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Color name
HEX #647EC8

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #647EC8 it is the complementary color #9B8137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #647EC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #647EC8 shade: #697EC3, #7A90D6, #8BA2E9, #9CB4FC and #ADC6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #647EC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #647EC8 shade: #647EC8, #536CB5, #425AA2, #31488F and #20367C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #647EC8 shade: #647EC8, #6564C8, #8064C8, #9B64C8 and #B664C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #647EC8 shade: #647EC8 and #6464C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #647EC8 shade matches the following richer shades: #647EC8, #5376D9, #426EEA and #3166FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #647EC8 shade: #647EC8, #7586B7, #868EA6, #979695 and #A79E84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #647EC8 shade: #64B4C8, #6499C8, #647FC8, #6464C8 and #7F64C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #647EC8 shade: #3854A1, #4564BD, #647EC8, #8297D3 and #A1B1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #647EC8 shade: #647EC8, #C164C8 and #A7C864

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #647EC8 shade: #647EC8, #C8647F and #7FC864

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #647EC8 shade: #647EC8, #C164C8, #C8AD64 and #6AC864

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #647EC8 shade: #647EC8, #C864B1, #C8AD64 and #64C87B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 37 / 0 / 22

HEX #647EC8

RGB 100 126 200

HSL 224.4, 0.48%, 0.59%

LAB 53.82, 11.29, -41.41

 

Complementary color

CMYK 0 / 17 / 65 / 39

HEX #9B8137

RGB 155 129 55

HSL 44.4, 0.48%, 0.41%

LAB 55.02, 1.16, 42.78

 

CMYK 46 / 35 / 0 / 24

HEX #697EC3

RGB 105 126 195

HSL 226, 0.43%, 0.59%

LAB 53.88, 10.97, -38.43

 

CMYK 43 / 33 / 0 / 16

HEX #7A90D6

RGB 122 144 214

HSL 225.65, 0.53%, 0.66%

LAB 60.73, 10.23, -38.34

 

CMYK 40 / 30 / 0 / 9

HEX #8BA2E9

RGB 139 162 233

HSL 225.32, 0.68%, 0.73%

LAB 67.44, 9.59, -38.3

 

CMYK 38 / 29 / 0 / 1

HEX #9CB4FC

RGB 156 180 252

HSL 225, 0.94%, 0.8%

LAB 74.02, 9.04, -38.29

 

CMYK 32 / 22 / 0 / 0

HEX #ADC6FF

RGB 173 198 255

HSL 221.71, 1%, 0.84%

LAB 79.89, 4.53, -30.74

 

CMYK 50 / 37 / 0 / 22

HEX #647EC8

RGB 100 126 200

HSL 224.4, 0.48%, 0.59%

LAB 53.82, 11.29, -41.41

 

CMYK 54 / 40 / 0 / 29

HEX #536CB5

RGB 83 108 181

HSL 224.69, 0.4%, 0.52%

LAB 46.84, 12.32, -41.58

 

CMYK 59 / 44 / 0 / 36

HEX #425AA2

RGB 66 90 162

HSL 225, 0.42%, 0.45%

LAB 39.71, 13.61, -41.81

 

CMYK 66 / 50 / 0 / 44

HEX #31488F

RGB 49 72 143

HSL 225.32, 0.49%, 0.38%

LAB 32.42, 15.27, -42.08

 

CMYK 74 / 56 / 0 / 51

HEX #20367C

RGB 32 54 124

HSL 225.65, 0.59%, 0.31%

LAB 24.95, 17.49, -42.36

 

CMYK 50 / 37 / 0 / 22

HEX #647EC8

RGB 100 126 200

HSL 224.4, 0.48%, 0.59%

LAB 53.82, 11.29, -41.41

 

CMYK 50 / 50 / 0 / 22

HEX #6564C8

RGB 101 100 200

HSL 240.6, 0.48%, 0.59%

LAB 47.04, 27.39, -52.18

 

CMYK 36 / 50 / 0 / 22

HEX #8064C8

RGB 128 100 200

HSL 256.8, 0.48%, 0.59%

LAB 49.34, 33.87, -48.37

 

CMYK 23 / 50 / 0 / 22

HEX #9B64C8

RGB 155 100 200

HSL 273, 0.48%, 0.59%

LAB 52.12, 41.03, -43.78

 

CMYK 9 / 50 / 0 / 22

HEX #B664C8

RGB 182 100 200

HSL 289.2, 0.48%, 0.59%

LAB 55.31, 48.52, -38.55

 

CMYK 50 / 37 / 0 / 22

HEX #647EC8

RGB 100 126 200

HSL 224.4, 0.48%, 0.59%

LAB 53.82, 11.29, -41.41

 

CMYK 50 / 50 / 0 / 22

HEX #6464C8

RGB 100 100 200

HSL 240, 0.48%, 0.59%

LAB 46.97, 27.16, -52.31

 

CMYK 50 / 37 / 0 / 22

HEX #647EC8

RGB 100 126 200

HSL 224.4, 0.48%, 0.59%

LAB 53.82, 11.29, -41.41

 

CMYK 62 / 46 / 0 / 15

HEX #5376D9

RGB 83 118 217

HSL 224.33, 0.64%, 0.59%

LAB 51.62, 18.17, -54.61

 

CMYK 72 / 53 / 0 / 8

HEX #426EEA

RGB 66 110 234

HSL 224.29, 0.8%, 0.59%

LAB 49.8, 26.48, -67.15

 

CMYK 80 / 59 / 0 / 2

HEX #3166FB

RGB 49 102 251

HSL 224.26, 0.96%, 0.59%

LAB 48.41, 35.87, -78.93

 

