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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6498D8 it is the complementary color #9B6727. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6498D8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6498D8 shade: #6998D3, #7AAAE6, #8BBCF9, #9CCEFF and #ADE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6498D8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6498D8 shade: #6498D8, #5386C5, #4274B2, #31629F and #20508C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6498D8 shade: #6398D8, #6378D8, #6E63D8, #8D63D8 and #AD63D8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6498D8 shade: #6398D8, #6378D8 and #6363D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6498D8 shade matches the following richer shades: #6398D8, #5496E7 and #4494F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6498D8 shade: #6398D8, #7399C8, #839BB8, #929CA9 and #A29E99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6498D8 shade: #63D6D8, #63B7D8, #6398D8, #6379D8 and #6D63D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6498D8 shade: #2E6DBA, #4282CF, #6398D8, #84AEE0 and #A5C3E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6498D8 shade: #6498D8, #BB63D8 and #C6D863

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6498D8 shade: #6498D8, #D86398 and #98D863

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6498D8 shade: #6498D8, #BB63D8, #D8A363 and #81D863

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6498D8 shade: #6498D8, #D863D2, #D8A363 and #63D869

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 30 / 0 / 15

HEX #6498D8

RGB 100 152 216

HSL 213.1, 0.6%, 0.62%

LAB 61.76, 0.96, -37.93

 

Complementary color

CMYK 0 / 34 / 75 / 39

HEX #9B6727

RGB 155 103 39

HSL 33.1, 0.6%, 0.38%

LAB 48.03, 15.01, 42.93

 

CMYK 50 / 28 / 0 / 17

HEX #6998D3

RGB 105 152 211

HSL 213.4, 0.55%, 0.62%

LAB 61.79, 0.56, -35.07

 

CMYK 47 / 26 / 0 / 10

HEX #7AAAE6

RGB 122 170 230

HSL 213.33, 0.68%, 0.69%

LAB 68.46, -0.02, -35.13

 

CMYK 44 / 24 / 0 / 2

HEX #8BBCF9

RGB 139 188 249

HSL 213.27, 0.9%, 0.76%

LAB 75.01, -0.49, -35.22

 

CMYK 39 / 19 / 0 / 0

HEX #9CCEFF

RGB 156 206 255

HSL 209.7, 1%, 0.81%

LAB 80.98, -4.32, -29.16

 

CMYK 32 / 12 / 0 / 0

HEX #ADE0FF

RGB 173 224 255

HSL 202.68, 1%, 0.84%

LAB 86.71, -9.22, -20.35

 

CMYK 54 / 30 / 0 / 15

HEX #6498D8

RGB 100 152 216

HSL 213.1, 0.6%, 0.62%

LAB 61.76, 0.96, -37.93

 

CMYK 58 / 32 / 0 / 23

HEX #5386C5

RGB 83 134 197

HSL 213.16, 0.5%, 0.55%

LAB 54.99, 1.79, -37.92

 

CMYK 63 / 35 / 0 / 30

HEX #4274B2

RGB 66 116 178

HSL 213.21, 0.46%, 0.48%

LAB 48.09, 2.84, -37.93

 

CMYK 69 / 38 / 0 / 38

HEX #31629F

RGB 49 98 159

HSL 213.27, 0.53%, 0.41%

LAB 41.04, 4.2, -37.96

 

CMYK 77 / 43 / 0 / 45

HEX #20508C

RGB 32 80 140

HSL 213.33, 0.63%, 0.34%

LAB 33.85, 6.03, -37.98

 

CMYK 54 / 30 / 0 / 15

HEX #6398D8

RGB 99 152 216

HSL 212.82, 0.6%, 0.62%

LAB 61.71, 0.74, -38.01

 

CMYK 54 / 44 / 0 / 15

HEX #6378D8

RGB 99 120 216

HSL 229.23, 0.6%, 0.62%

LAB 53, 19.75, -51.78

 

CMYK 49 / 54 / 0 / 15

HEX #6E63D8

RGB 110 99 216

HSL 245.64, 0.6%, 0.62%

LAB 48.51, 34.82, -58.94

 

CMYK 35 / 54 / 0 / 15

HEX #8D63D8

RGB 141 99 216

HSL 261.54, 0.6%, 0.62%

LAB 51.32, 41.9, -54.28

 

CMYK 20 / 54 / 0 / 15

HEX #AD63D8

RGB 173 99 216

HSL 277.95, 0.6%, 0.62%

LAB 54.83, 49.95, -48.47

 

CMYK 54 / 30 / 0 / 15

HEX #6398D8

RGB 99 152 216

HSL 212.82, 0.6%, 0.62%

LAB 61.71, 0.74, -38.01

 

CMYK 54 / 44 / 0 / 15

HEX #6378D8

RGB 99 120 216

HSL 229.23, 0.6%, 0.62%

LAB 53, 19.75, -51.78

 

CMYK 54 / 54 / 0 / 15

HEX #6363D8

RGB 99 99 216

HSL 240, 0.6%, 0.62%

LAB 47.67, 32.58, -60.34

 

CMYK 54 / 30 / 0 / 15

HEX #6398D8

RGB 99 152 216

HSL 212.82, 0.6%, 0.62%

LAB 61.71, 0.74, -38.01

 

CMYK 64 / 35 / 0 / 9

HEX #5496E7

RGB 84 150 231

HSL 213.06, 0.75%, 0.62%

LAB 61.19, 3.83, -47.2

 

CMYK 72 / 40 / 0 / 3

HEX #4494F7

RGB 68 148 247

HSL 213.18, 0.92%, 0.62%

LAB 60.89, 8.1, -56.54

 

CMYK 54 / 30 / 0 / 15

HEX #6398D8

RGB 99 152 216

HSL 212.82, 0.6%, 0.62%

LAB 61.71, 0.74, -38.01

 

