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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6440B9 it is the complementary color #9BBF46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6440B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6440B9 shade: #6940B4, #7A52C7, #8B64DA, #9C76ED and #AD88FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6440B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6440B9 shade: #6440B9, #532EA6, #421C93, #310A80 and #20006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6440B9 shade: #643FBA, #853FBA, #A63FBA, #BA3FAD and #BA3F8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6440B9 shade: #643FBA, #433FBA and #3F3FBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6440B9 shade matches the following richer shades: #643FBA, #5B2BCE, #5317E2 and #4B03F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6440B9 shade: #643FBA, #6C53A5, #746891, #7C7C7D and #849069

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6440B9 shade: #3F5EBA, #413FBA, #623FBA, #833FBA and #A33FBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6440B9 shade: #432A7C, #53359B, #643FBA, #7B5BC7 and #947AD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6440B9 shade: #6440B9, #BA3F7E and #4EBA3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6440B9 shade: #6440B9, #BA623F and #3FBA62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6440B9 shade: #6440B9, #BA3F7E, #97BA3F and #3FBA7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6440B9 shade: #6440B9, #BA3F5A, #97BA3F and #3FBA9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 65 / 0 / 27

HEX #6440B9

RGB 100 64 185

HSL 257.85, 0.49%, 0.49%

LAB 37.62, 44.05, -58.66

 

Complementary color

CMYK 19 / 0 / 63 / 25

HEX #9BBF46

RGB 155 191 70

HSL 77.85, 0.49%, 0.51%

LAB 72.68, -29.9, 55.26

 

CMYK 42 / 64 / 0 / 29

HEX #6940B4

RGB 105 64 180

HSL 261.21, 0.48%, 0.48%

LAB 37.78, 43.67, -55.44

 

CMYK 39 / 59 / 0 / 22

HEX #7A52C7

RGB 122 82 199

HSL 260.51, 0.51%, 0.55%

LAB 44.65, 42.51, -55.35

 

CMYK 36 / 54 / 0 / 15

HEX #8B64DA

RGB 139 100 218

HSL 259.83, 0.61%, 0.62%

LAB 51.46, 41.37, -55.2

 

CMYK 34 / 50 / 0 / 7

HEX #9C76ED

RGB 156 118 237

HSL 259.16, 0.77%, 0.7%

LAB 58.17, 40.3, -55.04

 

CMYK 32 / 47 / 0 / 0

HEX #AD88FF

RGB 173 136 255

HSL 258.66, 1%, 0.77%

LAB 64.73, 39.06, -54.42

 

CMYK 46 / 65 / 0 / 27

HEX #6440B9

RGB 100 64 185

HSL 257.85, 0.49%, 0.49%

LAB 37.62, 44.05, -58.66

 

CMYK 50 / 72 / 0 / 35

HEX #532EA6

RGB 83 46 166

HSL 258.5, 0.57%, 0.42%

LAB 30.75, 45.27, -58.63

 

CMYK 55 / 81 / 0 / 42

HEX #421C93

RGB 66 28 147

HSL 259.16, 0.68%, 0.34%

LAB 23.98, 46.12, -58.21

 

CMYK 62 / 92 / 0 / 50

HEX #310A80

RGB 49 10 128

HSL 259.83, 0.86%, 0.27%

LAB 17.59, 45.88, -56.92

 

CMYK 71 / 100 / 0 / 57

HEX #20006D

RGB 32 0 109

HSL 257.61, 1%, 0.21%

LAB 12.03, 43.2, -53.95

 

CMYK 46 / 66 / 0 / 27

HEX #643FBA

RGB 100 63 186

HSL 258.05, 0.49%, 0.49%

LAB 37.5, 44.88, -59.46

 

CMYK 28 / 66 / 0 / 27

HEX #853FBA

RGB 133 63 186

HSL 274.15, 0.49%, 0.49%

LAB 41.35, 51.73, -53.03

 

