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Color name
HEX #648BD7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #648BD7 it is the complementary color #9B7428. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #648BD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #648BD7 shade: #698BD2, #7A9DE5, #8BAFF8, #9CC1FF and #ADD3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #648BD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #648BD7 shade: #648BD7, #5379C4, #4267B1, #31559E and #20438B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #648BD7 shade: #648BD7, #646CD7, #7B64D7, #9A64D7 and #B964D7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #648BD7 shade: #648BD7, #646CD7 and #6464D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #648BD7 shade matches the following richer shades: #648BD7, #5586E6 and #4581F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #648BD7 shade: #648BD7, #7490C7, #8495B7, #939AA8 and #A39F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #648BD7 shade: #64C9D7, #64ABD7, #648CD7, #646ED7 and #7964D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #648BD7 shade: #2F5EB9, #4473CE, #648BD7, #85A4DF and #A6BCE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #648BD7 shade: #648BD7, #C664D7 and #BAD764

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #648BD7 shade: #648BD7, #D7648C and #8CD764

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #648BD7 shade: #648BD7, #C664D7, #D7AF64 and #76D764

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #648BD7 shade: #648BD7, #D764C6, #D7AF64 and #64D776

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 35 / 0 / 16

HEX #648BD7

RGB 100 139 215

HSL 219.65, 0.59%, 0.62%

LAB 58.11, 8.23, -43.1

 

Complementary color

CMYK 0 / 25 / 74 / 39

HEX #9B7428

RGB 155 116 40

HSL 39.65, 0.59%, 0.38%

LAB 51.4, 7.62, 45.89

 

CMYK 50 / 34 / 0 / 18

HEX #698BD2

RGB 105 139 210

HSL 220.57, 0.54%, 0.62%

LAB 58.15, 7.8, -40.21

 

CMYK 47 / 31 / 0 / 10

HEX #7A9DE5

RGB 122 157 229

HSL 220.37, 0.67%, 0.69%

LAB 64.89, 7.06, -40.15

 

CMYK 44 / 29 / 0 / 3

HEX #8BAFF8

RGB 139 175 248

HSL 220.18, 0.89%, 0.76%

LAB 71.5, 6.42, -40.13

 

CMYK 39 / 24 / 0 / 0

HEX #9CC1FF

RGB 156 193 255

HSL 217.58, 1%, 0.81%

LAB 77.54, 2.68, -34.46

 

CMYK 32 / 17 / 0 / 0

HEX #ADD3FF

RGB 173 211 255

HSL 212.2, 1%, 0.84%

LAB 83.28, -2.43, -25.55

 

CMYK 53 / 35 / 0 / 16

HEX #648BD7

RGB 100 139 215

HSL 219.65, 0.59%, 0.62%

LAB 58.11, 8.23, -43.1

 

CMYK 58 / 38 / 0 / 23

HEX #5379C4

RGB 83 121 196

HSL 219.82, 0.49%, 0.55%

LAB 51.27, 9.27, -43.22

 

CMYK 63 / 42 / 0 / 31

HEX #4267B1

RGB 66 103 177

HSL 220, 0.46%, 0.48%

LAB 44.28, 10.57, -43.38

 

CMYK 69 / 46 / 0 / 38

HEX #31559E

RGB 49 85 158

HSL 220.18, 0.53%, 0.41%

LAB 37.15, 12.24, -43.57

 

CMYK 77 / 52 / 0 / 45

HEX #20438B

RGB 32 67 139

HSL 220.37, 0.63%, 0.34%

LAB 29.88, 14.44, -43.76

 

CMYK 53 / 35 / 0 / 16

HEX #648BD7

RGB 100 139 215

HSL 219.65, 0.59%, 0.62%

LAB 58.11, 8.23, -43.1

 

CMYK 53 / 50 / 0 / 16

HEX #646CD7

RGB 100 108 215

HSL 235.83, 0.59%, 0.62%

LAB 49.91, 26.97, -56.16

 

CMYK 43 / 53 / 0 / 16

HEX #7B64D7

RGB 123 100 215

HSL 252, 0.59%, 0.62%

LAB 49.78, 36.81, -56.27

 

CMYK 28 / 53 / 0 / 16

HEX #9A64D7

RGB 154 100 215

HSL 268.17, 0.59%, 0.62%

LAB 52.83, 44.32, -51.21

 

CMYK 14 / 53 / 0 / 16

HEX #B964D7

RGB 185 100 215

HSL 284.35, 0.59%, 0.62%

LAB 56.42, 52.36, -45.29

 

CMYK 53 / 35 / 0 / 16

HEX #648BD7

RGB 100 139 215

HSL 219.65, 0.59%, 0.62%

LAB 58.11, 8.23, -43.1

 

CMYK 53 / 50 / 0 / 16

HEX #646CD7

RGB 100 108 215

HSL 235.83, 0.59%, 0.62%

LAB 49.91, 26.97, -56.16

 

CMYK 53 / 53 / 0 / 16

HEX #6464D7

RGB 100 100 215

HSL 240, 0.59%, 0.62%

LAB 47.92, 31.85, -59.36

 

CMYK 53 / 35 / 0 / 16

HEX #648BD7

RGB 100 139 215

HSL 219.65, 0.59%, 0.62%

LAB 58.11, 8.23, -43.1

 

CMYK 63 / 42 / 0 / 10

HEX #5586E6

RGB 85 134 230

HSL 219.72, 0.74%, 0.62%

LAB 56.78, 13.17, -53.65

 

CMYK 72 / 48 / 0 / 4

HEX #4581F6

RGB 69 129 246

HSL 219.66, 0.91%, 0.62%

LAB 55.7, 19.36, -64.3

 