CMYK 43 / 24 / 0 / 22

HEX #7399C8

RGB 115 153 200

HSL 213.18, 0.44%, 0.62%

LAB 62.17, -0.76, -28.31

 

CMYK 29 / 16 / 0 / 28

HEX #839BB8

RGB 131 155 184

HSL 212.83, 0.27%, 0.62%

LAB 63.12, -1.61, -17.79

 

CMYK 14 / 8 / 0 / 34

HEX #929CA9

RGB 146 156 169

HSL 213.91, 0.12%, 0.62%

LAB 63.96, -0.84, -7.99

 

CMYK 0 / 2 / 6 / 36

HEX #A29E99

RGB 162 158 153

HSL 33.33, 0.05%, 0.62%

LAB 65.31, 0.53, 3.11

 

CMYK 54 / 1 / 0 / 15

HEX #63D6D8

RGB 99 214 216

HSL 181.03, 0.6%, 0.62%

LAB 79.44, -31.82, -10.9

 

CMYK 54 / 15 / 0 / 15

HEX #63B7D8

RGB 99 183 216

HSL 196.92, 0.6%, 0.62%

LAB 70.51, -16.31, -24.4

 

CMYK 54 / 30 / 0 / 15

HEX #6398D8

RGB 99 152 216

HSL 212.82, 0.6%, 0.62%

LAB 61.71, 0.74, -38.01

 

CMYK 54 / 44 / 0 / 15

HEX #6379D8

RGB 99 121 216

HSL 228.72, 0.6%, 0.62%

LAB 53.26, 19.14, -51.36

 

CMYK 50 / 54 / 0 / 15

HEX #6D63D8

RGB 109 99 216

HSL 245.13, 0.6%, 0.62%

LAB 48.43, 34.61, -59.08

 

CMYK 75 / 41 / 0 / 27

HEX #2E6DBA

RGB 46 109 186

HSL 213, 0.6%, 0.45%

LAB 45.72, 6.89, -46.38

 

CMYK 68 / 37 / 0 / 19

HEX #4282CF

RGB 66 130 207

HSL 212.77, 0.59%, 0.54%

LAB 53.63, 4.48, -45.78

 

CMYK 54 / 30 / 0 / 15

HEX #6398D8

RGB 99 152 216

HSL 212.82, 0.6%, 0.62%

LAB 61.71, 0.74, -38.01

 

CMYK 41 / 22 / 0 / 12

HEX #84AEE0

RGB 132 174 224

HSL 212.61, 0.6%, 0.7%

LAB 69.87, -1.43, -29.63

 

CMYK 29 / 16 / 0 / 9

HEX #A5C3E8

RGB 165 195 232

HSL 213.13, 0.59%, 0.78%

LAB 77.79, -1.72, -21.67

 

CMYK 54 / 30 / 0 / 15

HEX #6498D8

RGB 100 152 216

HSL 213.1, 0.6%, 0.62%

LAB 61.76, 0.96, -37.93

 

CMYK 13 / 54 / 0 / 15

HEX #BB63D8

RGB 187 99 216

HSL 285.13, 0.6%, 0.62%

LAB 56.53, 53.59, -45.66

 

CMYK 8 / 0 / 54 / 15

HEX #C6D863

RGB 198 216 99

HSL 69.23, 0.6%, 0.62%

LAB 82.92, -22.51, 54.76

 

CMYK 54 / 30 / 0 / 15

HEX #6498D8

RGB 100 152 216

HSL 213.1, 0.6%, 0.62%

LAB 61.76, 0.96, -37.93

 

CMYK 0 / 54 / 30 / 15

HEX #D86398

RGB 216 99 152

HSL 332.82, 0.6%, 0.62%

LAB 57.84, 51.52, -6.57

 

CMYK 30 / 0 / 54 / 15

HEX #98D863

RGB 152 216 99

HSL 92.82, 0.6%, 0.62%

LAB 80, -39.88, 50.61

 

CMYK 54 / 30 / 0 / 15

HEX #6498D8

RGB 100 152 216

HSL 213.1, 0.6%, 0.62%

LAB 61.76, 0.96, -37.93

 

CMYK 13 / 54 / 0 / 15

HEX #BB63D8

RGB 187 99 216

HSL 285.13, 0.6%, 0.62%

LAB 56.53, 53.59, -45.66

 

CMYK 0 / 25 / 54 / 15

HEX #D8A363

RGB 216 163 99

HSL 32.82, 0.6%, 0.62%

LAB 70.66, 12.28, 40.57

 

CMYK 40 / 0 / 54 / 15

HEX #81D863

RGB 129 216 99

HSL 104.62, 0.6%, 0.62%

LAB 78.86, -47.57, 48.98

 

CMYK 54 / 30 / 0 / 15

HEX #6498D8

RGB 100 152 216

HSL 213.1, 0.6%, 0.62%

LAB 61.76, 0.96, -37.93

 

CMYK 0 / 54 / 3 / 15

HEX #D863D2

RGB 216 99 210

HSL 303.08, 0.6%, 0.62%

LAB 60.05, 60.21, -36.48

 

CMYK 0 / 25 / 54 / 15

HEX #D8A363

RGB 216 163 99

HSL 32.82, 0.6%, 0.62%

LAB 70.66, 12.28, 40.57

 

CMYK 54 / 0 / 51 / 15

HEX #63D869

RGB 99 216 105

HSL 123.08, 0.6%, 0.62%

LAB 77.75, -55.34, 44.54

 

Description

Color code: HEX #6498D8 | qconv.com Color code: HEX #6498D8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 152 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 152 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 30 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 30% 0% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

12% - GetPast
Link: http://getpast.ru

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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