CMYK 11 / 66 / 0 / 27

HEX #A63FBA

RGB 166 63 186

HSL 290.24, 0.49%, 0.49%

LAB 45.92, 59.21, -45.46

 

CMYK 0 / 66 / 7 / 27

HEX #BA3FAD

RGB 186 63 173

HSL 306.34, 0.49%, 0.49%

LAB 48.27, 61.75, -33.91

 

CMYK 0 / 66 / 25 / 27

HEX #BA3F8C

RGB 186 63 140

HSL 322.44, 0.49%, 0.49%

LAB 46.83, 56.91, -16.5

 

CMYK 46 / 66 / 0 / 27

HEX #643FBA

RGB 100 63 186

HSL 258.05, 0.49%, 0.49%

LAB 37.5, 44.88, -59.46

 

CMYK 64 / 66 / 0 / 27

HEX #433FBA

RGB 67 63 186

HSL 241.95, 0.49%, 0.49%

LAB 34.59, 39.27, -64.33

 

CMYK 66 / 66 / 0 / 27

HEX #3F3FBA

RGB 63 63 186

HSL 240, 0.49%, 0.49%

LAB 34.31, 38.71, -64.8

 

CMYK 46 / 66 / 0 / 27

HEX #643FBA

RGB 100 63 186

HSL 258.05, 0.49%, 0.49%

LAB 37.5, 44.88, -59.46

 

CMYK 56 / 79 / 0 / 19

HEX #5B2BCE

RGB 91 43 206

HSL 257.67, 0.65%, 0.49%

LAB 34.82, 58.85, -75.58

 

CMYK 63 / 90 / 0 / 11

HEX #5317E2

RGB 83 23 226

HSL 257.73, 0.82%, 0.49%

LAB 33.86, 70.07, -88.72

 

CMYK 70 / 99 / 0 / 4

HEX #4B03F6

RGB 75 3 246

HSL 257.78, 0.98%, 0.49%

LAB 34.43, 77.89, -99.17

 

CMYK 46 / 66 / 0 / 27

HEX #643FBA

RGB 100 63 186

HSL 258.05, 0.49%, 0.49%

LAB 37.5, 44.88, -59.46

 

CMYK 35 / 50 / 0 / 35

HEX #6C53A5

RGB 108 83 165

HSL 258.29, 0.33%, 0.49%

LAB 41.36, 29.23, -40.77

 

CMYK 20 / 28 / 0 / 43

HEX #746891

RGB 116 104 145

HSL 257.56, 0.16%, 0.49%

LAB 46.52, 13.67, -20.73

 

CMYK 1 / 1 / 0 / 51

HEX #7C7C7D

RGB 124 124 125

HSL 240, 0%, 0.49%

LAB 52.04, 0.2, -0.55

 

CMYK 8 / 0 / 27 / 44

HEX #849069

RGB 132 144 105

HSL 78.46, 0.16%, 0.49%

LAB 57.92, -11.43, 19.33

 

CMYK 66 / 49 / 0 / 27

HEX #3F5EBA

RGB 63 94 186

HSL 224.88, 0.49%, 0.49%

LAB 42.17, 18.98, -52.04

 

CMYK 65 / 66 / 0 / 27

HEX #413FBA

RGB 65 63 186

HSL 240.98, 0.49%, 0.49%

LAB 34.45, 38.99, -64.57

 

CMYK 47 / 66 / 0 / 27

HEX #623FBA

RGB 98 63 186

HSL 257.07, 0.49%, 0.49%

LAB 37.29, 44.5, -59.8

 

CMYK 30 / 66 / 0 / 27

HEX #833FBA

RGB 131 63 186

HSL 273.17, 0.49%, 0.49%

LAB 41.1, 51.29, -53.46

 

CMYK 12 / 66 / 0 / 27

HEX #A33FBA

RGB 163 63 186

HSL 288.78, 0.49%, 0.49%

LAB 45.48, 58.51, -46.19

 

