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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #645F95 it is the complementary color #9BA06A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #645F95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #645F95 shade: #695F90, #7A71A3, #8B83B6, #9C95C9 and #ADA7DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #645F95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #645F95 shade: #645F95, #534D82, #423B6F, #31295C and #201749

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #645F95 shade: #645F95, #725F95, #815F95, #905F95 and #955F8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #645F95 shade: #645F95 and #5F5F95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #645F95 shade matches the following richer shades: #645F95, #544BA9, #4437BC, #3424D0 and #2310E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #645F95 shade: #645F95, #747381, #84876D, #949A59 and #A4AE46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #645F95 shade: #5F7795, #5F6995, #635F95, #725F95 and #805F95

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #645F95 shade: #423F62, #534F7C, #645F95, #7A76A7 and #938FB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #645F95 shade: #645F95, #955F86 and #70955F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #645F95 shade: #645F95, #95635F and #5F9563

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #645F95 shade: #645F95, #955F86, #90955F and #5F956E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #645F95 shade: #645F95, #955F75, #90955F and #5F957E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 36 / 0 / 42

HEX #645F95

RGB 100 95 149

HSL 245.56, 0.22%, 0.48%

LAB 42.86, 15.13, -28.92

 

Complementary color

CMYK 3 / 0 / 34 / 37

HEX #9BA06A

RGB 155 160 106

HSL 65.56, 0.22%, 0.52%

LAB 64.28, -10.64, 27.6

 

CMYK 27 / 34 / 0 / 44

HEX #695F90

RGB 105 95 144

HSL 252.24, 0.21%, 0.47%

LAB 43.06, 15.32, -25.57

 

CMYK 25 / 31 / 0 / 36

HEX #7A71A3

RGB 122 113 163

HSL 250.8, 0.21%, 0.54%

LAB 50.21, 14.68, -25.61

 

CMYK 24 / 28 / 0 / 29

HEX #8B83B6

RGB 139 131 182

HSL 249.41, 0.26%, 0.61%

LAB 57.17, 14.13, -25.7

 

CMYK 22 / 26 / 0 / 21

HEX #9C95C9

RGB 156 149 201

HSL 248.08, 0.33%, 0.69%

LAB 63.98, 13.63, -25.83

 

CMYK 21 / 24 / 0 / 14

HEX #ADA7DC

RGB 173 167 220

HSL 246.79, 0.43%, 0.76%

LAB 70.66, 13.19, -25.99

 

CMYK 33 / 36 / 0 / 42

HEX #645F95

RGB 100 95 149

HSL 245.56, 0.22%, 0.48%

LAB 42.86, 15.13, -28.92

 

CMYK 36 / 41 / 0 / 49

HEX #534D82

RGB 83 77 130

HSL 246.79, 0.26%, 0.41%

LAB 35.52, 15.95, -29.02

 

CMYK 41 / 47 / 0 / 56

HEX #423B6F

RGB 66 59 111

HSL 248.08, 0.31%, 0.33%

LAB 27.94, 16.96, -29.2

 

CMYK 47 / 55 / 0 / 64

HEX #31295C

RGB 49 41 92

HSL 249.41, 0.38%, 0.26%

LAB 20.09, 18.23, -29.48

 

CMYK 56 / 68 / 0 / 71

HEX #201749

RGB 32 23 73

HSL 250.8, 0.52%, 0.19%

LAB 11.96, 19.87, -29.8

 

CMYK 33 / 36 / 0 / 42

HEX #645F95

RGB 100 95 149

HSL 245.56, 0.22%, 0.48%

LAB 42.86, 15.13, -28.92

 

CMYK 23 / 36 / 0 / 42

HEX #725F95

RGB 114 95 149

HSL 261.11, 0.22%, 0.48%

LAB 44.13, 19.48, -26.83

 

CMYK 13 / 36 / 0 / 42

HEX #815F95

RGB 129 95 149

HSL 277.78, 0.22%, 0.48%

LAB 45.66, 24.34, -24.34

 

CMYK 3 / 36 / 0 / 42

HEX #905F95

RGB 144 95 149

HSL 294.44, 0.22%, 0.48%

LAB 47.34, 29.32, -21.6

 

CMYK 0 / 36 / 6 / 42

HEX #955F8C

RGB 149 95 140

HSL 310, 0.22%, 0.48%

LAB 47.58, 29.26, -15.83

 

CMYK 33 / 36 / 0 / 42

HEX #645F95

RGB 100 95 149

HSL 245.56, 0.22%, 0.48%

LAB 42.86, 15.13, -28.92

 

CMYK 36 / 36 / 0 / 42

HEX #5F5F95

RGB 95 95 149

HSL 240, 0.22%, 0.48%

LAB 42.44, 13.64, -29.6

 

CMYK 33 / 36 / 0 / 42

HEX #645F95

RGB 100 95 149

HSL 245.56, 0.22%, 0.48%

LAB 42.86, 15.13, -28.92

 

CMYK 50 / 56 / 0 / 34

HEX #544BA9

RGB 84 75 169

HSL 245.74, 0.39%, 0.48%

LAB 37.45, 29.42, -49.55

 

CMYK 64 / 71 / 0 / 26

HEX #4437BC

RGB 68 55 188

HSL 245.86, 0.55%, 0.48%

LAB 33.12, 44.75, -67.91

 

CMYK 75 / 83 / 0 / 18

HEX #3424D0

RGB 52 36 208

HSL 245.58, 0.7%, 0.48%

LAB 30.75, 58.93, -83.57

 

CMYK 85 / 93 / 0 / 11

HEX #2310E4

RGB 35 16 228

HSL 245.38, 0.87%, 0.48%

LAB 30.23, 70.23, -96.01

 

