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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6450A1 it is the complementary color #9BAF5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6450A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6450A1 shade: #69509C, #7A62AF, #8B74C2, #9C86D5 and #AD98E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6450A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6450A1 shade: #6450A1, #533E8E, #422C7B, #311A68 and #200855

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6450A1 shade: #634FA0, #794FA0, #8F4FA0, #A04F9C and #A04F86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6450A1 shade: #634FA0 and #4F4FA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6450A1 shade matches the following richer shades: #634FA0, #593BB3, #4F28C7, #4514DA and #3B01EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6450A1 shade: #634FA0, #6D628D, #767579, #808966 and #8A9C53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6450A1 shade: #4F67A0, #4F51A0, #624FA0, #774FA0 and #8D4FA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6450A1 shade: #413369, #524184, #634FA0, #7865B3 and #9081C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6450A1 shade: #6450A1, #A04F7D and #5CA04F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6450A1 shade: #6450A1, #A0624F and #4FA062

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6450A1 shade: #6450A1, #A04F7D, #8DA04F and #4FA072

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6450A1 shade: #6450A1, #A04F64, #8DA04F and #4FA08A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 50 / 0 / 37

HEX #6450A1

RGB 100 80 161

HSL 254.81, 0.34%, 0.47%

LAB 39.61, 27.8, -41.22

 

Complementary color

CMYK 11 / 0 / 46 / 31

HEX #9BAF5E

RGB 155 175 94

HSL 74.81, 0.34%, 0.53%

LAB 68.34, -19.86, 39.04

 

CMYK 33 / 49 / 0 / 39

HEX #69509C

RGB 105 80 156

HSL 259.74, 0.32%, 0.46%

LAB 39.82, 27.77, -37.87

 

CMYK 30 / 44 / 0 / 31

HEX #7A62AF

RGB 122 98 175

HSL 258.7, 0.32%, 0.54%

LAB 46.93, 26.78, -37.75

 

CMYK 28 / 40 / 0 / 24

HEX #8B74C2

RGB 139 116 194

HSL 257.69, 0.39%, 0.61%

LAB 53.89, 25.91, -37.66

 

CMYK 27 / 37 / 0 / 16

HEX #9C86D5

RGB 156 134 213

HSL 256.71, 0.48%, 0.68%

LAB 60.71, 25.13, -37.62

 

CMYK 25 / 34 / 0 / 9

HEX #AD98E8

RGB 173 152 232

HSL 255.75, 0.63%, 0.75%

LAB 67.4, 24.43, -37.61

 

CMYK 38 / 50 / 0 / 37

HEX #6450A1

RGB 100 80 161

HSL 254.81, 0.34%, 0.47%

LAB 39.61, 27.8, -41.22

 

CMYK 42 / 56 / 0 / 44

HEX #533E8E

RGB 83 62 142

HSL 255.75, 0.39%, 0.4%

LAB 32.34, 29.02, -41.45

 

CMYK 46 / 64 / 0 / 52

HEX #422C7B

RGB 66 44 123

HSL 256.71, 0.47%, 0.33%

LAB 24.92, 30.4, -41.66

 

CMYK 53 / 75 / 0 / 59

HEX #311A68

RGB 49 26 104

HSL 257.69, 0.6%, 0.25%

LAB 17.42, 31.8, -41.71

 

CMYK 62 / 91 / 0 / 67

HEX #200855

RGB 32 8 85

HSL 258.7, 0.83%, 0.18%

LAB 10.08, 32.67, -41.15

 

CMYK 38 / 51 / 0 / 37

HEX #634FA0

RGB 99 79 160

HSL 254.81, 0.34%, 0.47%

LAB 39.21, 27.87, -41.27

 

CMYK 24 / 51 / 0 / 37

HEX #794FA0

RGB 121 79 160

HSL 271.11, 0.34%, 0.47%

LAB 41.52, 33.91, -37.45

 