CMYK 50 / 37 / 0 / 22

HEX #647EC8

RGB 100 126 200

HSL 224.4, 0.48%, 0.59%

LAB 53.82, 11.29, -41.41

 

CMYK 36 / 27 / 0 / 28

HEX #7586B7

RGB 117 134 183

HSL 224.55, 0.31%, 0.59%

LAB 56.34, 6.01, -27.7

 

CMYK 19 / 14 / 0 / 35

HEX #868EA6

RGB 134 142 166

HSL 225, 0.15%, 0.59%

LAB 59.13, 2.35, -13.62

 

CMYK 0 / 1 / 1 / 41

HEX #979695

RGB 151 150 149

HSL 30, 0.01%, 0.59%

LAB 62.14, 0.18, 0.65

 

CMYK 0 / 5 / 21 / 35

HEX #A79E84

RGB 167 158 132

HSL 44.57, 0.17%, 0.59%

LAB 65.23, -1.1, 14.78

 

CMYK 50 / 10 / 0 / 22

HEX #64B4C8

RGB 100 180 200

HSL 192, 0.48%, 0.59%

LAB 69.13, -19.09, -17.73

 

CMYK 50 / 24 / 0 / 22

HEX #6499C8

RGB 100 153 200

HSL 208.2, 0.48%, 0.59%

LAB 61.36, -4.48, -29.62

 

CMYK 50 / 37 / 0 / 22

HEX #647FC8

RGB 100 127 200

HSL 223.8, 0.48%, 0.59%

LAB 54.09, 10.69, -40.98

 

CMYK 50 / 50 / 0 / 22

HEX #6464C8

RGB 100 100 200

HSL 240, 0.48%, 0.59%

LAB 46.97, 27.16, -52.31

 

CMYK 37 / 50 / 0 / 22

HEX #7F64C8

RGB 127 100 200

HSL 256.2, 0.48%, 0.59%

LAB 49.25, 33.62, -48.53

 

CMYK 65 / 48 / 0 / 37

HEX #3854A1

RGB 56 84 161

HSL 224, 0.48%, 0.43%

LAB 37.4, 15.21, -44.95

 

CMYK 63 / 47 / 0 / 26

HEX #4564BD

RGB 69 100 189

HSL 224.5, 0.48%, 0.51%

LAB 44.31, 17.25, -50.32

 

CMYK 50 / 37 / 0 / 22

HEX #647EC8

RGB 100 126 200

HSL 224.4, 0.48%, 0.59%

LAB 53.82, 11.29, -41.41

 

CMYK 38 / 28 / 0 / 17

HEX #8297D3

RGB 130 151 211

HSL 224.44, 0.48%, 0.67%

LAB 63, 7.45, -33.09

 

CMYK 27 / 20 / 0 / 13

HEX #A1B1DE

RGB 161 177 222

HSL 224.26, 0.48%, 0.75%

LAB 72.43, 4.48, -24.45

 

CMYK 50 / 37 / 0 / 22

HEX #647EC8

RGB 100 126 200

HSL 224.4, 0.48%, 0.59%

LAB 53.82, 11.29, -41.41

 

CMYK 4 / 50 / 0 / 22

HEX #C164C8

RGB 193 100 200

HSL 295.8, 0.48%, 0.59%

LAB 56.71, 51.62, -36.26

 

CMYK 17 / 0 / 50 / 22

HEX #A7C864

RGB 167 200 100

HSL 79.8, 0.48%, 0.59%

LAB 76.34, -26.82, 46.01

 

CMYK 50 / 37 / 0 / 22

HEX #647EC8

RGB 100 126 200

HSL 224.4, 0.48%, 0.59%

LAB 53.82, 11.29, -41.41

 

CMYK 0 / 50 / 37 / 22

HEX #C8647F

RGB 200 100 127

HSL 343.8, 0.48%, 0.59%

LAB 55, 42.57, 3.63

 

CMYK 37 / 0 / 50 / 22

HEX #7FC864

RGB 127 200 100

HSL 103.8, 0.48%, 0.59%

LAB 74.02, -41.26, 42.66

 

CMYK 50 / 37 / 0 / 22

HEX #647EC8

RGB 100 126 200

HSL 224.4, 0.48%, 0.59%

LAB 53.82, 11.29, -41.41

 

CMYK 4 / 50 / 0 / 22

HEX #C164C8

RGB 193 100 200

HSL 295.8, 0.48%, 0.59%

LAB 56.71, 51.62, -36.26

 

CMYK 0 / 14 / 50 / 22

HEX #C8AD64

RGB 200 173 100

HSL 43.8, 0.48%, 0.59%

LAB 71.61, 0.34, 40.87

 

CMYK 47 / 0 / 50 / 22

HEX #6AC864

RGB 106 200 100

HSL 116.4, 0.48%, 0.59%

LAB 73.08, -47.77, 41.29

 

CMYK 50 / 37 / 0 / 22

HEX #647EC8

RGB 100 126 200

HSL 224.4, 0.48%, 0.59%

LAB 53.82, 11.29, -41.41

 

CMYK 0 / 50 / 12 / 22

HEX #C864B1

RGB 200 100 177

HSL 313.8, 0.48%, 0.59%

LAB 56.65, 49.65, -23.07

 

CMYK 0 / 14 / 50 / 22

HEX #C8AD64

RGB 200 173 100

HSL 43.8, 0.48%, 0.59%

LAB 71.61, 0.34, 40.87

 

CMYK 50 / 0 / 39 / 22

HEX #64C87B

RGB 100 200 123

HSL 133.8, 0.48%, 0.59%

LAB 73.19, -45.95, 29.76

 

Description

Color code: HEX #647EC8 | qconv.com Color code: HEX #647EC8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 126 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 126 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 37 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 37% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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