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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64711D it is the complementary color #9B8EE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64711D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64711D shade: #697118, #7A832B, #8B953E, #9CA751 and #ADB964

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64711D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64711D shade: #64711D, #535F0A, #424D00, #313B00 and #202900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64711D shade: #64711D, #71671D, #71511D, #713A1D and #71231D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64711D shade: #64711D, #4D711D, #37711D, #20711D and #1D7130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64711D shade matches the following richer shades: #64711D, #6C7D11 and #748806

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64711D shade: #64711D, #5C6528, #545A34, #4C4E3F and #44434B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64711D shade: #71511D, #71671D, #64711D, #4E711D and #37711D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64711D shade: #2A2F0C, #475014, #64711D, #819225 and #9EB32E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64711D shade: #64711D, #1D713A and #5C1D71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64711D shade: #64711D, #1D6471 and #711D64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64711D shade: #64711D, #1D713A, #291D71 and #711D54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64711D shade: #64711D, #1D7154, #291D71 and #711D3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 74 / 56

HEX #64711D

RGB 100 113 29

HSL 69.29, 0.59%, 0.28%

LAB 45.09, -16.88, 42.46

 

Complementary color

CMYK 31 / 37 / 0 / 11

HEX #9B8EE2

RGB 155 142 226

HSL 249.29, 0.59%, 0.72%

LAB 63.18, 23.51, -41

 

CMYK 7 / 0 / 79 / 56

HEX #697118

RGB 105 113 24

HSL 65.39, 0.65%, 0.27%

LAB 45.47, -14.85, 44.85

 

CMYK 7 / 0 / 67 / 49

HEX #7A832B

RGB 122 131 43

HSL 66.14, 0.51%, 0.34%

LAB 52.45, -15.67, 44.64

 

CMYK 7 / 0 / 58 / 42

HEX #8B953E

RGB 139 149 62

HSL 66.9, 0.41%, 0.41%

LAB 59.28, -16.26, 43.78

 

CMYK 7 / 0 / 51 / 35

HEX #9CA751

RGB 156 167 81

HSL 67.67, 0.35%, 0.49%

LAB 65.98, -16.7, 42.69

 

CMYK 6 / 0 / 46 / 27

HEX #ADB964

RGB 173 185 100

HSL 68.47, 0.38%, 0.56%

LAB 72.56, -17.04, 41.52

 

CMYK 12 / 0 / 74 / 56

HEX #64711D

RGB 100 113 29

HSL 69.29, 0.59%, 0.28%

LAB 45.09, -16.88, 42.46

 

CMYK 13 / 0 / 89 / 63

HEX #535F0A

RGB 83 95 10

HSL 68.47, 0.81%, 0.21%

LAB 37.92, -15.95, 41.84

 

CMYK 14 / 0 / 100 / 70

HEX #424D00

RGB 66 77 0

HSL 68.57, 1%, 0.15%

LAB 30.56, -14.59, 38.53

 

CMYK 17 / 0 / 100 / 77

HEX #313B00

RGB 49 59 0

HSL 70.17, 1%, 0.12%

LAB 22.93, -12.83, 31.24

 

CMYK 22 / 0 / 100 / 84

HEX #202900

RGB 32 41 0

HSL 73.17, 1%, 0.08%

LAB 14.92, -11.02, 21.54

 

CMYK 12 / 0 / 74 / 56

HEX #64711D

RGB 100 113 29

HSL 69.29, 0.59%, 0.28%

LAB 45.09, -16.88, 42.46

 

CMYK 0 / 9 / 74 / 56

HEX #71671D

RGB 113 103 29

HSL 52.86, 0.59%, 0.28%

LAB 43.21, -5.21, 41

 

CMYK 0 / 28 / 74 / 56

HEX #71511D

RGB 113 81 29

HSL 37.14, 0.59%, 0.28%

LAB 36.9, 7.82, 34.61

 

CMYK 0 / 49 / 74 / 56

HEX #713A1D

RGB 113 58 29

HSL 20.71, 0.59%, 0.28%

LAB 30.94, 21.67, 28.24

 

CMYK 0 / 69 / 74 / 56

HEX #71231D

RGB 113 35 29

HSL 4.29, 0.59%, 0.28%

LAB 26.16, 33.99, 22.83

 

CMYK 12 / 0 / 74 / 56

HEX #64711D

RGB 100 113 29

HSL 69.29, 0.59%, 0.28%

LAB 45.09, -16.88, 42.46

 

CMYK 32 / 0 / 74 / 56

HEX #4D711D

RGB 77 113 29

HSL 85.71, 0.59%, 0.28%

LAB 43.47, -26.88, 40.31

 

CMYK 51 / 0 / 74 / 56

HEX #37711D

RGB 55 113 29

HSL 101.43, 0.59%, 0.28%

LAB 42.32, -35.03, 38.78

 

CMYK 72 / 0 / 74 / 56

HEX #20711D

RGB 32 113 29

HSL 117.86, 0.59%, 0.28%

LAB 41.54, -41.25, 37.72

 

CMYK 74 / 0 / 58 / 56

HEX #1D7130

RGB 29 113 48

HSL 133.57, 0.59%, 0.28%

LAB 41.67, -39.52, 28.76

 

CMYK 12 / 0 / 74 / 56

HEX #64711D

RGB 100 113 29

HSL 69.29, 0.59%, 0.28%

LAB 45.09, -16.88, 42.46

 

CMYK 14 / 0 / 86 / 51

HEX #6C7D11

RGB 108 125 17

HSL 69.44, 0.76%, 0.28%

LAB 49.37, -20.12, 50.56

 

CMYK 15 / 0 / 96 / 47

HEX #748806

RGB 116 136 6

HSL 69.23, 0.92%, 0.28%

LAB 53.31, -22.46, 56.25

 

