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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6457F4 it is the complementary color #9BA80B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6457F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6457F4 shade: #6957EF, #7A69FF, #8B7BFF, #9C8DFF and #AD9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6457F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6457F4 shade: #6457F4, #5345E1, #4233CE, #3121BB and #200FA8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6457F4 shade: #6457F4, #8E57F4, #B857F4, #E357F4 and #F457DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6457F4 shade: #6457F4 and #5757F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6457F4 shade matches the following richer shades: #6457F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6457F4 shade: #6457F4, #7065E5, #7C74D7, #8882C8 and #9490BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6457F4 shade: #57A0F4, #5776F4, #6157F4, #8B57F4 and #B557F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6457F4 shade: #210EEA, #4030F1, #6457F4, #877DF6 and #ABA4F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6457F4 shade: #6457F4, #F457CA and #8BF457

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6457F4 shade: #6457F4, #F46157 and #57F461

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6457F4 shade: #6457F4, #F457CA, #E9F457 and #57F481

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6457F4 shade: #6457F4, #F4579B, #E9F457 and #57F4B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 64 / 0 / 4

HEX #6457F4

RGB 100 87 244

HSL 244.97, 0.88%, 0.65%

LAB 47.05, 48.56, -77.14

 

Complementary color

CMYK 8 / 0 / 93 / 34

HEX #9BA80B

RGB 155 168 11

HSL 64.97, 0.88%, 0.35%

LAB 65.75, -21.33, 66.49

 

CMYK 56 / 64 / 0 / 6

HEX #6957EF

RGB 105 87 239

HSL 247.11, 0.83%, 0.64%

LAB 47.04, 47.83, -74.34

 

CMYK 52 / 59 / 0 / 0

HEX #7A69FF

RGB 122 105 255

HSL 246.8, 1%, 0.71%

LAB 53.45, 45.29, -72.77

 

CMYK 45 / 52 / 0 / 0

HEX #8B7BFF

RGB 139 123 255

HSL 247.27, 1%, 0.74%

LAB 58.86, 38.36, -63.98

 

CMYK 39 / 45 / 0 / 0

HEX #9C8DFF

RGB 156 141 255

HSL 247.89, 1%, 0.78%

LAB 64.43, 31.97, -54.99

 

CMYK 32 / 38 / 0 / 0

HEX #AD9FFF

RGB 173 159 255

HSL 248.75, 1%, 0.81%

LAB 70.11, 26.14, -45.94

 

CMYK 59 / 64 / 0 / 4

HEX #6457F4

RGB 100 87 244

HSL 244.97, 0.88%, 0.65%

LAB 47.05, 48.56, -77.14

 

CMYK 63 / 69 / 0 / 12

HEX #5345E1

RGB 83 69 225

HSL 245.38, 0.72%, 0.58%

LAB 40.46, 50.44, -77.25

 

CMYK 68 / 75 / 0 / 19

HEX #4233CE

RGB 66 51 206

HSL 245.81, 0.61%, 0.5%

LAB 33.95, 52.32, -77.09

 

CMYK 74 / 82 / 0 / 27

HEX #3121BB

RGB 49 33 187

HSL 246.23, 0.7%, 0.43%

LAB 27.65, 53.88, -76.4

 

CMYK 81 / 91 / 0 / 34

HEX #200FA8

RGB 32 15 168

HSL 246.67, 0.84%, 0.36%

LAB 21.86, 54.42, -74.68

 

CMYK 59 / 64 / 0 / 4

HEX #6457F4

RGB 100 87 244

HSL 244.97, 0.88%, 0.65%

LAB 47.05, 48.56, -77.14

 

CMYK 42 / 64 / 0 / 4

HEX #8E57F4

RGB 142 87 244

HSL 261.02, 0.88%, 0.65%

LAB 50.8, 55.83, -70.87

 

CMYK 25 / 64 / 0 / 4

HEX #B857F4

RGB 184 87 244

HSL 277.07, 0.88%, 0.65%

LAB 55.62, 64.42, -62.84

 

CMYK 7 / 64 / 0 / 4

HEX #E357F4

RGB 227 87 244

HSL 293.5, 0.88%, 0.65%

LAB 61.38, 73.88, -53.32

 

CMYK 0 / 64 / 11 / 4

HEX #F457DA

RGB 244 87 218

HSL 309.94, 0.88%, 0.65%

LAB 62.6, 73.7, -36.7

 

CMYK 59 / 64 / 0 / 4

HEX #6457F4

RGB 100 87 244

HSL 244.97, 0.88%, 0.65%

LAB 47.05, 48.56, -77.14

 

CMYK 64 / 64 / 0 / 4

HEX #5757F4

RGB 87 87 244

HSL 240, 0.88%, 0.65%

LAB 46.14, 46.71, -78.66

 

CMYK 59 / 64 / 0 / 4

HEX #6457F4

RGB 100 87 244

HSL 244.97, 0.88%, 0.65%

LAB 47.05, 48.56, -77.14

 

CMYK 59 / 64 / 0 / 4

HEX #6457F4

RGB 100 87 244

HSL 244.97, 0.88%, 0.65%

LAB 47.05, 48.56, -77.14

 

CMYK 51 / 56 / 0 / 10

HEX #7065E5

RGB 112 101 229

HSL 245.16, 0.71%, 0.65%

LAB 49.99, 37.96, -63.9

 

