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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64457C it is the complementary color #9BBA83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64457C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64457C shade: #694577, #7A578A, #8B699D, #9C7BB0 and #AD8DC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64457C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64457C shade: #64457C, #533369, #422156, #310F43 and #200030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64457C shade: #64457C, #72457C, #7C4576, #7C4567 and #7C4559

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64457C shade: #64457C, #55457C, #47457C and #45457C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64457C shade matches the following richer shades: #64457C, #66368B, #68269B, #6A16AB and #6C07BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64457C shade: #64457C, #62556C, #60655C, #5E744C and #5C843D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64457C shade: #46457C, #55457C, #63457C, #72457C and #7C4577

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64457C shade: #392847, #4E3661, #64457C, #795496 and #8E69AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64457C shade: #64457C, #7C4553 and #457C4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64457C shade: #64457C, #7C6345 and #457C63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64457C shade: #64457C, #7C4553, #5E7C45 and #457C6E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64457C shade: #64457C, #7C4845, #5E7C45 and #45797C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 44 / 0 / 51

HEX #64457C

RGB 100 69 124

HSL 273.82, 0.28%, 0.38%

LAB 34.84, 24.67, -26.24

 

Complementary color

CMYK 17 / 0 / 30 / 27

HEX #9BBA83

RGB 155 186 131

HSL 93.82, 0.28%, 0.62%

LAB 72.04, -20.53, 24.53

 

CMYK 12 / 42 / 0 / 53

HEX #694577

RGB 105 69 119

HSL 283.2, 0.27%, 0.37%

LAB 35.19, 25.11, -22.55

 

CMYK 12 / 37 / 0 / 46

HEX #7A578A

RGB 122 87 138

HSL 281.18, 0.23%, 0.44%

LAB 42.44, 24.29, -22.79

 

CMYK 11 / 33 / 0 / 38

HEX #8B699D

RGB 139 105 157

HSL 279.23, 0.21%, 0.51%

LAB 49.53, 23.54, -23.01

 

CMYK 11 / 30 / 0 / 31

HEX #9C7BB0

RGB 156 123 176

HSL 277.36, 0.25%, 0.59%

LAB 56.45, 22.86, -23.24

 

CMYK 11 / 28 / 0 / 24

HEX #AD8DC3

RGB 173 141 195

HSL 275.56, 0.31%, 0.66%

LAB 63.24, 22.25, -23.48

 

CMYK 19 / 44 / 0 / 51

HEX #64457C

RGB 100 69 124

HSL 273.82, 0.28%, 0.38%

LAB 34.84, 24.67, -26.24

 

CMYK 21 / 51 / 0 / 59

HEX #533369

RGB 83 51 105

HSL 275.56, 0.35%, 0.31%

LAB 27.37, 25.6, -26.14

 

CMYK 23 / 62 / 0 / 66

HEX #422156

RGB 66 33 86

HSL 277.36, 0.45%, 0.23%

LAB 19.71, 26.55, -25.97

 

CMYK 27 / 78 / 0 / 74

HEX #310F43

RGB 49 15 67

HSL 279.23, 0.63%, 0.16%

LAB 11.96, 27.21, -25.51

 

CMYK 33 / 100 / 0 / 81

HEX #200030

RGB 32 0 48

HSL 280, 1%, 0.09%

LAB 4.7, 24.86, -23.6

 

CMYK 19 / 44 / 0 / 51

HEX #64457C

RGB 100 69 124

HSL 273.82, 0.28%, 0.38%

LAB 34.84, 24.67, -26.24

 

CMYK 8 / 44 / 0 / 51

HEX #72457C

RGB 114 69 124

HSL 289.09, 0.28%, 0.38%

LAB 36.53, 29.21, -23.48

 

CMYK 0 / 44 / 5 / 51

HEX #7C4576

RGB 124 69 118

HSL 306.55, 0.28%, 0.38%

LAB 37.57, 31.32, -18.05

 

