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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #647080 it is the complementary color #9B8F7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #647080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #647080 shade: #69707B, #7A828E, #8B94A1, #9CA6B4 and #ADB8C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #647080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #647080 shade: #647080, #535E6D, #424C5A, #313A47 and #202834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #647080 shade: #647080, #646980, #686480, #6F6480 and #766480

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #647080 shade: #647080, #646980 and #646480

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #647080 shade matches the following richer shades: #647080, #526E93, #3F6BA5, #2D68B8 and #1A66CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #647080 shade: #647080, #77736D, #8A765B, #9C7848 and #AF7B36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #647080 shade: #647F80, #647880, #647080, #646980 and #676480

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #647080 shade: #404852, #525C69, #647080, #798595 and #909AA7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #647080 shade: #647080, #7A6480 and #7B8064

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #647080 shade: #647080, #806470 and #708064

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #647080 shade: #647080, #7A6480, #807464 and #6B8064

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #647080 shade: #647080, #80647E, #807464 and #648066

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 13 / 0 / 50

HEX #647080

RGB 100 112 128

HSL 214.29, 0.12%, 0.45%

LAB 46.79, -0.75, -10.33

 

Complementary color

CMYK 0 / 8 / 18 / 39

HEX #9B8F7F

RGB 155 143 127

HSL 34.29, 0.12%, 0.55%

LAB 60.02, 1.7, 10.12

 

CMYK 15 / 9 / 0 / 52

HEX #69707B

RGB 105 112 123

HSL 216.67, 0.08%, 0.45%

LAB 47, -0.2, -6.98

 

CMYK 14 / 8 / 0 / 44

HEX #7A828E

RGB 122 130 142

HSL 216, 0.08%, 0.52%

LAB 54.09, -0.35, -7.47

 

CMYK 14 / 8 / 0 / 37

HEX #8B94A1

RGB 139 148 161

HSL 215.45, 0.1%, 0.59%

LAB 60.99, -0.49, -7.94

 

CMYK 13 / 8 / 0 / 29

HEX #9CA6B4

RGB 156 166 180

HSL 215, 0.14%, 0.66%

LAB 67.75, -0.63, -8.42

 

CMYK 13 / 8 / 0 / 22

HEX #ADB8C7

RGB 173 184 199

HSL 214.62, 0.19%, 0.73%

LAB 74.37, -0.76, -8.88

 

CMYK 22 / 13 / 0 / 50

HEX #647080

RGB 100 112 128

HSL 214.29, 0.12%, 0.45%

LAB 46.79, -0.75, -10.33

 

CMYK 24 / 14 / 0 / 57

HEX #535E6D

RGB 83 94 109

HSL 214.62, 0.14%, 0.38%

LAB 39.49, -0.58, -9.94

 

CMYK 27 / 16 / 0 / 65

HEX #424C5A

RGB 66 76 90

HSL 215, 0.15%, 0.31%

LAB 31.96, -0.4, -9.57

 

CMYK 31 / 18 / 0 / 72

HEX #313A47

RGB 49 58 71

HSL 215.45, 0.18%, 0.24%

LAB 24.11, -0.18, -9.22

 

CMYK 38 / 23 / 0 / 80

HEX #202834

RGB 32 40 52

HSL 216, 0.24%, 0.16%

LAB 15.86, 0.1, -8.92

 

CMYK 22 / 13 / 0 / 50

HEX #647080

RGB 100 112 128

HSL 214.29, 0.12%, 0.45%

LAB 46.79, -0.75, -10.33

 

CMYK 22 / 18 / 0 / 50

HEX #646980

RGB 100 105 128

HSL 229.29, 0.12%, 0.45%

LAB 44.76, 3.43, -13.39

 

CMYK 19 / 22 / 0 / 50

HEX #686480

RGB 104 100 128

HSL 248.57, 0.12%, 0.45%

LAB 43.68, 7.85, -15.01

 

CMYK 13 / 22 / 0 / 50

HEX #6F6480

RGB 111 100 128

HSL 263.57, 0.12%, 0.45%

LAB 44.31, 10.31, -13.99

 

CMYK 8 / 22 / 0 / 50

HEX #766480

RGB 118 100 128

HSL 278.57, 0.12%, 0.45%

LAB 44.98, 12.82, -12.91

 

CMYK 22 / 13 / 0 / 50

HEX #647080

RGB 100 112 128

HSL 214.29, 0.12%, 0.45%

LAB 46.79, -0.75, -10.33

 

CMYK 22 / 18 / 0 / 50

HEX #646980

RGB 100 105 128

HSL 229.29, 0.12%, 0.45%

LAB 44.76, 3.43, -13.39

 

CMYK 22 / 22 / 0 / 50

HEX #646480

RGB 100 100 128

HSL 240, 0.12%, 0.45%

LAB 43.33, 6.47, -15.56

 

CMYK 22 / 13 / 0 / 50

HEX #647080

RGB 100 112 128

HSL 214.29, 0.12%, 0.45%

LAB 46.79, -0.75, -10.33

 

CMYK 44 / 25 / 0 / 42

HEX #526E93

RGB 82 110 147

HSL 214.15, 0.28%, 0.45%

LAB 45.71, 0.09, -23.4

 

CMYK 62 / 35 / 0 / 35

HEX #3F6BA5

RGB 63 107 165

HSL 214.12, 0.45%, 0.45%

LAB 44.64, 3.28, -35.77

 

CMYK 76 / 43 / 0 / 28

HEX #2D68B8

RGB 45 104 184

HSL 214.53, 0.61%, 0.45%

LAB 44.12, 9.17, -47.78

 

CMYK 87 / 50 / 0 / 21

HEX #1A66CA

RGB 26 102 202

HSL 214.09, 0.77%, 0.45%

LAB 44.21, 15.6, -58.07

 

