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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64574E it is the complementary color #9BA8B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64574E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64574E shade: #695749, #7A695C, #8B7B6F, #9C8D82 and #AD9F95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64574E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64574E shade: #64574E, #53453B, #423328, #312115 and #200F02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64574E shade: #63574E, #63514E and #634E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64574E shade: #63574E, #635D4E, #63624E, #5F634E and #59634E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64574E shade matches the following richer shades: #63574E, #725440, #805231, #8F4F23 and #9D4C14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64574E shade: #63574E, #55595C, #475C6B, #385F79 and #2A6188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64574E shade: #634E51, #63514E, #63574E, #635C4E and #63624E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64574E shade: #352E2A, #4C433C, #63574E, #7B6B60 and #917F73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64574E shade: #64574E, #57634E and #4E4E63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64574E shade: #64574E, #4E6357 and #574E63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64574E shade: #64574E, #57634E, #4E5B63 and #5B4E63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64574E shade: #64574E, #50634E, #4E5B63 and #614E63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 22 / 61

HEX #64574E

RGB 100 87 78

HSL 24.55, 0.12%, 0.35%

LAB 37.98, 3.68, 7.18

 

Complementary color

CMYK 12 / 5 / 0 / 31

HEX #9BA8B1

RGB 155 168 177

HSL 204.55, 0.12%, 0.65%

LAB 68.13, -2.7, -6.2

 

CMYK 0 / 17 / 30 / 59

HEX #695749

RGB 105 87 73

HSL 26.25, 0.18%, 0.35%

LAB 38.38, 5.05, 10.9

 

CMYK 0 / 14 / 25 / 52

HEX #7A695C

RGB 122 105 92

HSL 26, 0.14%, 0.42%

LAB 45.65, 4.51, 9.79

 

CMYK 0 / 12 / 20 / 45

HEX #8B7B6F

RGB 139 123 111

HSL 25.71, 0.11%, 0.49%

LAB 52.73, 4.08, 8.8

 

CMYK 0 / 10 / 17 / 39

HEX #9C8D82

RGB 156 141 130

HSL 25.38, 0.12%, 0.56%

LAB 59.64, 3.7, 7.9

 

CMYK 0 / 8 / 14 / 32

HEX #AD9F95

RGB 173 159 149

HSL 25, 0.13%, 0.63%

LAB 66.41, 3.38, 7.05

 

CMYK 0 / 13 / 22 / 61

HEX #64574E

RGB 100 87 78

HSL 24.55, 0.12%, 0.35%

LAB 37.98, 3.68, 7.18

 

CMYK 0 / 17 / 29 / 67

HEX #53453B

RGB 83 69 59

HSL 25, 0.17%, 0.28%

LAB 30.43, 4.2, 8.27

 

CMYK 0 / 23 / 39 / 74

HEX #423328

RGB 66 51 40

HSL 25.38, 0.25%, 0.21%

LAB 22.58, 4.88, 9.55

 

CMYK 0 / 33 / 57 / 81

HEX #312115

RGB 49 33 21

HSL 25.71, 0.4%, 0.14%

LAB 14.37, 5.87, 11.14

 

CMYK 0 / 53 / 94 / 87

HEX #200F02

RGB 32 15 2

HSL 26, 0.88%, 0.07%

LAB 5.9, 6.42, 8.13

 

CMYK 0 / 12 / 21 / 61

HEX #63574E

RGB 99 87 78

HSL 25.71, 0.12%, 0.35%

LAB 37.88, 3.26, 7.02

 

CMYK 0 / 18 / 21 / 61

HEX #63514E

RGB 99 81 78

HSL 8.57, 0.12%, 0.35%

LAB 36.15, 6.95, 4.56

 

CMYK 0 / 21 / 21 / 61

HEX #634E4E

RGB 99 78 78

HSL 0, 0.12%, 0.35%

LAB 35.3, 8.81, 3.35

 

CMYK 0 / 12 / 21 / 61

HEX #63574E

RGB 99 87 78

HSL 25.71, 0.12%, 0.35%

LAB 37.88, 3.26, 7.02

 

CMYK 0 / 6 / 21 / 61

HEX #635D4E

RGB 99 93 78

HSL 42.86, 0.12%, 0.35%

LAB 39.63, -0.38, 9.49

 

CMYK 0 / 1 / 21 / 61

HEX #63624E

RGB 99 98 78

HSL 57.14, 0.12%, 0.35%

LAB 41.12, -3.36, 11.56

 

CMYK 4 / 0 / 21 / 61

HEX #5F634E

RGB 95 99 78

HSL 71.43, 0.12%, 0.35%

LAB 41.07, -5.64, 11.43

 

CMYK 10 / 0 / 21 / 61

HEX #59634E

RGB 89 99 78

HSL 88.57, 0.12%, 0.35%

LAB 40.57, -8.13, 10.67

 

CMYK 0 / 12 / 21 / 61

HEX #63574E

RGB 99 87 78

HSL 25.71, 0.12%, 0.35%

LAB 37.88, 3.26, 7.02

 

CMYK 0 / 26 / 44 / 55

HEX #725440

RGB 114 84 64

HSL 24, 0.28%, 0.35%

LAB 38.35, 9.63, 16.55

 

CMYK 0 / 36 / 62 / 50

HEX #805231

RGB 128 82 49

HSL 25.06, 0.45%, 0.35%

LAB 39.32, 15.65, 27.05

 

CMYK 0 / 45 / 76 / 44

HEX #8F4F23

RGB 143 79 35

HSL 24.44, 0.61%, 0.35%

LAB 40.5, 23.2, 36.6

 

CMYK 0 / 52 / 87 / 38

HEX #9D4C14

RGB 157 76 20

HSL 24.53, 0.77%, 0.35%

LAB 41.83, 30.32, 45.42

 