CMYK 46 / 66 / 0 / 51

HEX #432A7C

RGB 67 42 124

HSL 258.29, 0.49%, 0.33%

LAB 24.65, 32.14, -42.72

 

CMYK 46 / 66 / 0 / 39

HEX #53359B

RGB 83 53 155

HSL 257.65, 0.49%, 0.41%

LAB 31.23, 38.25, -51.18

 

CMYK 46 / 66 / 0 / 27

HEX #643FBA

RGB 100 63 186

HSL 258.05, 0.49%, 0.49%

LAB 37.5, 44.88, -59.46

 

CMYK 38 / 54 / 0 / 22

HEX #7B5BC7

RGB 123 91 199

HSL 257.78, 0.49%, 0.57%

LAB 46.73, 37.61, -52

 

CMYK 29 / 42 / 0 / 18

HEX #947AD1

RGB 148 122 209

HSL 257.93, 0.49%, 0.65%

LAB 56.9, 28.77, -41.41

 

CMYK 46 / 65 / 0 / 27

HEX #6440B9

RGB 100 64 185

HSL 257.85, 0.49%, 0.49%

LAB 37.62, 44.05, -58.66

 

CMYK 0 / 66 / 32 / 27

HEX #BA3F7E

RGB 186 63 126

HSL 329.27, 0.49%, 0.49%

LAB 46.31, 55.12, -8.8

 

CMYK 58 / 0 / 66 / 27

HEX #4EBA3F

RGB 78 186 63

HSL 112.68, 0.49%, 0.49%

LAB 67.35, -54.15, 51.34

 

CMYK 46 / 65 / 0 / 27

HEX #6440B9

RGB 100 64 185

HSL 257.85, 0.49%, 0.49%

LAB 37.62, 44.05, -58.66

 

CMYK 0 / 47 / 66 / 27

HEX #BA623F

RGB 186 98 63

HSL 17.07, 0.49%, 0.49%

LAB 51.31, 32.43, 35.44

 

CMYK 66 / 0 / 47 / 27

HEX #3FBA62

RGB 63 186 98

HSL 137.07, 0.49%, 0.49%

LAB 67.32, -53.01, 34.79

 

CMYK 46 / 65 / 0 / 27

HEX #6440B9

RGB 100 64 185

HSL 257.85, 0.49%, 0.49%

LAB 37.62, 44.05, -58.66

 

CMYK 0 / 66 / 32 / 27

HEX #BA3F7E

RGB 186 63 126

HSL 329.27, 0.49%, 0.49%

LAB 46.31, 55.12, -8.8

 

CMYK 19 / 0 / 66 / 27

HEX #97BA3F

RGB 151 186 63

HSL 77.07, 0.49%, 0.49%

LAB 70.91, -29.63, 56.2

 

CMYK 66 / 0 / 34 / 27

HEX #3FBA7A

RGB 63 186 122

HSL 148.78, 0.49%, 0.49%

LAB 67.71, -48.69, 22.77

 

CMYK 46 / 65 / 0 / 27

HEX #6440B9

RGB 100 64 185

HSL 257.85, 0.49%, 0.49%

LAB 37.62, 44.05, -58.66

 

CMYK 0 / 66 / 52 / 27

HEX #BA3F5A

RGB 186 63 90

HSL 346.83, 0.49%, 0.49%

LAB 45.27, 51.39, 11.76

 

CMYK 19 / 0 / 66 / 27

HEX #97BA3F

RGB 151 186 63

HSL 77.07, 0.49%, 0.49%

LAB 70.91, -29.63, 56.2

 

CMYK 66 / 0 / 15 / 27

HEX #3FBA9F

RGB 63 186 159

HSL 166.83, 0.49%, 0.49%

LAB 68.52, -40.28, 3.8

 

Description

Color code: HEX #6440B9 | qconv.com Color code: HEX #6440B9 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 64 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 64 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 65 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 65% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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