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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #646367 it is the complementary color #9B9C98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #646367. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #646367 shade: #696362, #7A7575, #8B8788, #9C999B and #ADABAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #646367. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #646367 shade: #646367, #535154, #423F41, #312D2E and #201B1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #646367 shade: #646368, #666368, #676368, #686367 and #686366

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #646367 shade: #646368 and #636368

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #646367 shade matches the following richer shades: #646368, #5C5378, #544289, #4C3299 and #4321AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #646367 shade: #646368, #6D7457, #758447, #7D9536 and #85A526

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #646367 shade: #636568, #636468, #646368, #666368 and #676368

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #646367 shade: #3C3B3D, #504F52, #646368, #79787D and #8E8D91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #646367 shade: #646367, #686366 and #646863

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #646367 shade: #646367, #686463 and #636864

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #646367 shade: #646367, #686366, #676863 and #636865

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #646367 shade: #646367, #686364, #676863 and #636867

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 4 / 0 / 60

HEX #646367

RGB 100 99 103

HSL 255, 0.02%, 0.4%

LAB 42.17, 1.23, -2.13

 

Complementary color

CMYK 1 / 0 / 3 / 39

HEX #9B9C98

RGB 155 156 152

HSL 75, 0.02%, 0.6%

LAB 64.17, -1.12, 1.96

 

CMYK 0 / 6 / 7 / 59

HEX #696362

RGB 105 99 98

HSL 8.57, 0.03%, 0.4%

LAB 42.47, 2.17, 1.41

 

CMYK 0 / 4 / 4 / 52

HEX #7A7575

RGB 122 117 117

HSL 0, 0.02%, 0.47%

LAB 49.67, 1.92, 0.68

 

CMYK 0 / 3 / 2 / 45

HEX #8B8788

RGB 139 135 136

HSL 345, 0.02%, 0.54%

LAB 56.68, 1.68, -0.01

 

CMYK 0 / 2 / 1 / 39

HEX #9C999B

RGB 156 153 155

HSL 320, 0.01%, 0.61%

LAB 63.52, 1.47, -0.67

 

CMYK 1 / 2 / 0 / 32

HEX #ADABAE

RGB 173 171 174

HSL 280, 0.02%, 0.68%

LAB 70.22, 1.28, -1.29

 

CMYK 3 / 4 / 0 / 60

HEX #646367

RGB 100 99 103

HSL 255, 0.02%, 0.4%

LAB 42.17, 1.23, -2.13

 

CMYK 1 / 4 / 0 / 67

HEX #535154

RGB 83 81 84

HSL 280, 0.02%, 0.32%

LAB 34.73, 1.46, -1.47

 

CMYK 0 / 5 / 2 / 74

HEX #423F41

RGB 66 63 65

HSL 320, 0.02%, 0.25%

LAB 27, 1.72, -0.77

 

CMYK 0 / 8 / 6 / 81

HEX #312D2E

RGB 49 45 46

HSL 345, 0.04%, 0.18%

LAB 18.92, 2.03, 0

 

CMYK 0 / 16 / 16 / 87

HEX #201B1B

RGB 32 27 27

HSL 0, 0.08%, 0.12%

LAB 10.33, 2.44, 0.89

 

CMYK 4 / 5 / 0 / 59

HEX #646368

RGB 100 99 104

HSL 252, 0.02%, 0.4%

LAB 42.2, 1.45, -2.69

 

CMYK 2 / 5 / 0 / 59

HEX #666368

RGB 102 99 104

HSL 276, 0.02%, 0.4%

LAB 42.38, 2.22, -2.41

 

CMYK 1 / 5 / 0 / 59

HEX #676368

RGB 103 99 104

HSL 288, 0.02%, 0.4%

LAB 42.47, 2.61, -2.27

 

CMYK 0 / 5 / 1 / 59

HEX #686367

RGB 104 99 103

HSL 312, 0.02%, 0.4%

LAB 42.53, 2.79, -1.56

 

CMYK 0 / 5 / 2 / 59

HEX #686366

RGB 104 99 102

HSL 324, 0.02%, 0.4%

LAB 42.5, 2.58, -1

 

CMYK 4 / 5 / 0 / 59

HEX #646368

RGB 100 99 104

HSL 252, 0.02%, 0.4%

LAB 42.2, 1.45, -2.69

 

CMYK 5 / 5 / 0 / 59

HEX #636368

RGB 99 99 104

HSL 240, 0.02%, 0.4%

LAB 42.12, 1.07, -2.83

 

CMYK 4 / 5 / 0 / 59

HEX #646368

RGB 100 99 104

HSL 252, 0.02%, 0.4%

LAB 42.2, 1.45, -2.69

 

CMYK 23 / 31 / 0 / 53

HEX #5C5378

RGB 92 83 120

HSL 254.59, 0.18%, 0.4%

LAB 37.51, 12.24, -19.67

 

CMYK 39 / 52 / 0 / 46

HEX #544289

RGB 84 66 137

HSL 255.21, 0.35%, 0.4%

LAB 33.11, 25.31, -37.14

 

CMYK 50 / 67 / 0 / 40

HEX #4C3299

RGB 76 50 153

HSL 255.15, 0.51%, 0.4%

LAB 29.71, 38.01, -52.48

 

CMYK 61 / 81 / 0 / 33

HEX #4321AA

RGB 67 33 170

HSL 254.89, 0.67%, 0.4%

LAB 27.25, 50.51, -66.85

 

