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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6486E7 it is the complementary color #9B7918. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6486E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6486E7 shade: #6986E2, #7A98F5, #8BAAFF, #9CBCFF and #ADCEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6486E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6486E7 shade: #6486E7, #5374D4, #4262C1, #3150AE and #203E9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6486E7 shade: #6486E6, #6564E6, #8964E6, #AC64E6 and #CF64E6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6486E7 shade: #6486E6 and #6464E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6486E7 shade matches the following richer shades: #6486E6 and #567FF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6486E7 shade: #6486E6, #738DD8, #8194CA, #8F9BBB and #9EA2AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6486E7 shade: #64CCE6, #64AAE6, #6487E6, #6464E6 and #8764E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6486E7 shade: #2150D7, #406AE1, #6486E6, #88A2EC and #ABBEF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6486E7 shade: #6486E7, #DE64E6 and #BBE664

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6486E7 shade: #6486E7, #E66487 and #87E664

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6486E7 shade: #6486E7, #DE64E6, #E6C464 and #6DE664

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6486E7 shade: #6486E7, #E664C8, #E6C464 and #64E683

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 42 / 0 / 9

HEX #6486E7

RGB 100 134 231

HSL 224.43, 0.73%, 0.65%

LAB 57.59, 16.31, -52.87

 

Complementary color

CMYK 0 / 22 / 85 / 39

HEX #9B7918

RGB 155 121 24

HSL 44.43, 0.73%, 0.35%

LAB 52.63, 4.13, 53.08

 

CMYK 54 / 41 / 0 / 11

HEX #6986E2

RGB 105 134 226

HSL 225.62, 0.68%, 0.65%

LAB 57.6, 15.75, -50.04

 

CMYK 50 / 38 / 0 / 4

HEX #7A98F5

RGB 122 152 245

HSL 225.37, 0.86%, 0.72%

LAB 64.31, 14.7, -49.86

 

CMYK 45 / 33 / 0 / 0

HEX #8BAAFF

RGB 139 170 255

HSL 223.97, 1%, 0.77%

LAB 70.5, 11.22, -45.5

 

CMYK 39 / 26 / 0 / 0

HEX #9CBCFF

RGB 156 188 255

HSL 220.61, 1%, 0.81%

LAB 76.23, 5.41, -36.48

 

CMYK 32 / 19 / 0 / 0

HEX #ADCEFF

RGB 173 206 255

HSL 215.85, 1%, 0.84%

LAB 81.97, 0.23, -27.55

 

CMYK 57 / 42 / 0 / 9

HEX #6486E7

RGB 100 134 231

HSL 224.43, 0.73%, 0.65%

LAB 57.59, 16.31, -52.87

 

CMYK 61 / 45 / 0 / 17

HEX #5374D4

RGB 83 116 212

HSL 224.65, 0.6%, 0.58%

LAB 50.78, 17.71, -53.11

 

CMYK 66 / 49 / 0 / 24

HEX #4262C1

RGB 66 98 193

HSL 224.88, 0.51%, 0.51%

LAB 43.86, 19.42, -53.37

 

CMYK 72 / 54 / 0 / 32

HEX #3150AE

RGB 49 80 174

HSL 225.12, 0.56%, 0.44%

LAB 36.83, 21.54, -53.63

 

CMYK 79 / 60 / 0 / 39

HEX #203E9B

RGB 32 62 155

HSL 225.37, 0.66%, 0.37%

LAB 29.71, 24.22, -53.82

 

CMYK 57 / 42 / 0 / 10

HEX #6486E6

RGB 100 134 230

HSL 224.31, 0.72%, 0.65%

LAB 57.53, 15.99, -52.4

 

CMYK 56 / 57 / 0 / 10

HEX #6564E6

RGB 101 100 230

HSL 240.46, 0.72%, 0.65%

LAB 49, 36.76, -66.1

 

CMYK 40 / 57 / 0 / 10

HEX #8964E6

RGB 137 100 230

HSL 257.08, 0.72%, 0.65%

LAB 52, 44.1, -61.11

 

CMYK 25 / 57 / 0 / 10

HEX #AC64E6

RGB 172 100 230

HSL 273.23, 0.72%, 0.65%

LAB 55.68, 52.29, -55

 

CMYK 10 / 57 / 0 / 10

HEX #CF64E6

RGB 207 100 230

HSL 289.38, 0.72%, 0.65%

LAB 59.97, 60.99, -47.92

 

CMYK 57 / 42 / 0 / 10

HEX #6486E6

RGB 100 134 230

HSL 224.31, 0.72%, 0.65%

LAB 57.53, 15.99, -52.4

 

CMYK 57 / 57 / 0 / 10

HEX #6464E6

RGB 100 100 230

HSL 240, 0.72%, 0.65%

LAB 48.93, 36.58, -66.22

 

CMYK 57 / 42 / 0 / 10

HEX #6486E6

RGB 100 134 230

HSL 224.31, 0.72%, 0.65%

LAB 57.53, 15.99, -52.4

 

CMYK 65 / 48 / 0 / 4

HEX #567FF5

RGB 86 127 245

HSL 224.53, 0.89%, 0.65%

LAB 55.84, 22.69, -63.49

 

CMYK 57 / 42 / 0 / 10

HEX #6486E6

RGB 100 134 230

HSL 224.31, 0.72%, 0.65%

LAB 57.53, 15.99, -52.4

 

CMYK 47 / 35 / 0 / 15

HEX #738DD8

RGB 115 141 216

HSL 224.55, 0.56%, 0.65%

LAB 59.57, 10.82, -41.3

 