CMYK 11 / 51 / 0 / 37

HEX #8F4FA0

RGB 143 79 160

HSL 287.41, 0.34%, 0.47%

LAB 44.19, 40.26, -33.07

 

CMYK 0 / 51 / 2 / 37

HEX #A04F9C

RGB 160 79 156

HSL 302.96, 0.34%, 0.47%

LAB 46.27, 44.51, -27.27

 

CMYK 0 / 51 / 16 / 37

HEX #A04F86

RGB 160 79 134

HSL 319.26, 0.34%, 0.47%

LAB 45.34, 40.71, -15.5

 

CMYK 38 / 51 / 0 / 37

HEX #634FA0

RGB 99 79 160

HSL 254.81, 0.34%, 0.47%

LAB 39.21, 27.87, -41.27

 

CMYK 51 / 51 / 0 / 37

HEX #4F4FA0

RGB 79 79 160

HSL 240, 0.34%, 0.47%

LAB 37.47, 22.89, -44.16

 

CMYK 38 / 51 / 0 / 37

HEX #634FA0

RGB 99 79 160

HSL 254.81, 0.34%, 0.47%

LAB 39.21, 27.87, -41.27

 

CMYK 50 / 67 / 0 / 30

HEX #593BB3

RGB 89 59 179

HSL 255, 0.5%, 0.47%

LAB 35.02, 43.03, -59.41

 

CMYK 60 / 80 / 0 / 22

HEX #4F28C7

RGB 79 40 199

HSL 254.72, 0.67%, 0.47%

LAB 32.49, 56.88, -75.38

 

CMYK 68 / 91 / 0 / 15

HEX #4514DA

RGB 69 20 218

HSL 254.85, 0.83%, 0.47%

LAB 31.41, 67.98, -88.23

 

CMYK 75 / 100 / 0 / 7

HEX #3B01EE

RGB 59 1 238

HSL 254.68, 0.99%, 0.47%

LAB 32.09, 75.79, -98.57

 

CMYK 38 / 51 / 0 / 37

HEX #634FA0

RGB 99 79 160

HSL 254.81, 0.34%, 0.47%

LAB 39.21, 27.87, -41.27

 

CMYK 23 / 30 / 0 / 45

HEX #6D628D

RGB 109 98 141

HSL 255.35, 0.18%, 0.47%

LAB 44.1, 14, -22.13

 

CMYK 2 / 3 / 0 / 53

HEX #767579

RGB 118 117 121

HSL 255, 0.02%, 0.47%

LAB 49.44, 1.2, -2.07

 

CMYK 7 / 0 / 26 / 46

HEX #808966

RGB 128 137 102

HSL 75.43, 0.15%, 0.47%

LAB 55.52, -9.68, 17.71

 

CMYK 12 / 0 / 47 / 39

HEX #8A9C53

RGB 138 156 83

HSL 74.79, 0.31%, 0.47%

LAB 61.49, -18.26, 35.94

 

CMYK 51 / 36 / 0 / 37

HEX #4F67A0

RGB 79 103 160

HSL 222.22, 0.34%, 0.47%

LAB 44.09, 7.66, -33.64

 

CMYK 51 / 49 / 0 / 37

HEX #4F51A0

RGB 79 81 160

HSL 238.52, 0.34%, 0.47%

LAB 37.99, 21.61, -43.31

 

CMYK 39 / 51 / 0 / 37

HEX #624FA0

RGB 98 79 160

HSL 254.07, 0.34%, 0.47%

LAB 39.12, 27.6, -41.43

 

CMYK 26 / 51 / 0 / 37

HEX #774FA0

RGB 119 79 160

HSL 269.63, 0.34%, 0.47%

LAB 41.3, 33.34, -37.82

 

CMYK 12 / 51 / 0 / 37

HEX #8D4FA0

RGB 141 79 160

HSL 285.93, 0.34%, 0.47%

LAB 43.93, 39.68, -33.49

 

