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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #645049 it is the complementary color #9BAFB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #645049. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #645049 shade: #695044, #7A6257, #8B746A, #9C867D and #AD9890

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #645049. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #645049 shade: #645049, #533E36, #422C23, #311A10 and #200800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #645049 shade: #645048 and #644848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #645049 shade: #645048, #645748, #645E48, #626448 and #5B6448

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #645049 shade matches the following richer shades: #645048, #72493A, #80422C, #8E3B1E and #9C3510

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #645049 shade: #645048, #565656, #485D64, #3A6472 and #2C6B80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #645049 shade: #644850, #644849, #644F48, #645748 and #645E48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #645049 shade: #342926, #4C3C37, #645048, #7C635A and #94766B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #645049 shade: #645049, #586448 and #484C64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #645049 shade: #645049, #48644F and #4F4864

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #645049 shade: #645049, #586448, #485D64 and #554864

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #645049 shade: #645049, #4F6448, #485D64 and #5D4864

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 27 / 61

HEX #645049

RGB 100 80 73

HSL 15.56, 0.16%, 0.34%

LAB 35.84, 7.15, 7.28

 

Complementary color

CMYK 15 / 4 / 0 / 29

HEX #9BAFB6

RGB 155 175 182

HSL 195.56, 0.16%, 0.66%

LAB 70.18, -5.43, -5.92

 

CMYK 0 / 24 / 35 / 59

HEX #695044

RGB 105 80 68

HSL 19.46, 0.21%, 0.34%

LAB 36.29, 8.59, 11.1

 

CMYK 0 / 20 / 29 / 52

HEX #7A6257

RGB 122 98 87

HSL 18.86, 0.17%, 0.41%

LAB 43.6, 7.89, 9.92

 

CMYK 0 / 17 / 24 / 45

HEX #8B746A

RGB 139 116 106

HSL 18.18, 0.13%, 0.48%

LAB 50.71, 7.32, 8.87

 

CMYK 0 / 14 / 20 / 39

HEX #9C867D

RGB 156 134 125

HSL 17.42, 0.14%, 0.55%

LAB 57.65, 6.84, 7.92

 

CMYK 0 / 12 / 17 / 32

HEX #AD9890

RGB 173 152 144

HSL 16.55, 0.15%, 0.62%

LAB 64.45, 6.42, 7.05

 

CMYK 0 / 20 / 27 / 61

HEX #645049

RGB 100 80 73

HSL 15.56, 0.16%, 0.34%

LAB 35.84, 7.15, 7.28

 

CMYK 0 / 25 / 35 / 67

HEX #533E36

RGB 83 62 54

HSL 16.55, 0.21%, 0.27%

LAB 28.25, 7.87, 8.46

 

CMYK 0 / 33 / 47 / 74

HEX #422C23

RGB 66 44 35

HSL 17.42, 0.31%, 0.2%

LAB 20.37, 8.82, 9.9

 

CMYK 0 / 47 / 67 / 81

HEX #311A10

RGB 49 26 16

HSL 18.18, 0.51%, 0.13%

LAB 12.15, 10.17, 11.3

 

CMYK 0 / 75 / 100 / 87

HEX #200800

RGB 32 8 0

HSL 15, 1%, 0.06%

LAB 4.34, 9.24, 6.67

 

CMYK 0 / 20 / 28 / 61

HEX #645048

RGB 100 80 72

HSL 17.14, 0.16%, 0.34%

LAB 35.82, 6.99, 7.87

 

CMYK 0 / 28 / 28 / 61

HEX #644848

RGB 100 72 72

HSL 0, 0.16%, 0.34%

LAB 33.59, 11.96, 4.7

 

CMYK 0 / 20 / 28 / 61

HEX #645048

RGB 100 80 72

HSL 17.14, 0.16%, 0.34%

LAB 35.82, 6.99, 7.87

 

CMYK 0 / 13 / 28 / 61

HEX #645748

RGB 100 87 72

HSL 32.14, 0.16%, 0.34%

LAB 37.83, 2.69, 10.68

 

CMYK 0 / 6 / 28 / 61

HEX #645E48

RGB 100 94 72

HSL 47.14, 0.16%, 0.34%

LAB 39.89, -1.53, 13.51

 

CMYK 2 / 0 / 28 / 61

HEX #626448

RGB 98 100 72

HSL 64.29, 0.16%, 0.34%

LAB 41.5, -5.93, 15.67

 

CMYK 9 / 0 / 28 / 61

HEX #5B6448

RGB 91 100 72

HSL 79.29, 0.16%, 0.34%

LAB 40.91, -8.92, 14.77

 

CMYK 0 / 20 / 28 / 61

HEX #645048

RGB 100 80 72

HSL 17.14, 0.16%, 0.34%

LAB 35.82, 6.99, 7.87

 

CMYK 0 / 36 / 49 / 55

HEX #72493A

RGB 114 73 58

HSL 16.07, 0.33%, 0.34%

LAB 35.3, 15.61, 16.16

 

CMYK 0 / 48 / 66 / 50

HEX #80422C

RGB 128 66 44

HSL 15.71, 0.49%, 0.34%

LAB 35.34, 24.62, 25.16

 

CMYK 0 / 58 / 79 / 44

HEX #8E3B1E

RGB 142 59 30

HSL 15.54, 0.65%, 0.34%

LAB 35.93, 33.47, 34.43

 

CMYK 0 / 66 / 90 / 39

HEX #9C3510

RGB 156 53 16

HSL 15.86, 0.81%, 0.34%

LAB 37.21, 41.31, 43.18

 

