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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #645492 it is the complementary color #9BAB6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #645492. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #645492 shade: #69548D, #7A66A0, #8B78B3, #9C8AC6 and #AD9CD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #645492. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #645492 shade: #645492, #53427F, #42306C, #311E59 and #200C46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #645492 shade: #635391, #745391, #855391, #91538D and #91537C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #645492 shade: #635391 and #535391

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #645492 shade matches the following richer shades: #635391, #5A41A4, #512EB6, #481CC9 and #3F09DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #645492 shade: #635391, #6C667F, #75786C, #7E8B5A and #879E47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #645492 shade: #536591, #535491, #635391, #735391 and #845391

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #645492 shade: #3F355D, #514477, #635391, #7767A7 and #8F81B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #645492 shade: #645492, #915375 and #5D9153

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #645492 shade: #645492, #916353 and #539163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #645492 shade: #645492, #915375, #829153 and #53916F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #645492 shade: #645492, #915363, #829153 and #539182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 42 / 0 / 43

HEX #645492

RGB 100 84 146

HSL 255.48, 0.27%, 0.45%

LAB 39.79, 21.13, -31.93

 

Complementary color

CMYK 9 / 0 / 36 / 33

HEX #9BAB6D

RGB 155 171 109

HSL 75.48, 0.27%, 0.55%

LAB 67.43, -16.01, 30.11

 

CMYK 26 / 40 / 0 / 45

HEX #69548D

RGB 105 84 141

HSL 262.11, 0.25%, 0.44%

LAB 40.03, 21.32, -28.5

 

CMYK 24 / 36 / 0 / 37

HEX #7A66A0

RGB 122 102 160

HSL 260.69, 0.23%, 0.51%

LAB 47.21, 20.53, -28.51

 

CMYK 22 / 33 / 0 / 30

HEX #8B78B3

RGB 139 120 179

HSL 259.32, 0.28%, 0.59%

LAB 54.21, 19.84, -28.56

 

CMYK 21 / 30 / 0 / 22

HEX #9C8AC6

RGB 156 138 198

HSL 258, 0.34%, 0.66%

LAB 61.06, 19.22, -28.64

 

CMYK 20 / 28 / 0 / 15

HEX #AD9CD9

RGB 173 156 217

HSL 256.72, 0.45%, 0.73%

LAB 67.78, 18.66, -28.76

 

CMYK 32 / 42 / 0 / 43

HEX #645492

RGB 100 84 146

HSL 255.48, 0.27%, 0.45%

LAB 39.79, 21.13, -31.93

 

CMYK 35 / 48 / 0 / 50

HEX #53427F

RGB 83 66 127

HSL 256.72, 0.32%, 0.38%

LAB 32.41, 22.12, -32.07

 

CMYK 39 / 56 / 0 / 58

HEX #42306C

RGB 66 48 108

HSL 258, 0.38%, 0.31%

LAB 24.81, 23.29, -32.26

 

CMYK 45 / 66 / 0 / 65

HEX #311E59

RGB 49 30 89

HSL 259.32, 0.5%, 0.23%

LAB 17, 24.63, -32.45

 

CMYK 54 / 83 / 0 / 73

HEX #200C46

RGB 32 12 70

HSL 260.69, 0.71%, 0.16%

LAB 9.09, 25.92, -32.39

 

CMYK 32 / 43 / 0 / 43

HEX #635391

RGB 99 83 145

HSL 255.48, 0.27%, 0.45%

LAB 39.38, 21.18, -31.97

 

CMYK 20 / 43 / 0 / 43

HEX #745391

RGB 116 83 145

HSL 271.94, 0.27%, 0.45%

LAB 41.13, 26.38, -29.11

 

CMYK 8 / 43 / 0 / 43

HEX #855391

RGB 133 83 145

HSL 288.39, 0.27%, 0.45%

LAB 43.09, 31.78, -25.9

 

CMYK 0 / 43 / 3 / 43

HEX #91538D

RGB 145 83 141

HSL 303.87, 0.27%, 0.45%

LAB 44.42, 34.87, -21.32

 

CMYK 0 / 43 / 14 / 43

HEX #91537C

RGB 145 83 124

HSL 320.32, 0.27%, 0.45%

LAB 43.74, 31.77, -12.06

 

CMYK 32 / 43 / 0 / 43

HEX #635391

RGB 99 83 145

HSL 255.48, 0.27%, 0.45%

LAB 39.38, 21.18, -31.97

 

CMYK 43 / 43 / 0 / 43

HEX #535391

RGB 83 83 145

HSL 240, 0.27%, 0.45%

LAB 37.97, 16.61, -34.3

 

CMYK 32 / 43 / 0 / 43

HEX #635391

RGB 99 83 145

HSL 255.48, 0.27%, 0.45%

LAB 39.38, 21.18, -31.97

 

CMYK 45 / 60 / 0 / 36

HEX #5A41A4

RGB 90 65 164

HSL 255.15, 0.43%, 0.45%

LAB 35.27, 35.34, -50.04

 

CMYK 55 / 75 / 0 / 29

HEX #512EB6

RGB 81 46 182

HSL 255.44, 0.6%, 0.45%

LAB 31.99, 49.53, -66.18

 

CMYK 64 / 86 / 0 / 21

HEX #481CC9

RGB 72 28 201

HSL 255.26, 0.76%, 0.45%

LAB 30.46, 61.45, -79.93

 

CMYK 71 / 96 / 0 / 14

HEX #3F09DB

RGB 63 9 219

HSL 255.43, 0.92%, 0.45%

LAB 30.32, 70.15, -90.64

 