CMYK 42 / 46 / 0 / 16

HEX #7C74D7

RGB 124 116 215

HSL 244.85, 0.55%, 0.65%

LAB 53.69, 27.59, -50.01

 

CMYK 32 / 35 / 0 / 22

HEX #8882C8

RGB 136 130 200

HSL 245.14, 0.39%, 0.65%

LAB 57.43, 18.38, -35.55

 

CMYK 20 / 23 / 0 / 27

HEX #9490BA

RGB 148 144 186

HSL 245.71, 0.23%, 0.65%

LAB 61.47, 10.43, -21.31

 

CMYK 64 / 34 / 0 / 4

HEX #57A0F4

RGB 87 160 244

HSL 212.1, 0.88%, 0.65%

LAB 64.72, 2.87, -48.77

 

CMYK 64 / 52 / 0 / 4

HEX #5776F4

RGB 87 118 244

HSL 228.15, 0.88%, 0.65%

LAB 53.51, 28.01, -66.69

 

CMYK 60 / 64 / 0 / 4

HEX #6157F4

RGB 97 87 244

HSL 243.82, 0.88%, 0.65%

LAB 46.83, 48.12, -77.51

 

CMYK 43 / 64 / 0 / 4

HEX #8B57F4

RGB 139 87 244

HSL 259.87, 0.88%, 0.65%

LAB 50.5, 55.26, -71.38

 

CMYK 26 / 64 / 0 / 4

HEX #B557F4

RGB 181 87 244

HSL 275.92, 0.88%, 0.65%

LAB 55.25, 63.78, -63.46

 

CMYK 86 / 94 / 0 / 8

HEX #210EEA

RGB 33 14 234

HSL 245.18, 0.89%, 0.49%

LAB 30.83, 72.13, -98.44

 

CMYK 73 / 80 / 0 / 5

HEX #4030F1

RGB 64 48 241

HSL 244.97, 0.87%, 0.57%

LAB 37.03, 64.02, -92.04

 

CMYK 59 / 64 / 0 / 4

HEX #6457F4

RGB 100 87 244

HSL 244.97, 0.88%, 0.65%

LAB 47.05, 48.56, -77.14

 

CMYK 45 / 49 / 0 / 4

HEX #877DF6

RGB 135 125 246

HSL 244.96, 0.87%, 0.73%

LAB 58.48, 33.75, -59.63

 

CMYK 31 / 34 / 0 / 2

HEX #ABA4F9

RGB 171 164 249

HSL 244.94, 0.88%, 0.81%

LAB 70.9, 21.27, -41.44

 

CMYK 59 / 64 / 0 / 4

HEX #6457F4

RGB 100 87 244

HSL 244.97, 0.88%, 0.65%

LAB 47.05, 48.56, -77.14

 

CMYK 0 / 64 / 17 / 4

HEX #F457CA

RGB 244 87 202

HSL 316.05, 0.88%, 0.65%

LAB 61.92, 71.42, -28.72

 

CMYK 43 / 0 / 64 / 4

HEX #8BF457

RGB 139 244 87

HSL 100.13, 0.88%, 0.65%

LAB 87.43, -56.92, 63.99

 

CMYK 59 / 64 / 0 / 4

HEX #6457F4

RGB 100 87 244

HSL 244.97, 0.88%, 0.65%

LAB 47.05, 48.56, -77.14

 

CMYK 0 / 60 / 64 / 4

HEX #F46157

RGB 244 97 87

HSL 3.82, 0.88%, 0.65%

LAB 60.31, 55.81, 35.07

 

CMYK 64 / 0 / 60 / 4

HEX #57F461

RGB 87 244 97

HSL 123.82, 0.88%, 0.65%

LAB 85.8, -69.04, 57.58

 

CMYK 59 / 64 / 0 / 4

HEX #6457F4

RGB 100 87 244

HSL 244.97, 0.88%, 0.65%

LAB 47.05, 48.56, -77.14

 

CMYK 0 / 64 / 17 / 4

HEX #F457CA

RGB 244 87 202

HSL 316.05, 0.88%, 0.65%

LAB 61.92, 71.42, -28.72

 

CMYK 5 / 0 / 64 / 4

HEX #E9F457

RGB 233 244 87

HSL 64.2, 0.88%, 0.65%

LAB 92.89, -22.87, 71.43

 

CMYK 64 / 0 / 47 / 4

HEX #57F481

RGB 87 244 129

HSL 136.05, 0.88%, 0.65%

LAB 86.16, -64.9, 43.4

 

CMYK 59 / 64 / 0 / 4

HEX #6457F4

RGB 100 87 244

HSL 244.97, 0.88%, 0.65%

LAB 47.05, 48.56, -77.14

 

CMYK 0 / 64 / 36 / 4

HEX #F4579B

RGB 244 87 155

HSL 334.01, 0.88%, 0.65%

LAB 60.26, 65.64, -4.25

 

CMYK 5 / 0 / 64 / 4

HEX #E9F457

RGB 233 244 87

HSL 64.2, 0.88%, 0.65%

LAB 92.89, -22.87, 71.43

 

CMYK 64 / 0 / 28 / 4

HEX #57F4B0

RGB 87 244 176

HSL 154.01, 0.88%, 0.65%

LAB 86.93, -56.53, 20.9

 

Description

Color code: HEX #6457F4 | qconv.com Color code: HEX #6457F4 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 87 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 87 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 64 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 64% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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