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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #645594 it is the complementary color #9BAA6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #645594. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #645594 shade: #69558F, #7A67A2, #8B79B5, #9C8BC8 and #AD9DDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #645594. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #645594 shade: #645594, #534381, #42316E, #311F5B and #200D48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #645594 shade: #645594, #755594, #865594, #945591 and #945580

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #645594 shade: #645594 and #555594

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #645594 shade matches the following richer shades: #645594, #5A42A7, #502FBA, #461CCD and #3C09E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #645594 shade: #645594, #6E6881, #787B6F, #828E5C and #8CA149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #645594 shade: #556894, #555794, #645594, #755594 and #865594

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #645594 shade: #413760, #53467A, #645594, #796AA9 and #9084B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #645594 shade: #645594, #945579 and #609455

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #645594 shade: #645594, #946455 and #559464

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #645594 shade: #645594, #945579, #869455 and #559471

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #645594 shade: #645594, #945566, #869455 and #559484

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 43 / 0 / 42

HEX #645594

RGB 100 85 148

HSL 254.29, 0.27%, 0.46%

LAB 40.15, 21.06, -32.56

 

Complementary color

CMYK 9 / 0 / 37 / 33

HEX #9BAA6B

RGB 155 170 107

HSL 74.29, 0.27%, 0.54%

LAB 67.11, -15.75, 30.76

 

CMYK 27 / 41 / 0 / 44

HEX #69558F

RGB 105 85 143

HSL 260.69, 0.25%, 0.45%

LAB 40.38, 21.23, -29.15

 

CMYK 25 / 36 / 0 / 36

HEX #7A67A2

RGB 122 103 162

HSL 259.32, 0.24%, 0.52%

LAB 47.56, 20.44, -29.15

 

CMYK 23 / 33 / 0 / 29

HEX #8B79B5

RGB 139 121 181

HSL 258, 0.29%, 0.59%

LAB 54.55, 19.74, -29.18

 

CMYK 22 / 31 / 0 / 22

HEX #9C8BC8

RGB 156 139 200

HSL 256.72, 0.36%, 0.66%

LAB 61.4, 19.11, -29.26

 

CMYK 21 / 28 / 0 / 14

HEX #AD9DDB

RGB 173 157 219

HSL 255.48, 0.46%, 0.74%

LAB 68.1, 18.55, -29.36

 

CMYK 32 / 43 / 0 / 42

HEX #645594

RGB 100 85 148

HSL 254.29, 0.27%, 0.46%

LAB 40.15, 21.06, -32.56

 

CMYK 36 / 48 / 0 / 49

HEX #534381

RGB 83 67 129

HSL 255.48, 0.32%, 0.38%

LAB 32.78, 22.06, -32.72

 

CMYK 40 / 55 / 0 / 57

HEX #42316E

RGB 66 49 110

HSL 256.72, 0.38%, 0.31%

LAB 25.2, 23.25, -32.92

 

CMYK 46 / 66 / 0 / 64

HEX #311F5B

RGB 49 31 91

HSL 258, 0.49%, 0.24%

LAB 17.41, 24.62, -33.14

 

CMYK 56 / 82 / 0 / 72

HEX #200D48

RGB 32 13 72

HSL 259.32, 0.69%, 0.17%

LAB 9.5, 25.99, -33.12

 

CMYK 32 / 43 / 0 / 42

HEX #645594

RGB 100 85 148

HSL 254.29, 0.27%, 0.46%

LAB 40.15, 21.06, -32.56

 

CMYK 21 / 43 / 0 / 42

HEX #755594

RGB 117 85 148

HSL 270.48, 0.27%, 0.46%

LAB 41.87, 26.23, -29.74

 

CMYK 9 / 43 / 0 / 42

HEX #865594

RGB 134 85 148

HSL 286.67, 0.27%, 0.46%

LAB 43.8, 31.6, -26.58

 

CMYK 0 / 43 / 2 / 42

HEX #945591

RGB 148 85 145

HSL 302.86, 0.27%, 0.46%

LAB 45.41, 35.5, -22.16

 

CMYK 0 / 43 / 14 / 42

HEX #945580

RGB 148 85 128

HSL 319.05, 0.27%, 0.46%

LAB 44.73, 32.4, -12.95

 

CMYK 32 / 43 / 0 / 42

HEX #645594

RGB 100 85 148

HSL 254.29, 0.27%, 0.46%

LAB 40.15, 21.06, -32.56

 

CMYK 43 / 43 / 0 / 42

HEX #555594

RGB 85 85 148

HSL 240, 0.27%, 0.46%

LAB 38.84, 16.8, -34.72

 

CMYK 32 / 43 / 0 / 42

HEX #645594

RGB 100 85 148

HSL 254.29, 0.27%, 0.46%

LAB 40.15, 21.06, -32.56

 

CMYK 46 / 60 / 0 / 35

HEX #5A42A7

RGB 90 66 167

HSL 254.26, 0.43%, 0.46%

LAB 35.71, 35.63, -51.13

 

CMYK 57 / 75 / 0 / 27

HEX #502FBA

RGB 80 47 186

HSL 254.24, 0.6%, 0.46%

LAB 32.44, 50.04, -67.8

 

CMYK 66 / 86 / 0 / 20

HEX #461CCD

RGB 70 28 205

HSL 254.24, 0.76%, 0.46%

LAB 30.74, 62.36, -81.81

 

CMYK 73 / 96 / 0 / 12

HEX #3C09E0

RGB 60 9 224

HSL 254.23, 0.92%, 0.46%

LAB 30.73, 71.25, -92.84

 

