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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #644E93 it is the complementary color #9BB16C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #644E93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #644E93 shade: #694E8E, #7A60A1, #8B72B4, #9C84C7 and #AD96DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #644E93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #644E93 shade: #644E93, #533C80, #422A6D, #31185A and #200647

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #644E93 shade: #634D92, #764D92, #894D92, #924D8A and #924D77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #644E93 shade: #634D92, #504D92 and #4D4D92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #644E93 shade matches the following richer shades: #634D92, #5D3BA5, #5629B7, #4F16C9 and #4904DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #644E93 shade: #634D92, #6A5F80, #70716E, #77835C and #7D964A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #644E93 shade: #4D5C92, #504D92, #634D92, #754D92 and #884D92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #644E93 shade: #3E305C, #513F77, #634D92, #775EAA and #8E79B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #644E93 shade: #644E93, #924D6F and #53924D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #644E93 shade: #644E93, #92634D and #4D9263

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #644E93 shade: #644E93, #924D6F, #7C924D and #4D9271

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #644E93 shade: #644E93, #924D5A, #7C924D and #4D9286

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 47 / 0 / 42

HEX #644E93

RGB 100 78 147

HSL 259.13, 0.31%, 0.44%

LAB 38.31, 25.12, -34.87

 

Complementary color

CMYK 12 / 0 / 39 / 31

HEX #9BB16C

RGB 155 177 108

HSL 79.13, 0.31%, 0.56%

LAB 69.11, -19.21, 32.81

 

CMYK 26 / 45 / 0 / 44

HEX #694E8E

RGB 105 78 142

HSL 265.31, 0.29%, 0.43%

LAB 38.56, 25.27, -31.41

 

CMYK 24 / 40 / 0 / 37

HEX #7A60A1

RGB 122 96 161

HSL 264, 0.26%, 0.5%

LAB 45.74, 24.39, -31.39

 

CMYK 23 / 37 / 0 / 29

HEX #8B72B4

RGB 139 114 180

HSL 262.73, 0.31%, 0.58%

LAB 52.75, 23.61, -31.41

 

CMYK 22 / 34 / 0 / 22

HEX #9C84C7

RGB 156 132 199

HSL 261.49, 0.37%, 0.65%

LAB 59.61, 22.9, -31.46

 

CMYK 21 / 31 / 0 / 15

HEX #AD96DA

RGB 173 150 218

HSL 260.29, 0.48%, 0.72%

LAB 66.34, 22.27, -31.54

 

CMYK 32 / 47 / 0 / 42

HEX #644E93

RGB 100 78 147

HSL 259.13, 0.31%, 0.44%

LAB 38.31, 25.12, -34.87

 

CMYK 35 / 53 / 0 / 50

HEX #533C80

RGB 83 60 128

HSL 260.29, 0.36%, 0.37%

LAB 30.95, 26.21, -35.02

 

CMYK 39 / 61 / 0 / 57

HEX #422A6D

RGB 66 42 109

HSL 261.49, 0.44%, 0.3%

LAB 23.4, 27.42, -35.17

 

CMYK 46 / 73 / 0 / 65

HEX #31185A

RGB 49 24 90

HSL 262.73, 0.58%, 0.22%

LAB 15.72, 28.65, -35.2

 

CMYK 55 / 92 / 0 / 72

HEX #200647

RGB 32 6 71

HSL 264, 0.84%, 0.15%

LAB 8.06, 29.52, -34.79

 

CMYK 32 / 47 / 0 / 43

HEX #634D92

RGB 99 77 146

HSL 259.13, 0.31%, 0.44%

LAB 37.91, 25.18, -34.91

 

CMYK 19 / 47 / 0 / 43

HEX #764D92

RGB 118 77 146

HSL 275.65, 0.31%, 0.44%

LAB 39.97, 30.81, -31.51

 