CMYK 36 / 27 / 0 / 21

HEX #8194CA

RGB 129 148 202

HSL 224.38, 0.41%, 0.65%

LAB 61.75, 6.45, -30

 

CMYK 24 / 17 / 0 / 27

HEX #8F9BBB

RGB 143 155 187

HSL 223.64, 0.24%, 0.65%

LAB 64.06, 2.84, -17.97

 

CMYK 9 / 6 / 0 / 32

HEX #9EA2AD

RGB 158 162 173

HSL 224, 0.08%, 0.65%

LAB 66.62, 0.78, -6.19

 

CMYK 57 / 11 / 0 / 10

HEX #64CCE6

RGB 100 204 230

HSL 192, 0.72%, 0.65%

LAB 77.05, -22.87, -22.02

 

CMYK 57 / 26 / 0 / 10

HEX #64AAE6

RGB 100 170 230

HSL 207.69, 0.72%, 0.65%

LAB 67.41, -4.87, -36.86

 

CMYK 57 / 41 / 0 / 10

HEX #6487E6

RGB 100 135 230

HSL 223.85, 0.72%, 0.65%

LAB 57.8, 15.39, -51.98

 

CMYK 57 / 57 / 0 / 10

HEX #6464E6

RGB 100 100 230

HSL 240, 0.72%, 0.65%

LAB 48.93, 36.58, -66.22

 

CMYK 41 / 57 / 0 / 10

HEX #8764E6

RGB 135 100 230

HSL 256.15, 0.72%, 0.65%

LAB 51.81, 43.66, -61.42

 

CMYK 85 / 63 / 0 / 16

HEX #2150D7

RGB 33 80 215

HSL 224.51, 0.73%, 0.49%

LAB 39.52, 35.37, -73.17

 

CMYK 72 / 53 / 0 / 12

HEX #406AE1

RGB 64 106 225

HSL 224.35, 0.73%, 0.57%

LAB 48.05, 25.51, -64.92

 

CMYK 57 / 42 / 0 / 10

HEX #6486E6

RGB 100 134 230

HSL 224.31, 0.72%, 0.65%

LAB 57.53, 15.99, -52.4

 

CMYK 42 / 31 / 0 / 7

HEX #88A2EC

RGB 136 162 236

HSL 224.4, 0.72%, 0.73%

LAB 67.38, 9.66, -40.05

 

CMYK 29 / 21 / 0 / 5

HEX #ABBEF2

RGB 171 190 242

HSL 223.94, 0.73%, 0.81%

LAB 77.22, 5.12, -27.89

 

CMYK 57 / 42 / 0 / 9

HEX #6486E7

RGB 100 134 231

HSL 224.43, 0.73%, 0.65%

LAB 57.59, 16.31, -52.87

 

CMYK 3 / 57 / 0 / 10

HEX #DE64E6

RGB 222 100 230

HSL 296.31, 0.72%, 0.65%

LAB 61.96, 64.78, -44.65

 

CMYK 19 / 0 / 57 / 10

HEX #BBE664

RGB 187 230 100

HSL 79.85, 0.72%, 0.65%

LAB 86.05, -33.31, 57.69

 

CMYK 57 / 42 / 0 / 9

HEX #6486E7

RGB 100 134 231

HSL 224.43, 0.73%, 0.65%

LAB 57.59, 16.31, -52.87

 

CMYK 0 / 57 / 41 / 10

HEX #E66487

RGB 230 100 135

HSL 343.85, 0.72%, 0.65%

LAB 59.6, 53.63, 6.15

 

CMYK 41 / 0 / 57 / 10

HEX #87E664

RGB 135 230 100

HSL 103.85, 0.72%, 0.65%

LAB 83.27, -51.35, 53.77

 

CMYK 57 / 42 / 0 / 9

HEX #6486E7

RGB 100 134 231

HSL 224.43, 0.73%, 0.65%

LAB 57.59, 16.31, -52.87

 

CMYK 3 / 57 / 0 / 10

HEX #DE64E6

RGB 222 100 230

HSL 296.31, 0.72%, 0.65%

LAB 61.96, 64.78, -44.65

 

CMYK 0 / 15 / 57 / 10

HEX #E6C464

RGB 230 196 100

HSL 44.31, 0.72%, 0.65%

LAB 80.3, 0.72, 51.94

 

CMYK 53 / 0 / 57 / 10

HEX #6DE664

RGB 109 230 100

HSL 115.85, 0.72%, 0.65%

LAB 82.25, -58.74, 52.33

 

CMYK 57 / 42 / 0 / 9

HEX #6486E7

RGB 100 134 231

HSL 224.43, 0.73%, 0.65%

LAB 57.59, 16.31, -52.87

 

CMYK 0 / 57 / 13 / 10

HEX #E664C8

RGB 230 100 200

HSL 313.85, 0.72%, 0.65%

LAB 61.75, 61.99, -28.03

 

CMYK 0 / 15 / 57 / 10

HEX #E6C464

RGB 230 196 100

HSL 44.31, 0.72%, 0.65%

LAB 80.3, 0.72, 51.94

 

CMYK 57 / 0 / 43 / 10

HEX #64E683

RGB 100 230 131

HSL 134.31, 0.72%, 0.65%

LAB 82.35, -56.71, 37.64

 

Description

Color code: HEX #6486E7 | qconv.com Color code: HEX #6486E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 134 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 134 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 42 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 42% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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