CMYK 33 / 36 / 0 / 42

HEX #645F95

RGB 100 95 149

HSL 245.56, 0.22%, 0.48%

LAB 42.86, 15.13, -28.92

 

CMYK 10 / 11 / 0 / 49

HEX #747381

RGB 116 115 129

HSL 244.29, 0.06%, 0.48%

LAB 48.96, 3.35, -7.54

 

CMYK 2 / 0 / 19 / 47

HEX #84876D

RGB 132 135 109

HSL 66.92, 0.11%, 0.48%

LAB 55.42, -5.85, 13.64

 

CMYK 4 / 0 / 42 / 40

HEX #949A59

RGB 148 154 89

HSL 65.54, 0.27%, 0.48%

LAB 61.76, -12.41, 33.33

 

CMYK 6 / 0 / 60 / 32

HEX #A4AE46

RGB 164 174 70

HSL 65.77, 0.43%, 0.48%

LAB 68.47, -17.87, 50.86

 

CMYK 36 / 20 / 0 / 42

HEX #5F7795

RGB 95 119 149

HSL 213.33, 0.22%, 0.48%

LAB 49.25, -0.97, -19.06

 

CMYK 36 / 30 / 0 / 42

HEX #5F6995

RGB 95 105 149

HSL 228.89, 0.22%, 0.48%

LAB 45.23, 7.45, -25.25

 

CMYK 34 / 36 / 0 / 42

HEX #635F95

RGB 99 95 149

HSL 244.44, 0.22%, 0.48%

LAB 42.77, 14.82, -29.06

 

CMYK 23 / 36 / 0 / 42

HEX #725F95

RGB 114 95 149

HSL 261.11, 0.22%, 0.48%

LAB 44.13, 19.48, -26.83

 

CMYK 14 / 36 / 0 / 42

HEX #805F95

RGB 128 95 149

HSL 276.67, 0.22%, 0.48%

LAB 45.56, 24.01, -24.51

 

CMYK 33 / 36 / 0 / 62

HEX #423F62

RGB 66 63 98

HSL 245.14, 0.22%, 0.32%

LAB 28.37, 10.35, -20.21

 

CMYK 33 / 36 / 0 / 51

HEX #534F7C

RGB 83 79 124

HSL 245.33, 0.22%, 0.4%

LAB 35.76, 12.93, -24.93

 

CMYK 33 / 36 / 0 / 42

HEX #645F95

RGB 100 95 149

HSL 245.56, 0.22%, 0.48%

LAB 42.86, 15.13, -28.92

 

CMYK 27 / 29 / 0 / 35

HEX #7A76A7

RGB 122 118 167

HSL 244.9, 0.22%, 0.56%

LAB 51.71, 12.72, -25.62

 

CMYK 20 / 22 / 0 / 28

HEX #938FB7

RGB 147 143 183

HSL 246, 0.22%, 0.64%

LAB 61.02, 9.98, -20.32

 

CMYK 33 / 36 / 0 / 42

HEX #645F95

RGB 100 95 149

HSL 245.56, 0.22%, 0.48%

LAB 42.86, 15.13, -28.92

 

CMYK 0 / 36 / 10 / 42

HEX #955F86

RGB 149 95 134

HSL 316.67, 0.22%, 0.48%

LAB 47.36, 28.16, -12.58

 

CMYK 25 / 0 / 36 / 42

HEX #70955F

RGB 112 149 95

HSL 101.11, 0.22%, 0.48%

LAB 57.81, -23.29, 24.5

 

CMYK 33 / 36 / 0 / 42

HEX #645F95

RGB 100 95 149

HSL 245.56, 0.22%, 0.48%

LAB 42.86, 15.13, -28.92

 

CMYK 0 / 34 / 36 / 42

HEX #95635F

RGB 149 99 95

HSL 4.44, 0.22%, 0.48%

LAB 47.16, 19.72, 10.55

 

CMYK 36 / 0 / 34 / 42

HEX #5F9563

RGB 95 149 99

HSL 124.44, 0.22%, 0.48%

LAB 56.91, -28.63, 20.91

 

CMYK 33 / 36 / 0 / 42

HEX #645F95

RGB 100 95 149

HSL 245.56, 0.22%, 0.48%

LAB 42.86, 15.13, -28.92

 

CMYK 0 / 36 / 10 / 42

HEX #955F86

RGB 149 95 134

HSL 316.67, 0.22%, 0.48%

LAB 47.36, 28.16, -12.58

 

CMYK 3 / 0 / 36 / 42

HEX #90955F

RGB 144 149 95

HSL 65.56, 0.22%, 0.48%

LAB 60.11, -10.67, 27.94

 

CMYK 36 / 0 / 26 / 42

HEX #5F956E

RGB 95 149 110

HSL 136.67, 0.22%, 0.48%

LAB 57.13, -26.59, 15.06

 

CMYK 33 / 36 / 0 / 42

HEX #645F95

RGB 100 95 149

HSL 245.56, 0.22%, 0.48%

LAB 42.86, 15.13, -28.92

 

CMYK 0 / 36 / 21 / 42

HEX #955F75

RGB 149 95 117

HSL 335.56, 0.22%, 0.48%

LAB 46.79, 25.25, -3.22

 

CMYK 3 / 0 / 36 / 42

HEX #90955F

RGB 144 149 95

HSL 65.56, 0.22%, 0.48%

LAB 60.11, -10.67, 27.94

 

CMYK 36 / 0 / 15 / 42

HEX #5F957E

RGB 95 149 126

HSL 154.44, 0.22%, 0.48%

LAB 57.5, -23.25, 6.52

 

Description

Color code: HEX #645F95 | qconv.com Color code: HEX #645F95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 95 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 95 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 36 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 36% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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