CMYK 6 / 47 / 0 / 43

HEX #894D92

RGB 137 77 146

HSL 292.17, 0.31%, 0.44%

LAB 42.31, 36.64, -27.68

 

CMYK 0 / 47 / 5 / 43

HEX #924D8A

RGB 146 77 138

HSL 306.96, 0.31%, 0.44%

LAB 43.14, 37.91, -21.46

 

CMYK 0 / 47 / 18 / 43

HEX #924D77

RGB 146 77 119

HSL 323.48, 0.31%, 0.44%

LAB 42.39, 34.61, -11.05

 

CMYK 32 / 47 / 0 / 43

HEX #634D92

RGB 99 77 146

HSL 259.13, 0.31%, 0.44%

LAB 37.91, 25.18, -34.91

 

CMYK 45 / 47 / 0 / 43

HEX #504D92

RGB 80 77 146

HSL 242.61, 0.31%, 0.44%

LAB 36.15, 19.97, -37.81

 

CMYK 47 / 47 / 0 / 43

HEX #4D4D92

RGB 77 77 146

HSL 240, 0.31%, 0.44%

LAB 35.91, 19.2, -38.21

 

CMYK 32 / 47 / 0 / 43

HEX #634D92

RGB 99 77 146

HSL 259.13, 0.31%, 0.44%

LAB 37.91, 25.18, -34.91

 

CMYK 44 / 64 / 0 / 35

HEX #5D3BA5

RGB 93 59 165

HSL 259.25, 0.47%, 0.44%

LAB 34.34, 39.78, -52.14

 

CMYK 53 / 78 / 0 / 28

HEX #5629B7

RGB 86 41 183

HSL 259.01, 0.63%, 0.44%

LAB 31.77, 52.89, -67.11

 

CMYK 61 / 89 / 0 / 21

HEX #4F16C9

RGB 79 22 201

HSL 259.11, 0.8%, 0.44%

LAB 30.53, 63.85, -79.79

 

CMYK 67 / 98 / 0 / 14

HEX #4904DB

RGB 73 4 219

HSL 259.26, 0.96%, 0.44%

LAB 30.92, 71.38, -89.62

 

CMYK 32 / 47 / 0 / 43

HEX #634D92

RGB 99 77 146

HSL 259.13, 0.31%, 0.44%

LAB 37.91, 25.18, -34.91

 

CMYK 17 / 26 / 0 / 50

HEX #6A5F80

RGB 106 95 128

HSL 260, 0.15%, 0.44%

LAB 42.47, 11.6, -16.83

 

CMYK 1 / 0 / 3 / 56

HEX #70716E

RGB 112 113 110

HSL 80, 0.01%, 0.44%

LAB 47.47, -0.99, 1.52

 

CMYK 9 / 0 / 30 / 49

HEX #77835C

RGB 119 131 92

HSL 78.46, 0.17%, 0.44%

LAB 52.87, -11.56, 19.67

 

CMYK 17 / 0 / 51 / 41

HEX #7D964A

RGB 125 150 74

HSL 79.74, 0.34%, 0.44%

LAB 58.66, -21.49, 36.9

 

CMYK 47 / 37 / 0 / 43

HEX #4D5C92

RGB 77 92 146

HSL 226.96, 0.31%, 0.44%

LAB 40.09, 9.58, -31.58

 

CMYK 45 / 47 / 0 / 43

HEX #504D92

RGB 80 77 146

HSL 242.61, 0.31%, 0.44%

LAB 36.15, 19.97, -37.81

 

CMYK 32 / 47 / 0 / 43

HEX #634D92

RGB 99 77 146

HSL 259.13, 0.31%, 0.44%

LAB 37.91, 25.18, -34.91

 

CMYK 20 / 47 / 0 / 43

HEX #754D92

RGB 117 77 146

HSL 274.78, 0.31%, 0.44%

LAB 39.86, 30.51, -31.7

 

CMYK 7 / 47 / 0 / 43

HEX #884D92

RGB 136 77 146

HSL 291.3, 0.31%, 0.44%

LAB 42.18, 36.33, -27.89

 

