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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #646D42 it is the complementary color #9B92BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #646D42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #646D42 shade: #696D3D, #7A7F50, #8B9163, #9CA376 and #ADB589

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #646D42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #646D42 shade: #646D42, #535B2F, #42491C, #313709 and #202500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #646D42 shade: #636C41, #6C6941, #6C5E41, #6C5241 and #6C4641

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #646D42 shade: #636C41, #576C41, #4B6C41, #416C41 and #416C4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #646D42 shade matches the following richer shades: #636C41, #6B7A32, #738824, #7B9616 and #83A408

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #646D42 shade: #636C41, #5B5E4F, #52505D, #4A426B and #423479

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #646D42 shade: #6C5D41, #6C6941, #636C41, #586C41 and #4C6C41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #646D42 shade: #343822, #4B5231, #636C41, #7A8650 and #929F60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #646D42 shade: #646D42, #416C52 and #63416C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #646D42 shade: #646D42, #41636C and #6C4163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #646D42 shade: #646D42, #416C52, #49416C and #6C415B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #646D42 shade: #646D42, #416C5F, #49416C and #6C414E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 39 / 57

HEX #646D42

RGB 100 109 66

HSL 72.56, 0.25%, 0.34%

LAB 44.29, -11.09, 22.9

 

Complementary color

CMYK 18 / 23 / 0 / 26

HEX #9B92BD

RGB 155 146 189

HSL 252.56, 0.25%, 0.66%

LAB 62.68, 12.23, -21.11

 

CMYK 4 / 0 / 44 / 57

HEX #696D3D

RGB 105 109 61

HSL 65, 0.28%, 0.33%

LAB 44.63, -9.55, 26.24

 

CMYK 4 / 0 / 37 / 50

HEX #7A7F50

RGB 122 127 80

HSL 66.38, 0.23%, 0.41%

LAB 51.72, -9.83, 24.95

 

CMYK 4 / 0 / 32 / 43

HEX #8B9163

RGB 139 145 99

HSL 67.83, 0.19%, 0.48%

LAB 58.64, -10.03, 23.74

 

CMYK 4 / 0 / 28 / 36

HEX #9CA376

RGB 156 163 118

HSL 69.33, 0.2%, 0.55%

LAB 65.41, -10.19, 22.61

 

CMYK 4 / 0 / 24 / 29

HEX #ADB589

RGB 173 181 137

HSL 70.91, 0.23%, 0.62%

LAB 72.05, -10.32, 21.54

 

CMYK 8 / 0 / 39 / 57

HEX #646D42

RGB 100 109 66

HSL 72.56, 0.25%, 0.34%

LAB 44.29, -11.09, 22.9

 

CMYK 9 / 0 / 48 / 64

HEX #535B2F

RGB 83 91 47

HSL 70.91, 0.32%, 0.27%

LAB 36.98, -10.88, 24.22

 

CMYK 10 / 0 / 62 / 71

HEX #42491C

RGB 66 73 28

HSL 69.33, 0.45%, 0.2%

LAB 29.43, -10.51, 25.53

 

CMYK 11 / 0 / 84 / 78

HEX #313709

RGB 49 55 9

HSL 67.83, 0.72%, 0.13%

LAB 21.6, -9.84, 26.16

 

CMYK 14 / 0 / 100 / 85

HEX #202500

RGB 32 37 0

HSL 68.11, 1%, 0.07%

LAB 13.41, -8.53, 19.57

 

CMYK 8 / 0 / 40 / 58

HEX #636C41

RGB 99 108 65

HSL 72.56, 0.25%, 0.34%

LAB 43.89, -11.1, 22.93

 

CMYK 0 / 3 / 40 / 58

HEX #6C6941

RGB 108 105 65

HSL 55.81, 0.25%, 0.34%

LAB 43.76, -5.44, 22.92

 

CMYK 0 / 13 / 40 / 58

HEX #6C5E41

RGB 108 94 65

HSL 40.47, 0.25%, 0.34%

LAB 40.53, 1.02, 18.72

 