CMYK 0 / 20 / 28 / 61

HEX #645048

RGB 100 80 72

HSL 17.14, 0.16%, 0.34%

LAB 35.82, 6.99, 7.87

 

CMYK 0 / 0 / 0 / 66

HEX #565656

RGB 86 86 86

HSL 0, 0%, 0.34%

LAB 36.57, 0, -0

 

CMYK 28 / 7 / 0 / 61

HEX #485D64

RGB 72 93 100

HSL 195, 0.16%, 0.34%

LAB 38.07, -6.11, -6.61

 

CMYK 49 / 12 / 0 / 55

HEX #3A6472

RGB 58 100 114

HSL 195, 0.33%, 0.34%

LAB 39.96, -10.49, -12.45

 

CMYK 66 / 16 / 0 / 50

HEX #2C6B80

RGB 44 107 128

HSL 195, 0.49%, 0.34%

LAB 42.17, -13.18, -17.63

 

CMYK 0 / 28 / 20 / 61

HEX #644850

RGB 100 72 80

HSL 342.86, 0.16%, 0.34%

LAB 33.82, 13.32, -0.05

 

CMYK 0 / 28 / 27 / 61

HEX #644849

RGB 100 72 73

HSL 357.86, 0.16%, 0.34%

LAB 33.62, 12.12, 4.11

 

CMYK 0 / 21 / 28 / 61

HEX #644F48

RGB 100 79 72

HSL 15, 0.16%, 0.34%

LAB 35.54, 7.61, 7.47

 

CMYK 0 / 13 / 28 / 61

HEX #645748

RGB 100 87 72

HSL 32.14, 0.16%, 0.34%

LAB 37.83, 2.69, 10.68

 

CMYK 0 / 6 / 28 / 61

HEX #645E48

RGB 100 94 72

HSL 47.14, 0.16%, 0.34%

LAB 39.89, -1.53, 13.51

 

CMYK 0 / 21 / 27 / 80

HEX #342926

RGB 52 41 38

HSL 12.86, 0.16%, 0.18%

LAB 17.72, 4.52, 3.89

 

CMYK 0 / 21 / 28 / 70

HEX #4C3C37

RGB 76 60 55

HSL 14.29, 0.16%, 0.26%

LAB 26.86, 6.11, 5.74

 

CMYK 0 / 20 / 28 / 61

HEX #645048

RGB 100 80 72

HSL 17.14, 0.16%, 0.34%

LAB 35.82, 6.99, 7.87

 

CMYK 0 / 20 / 27 / 51

HEX #7C635A

RGB 124 99 90

HSL 15.88, 0.16%, 0.42%

LAB 44.16, 8.6, 8.92

 

CMYK 0 / 20 / 28 / 42

HEX #94766B

RGB 148 118 107

HSL 16.1, 0.16%, 0.5%

LAB 52.19, 9.99, 10.5

 

CMYK 0 / 20 / 27 / 61

HEX #645049

RGB 100 80 73

HSL 15.56, 0.16%, 0.34%

LAB 35.84, 7.15, 7.28

 

CMYK 12 / 0 / 28 / 61

HEX #586448

RGB 88 100 72

HSL 85.71, 0.16%, 0.34%

LAB 40.67, -10.18, 14.4

 

CMYK 28 / 24 / 0 / 61

HEX #484C64

RGB 72 76 100

HSL 231.43, 0.16%, 0.34%

LAB 32.85, 4.46, -14.51

 

CMYK 0 / 20 / 27 / 61

HEX #645049

RGB 100 80 73

HSL 15.56, 0.16%, 0.34%

LAB 35.84, 7.15, 7.28

 

CMYK 28 / 0 / 21 / 61

HEX #48644F

RGB 72 100 79

HSL 135, 0.16%, 0.34%

LAB 39.68, -15.16, 8.63

 

CMYK 21 / 28 / 0 / 61

HEX #4F4864

RGB 79 72 100

HSL 255, 0.16%, 0.34%

LAB 32.3, 9.5, -15.3

 

CMYK 0 / 20 / 27 / 61

HEX #645049

RGB 100 80 73

HSL 15.56, 0.16%, 0.34%

LAB 35.84, 7.15, 7.28

 

CMYK 12 / 0 / 28 / 61

HEX #586448

RGB 88 100 72

HSL 85.71, 0.16%, 0.34%

LAB 40.67, -10.18, 14.4

 

CMYK 28 / 7 / 0 / 61

HEX #485D64

RGB 72 93 100

HSL 195, 0.16%, 0.34%

LAB 38.07, -6.11, -6.61

 

CMYK 15 / 28 / 0 / 61

HEX #554864

RGB 85 72 100

HSL 267.86, 0.16%, 0.34%

LAB 32.89, 11.67, -14.34

 

CMYK 0 / 20 / 27 / 61

HEX #645049

RGB 100 80 73

HSL 15.56, 0.16%, 0.34%

LAB 35.84, 7.15, 7.28

 

CMYK 21 / 0 / 28 / 61

HEX #4F6448

RGB 79 100 72

HSL 105, 0.16%, 0.34%

LAB 39.99, -13.85, 13.37

 

CMYK 28 / 7 / 0 / 61

HEX #485D64

RGB 72 93 100

HSL 195, 0.16%, 0.34%

LAB 38.07, -6.11, -6.61

 

CMYK 7 / 28 / 0 / 61

HEX #5D4864

RGB 93 72 100

HSL 285, 0.16%, 0.34%

LAB 33.74, 14.63, -12.97

 

Description

Color code: HEX #645049 | qconv.com Color code: HEX #645049 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 80 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 80 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 27 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 27% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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