK 0 / 40 / 39 / 52

HEX #7A494B

RGB 122 73 75

HSL 357.55, 0.25%, 0.38%

LAB 36.76, 21.15, 7.7

 

CMYK 0 / 35 / 32 / 45

HEX #8B5B5E

RGB 139 91 94

HSL 356.25, 0.21%, 0.45%

LAB 43.91, 20.16, 6.4

 

CMYK 0 / 30 / 28 / 39

HEX #9C6D71

RGB 156 109 113

HSL 354.89, 0.19%, 0.52%

LAB 50.92, 19.3, 5.28

 

CMYK 0 / 27 / 24 / 32

HEX #AD7F84

RGB 173 127 132

HSL 353.48, 0.22%, 0.59%

LAB 57.78, 18.55, 4.3

 

CMYK 0 / 45 / 39 / 61

HEX #64373D

RGB 100 55 61

HSL 352, 0.29%, 0.3%

LAB 28.85, 20.81, 5.05

 

CMYK 0 / 55 / 49 / 67

HEX #53252A

RGB 83 37 42

HSL 353.48, 0.38%, 0.24%

LAB 21.32, 21.98, 6.83

 

CMYK 0 / 71 / 65 / 74

HEX #421317

RGB 66 19 23

HSL 354.89, 0.55%, 0.17%

LAB 13.74, 23.11, 9.44

 

CMYK 0 / 98 / 92 / 81

HEX #310104

RGB 49 1 4

HSL 356.25, 0.96%, 0.1%

LAB 6.17, 23.98, 8.09

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 45 / 39 / 62

HEX #62363C

RGB 98 54 60

HSL 351.82, 0.29%, 0.3%

LAB 28.28, 20.43, 4.86

 

CMYK 0 / 45 / 45 / 62

HEX #623636

RGB 98 54 54

HSL 0, 0.29%, 0.3%

LAB 28.12, 19.64, 8.59

 

CMYK 0 / 45 / 39 / 62

HEX #62363C

RGB 98 54 60

HSL 351.82, 0.29%, 0.3%

LAB 28.28, 20.43, 4.86

 

CMYK 0 / 45 / 27 / 62

HEX #623648

RGB 98 54 72

HSL 335.45, 0.29%, 0.3%

LAB 28.65, 22.25, -2.5

 

CMYK 0 / 45 / 14 / 62

HEX #623654

RGB 98 54 84

HSL 319.09, 0.29%, 0.3%

LAB 29.1, 24.35, -9.7

 

CMYK 0 / 45 / 2 / 62

HEX #623660

RGB 98 54 96

HSL 302.73, 0.29%, 0.3%

LAB 29.61, 26.71, -16.69

 

CMYK 9 / 45 / 0 / 62

HEX #593662

RGB 89 54 98

HSL 287.73, 0.29%, 0.3%

LAB 28.5, 24.03, -19.81

 

CMYK 0 / 45 / 39 / 62

HEX #62363C

RGB 98 54 60

HSL 351.82, 0.29%, 0.3%

LAB 28.28, 20.43, 4.86

 

CMYK 0 / 63 / 54 / 56

HEX #6F2933

RGB 111 41 51

HSL 351.43, 0.46%, 0.3%

LAB 27.31, 31.95, 9.79

 

CMYK 0 / 76 / 66 / 52

HEX #7B1D2A

RGB 123 29 42

HSL 351.7, 0.62%, 0.3%

LAB 27.45, 40.81, 16.39

 

CMYK 0 / 87 / 76 / 47

HEX #871121

RGB 135 17 33

HSL 351.86, 0.78%, 0.3%

LAB 28.54, 47.67, 24.2

 

CMYK 0 / 97 / 84 / 42

HEX #940417

RGB 148 4 23

HSL 352.08, 0.95%, 0.3%

LAB 30.51, 53.2, 33.33

 

CMYK 0 / 45 / 39 / 62

HEX #62363C

RGB 98 54 60

HSL 351.82, 0.29%, 0.3%

LAB 28.28, 20.43, 4.86

 

CMYK 0 / 23 / 20 / 66

HEX #564245

RGB 86 66 69

HSL 351, 0.13%, 0.3%

LAB 30.17, 9.18, 1.49

 

CMYK 8 / 0 / 1 / 69

HEX #494F4E

RGB 73 79 78

HSL 170, 0.04%, 0.3%

LAB 33.05, -2.64, -0.25

 

CMYK 33 / 0 / 4 / 64

HEX #3D5B57

RGB 61 91 87

HSL 172, 0.2%, 0.3%

LAB 36.3, -12.04, -1.25

 

CMYK 52 / 0 / 7 / 60

HEX #316760

RGB 49 103 96

HSL 172.22, 0.36%, 0.3%

LAB 39.91, -19.81, -1.56

 