CMYK 0 / 24 / 40 / 58

HEX #6C5241

RGB 108 82 65

HSL 23.72, 0.25%, 0.34%

LAB 37.12, 8.28, 14.16

 

CMYK 0 / 35 / 40 / 58

HEX #6C4641

RGB 108 70 65

HSL 6.98, 0.25%, 0.34%

LAB 33.88, 15.64, 9.71

 

CMYK 8 / 0 / 40 / 58

HEX #636C41

RGB 99 108 65

HSL 72.56, 0.25%, 0.34%

LAB 43.89, -11.1, 22.93

 

CMYK 19 / 0 / 40 / 58

HEX #576C41

RGB 87 108 65

HSL 89.3, 0.25%, 0.34%

LAB 42.96, -16.18, 21.56

 

CMYK 31 / 0 / 40 / 58

HEX #4B6C41

RGB 75 108 65

HSL 106.05, 0.25%, 0.34%

LAB 42.16, -20.96, 20.35

 

CMYK 40 / 0 / 40 / 58

HEX #416C41

RGB 65 108 65

HSL 120, 0.25%, 0.34%

LAB 41.58, -24.62, 19.49

 

CMYK 40 / 0 / 29 / 58

HEX #416C4D

RGB 65 108 77

HSL 136.74, 0.25%, 0.34%

LAB 41.82, -22.33, 12.75

 

CMYK 8 / 0 / 40 / 58

HEX #636C41

RGB 99 108 65

HSL 72.56, 0.25%, 0.34%

LAB 43.89, -11.1, 22.93

 

CMYK 12 / 0 / 59 / 52

HEX #6B7A32

RGB 107 122 50

HSL 72.5, 0.42%, 0.34%

LAB 48.6, -16.96, 36.85

 

CMYK 15 / 0 / 74 / 47

HEX #738824

RGB 115 136 36

HSL 72.6, 0.58%, 0.34%

LAB 53.36, -21.8, 48.25

 

CMYK 18 / 0 / 85 / 41

HEX #7B9616

RGB 123 150 22

HSL 72.66, 0.74%, 0.34%

LAB 58.11, -25.98, 57.23

 

CMYK 20 / 0 / 95 / 36

HEX #83A408

RGB 131 164 8

HSL 72.69, 0.91%, 0.34%

LAB 62.84, -29.7, 63.86

 

CMYK 8 / 0 / 40 / 58

HEX #636C41

RGB 99 108 65

HSL 72.56, 0.25%, 0.34%

LAB 43.89, -11.1, 22.93

 

CMYK 3 / 0 / 16 / 63

HEX #5B5E4F

RGB 91 94 79

HSL 72, 0.09%, 0.34%

LAB 39.23, -4.18, 8.21

 

CMYK 12 / 14 / 0 / 64

HEX #52505D

RGB 82 80 93

HSL 249.23, 0.08%, 0.34%

LAB 34.64, 3.75, -7.29

 

CMYK 31 / 38 / 0 / 58

HEX #4A426B

RGB 74 66 107

HSL 251.71, 0.24%, 0.34%

LAB 30.43, 13.61, -22.67

 

CMYK 45 / 57 / 0 / 53

HEX #423479

RGB 66 52 121

HSL 252.17, 0.4%, 0.34%

LAB 26.72, 24.7, -37.49

 

CMYK 0 / 14 / 40 / 58

HEX #6C5D41

RGB 108 93 65

HSL 39.07, 0.25%, 0.34%

LAB 40.24, 1.62, 18.33

 

CMYK 0 / 3 / 40 / 58

HEX #6C6941

RGB 108 105 65

HSL 55.81, 0.25%, 0.34%

LAB 43.76, -5.44, 22.92

 

CMYK 8 / 0 / 40 / 58

HEX #636C41

RGB 99 108 65

HSL 72.56, 0.25%, 0.34%

LAB 43.89, -11.1, 22.93

 

CMYK 19 / 0 / 40 / 58

HEX #586C41

RGB 88 108 65

HSL 87.91, 0.25%, 0.34%

LAB 43.04, -15.77, 21.66

 