CMYK 12 / 0 / 74 / 56

HEX #64711D

RGB 100 113 29

HSL 69.29, 0.59%, 0.28%

LAB 45.09, -16.88, 42.46

 

CMYK 9 / 0 / 60 / 60

HEX #5C6528

RGB 92 101 40

HSL 68.85, 0.43%, 0.28%

LAB 40.79, -13.16, 32.71

 

CMYK 7 / 0 / 42 / 65

HEX #545A34

RGB 84 90 52

HSL 69.47, 0.27%, 0.28%

LAB 36.83, -9.2, 21.15

 

CMYK 3 / 0 / 19 / 69

HEX #4C4E3F

RGB 76 78 63

HSL 68, 0.11%, 0.28%

LAB 32.58, -3.85, 8.62

 

CMYK 9 / 11 / 0 / 71

HEX #44434B

RGB 68 67 75

HSL 247.5, 0.06%, 0.28%

LAB 28.78, 2.26, -4.67

 

CMYK 0 / 28 / 74 / 56

HEX #71511D

RGB 113 81 29

HSL 37.14, 0.59%, 0.28%

LAB 36.9, 7.82, 34.61

 

CMYK 0 / 9 / 74 / 56

HEX #71671D

RGB 113 103 29

HSL 52.86, 0.59%, 0.28%

LAB 43.21, -5.21, 41

 

CMYK 12 / 0 / 74 / 56

HEX #64711D

RGB 100 113 29

HSL 69.29, 0.59%, 0.28%

LAB 45.09, -16.88, 42.46

 

CMYK 31 / 0 / 74 / 56

HEX #4E711D

RGB 78 113 29

HSL 85, 0.59%, 0.28%

LAB 43.53, -26.47, 40.4

 

CMYK 51 / 0 / 74 / 56

HEX #37711D

RGB 55 113 29

HSL 101.43, 0.59%, 0.28%

LAB 42.32, -35.03, 38.78

 

CMYK 11 / 0 / 74 / 82

HEX #2A2F0C

RGB 42 47 12

HSL 68.57, 0.59%, 0.12%

LAB 18.15, -8.3, 20.81

 

CMYK 11 / 0 / 75 / 69

HEX #475014

RGB 71 80 20

HSL 69, 0.6%, 0.2%

LAB 32.1, -12.82, 32.52

 

CMYK 12 / 0 / 74 / 56

HEX #64711D

RGB 100 113 29

HSL 69.29, 0.59%, 0.28%

LAB 45.09, -16.88, 42.46

 

CMYK 12 / 0 / 75 / 43

HEX #819225

RGB 129 146 37

HSL 69.36, 0.6%, 0.36%

LAB 57.42, -20.75, 52.18

 

CMYK 12 / 0 / 74 / 30

HEX #9EB32E

RGB 158 179 46

HSL 69.47, 0.59%, 0.44%

LAB 69.26, -24.39, 61.09

 

CMYK 12 / 0 / 74 / 56

HEX #64711D

RGB 100 113 29

HSL 69.29, 0.59%, 0.28%

LAB 45.09, -16.88, 42.46

 

CMYK 74 / 0 / 49 / 56

HEX #1D713A

RGB 29 113 58

HSL 140.71, 0.59%, 0.28%

LAB 41.81, -37.86, 23.51

 

CMYK 19 / 74 / 0 / 56

HEX #5C1D71

RGB 92 29 113

HSL 285, 0.59%, 0.28%

LAB 24.78, 41.8, -35.33

 

CMYK 12 / 0 / 74 / 56

HEX #64711D

RGB 100 113 29

HSL 69.29, 0.59%, 0.28%

LAB 45.09, -16.88, 42.46

 

CMYK 74 / 12 / 0 / 56

HEX #1D6471

RGB 29 100 113

HSL 189.29, 0.59%, 0.28%

LAB 38.84, -16.86, -13.64

 

CMYK 0 / 74 / 12 / 56

HEX #711D64

RGB 113 29 100

HSL 309.29, 0.59%, 0.28%

LAB 27.6, 44.52, -22.23

 

CMYK 12 / 0 / 74 / 56

HEX #64711D

RGB 100 113 29

HSL 69.29, 0.59%, 0.28%

LAB 45.09, -16.88, 42.46

 

CMYK 74 / 0 / 49 / 56

HEX #1D713A

RGB 29 113 58

HSL 140.71, 0.59%, 0.28%

LAB 41.81, -37.86, 23.51

 

CMYK 64 / 74 / 0 / 56

HEX #291D71

RGB 41 29 113

HSL 248.57, 0.59%, 0.28%

LAB 18.11, 31.61, -46.48

 

CMYK 0 / 74 / 26 / 56

HEX #711D54

RGB 113 29 84

HSL 320.71, 0.59%, 0.28%

LAB 26.82, 42.06, -12.95

 

CMYK 12 / 0 / 74 / 56

HEX #64711D

RGB 100 113 29

HSL 69.29, 0.59%, 0.28%

LAB 45.09, -16.88, 42.46

 

CMYK 74 / 0 / 26 / 56

HEX #1D7154

RGB 29 113 84

HSL 159.29, 0.59%, 0.28%

LAB 42.33, -32.17, 9.08

 

CMYK 64 / 74 / 0 / 56

HEX #291D71

RGB 41 29 113

HSL 248.57, 0.59%, 0.28%

LAB 18.11, 31.61, -46.48

 

CMYK 0 / 74 / 49 / 56

HEX #711D3A

RGB 113 29 58

HSL 339.29, 0.59%, 0.28%

LAB 25.85, 38.87, 3.07

 

Description

Color code: HEX #64711D | qconv.com Color code: HEX #64711D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 113 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 113 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 74 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 74% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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