CMYK 0 / 44 / 17 / 51

HEX #7C4567

RGB 124 69 103

HSL 322.91, 0.28%, 0.38%

LAB 36.97, 28.57, -9.6

 

CMYK 0 / 44 / 28 / 51

HEX #7C4559

RGB 124 69 89

HSL 338.18, 0.28%, 0.38%

LAB 36.49, 26.29, -1.5

 

CMYK 19 / 44 / 0 / 51

HEX #64457C

RGB 100 69 124

HSL 273.82, 0.28%, 0.38%

LAB 34.84, 24.67, -26.24

 

CMYK 31 / 44 / 0 / 51

HEX #55457C

RGB 85 69 124

HSL 257.45, 0.28%, 0.38%

LAB 33.23, 19.96, -28.89

 

CMYK 43 / 44 / 0 / 51

HEX #47457C

RGB 71 69 124

HSL 242.18, 0.28%, 0.38%

LAB 31.92, 15.84, -31.04

 

CMYK 44 / 44 / 0 / 51

HEX #45457C

RGB 69 69 124

HSL 240, 0.28%, 0.38%

LAB 31.75, 15.28, -31.32

 

CMYK 19 / 44 / 0 / 51

HEX #64457C

RGB 100 69 124

HSL 273.82, 0.28%, 0.38%

LAB 34.84, 24.67, -26.24

 

CMYK 27 / 61 / 0 / 45

HEX #66368B

RGB 102 54 139

HSL 273.88, 0.44%, 0.38%

LAB 32.54, 37.78, -39.16

 

CMYK 33 / 75 / 0 / 39

HEX #68269B

RGB 104 38 155

HSL 273.85, 0.61%, 0.38%

LAB 31.1, 50, -51.28

 

CMYK 38 / 87 / 0 / 33

HEX #6A16AB

RGB 106 22 171

HSL 273.83, 0.77%, 0.38%

LAB 30.83, 59.56, -61.4

 

CMYK 42 / 96 / 0 / 27

HEX #6C07BA

RGB 108 7 186

HSL 273.85, 0.93%, 0.38%

LAB 31.54, 66.01, -69.16

 

CMYK 19 / 44 / 0 / 51

HEX #64457C

RGB 100 69 124

HSL 273.82, 0.28%, 0.38%

LAB 34.84, 24.67, -26.24

 

CMYK 9 / 21 / 0 / 58

HEX #62556C

RGB 98 85 108

HSL 273.91, 0.12%, 0.38%

LAB 38.16, 10.17, -11.22

 

CMYK 5 / 0 / 9 / 60

HEX #60655C

RGB 96 101 92

HSL 93.33, 0.05%, 0.38%

LAB 42.1, -3.8, 4.42

 

CMYK 19 / 0 / 34 / 55

HEX #5E744C

RGB 94 116 76

HSL 93, 0.21%, 0.38%

LAB 46.17, -15.98, 19.53

 

CMYK 30 / 0 / 54 / 48

HEX #5C843D

RGB 92 132 61

HSL 93.8, 0.37%, 0.38%

LAB 50.82, -27.1, 33.62

 

CMYK 44 / 44 / 0 / 51

HEX #46457C

RGB 70 69 124

HSL 241.09, 0.28%, 0.38%

LAB 31.84, 15.56, -31.18

 

CMYK 31 / 44 / 0 / 51

HEX #55457C

RGB 85 69 124

HSL 257.45, 0.28%, 0.38%

LAB 33.23, 19.96, -28.89

 

CMYK 20 / 44 / 0 / 51

HEX #63457C

RGB 99 69 124

HSL 272.73, 0.28%, 0.38%

LAB 34.73, 24.35, -26.43

 

CMYK 8 / 44 / 0 / 51

HEX #72457C

RGB 114 69 124

HSL 289.09, 0.28%, 0.38%

LAB 36.53, 29.21, -23.48

 