CMYK 22 / 13 / 0 / 50

HEX #647080

RGB 100 112 128

HSL 214.29, 0.12%, 0.45%

LAB 46.79, -0.75, -10.33

 

CMYK 0 / 3 / 8 / 53

HEX #77736D

RGB 119 115 109

HSL 36, 0.04%, 0.45%

LAB 48.62, 0.38, 3.86

 

CMYK 0 / 14 / 34 / 46

HEX #8A765B

RGB 138 118 91

HSL 34.47, 0.21%, 0.45%

LAB 50.82, 3.55, 17.76

 

CMYK 0 / 23 / 54 / 39

HEX #9C7848

RGB 156 120 72

HSL 34.29, 0.37%, 0.45%

LAB 52.92, 8.06, 31.57

 

CMYK 0 / 30 / 69 / 31

HEX #AF7B36

RGB 175 123 54

HSL 34.21, 0.53%, 0.45%

LAB 55.63, 13.42, 44.56

 

CMYK 22 / 1 / 0 / 50

HEX #647F80

RGB 100 127 128

HSL 182.14, 0.12%, 0.45%

LAB 51.21, -9.4, -3.74

 

CMYK 22 / 6 / 0 / 50

HEX #647880

RGB 100 120 128

HSL 197.14, 0.12%, 0.45%

LAB 49.13, -5.42, -6.82

 

CMYK 22 / 13 / 0 / 50

HEX #647080

RGB 100 112 128

HSL 214.29, 0.12%, 0.45%

LAB 46.79, -0.75, -10.33

 

CMYK 22 / 18 / 0 / 50

HEX #646980

RGB 100 105 128

HSL 229.29, 0.12%, 0.45%

LAB 44.76, 3.43, -13.39

 

CMYK 20 / 22 / 0 / 50

HEX #676480

RGB 103 100 128

HSL 246.43, 0.12%, 0.45%

LAB 43.59, 7.5, -15.15

 

CMYK 22 / 12 / 0 / 68

HEX #404852

RGB 64 72 82

HSL 213.33, 0.12%, 0.29%

LAB 30.24, -0.73, -7.05

 

CMYK 22 / 12 / 0 / 59

HEX #525C69

RGB 82 92 105

HSL 213.91, 0.12%, 0.37%

LAB 38.67, -0.74, -8.73

 

CMYK 22 / 13 / 0 / 50

HEX #647080

RGB 100 112 128

HSL 214.29, 0.12%, 0.45%

LAB 46.79, -0.75, -10.33

 

CMYK 19 / 11 / 0 / 42

HEX #798595

RGB 121 133 149

HSL 214.29, 0.12%, 0.53%

LAB 55.08, -0.81, -10.04

 

CMYK 14 / 8 / 0 / 35

HEX #909AA7

RGB 144 154 167

HSL 213.91, 0.12%, 0.61%

LAB 63.2, -0.84, -8.01

 

CMYK 22 / 13 / 0 / 50

HEX #647080

RGB 100 112 128

HSL 214.29, 0.12%, 0.45%

LAB 46.79, -0.75, -10.33

 

CMYK 5 / 22 / 0 / 50

HEX #7A6480

RGB 122 100 128

HSL 287.14, 0.12%, 0.45%

LAB 45.37, 14.27, -12.27

 

CMYK 4 / 0 / 22 / 50

HEX #7B8064

RGB 123 128 100

HSL 70.71, 0.12%, 0.45%

LAB 52.47, -7.02, 14.61

 

CMYK 22 / 13 / 0 / 50

HEX #647080

RGB 100 112 128

HSL 214.29, 0.12%, 0.45%

LAB 46.79, -0.75, -10.33

 

CMYK 0 / 22 / 13 / 50

HEX #806470

RGB 128 100 112

HSL 334.29, 0.12%, 0.45%

LAB 45.46, 13.35, -2.43

 

CMYK 13 / 0 / 22 / 50

HEX #708064

RGB 112 128 100

HSL 94.29, 0.12%, 0.45%

LAB 51.61, -11.39, 13.29

 

CMYK 22 / 13 / 0 / 50

HEX #647080

RGB 100 112 128

HSL 214.29, 0.12%, 0.45%

LAB 46.79, -0.75, -10.33

 

CMYK 5 / 22 / 0 / 50

HEX #7A6480

RGB 122 100 128

HSL 287.14, 0.12%, 0.45%

LAB 45.37, 14.27, -12.27

 

CMYK 0 / 9 / 22 / 50

HEX #807464

RGB 128 116 100

HSL 34.29, 0.12%, 0.45%

LAB 49.5, 1.85, 10.53

 

CMYK 16 / 0 / 22 / 50

HEX #6B8064

RGB 107 128 100

HSL 105, 0.12%, 0.45%

LAB 51.25, -13.31, 12.72

 

CMYK 22 / 13 / 0 / 50

HEX #647080

RGB 100 112 128

HSL 214.29, 0.12%, 0.45%

LAB 46.79, -0.75, -10.33

 

CMYK 0 / 22 / 2 / 50

HEX #80647E

RGB 128 100 126

HSL 304.29, 0.12%, 0.45%

LAB 45.92, 16.05, -10.18

 

CMYK 0 / 9 / 22 / 50

HEX #807464

RGB 128 116 100

HSL 34.29, 0.12%, 0.45%

LAB 49.5, 1.85, 10.53

 

CMYK 22 / 0 / 20 / 50

HEX #648066

RGB 100 128 102

HSL 124.29, 0.12%, 0.45%

LAB 50.81, -15.56, 10.88

 

Description

Color code: HEX #647080 | qconv.com Color code: HEX #647080 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 112 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 112 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 13 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 13% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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