CMYK 38 / 51 / 0 / 59

HEX #413369

RGB 65 51 105

HSL 255.56, 0.35%, 0.31%

LAB 25.29, 20.13, -29.56

 

CMYK 38 / 51 / 0 / 48

HEX #524184

RGB 82 65 132

HSL 255.22, 0.34%, 0.39%

LAB 32.35, 23.93, -35.28

 

CMYK 38 / 51 / 0 / 37

HEX #634FA0

RGB 99 79 160

HSL 254.81, 0.34%, 0.47%

LAB 39.21, 27.87, -41.27

 

CMYK 33 / 44 / 0 / 30

HEX #7865B3

RGB 120 101 179

HSL 254.62, 0.34%, 0.55%

LAB 47.69, 25.48, -38.89

 

CMYK 25 / 33 / 0 / 24

HEX #9081C1

RGB 144 129 193

HSL 254.06, 0.34%, 0.63%

LAB 57.54, 19.54, -31.36

 

CMYK 38 / 50 / 0 / 37

HEX #6450A1

RGB 100 80 161

HSL 254.81, 0.34%, 0.47%

LAB 39.61, 27.8, -41.22

 

CMYK 0 / 51 / 22 / 37

HEX #A04F7D

RGB 160 79 125

HSL 325.93, 0.34%, 0.47%

LAB 45.01, 39.29, -10.56

 

CMYK 43 / 0 / 51 / 37

HEX #5CA04F

RGB 92 160 79

HSL 110.37, 0.34%, 0.47%

LAB 59.87, -37.81, 35.38

 

CMYK 38 / 50 / 0 / 37

HEX #6450A1

RGB 100 80 161

HSL 254.81, 0.34%, 0.47%

LAB 39.61, 27.8, -41.22

 

CMYK 0 / 39 / 51 / 37

HEX #A0624F

RGB 160 98 79

HSL 14.07, 0.34%, 0.47%

LAB 47.97, 23.01, 21.39

 

CMYK 51 / 0 / 39 / 37

HEX #4FA062

RGB 79 160 98

HSL 134.07, 0.34%, 0.47%

LAB 59.6, -38.75, 24.92

 

CMYK 38 / 50 / 0 / 37

HEX #6450A1

RGB 100 80 161

HSL 254.81, 0.34%, 0.47%

LAB 39.61, 27.8, -41.22

 

CMYK 0 / 51 / 22 / 37

HEX #A04F7D

RGB 160 79 125

HSL 325.93, 0.34%, 0.47%

LAB 45.01, 39.29, -10.56

 

CMYK 12 / 0 / 51 / 37

HEX #8DA04F

RGB 141 160 79

HSL 74.07, 0.34%, 0.47%

LAB 62.82, -19.52, 39.64

 

CMYK 51 / 0 / 29 / 37

HEX #4FA072

RGB 79 160 114

HSL 145.93, 0.34%, 0.47%

LAB 59.91, -35.69, 16.55

 

CMYK 38 / 50 / 0 / 37

HEX #6450A1

RGB 100 80 161

HSL 254.81, 0.34%, 0.47%

LAB 39.61, 27.8, -41.22

 

CMYK 0 / 51 / 38 / 37

HEX #A04F64

RGB 160 79 100

HSL 344.44, 0.34%, 0.47%

LAB 44.21, 35.83, 3.54

 

CMYK 12 / 0 / 51 / 37

HEX #8DA04F

RGB 141 160 79

HSL 74.07, 0.34%, 0.47%

LAB 62.82, -19.52, 39.64

 

CMYK 51 / 0 / 14 / 37

HEX #4FA08A

RGB 79 160 138

HSL 163.7, 0.34%, 0.47%

LAB 60.46, -30.3, 3.9

 

Description

Color code: HEX #6450A1 | qconv.com Color code: HEX #6450A1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 80 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 80 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 50 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 50% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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