CMYK 0 / 45 / 15 / 62

HEX #623653

RGB 98 54 83

HSL 320.45, 0.29%, 0.3%

LAB 29.06, 24.16, -9.11

 

CMYK 0 / 45 / 27 / 62

HEX #623648

RGB 98 54 72

HSL 335.45, 0.29%, 0.3%

LAB 28.65, 22.25, -2.5

 

CMYK 0 / 45 / 39 / 62

HEX #62363C

RGB 98 54 60

HSL 351.82, 0.29%, 0.3%

LAB 28.28, 20.43, 4.86

 

CMYK 0 / 39 / 45 / 62

HEX #623C36

RGB 98 60 54

HSL 8.18, 0.29%, 0.3%

LAB 29.65, 15.95, 10.7

 

CMYK 0 / 27 / 45 / 62

HEX #624836

RGB 98 72 54

HSL 24.55, 0.29%, 0.3%

LAB 32.91, 8.47, 15.11

 

CMYK 0 / 44 / 40 / 82

HEX #2D191B

RGB 45 25 27

HSL 354, 0.29%, 0.14%

LAB 11.5, 10.35, 2.8

 

CMYK 0 / 46 / 40 / 72

HEX #48272B

RGB 72 39 43

HSL 352.73, 0.3%, 0.22%

LAB 20.06, 16.06, 4.11

 

CMYK 0 / 45 / 39 / 62

HEX #62363C

RGB 98 54 60

HSL 351.82, 0.29%, 0.3%

LAB 28.28, 20.43, 4.86

 

CMYK 0 / 46 / 39 / 51

HEX #7D444C

RGB 125 68 76

HSL 351.58, 0.3%, 0.38%

LAB 36.02, 25.43, 6.07

 

CMYK 0 / 45 / 39 / 41

HEX #97535C

RGB 151 83 92

HSL 352.06, 0.29%, 0.46%

LAB 43.56, 29.26, 7.34

 

CMYK 0 / 45 / 39 / 61

HEX #64373D

RGB 100 55 61

HSL 352, 0.29%, 0.3%

LAB 28.85, 20.81, 5.05

 

CMYK 3 / 0 / 45 / 62

HEX #5F6236

RGB 95 98 54

HSL 64.09, 0.29%, 0.3%

LAB 40.3, -8.6, 24.59

 

CMYK 45 / 21 / 0 / 62

HEX #364D62

RGB 54 77 98

HSL 208.64, 0.29%, 0.3%

LAB 31.75, -2.61, -15.05

 

CMYK 0 / 45 / 39 / 61

HEX #64373D

RGB 100 55 61

HSL 352, 0.29%, 0.3%

LAB 28.85, 20.81, 5.05

 

CMYK 39 / 0 / 45 / 62

HEX #3C6236

RGB 60 98 54

HSL 111.82, 0.29%, 0.3%

LAB 37.77, -23.24, 20.86

 

CMYK 45 / 39 / 0 / 62

HEX #363C62

RGB 54 60 98

HSL 231.82, 0.29%, 0.3%

LAB 26.44, 8.58, -23.29

 

CMYK 0 / 45 / 39 / 61

HEX #64373D

RGB 100 55 61

HSL 352, 0.29%, 0.3%

LAB 28.85, 20.81, 5.05

 

CMYK 3 / 0 / 45 / 62

HEX #5F6236

RGB 95 98 54

HSL 64.09, 0.29%, 0.3%

LAB 40.3, -8.6, 24.59

 

CMYK 45 / 0 / 6 / 62

HEX #36625C

RGB 54 98 92

HSL 171.82, 0.29%, 0.3%

LAB 38.36, -16.85, -1.35

 

CMYK 42 / 45 / 0 / 62

HEX #393662

RGB 57 54 98

HSL 244.09, 0.29%, 0.3%

LAB 24.92, 13.56, -25.68

 

CMYK 0 / 45 / 39 / 61

HEX #64373D

RGB 100 55 61

HSL 352, 0.29%, 0.3%

LAB 28.85, 20.81, 5.05

 

CMYK 16 / 0 / 45 / 62

HEX #526236

RGB 82 98 54

HSL 81.82, 0.29%, 0.3%

LAB 39.23, -14.37, 23.02

 

CMYK 45 / 0 / 6 / 62

HEX #36625C

RGB 54 98 92

HSL 171.82, 0.29%, 0.3%

LAB 38.36, -16.85, -1.35

 

CMYK 29 / 45 / 0 / 62

HEX #463662

RGB 70 54 98

HSL 261.82, 0.29%, 0.3%

LAB 26.22, 17.64, -23.54

 

Description

Color code: HEX #64373D | qconv.com Color code: HEX #64373D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 55 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 55 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 39 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 39% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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