CMYK 30 / 0 / 40 / 58

HEX #4C6C41

RGB 76 108 65

HSL 104.65, 0.25%, 0.34%

LAB 42.22, -20.57, 20.45

 

CMYK 7 / 0 / 39 / 78

HEX #343822

RGB 52 56 34

HSL 70.91, 0.24%, 0.18%

LAB 22.56, -6.14, 13.21

 

CMYK 9 / 0 / 40 / 68

HEX #4B5231

RGB 75 82 49

HSL 72.73, 0.25%, 0.26%

LAB 33.46, -9.01, 18.46

 

CMYK 8 / 0 / 40 / 58

HEX #636C41

RGB 99 108 65

HSL 72.56, 0.25%, 0.34%

LAB 43.89, -11.1, 22.93

 

CMYK 9 / 0 / 40 / 47

HEX #7A8650

RGB 122 134 80

HSL 73.33, 0.25%, 0.42%

LAB 53.78, -13.64, 27.61

 

CMYK 8 / 0 / 40 / 38

HEX #929F60

RGB 146 159 96

HSL 72.38, 0.25%, 0.5%

LAB 63.14, -15.03, 31.33

 

CMYK 8 / 0 / 39 / 57

HEX #646D42

RGB 100 109 66

HSL 72.56, 0.25%, 0.34%

LAB 44.29, -11.09, 22.9

 

CMYK 40 / 0 / 24 / 58

HEX #416C52

RGB 65 108 82

HSL 143.72, 0.25%, 0.34%

LAB 41.94, -21.27, 9.93

 

CMYK 8 / 40 / 0 / 58

HEX #63416C

RGB 99 65 108

HSL 287.44, 0.25%, 0.34%

LAB 32.95, 22.99, -19.18

 

CMYK 8 / 0 / 39 / 57

HEX #646D42

RGB 100 109 66

HSL 72.56, 0.25%, 0.34%

LAB 44.29, -11.09, 22.9

 

CMYK 40 / 8 / 0 / 58

HEX #41636C

RGB 65 99 108

HSL 192.56, 0.25%, 0.34%

LAB 39.8, -9.71, -8.99

 

CMYK 0 / 40 / 8 / 58

HEX #6C4163

RGB 108 65 99

HSL 312.56, 0.25%, 0.34%

LAB 33.71, 24.32, -12.21

 

CMYK 8 / 0 / 39 / 57

HEX #646D42

RGB 100 109 66

HSL 72.56, 0.25%, 0.34%

LAB 44.29, -11.09, 22.9

 

CMYK 40 / 0 / 24 / 58

HEX #416C52

RGB 65 108 82

HSL 143.72, 0.25%, 0.34%

LAB 41.94, -21.27, 9.93

 

CMYK 32 / 40 / 0 / 58

HEX #49416C

RGB 73 65 108

HSL 251.16, 0.25%, 0.34%

LAB 30.11, 14.23, -23.83

 

CMYK 0 / 40 / 16 / 58

HEX #6C415B

RGB 108 65 91

HSL 323.72, 0.25%, 0.34%

LAB 33.4, 22.81, -7.59

 

CMYK 8 / 0 / 39 / 57

HEX #646D42

RGB 100 109 66

HSL 72.56, 0.25%, 0.34%

LAB 44.29, -11.09, 22.9

 

CMYK 40 / 0 / 12 / 58

HEX #416C5F

RGB 65 108 95

HSL 161.86, 0.25%, 0.34%

LAB 42.27, -18.24, 2.58

 

CMYK 32 / 40 / 0 / 58

HEX #49416C

RGB 73 65 108

HSL 251.16, 0.25%, 0.34%

LAB 30.11, 14.23, -23.83

 

CMYK 0 / 40 / 28 / 58

HEX #6C414E

RGB 108 65 78

HSL 341.86, 0.25%, 0.34%

LAB 32.96, 20.6, 0.09

 

Description

Color code: HEX #646D42 | qconv.com Color code: HEX #646D42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 109 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 109 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 39 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 39% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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