CMYK 53 / 35 / 0 / 16

HEX #648BD7

RGB 100 139 215

HSL 219.65, 0.59%, 0.62%

LAB 58.11, 8.23, -43.1

 

CMYK 42 / 28 / 0 / 22

HEX #7490C7

RGB 116 144 199

HSL 219.76, 0.43%, 0.62%

LAB 59.69, 4.38, -31.57

 

CMYK 28 / 19 / 0 / 28

HEX #8495B7

RGB 132 149 183

HSL 220, 0.26%, 0.62%

LAB 61.5, 1.83, -19.69

 

CMYK 13 / 8 / 0 / 34

HEX #939AA8

RGB 147 154 168

HSL 220, 0.11%, 0.62%

LAB 63.46, 0.4, -8.16

 

CMYK 0 / 2 / 7 / 36

HEX #A39F98

RGB 163 159 152

HSL 38.18, 0.06%, 0.62%

LAB 65.63, 0.16, 4.15

 

CMYK 53 / 7 / 0 / 16

HEX #64C9D7

RGB 100 201 215

HSL 187.3, 0.59%, 0.62%

LAB 75.69, -25.57, -15.99

 

CMYK 53 / 20 / 0 / 16

HEX #64ABD7

RGB 100 171 215

HSL 202.96, 0.59%, 0.62%

LAB 67.08, -9.97, -29.11

 

CMYK 53 / 35 / 0 / 16

HEX #648CD7

RGB 100 140 215

HSL 219.13, 0.59%, 0.62%

LAB 58.39, 7.64, -42.67

 

CMYK 53 / 49 / 0 / 16

HEX #646ED7

RGB 100 110 215

HSL 234.78, 0.59%, 0.62%

LAB 50.41, 25.75, -55.35

 

CMYK 44 / 53 / 0 / 16

HEX #7964D7

RGB 121 100 215

HSL 250.96, 0.59%, 0.62%

LAB 49.6, 36.35, -56.57

 

CMYK 75 / 49 / 0 / 27

HEX #2F5EB9

RGB 47 94 185

HSL 219.57, 0.59%, 0.45%

LAB 41.39, 16.24, -52.73

 

CMYK 67 / 44 / 0 / 19

HEX #4473CE

RGB 68 115 206

HSL 219.57, 0.58%, 0.54%

LAB 49.43, 13.64, -51.9

 

CMYK 53 / 35 / 0 / 16

HEX #648BD7

RGB 100 139 215

HSL 219.65, 0.59%, 0.62%

LAB 58.11, 8.23, -43.1

 

CMYK 40 / 26 / 0 / 13

HEX #85A4DF

RGB 133 164 223

HSL 219.33, 0.58%, 0.7%

LAB 67.18, 4.14, -33.24

 

CMYK 28 / 19 / 0 / 9

HEX #A6BCE8

RGB 166 188 232

HSL 220, 0.59%, 0.78%

LAB 76.01, 2.35, -24.38

 

CMYK 53 / 35 / 0 / 16

HEX #648BD7

RGB 100 139 215

HSL 219.65, 0.59%, 0.62%

LAB 58.11, 8.23, -43.1

 

CMYK 8 / 53 / 0 / 16

HEX #C664D7

RGB 198 100 215

HSL 291.13, 0.59%, 0.62%

LAB 58.06, 55.81, -42.59

 

CMYK 13 / 0 / 53 / 16

HEX #BAD764

RGB 186 215 100

HSL 75.13, 0.59%, 0.62%

LAB 81.82, -26.66, 52.8

 

CMYK 53 / 35 / 0 / 16

HEX #648BD7

RGB 100 139 215

HSL 219.65, 0.59%, 0.62%

LAB 58.11, 8.23, -43.1

 

CMYK 0 / 53 / 35 / 16

HEX #D7648C

RGB 215 100 140

HSL 339.13, 0.59%, 0.62%

LAB 57.52, 49.24, -0.06

 

CMYK 35 / 0 / 53 / 16

HEX #8CD764

RGB 140 215 100

HSL 99.13, 0.59%, 0.62%

LAB 79.1, -43.45, 48.92

 

CMYK 53 / 35 / 0 / 16

HEX #648BD7

RGB 100 139 215

HSL 219.65, 0.59%, 0.62%

LAB 58.11, 8.23, -43.1

 

CMYK 8 / 53 / 0 / 16

HEX #C664D7

RGB 198 100 215

HSL 291.13, 0.59%, 0.62%

LAB 58.06, 55.81, -42.59

 

CMYK 0 / 19 / 53 / 16

HEX #D7AF64

RGB 215 175 100

HSL 39.13, 0.59%, 0.62%

LAB 73.56, 5.53, 43.58

 

CMYK 45 / 0 / 53 / 16

HEX #76D764

RGB 118 215 100

HSL 110.61, 0.59%, 0.62%

LAB 78.09, -50.39, 47.49

 

CMYK 53 / 35 / 0 / 16

HEX #648BD7

RGB 100 139 215

HSL 219.65, 0.59%, 0.62%

LAB 58.11, 8.23, -43.1

 

CMYK 0 / 53 / 8 / 16

HEX #D764C6

RGB 215 100 198

HSL 308.87, 0.59%, 0.62%

LAB 59.56, 57.47, -30.44

 

CMYK 0 / 19 / 53 / 16

HEX #D7AF64

RGB 215 175 100

HSL 39.13, 0.59%, 0.62%

LAB 73.56, 5.53, 43.58

 

CMYK 53 / 0 / 45 / 16

HEX #64D776

RGB 100 215 118

HSL 129.39, 0.59%, 0.62%

LAB 77.65, -52.86, 38.08

 

Description

Color code: HEX #648BD7 | qconv.com Color code: HEX #648BD7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 139 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 139 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 35 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 35% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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