CMYK 0 / 12 / 21 / 61

HEX #63574E

RGB 99 87 78

HSL 25.71, 0.12%, 0.35%

LAB 37.88, 3.26, 7.02

 

CMYK 8 / 3 / 0 / 64

HEX #55595C

RGB 85 89 92

HSL 205.71, 0.04%, 0.35%

LAB 37.57, -0.91, -2.28

 

CMYK 34 / 14 / 0 / 58

HEX #475C6B

RGB 71 92 107

HSL 205, 0.2%, 0.35%

LAB 37.94, -3.94, -11.14

 

CMYK 54 / 21 / 0 / 53

HEX #385F79

RGB 56 95 121

HSL 204, 0.37%, 0.35%

LAB 38.56, -5.82, -18.88

 

CMYK 69 / 29 / 0 / 47

HEX #2A6188

RGB 42 97 136

HSL 204.89, 0.53%, 0.35%

LAB 39.27, -4.81, -26.96

 

CMYK 0 / 21 / 18 / 61

HEX #634E51

RGB 99 78 81

HSL 351.43, 0.12%, 0.35%

LAB 35.39, 9.34, 1.58

 

CMYK 0 / 18 / 21 / 61

HEX #63514E

RGB 99 81 78

HSL 8.57, 0.12%, 0.35%

LAB 36.15, 6.95, 4.56

 

CMYK 0 / 12 / 21 / 61

HEX #63574E

RGB 99 87 78

HSL 25.71, 0.12%, 0.35%

LAB 37.88, 3.26, 7.02

 

CMYK 0 / 7 / 21 / 61

HEX #635C4E

RGB 99 92 78

HSL 40, 0.12%, 0.35%

LAB 39.34, 0.22, 9.08

 

CMYK 0 / 1 / 21 / 61

HEX #63624E

RGB 99 98 78

HSL 57.14, 0.12%, 0.35%

LAB 41.12, -3.36, 11.56

 

CMYK 0 / 13 / 21 / 79

HEX #352E2A

RGB 53 46 42

HSL 21.82, 0.12%, 0.19%

LAB 19.55, 2.35, 3.73

 

CMYK 0 / 12 / 21 / 70

HEX #4C433C

RGB 76 67 60

HSL 26.25, 0.12%, 0.27%

LAB 29.1, 2.49, 5.65

 

CMYK 0 / 12 / 21 / 61

HEX #63574E

RGB 99 87 78

HSL 25.71, 0.12%, 0.35%

LAB 37.88, 3.26, 7.02

 

CMYK 0 / 13 / 22 / 52

HEX #7B6B60

RGB 123 107 96

HSL 24.44, 0.12%, 0.43%

LAB 46.41, 4.4, 8.48

 

CMYK 0 / 12 / 21 / 43

HEX #917F73

RGB 145 127 115

HSL 24, 0.12%, 0.51%

LAB 54.49, 4.84, 9.04

 

CMYK 0 / 13 / 22 / 61

HEX #64574E

RGB 100 87 78

HSL 24.55, 0.12%, 0.35%

LAB 37.98, 3.68, 7.18

 

CMYK 12 / 0 / 21 / 61

HEX #57634E

RGB 87 99 78

HSL 94.29, 0.12%, 0.35%

LAB 40.41, -8.95, 10.42

 

CMYK 21 / 21 / 0 / 61

HEX #4E4E63

RGB 78 78 99

HSL 240, 0.12%, 0.35%

LAB 33.92, 5.03, -12.2

 

CMYK 0 / 13 / 22 / 61

HEX #64574E

RGB 100 87 78

HSL 24.55, 0.12%, 0.35%

LAB 37.98, 3.68, 7.18

 

CMYK 21 / 0 / 12 / 61

HEX #4E6357

RGB 78 99 87

HSL 145.71, 0.12%, 0.35%

LAB 39.97, -10.64, 4.22

 

CMYK 12 / 21 / 0 / 61

HEX #574E63

RGB 87 78 99

HSL 265.71, 0.12%, 0.35%

LAB 34.75, 8.34, -10.85

 

CMYK 0 / 13 / 22 / 61

HEX #64574E

RGB 100 87 78

HSL 24.55, 0.12%, 0.35%

LAB 37.98, 3.68, 7.18

 

CMYK 12 / 0 / 21 / 61

HEX #57634E

RGB 87 99 78

HSL 94.29, 0.12%, 0.35%

LAB 40.41, -8.95, 10.42

 

CMYK 21 / 8 / 0 / 61

HEX #4E5B63

RGB 78 91 99

HSL 202.86, 0.12%, 0.35%

LAB 37.85, -3.07, -6.28

 

CMYK 8 / 21 / 0 / 61

HEX #5B4E63

RGB 91 78 99

HSL 277.14, 0.12%, 0.35%

LAB 35.15, 9.85, -10.22

 

CMYK 0 / 13 / 22 / 61

HEX #64574E

RGB 100 87 78

HSL 24.55, 0.12%, 0.35%

LAB 37.98, 3.68, 7.18

 

CMYK 19 / 0 / 21 / 61

HEX #50634E

RGB 80 99 78

HSL 114.29, 0.12%, 0.35%

LAB 39.88, -11.75, 9.6

 

CMYK 21 / 8 / 0 / 61

HEX #4E5B63

RGB 78 91 99

HSL 202.86, 0.12%, 0.35%

LAB 37.85, -3.07, -6.28

 

CMYK 2 / 21 / 0 / 61

HEX #614E63

RGB 97 78 99

HSL 294.29, 0.12%, 0.35%

LAB 35.77, 12.14, -9.21

 

Description

Color code: HEX #64574E | qconv.com Color code: HEX #64574E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 87 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 87 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 22 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 22% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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