CMYK 4 / 5 / 0 / 59

HEX #646368

RGB 100 99 104

HSL 252, 0.02%, 0.4%

LAB 42.2, 1.45, -2.69

 

CMYK 6 / 0 / 25 / 55

HEX #6D7457

RGB 109 116 87

HSL 74.48, 0.14%, 0.4%

LAB 47.53, -8.09, 15.18

 

CMYK 11 / 0 / 46 / 48

HEX #758447

RGB 117 132 71

HSL 74.75, 0.3%, 0.4%

LAB 52.66, -15.78, 31

 

CMYK 16 / 0 / 64 / 42

HEX #7D9536

RGB 125 149 54

HSL 75.16, 0.47%, 0.4%

LAB 58.15, -22.87, 45.92

 

CMYK 19 / 0 / 77 / 35

HEX #85A526

RGB 133 165 38

HSL 75.12, 0.63%, 0.4%

LAB 63.37, -28.41, 57.58

 

CMYK 5 / 3 / 0 / 59

HEX #636568

RGB 99 101 104

HSL 216, 0.02%, 0.4%

LAB 42.7, -0.13, -1.97

 

CMYK 5 / 4 / 0 / 59

HEX #636468

RGB 99 100 104

HSL 228, 0.02%, 0.4%

LAB 42.41, 0.46, -2.4

 

CMYK 4 / 5 / 0 / 59

HEX #646368

RGB 100 99 104

HSL 252, 0.02%, 0.4%

LAB 42.2, 1.45, -2.69

 

CMYK 2 / 5 / 0 / 59

HEX #666368

RGB 102 99 104

HSL 276, 0.02%, 0.4%

LAB 42.38, 2.22, -2.41

 

CMYK 1 / 5 / 0 / 59

HEX #676368

RGB 103 99 104

HSL 288, 0.02%, 0.4%

LAB 42.47, 2.61, -2.27

 

CMYK 2 / 3 / 0 / 76

HEX #3C3B3D

RGB 60 59 61

HSL 270, 0.02%, 0.24%

LAB 25.03, 0.88, -1.09

 

CMYK 2 / 4 / 0 / 68

HEX #504F52

RGB 80 79 82

HSL 260, 0.02%, 0.32%

LAB 33.79, 1.06, -1.62

 

CMYK 4 / 5 / 0 / 59

HEX #646368

RGB 100 99 104

HSL 252, 0.02%, 0.4%

LAB 42.2, 1.45, -2.69

 

CMYK 3 / 4 / 0 / 51

HEX #79787D

RGB 121 120 125

HSL 252, 0.02%, 0.48%

LAB 50.66, 1.4, -2.6

 

CMYK 2 / 3 / 0 / 43

HEX #8E8D91

RGB 142 141 145

HSL 255, 0.02%, 0.56%

LAB 58.83, 1.16, -2

 

CMYK 3 / 4 / 0 / 60

HEX #646367

RGB 100 99 103

HSL 255, 0.02%, 0.4%

LAB 42.17, 1.23, -2.13

 

CMYK 0 / 5 / 2 / 59

HEX #686366

RGB 104 99 102

HSL 324, 0.02%, 0.4%

LAB 42.5, 2.58, -1

 

CMYK 4 / 0 / 5 / 59

HEX #646863

RGB 100 104 99

HSL 108, 0.02%, 0.4%

LAB 43.52, -2.58, 2.27

 

CMYK 3 / 4 / 0 / 60

HEX #646367

RGB 100 99 103

HSL 255, 0.02%, 0.4%

LAB 42.17, 1.23, -2.13

 

CMYK 0 / 4 / 5 / 59

HEX #686463

RGB 104 100 99

HSL 12, 0.02%, 0.4%

LAB 42.7, 1.37, 1.12

 

CMYK 5 / 0 / 4 / 59

HEX #636864

RGB 99 104 100

HSL 132, 0.02%, 0.4%

LAB 43.47, -2.76, 1.58

 

CMYK 3 / 4 / 0 / 60

HEX #646367

RGB 100 99 103

HSL 255, 0.02%, 0.4%

LAB 42.17, 1.23, -2.13

 

CMYK 0 / 5 / 2 / 59

HEX #686366

RGB 104 99 102

HSL 324, 0.02%, 0.4%

LAB 42.5, 2.58, -1

 

CMYK 1 / 0 / 5 / 59

HEX #676863

RGB 103 104 99

HSL 72, 0.02%, 0.4%

LAB 43.78, -1.4, 2.67

 

CMYK 5 / 0 / 3 / 59

HEX #636865

RGB 99 104 101

HSL 144, 0.02%, 0.4%

LAB 43.5, -2.56, 1.01

 

CMYK 3 / 4 / 0 / 60

HEX #646367

RGB 100 99 103

HSL 255, 0.02%, 0.4%

LAB 42.17, 1.23, -2.13

 

CMYK 0 / 5 / 4 / 59

HEX #686364

RGB 104 99 100

HSL 348, 0.02%, 0.4%

LAB 42.44, 2.17, 0.13

 

CMYK 1 / 0 / 5 / 59

HEX #676863

RGB 103 104 99

HSL 72, 0.02%, 0.4%

LAB 43.78, -1.4, 2.67

 

CMYK 5 / 0 / 1 / 59

HEX #636867

RGB 99 104 103

HSL 168, 0.02%, 0.4%

LAB 43.55, -2.13, -0.11

 

Description

Color code: HEX #646367 | qconv.com Color code: HEX #646367 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 99 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 99 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 4 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 4% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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