CMYK 0 / 44 / 4 / 51

HEX #7C4577

RGB 124 69 119

HSL 305.45, 0.28%, 0.38%

LAB 37.61, 31.51, -18.6

 

CMYK 20 / 44 / 0 / 72

HEX #392847

RGB 57 40 71

HSL 272.9, 0.28%, 0.22%

LAB 19.4, 15.07, -16.4

 

CMYK 20 / 44 / 0 / 62

HEX #4E3661

RGB 78 54 97

HSL 273.49, 0.28%, 0.3%

LAB 27.08, 20.03, -21.48

 

CMYK 19 / 44 / 0 / 51

HEX #64457C

RGB 100 69 124

HSL 273.82, 0.28%, 0.38%

LAB 34.84, 24.67, -26.24

 

CMYK 19 / 44 / 0 / 41

HEX #795496

RGB 121 84 150

HSL 273.64, 0.28%, 0.46%

LAB 42.17, 28.55, -30.45

 

CMYK 16 / 38 / 0 / 33

HEX #8E69AA

RGB 142 105 170

HSL 274.15, 0.28%, 0.54%

LAB 50.4, 27.44, -29.25

 

CMYK 19 / 44 / 0 / 51

HEX #64457C

RGB 100 69 124

HSL 273.82, 0.28%, 0.38%

LAB 34.84, 24.67, -26.24

 

CMYK 0 / 44 / 33 / 51

HEX #7C4553

RGB 124 69 83

HSL 344.73, 0.28%, 0.38%

LAB 36.3, 25.41, 2.03

 

CMYK 44 / 0 / 38 / 51

HEX #457C4D

RGB 69 124 77

HSL 128.73, 0.28%, 0.38%

LAB 47.26, -28.99, 20.14

 

CMYK 19 / 44 / 0 / 51

HEX #64457C

RGB 100 69 124

HSL 273.82, 0.28%, 0.38%

LAB 34.84, 24.67, -26.24

 

CMYK 0 / 20 / 44 / 51

HEX #7C6345

RGB 124 99 69

HSL 32.73, 0.28%, 0.38%

LAB 43.71, 5.73, 20.84

 

CMYK 44 / 0 / 20 / 51

HEX #457C63

RGB 69 124 99

HSL 152.73, 0.28%, 0.38%

LAB 47.73, -24.46, 8.03

 

CMYK 19 / 44 / 0 / 51

HEX #64457C

RGB 100 69 124

HSL 273.82, 0.28%, 0.38%

LAB 34.84, 24.67, -26.24

 

CMYK 0 / 44 / 33 / 51

HEX #7C4553

RGB 124 69 83

HSL 344.73, 0.28%, 0.38%

LAB 36.3, 25.41, 2.03

 

CMYK 24 / 0 / 44 / 51

HEX #5E7C45

RGB 94 124 69

HSL 92.73, 0.28%, 0.38%

LAB 48.54, -21.26, 26.56

 

CMYK 44 / 0 / 11 / 51

HEX #457C6E

RGB 69 124 110

HSL 164.73, 0.28%, 0.38%

LAB 48.02, -21.82, 1.97

 

CMYK 19 / 44 / 0 / 51

HEX #64457C

RGB 100 69 124

HSL 273.82, 0.28%, 0.38%

LAB 34.84, 24.67, -26.24

 

CMYK 0 / 42 / 44 / 51

HEX #7C4845

RGB 124 72 69

HSL 3.27, 0.28%, 0.38%

LAB 36.65, 21.82, 11.35

 

CMYK 24 / 0 / 44 / 51

HEX #5E7C45

RGB 94 124 69

HSL 92.73, 0.28%, 0.38%

LAB 48.54, -21.26, 26.56

 

CMYK 44 / 2 / 0 / 51

HEX #45797C

RGB 69 121 124

HSL 183.27, 0.28%, 0.38%

LAB 47.49, -16.51, -7.09

 

Description

Color code: HEX #64457C | qconv.com Color code: HEX #64457C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 69 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 69 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 44 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 44% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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