CMYK 32 / 43 / 0 / 42

HEX #645594

RGB 100 85 148

HSL 254.29, 0.27%, 0.46%

LAB 40.15, 21.06, -32.56

 

CMYK 15 / 19 / 0 / 49

HEX #6E6881

RGB 110 104 129

HSL 254.4, 0.11%, 0.46%

LAB 45.36, 7.76, -13

 

CMYK 2 / 0 / 10 / 52

HEX #787B6F

RGB 120 123 111

HSL 75, 0.05%, 0.46%

LAB 51.04, -3.47, 6.17

 

CMYK 8 / 0 / 35 / 44

HEX #828E5C

RGB 130 142 92

HSL 74.4, 0.21%, 0.46%

LAB 56.94, -13.05, 25.23

 

CMYK 13 / 0 / 55 / 37

HEX #8CA149

RGB 140 161 73

HSL 74.32, 0.38%, 0.46%

LAB 62.97, -21.03, 42.75

 

CMYK 43 / 30 / 0 / 42

HEX #556894

RGB 85 104 148

HSL 221.9, 0.27%, 0.46%

LAB 44.19, 4.88, -26.33

 

CMYK 43 / 41 / 0 / 42

HEX #555794

RGB 85 87 148

HSL 238.1, 0.27%, 0.46%

LAB 39.39, 15.53, -33.86

 

CMYK 32 / 43 / 0 / 42

HEX #645594

RGB 100 85 148

HSL 254.29, 0.27%, 0.46%

LAB 40.15, 21.06, -32.56

 

CMYK 21 / 43 / 0 / 42

HEX #755594

RGB 117 85 148

HSL 270.48, 0.27%, 0.46%

LAB 41.87, 26.23, -29.74

 

CMYK 9 / 43 / 0 / 42

HEX #865594

RGB 134 85 148

HSL 286.67, 0.27%, 0.46%

LAB 43.8, 31.6, -26.58

 

CMYK 32 / 43 / 0 / 62

HEX #413760

RGB 65 55 96

HSL 254.63, 0.27%, 0.3%

LAB 25.86, 14.77, -22.84

 

CMYK 32 / 43 / 0 / 52

HEX #53467A

RGB 83 70 122

HSL 255, 0.27%, 0.38%

LAB 33.19, 18.14, -27.72

 

CMYK 32 / 43 / 0 / 42

HEX #645594

RGB 100 85 148

HSL 254.29, 0.27%, 0.46%

LAB 40.15, 21.06, -32.56

 

CMYK 28 / 37 / 0 / 34

HEX #796AA9

RGB 121 106 169

HSL 254.29, 0.27%, 0.54%

LAB 48.56, 20.12, -31.69

 

CMYK 22 / 28 / 0 / 28

HEX #9084B8

RGB 144 132 184

HSL 253.85, 0.27%, 0.62%

LAB 57.93, 15.6, -25.63

 

CMYK 32 / 43 / 0 / 42

HEX #645594

RGB 100 85 148

HSL 254.29, 0.27%, 0.46%

LAB 40.15, 21.06, -32.56

 

CMYK 0 / 43 / 18 / 42

HEX #945579

RGB 148 85 121

HSL 325.71, 0.27%, 0.46%

LAB 44.48, 31.21, -9.09

 

CMYK 35 / 0 / 43 / 42

HEX #609455

RGB 96 148 85

HSL 109.52, 0.27%, 0.46%

LAB 56.41, -30.1, 27.93

 

CMYK 32 / 43 / 0 / 42

HEX #645594

RGB 100 85 148

HSL 254.29, 0.27%, 0.46%

LAB 40.15, 21.06, -32.56

 

CMYK 0 / 32 / 43 / 42

HEX #946455

RGB 148 100 85

HSL 14.29, 0.27%, 0.46%

LAB 47.06, 17.48, 16.36

 

CMYK 43 / 0 / 32 / 42

HEX #559464

RGB 85 148 100

HSL 134.29, 0.27%, 0.46%

LAB 56.12, -31.17, 19.2

 

CMYK 32 / 43 / 0 / 42

HEX #645594

RGB 100 85 148

HSL 254.29, 0.27%, 0.46%

LAB 40.15, 21.06, -32.56

 

CMYK 0 / 43 / 18 / 42

HEX #945579

RGB 148 85 121

HSL 325.71, 0.27%, 0.46%

LAB 44.48, 31.21, -9.09

 

CMYK 9 / 0 / 43 / 42

HEX #869455

RGB 134 148 85

HSL 73.33, 0.27%, 0.46%

LAB 58.89, -15.5, 31.59

 

CMYK 43 / 0 / 24 / 42

HEX #559471

RGB 85 148 113

HSL 146.67, 0.27%, 0.46%

LAB 56.39, -28.57, 12.27

 

CMYK 32 / 43 / 0 / 42

HEX #645594

RGB 100 85 148

HSL 254.29, 0.27%, 0.46%

LAB 40.15, 21.06, -32.56

 

CMYK 0 / 43 / 31 / 42

HEX #945566

RGB 148 85 102

HSL 343.81, 0.27%, 0.46%

LAB 43.88, 28.3, 1.61

 

CMYK 9 / 0 / 43 / 42

HEX #869455

RGB 134 148 85

HSL 73.33, 0.27%, 0.46%

LAB 58.89, -15.5, 31.59

 

CMYK 43 / 0 / 11 / 42

HEX #559484

RGB 85 148 132

HSL 164.76, 0.27%, 0.46%

LAB 56.86, -24.27, 2.12

 

Description

Color code: HEX #645594 | qconv.com Color code: HEX #645594 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 85 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 85 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 43 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 43% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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