CMYK 33 / 48 / 0 / 64

HEX #3E305C

RGB 62 48 92

HSL 259.09, 0.31%, 0.27%

LAB 23.37, 17.32, -24.17

 

CMYK 32 / 47 / 0 / 53

HEX #513F77

RGB 81 63 119

HSL 259.29, 0.31%, 0.36%

LAB 30.96, 21.17, -29.37

 

CMYK 32 / 47 / 0 / 43

HEX #634D92

RGB 99 77 146

HSL 259.13, 0.31%, 0.44%

LAB 37.91, 25.18, -34.91

 

CMYK 30 / 45 / 0 / 33

HEX #775EAA

RGB 119 94 170

HSL 259.74, 0.31%, 0.52%

LAB 45.4, 27.01, -37.26

 

CMYK 23 / 34 / 0 / 28

HEX #8E79B8

RGB 142 121 184

HSL 260, 0.31%, 0.6%

LAB 54.95, 21.39, -30.26

 

CMYK 32 / 47 / 0 / 42

HEX #644E93

RGB 100 78 147

HSL 259.13, 0.31%, 0.44%

LAB 38.31, 25.12, -34.87

 

CMYK 0 / 47 / 24 / 43

HEX #924D6F

RGB 146 77 111

HSL 330.43, 0.31%, 0.44%

LAB 42.1, 33.34, -6.56

 

CMYK 43 / 0 / 47 / 43

HEX #53924D

RGB 83 146 77

HSL 114.78, 0.31%, 0.44%

LAB 55, -34.73, 30.28

 

CMYK 32 / 47 / 0 / 42

HEX #644E93

RGB 100 78 147

HSL 259.13, 0.31%, 0.44%

LAB 38.31, 25.12, -34.87

 

CMYK 0 / 32 / 47 / 43

HEX #92634D

RGB 146 99 77

HSL 19.13, 0.31%, 0.44%

LAB 46.41, 16.3, 20.17

 

CMYK 47 / 0 / 32 / 43

HEX #4D9263

RGB 77 146 99

HSL 139.13, 0.31%, 0.44%

LAB 55.11, -32.8, 18.33

 

CMYK 32 / 47 / 0 / 42

HEX #644E93

RGB 100 78 147

HSL 259.13, 0.31%, 0.44%

LAB 38.31, 25.12, -34.87

 

CMYK 0 / 47 / 24 / 43

HEX #924D6F

RGB 146 77 111

HSL 330.43, 0.31%, 0.44%

LAB 42.1, 33.34, -6.56

 

CMYK 15 / 0 / 47 / 43

HEX #7C924D

RGB 124 146 77

HSL 79.13, 0.31%, 0.44%

LAB 57.44, -19.51, 33.85

 

CMYK 47 / 0 / 23 / 43

HEX #4D9271

RGB 77 146 113

HSL 151.3, 0.31%, 0.44%

LAB 55.41, -29.89, 10.84

 

CMYK 32 / 47 / 0 / 42

HEX #644E93

RGB 100 78 147

HSL 259.13, 0.31%, 0.44%

LAB 38.31, 25.12, -34.87

 

CMYK 0 / 47 / 38 / 43

HEX #924D5A

RGB 146 77 90

HSL 348.7, 0.31%, 0.44%

LAB 41.46, 30.4, 5.49

 

CMYK 15 / 0 / 47 / 43

HEX #7C924D

RGB 124 146 77

HSL 79.13, 0.31%, 0.44%

LAB 57.44, -19.51, 33.85

 

CMYK 47 / 0 / 8 / 43

HEX #4D9286

RGB 77 146 134

HSL 169.57, 0.31%, 0.44%

LAB 55.94, -24.89, -0.4

 

Description

Color code: HEX #644E93 | qconv.com Color code: HEX #644E93 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 78 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 78 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 47 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 47% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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