CMYK 32 / 43 / 0 / 43

HEX #635391

RGB 99 83 145

HSL 255.48, 0.27%, 0.45%

LAB 39.38, 21.18, -31.97

 

CMYK 15 / 20 / 0 / 50

HEX #6C667F

RGB 108 102 127

HSL 254.4, 0.11%, 0.45%

LAB 44.55, 7.79, -13.04

 

CMYK 3 / 0 / 10 / 53

HEX #75786C

RGB 117 120 108

HSL 75, 0.05%, 0.45%

LAB 49.86, -3.48, 6.2

 

CMYK 9 / 0 / 35 / 45

HEX #7E8B5A

RGB 126 139 90

HSL 75.92, 0.21%, 0.45%

LAB 55.72, -13.35, 24.68

 

CMYK 15 / 0 / 55 / 38

HEX #879E47

RGB 135 158 71

HSL 75.86, 0.38%, 0.45%

LAB 61.71, -21.76, 42.17

 

CMYK 43 / 30 / 0 / 43

HEX #536591

RGB 83 101 145

HSL 222.58, 0.27%, 0.45%

LAB 43.05, 5.27, -26.32

 

CMYK 43 / 42 / 0 / 43

HEX #535491

RGB 83 84 145

HSL 239.03, 0.27%, 0.45%

LAB 38.24, 15.97, -33.87

 

CMYK 32 / 43 / 0 / 43

HEX #635391

RGB 99 83 145

HSL 255.48, 0.27%, 0.45%

LAB 39.38, 21.18, -31.97

 

CMYK 21 / 43 / 0 / 43

HEX #735391

RGB 115 83 145

HSL 270.97, 0.27%, 0.45%

LAB 41.02, 26.07, -29.29

 

CMYK 9 / 43 / 0 / 43

HEX #845391

RGB 132 83 145

HSL 287.42, 0.27%, 0.45%

LAB 42.97, 31.46, -26.1

 

CMYK 32 / 43 / 0 / 64

HEX #3F355D

RGB 63 53 93

HSL 255, 0.27%, 0.29%

LAB 24.93, 14.58, -22.36

 

CMYK 32 / 43 / 0 / 53

HEX #514477

RGB 81 68 119

HSL 255.29, 0.27%, 0.37%

LAB 32.29, 17.95, -27.27

 

CMYK 32 / 43 / 0 / 43

HEX #635391

RGB 99 83 145

HSL 255.48, 0.27%, 0.45%

LAB 39.38, 21.18, -31.97

 

CMYK 29 / 38 / 0 / 35

HEX #7767A7

RGB 119 103 167

HSL 255, 0.27%, 0.53%

LAB 47.51, 20.8, -32.17

 

CMYK 21 / 29 / 0 / 29

HEX #8F81B6

RGB 143 129 182

HSL 255.85, 0.27%, 0.61%

LAB 57, 16.55, -25.95

 

CMYK 32 / 42 / 0 / 43

HEX #645492

RGB 100 84 146

HSL 255.48, 0.27%, 0.45%

LAB 39.79, 21.13, -31.93

 

CMYK 0 / 43 / 19 / 43

HEX #915375

RGB 145 83 117

HSL 327.1, 0.27%, 0.45%

LAB 43.49, 30.59, -8.17

 

CMYK 36 / 0 / 43 / 43

HEX #5D9153

RGB 93 145 83

HSL 110.32, 0.27%, 0.45%

LAB 55.28, -30.01, 27.52

 

CMYK 32 / 42 / 0 / 43

HEX #645492

RGB 100 84 146

HSL 255.48, 0.27%, 0.45%

LAB 39.79, 21.13, -31.93

 

CMYK 0 / 32 / 43 / 43

HEX #916353

RGB 145 99 83

HSL 15.48, 0.27%, 0.45%

LAB 46.4, 16.55, 16.59

 

CMYK 43 / 0 / 32 / 43

HEX #539163

RGB 83 145 99

HSL 135.48, 0.27%, 0.45%

LAB 55.06, -30.55, 18.31

 

CMYK 32 / 42 / 0 / 43

HEX #645492

RGB 100 84 146

HSL 255.48, 0.27%, 0.45%

LAB 39.79, 21.13, -31.93

 

CMYK 0 / 43 / 19 / 43

HEX #915375

RGB 145 83 117

HSL 327.1, 0.27%, 0.45%

LAB 43.49, 30.59, -8.17

 

CMYK 10 / 0 / 43 / 43

HEX #829153

RGB 130 145 83

HSL 74.52, 0.27%, 0.45%

LAB 57.68, -15.81, 31.06

 

CMYK 43 / 0 / 23 / 43

HEX #53916F

RGB 83 145 111

HSL 147.1, 0.27%, 0.45%

LAB 55.32, -28.13, 11.88

 

CMYK 32 / 42 / 0 / 43

HEX #645492

RGB 100 84 146

HSL 255.48, 0.27%, 0.45%

LAB 39.79, 21.13, -31.93

 

CMYK 0 / 43 / 32 / 43

HEX #915363

RGB 145 83 99

HSL 344.52, 0.27%, 0.45%

LAB 42.92, 27.85, 2.02

 

CMYK 10 / 0 / 43 / 43

HEX #829153

RGB 130 145 83

HSL 74.52, 0.27%, 0.45%

LAB 57.68, -15.81, 31.06

 

CMYK 43 / 0 / 10 / 43

HEX #539182

RGB 83 145 130

HSL 165.48, 0.27%, 0.45%

LAB 55.79, -23.78, 1.7

 

Description

Color code: HEX #645492 | qconv.com Color code: HEX #645492 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 84 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 84 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 42 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 42% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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