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Color name
HEX #64990F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64990F it is the complementary color #9B66F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64990F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64990F shade: #69990A, #7AAB1D, #8BBD30, #9CCF43 and #ADE156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64990F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64990F shade: #64990F, #538700, #427500, #316300 and #205100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64990F shade: #64990F, #89990F, #99830F, #995E0F and #99390F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64990F shade: #64990F, #3E990F, #19990F, #0F9929 and #0F994E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64990F shade matches the following richer shades: #64990F and #67A601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64990F shade: #64990F, #608B1C, #5D7D2A, #5A7037 and #576245

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64990F shade: #99840F, #89990F, #64990F, #3F990F and #1A990F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64990F shade: #334E07, #4B730B, #64990F, #7CBE12 and #95E416

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64990F shade: #64990F, #0F995F and #960F99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64990F shade: #64990F, #0F6499 and #990F64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64990F shade: #64990F, #0F995F, #440F99 and #990F48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64990F shade: #64990F, #0F9989, #440F99 and #990F1F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 90 / 40

HEX #64990F

RGB 100 153 15

HSL 83.04, 0.82%, 0.33%

LAB 57.58, -36.94, 57.74

 

Complementary color

CMYK 35 / 58 / 0 / 6

HEX #9B66F0

RGB 155 102 240

HSL 263.04, 0.82%, 0.67%

LAB 54.83, 49.64, -62.07

 

CMYK 31 / 0 / 93 / 40

HEX #69990A

RGB 105 153 10

HSL 80.14, 0.88%, 0.32%

LAB 57.85, -35.13, 58.92

 

CMYK 29 / 0 / 83 / 33

HEX #7AAB1D

RGB 122 171 29

HSL 80.7, 0.71%, 0.39%

LAB 64.45, -36.02, 60.94

 

CMYK 26 / 0 / 75 / 26

HEX #8BBD30

RGB 139 189 48

HSL 81.28, 0.59%, 0.46%

LAB 70.94, -36.67, 61.58

 

CMYK 25 / 0 / 68 / 19

HEX #9CCF43

RGB 156 207 67

HSL 81.86, 0.59%, 0.54%

LAB 77.34, -37.13, 61.41

 

CMYK 23 / 0 / 62 / 12

HEX #ADE156

RGB 173 225 86

HSL 82.45, 0.7%, 0.61%

LAB 83.66, -37.45, 60.79

 

CMYK 35 / 0 / 90 / 40

HEX #64990F

RGB 100 153 15

HSL 83.04, 0.82%, 0.33%

LAB 57.58, -36.94, 57.74

 

CMYK 39 / 0 / 100 / 47

HEX #538700

RGB 83 135 0

HSL 83.11, 1%, 0.26%

LAB 50.88, -35.85, 54.54

 

CMYK 44 / 0 / 100 / 54

HEX #427500

RGB 66 117 0

HSL 86.15, 1%, 0.23%

LAB 44.06, -34.35, 48.87

 

CMYK 51 / 0 / 100 / 61

HEX #316300

RGB 49 99 0

HSL 90.3, 1%, 0.19%

LAB 37.07, -32.72, 43.07

 

CMYK 60 / 0 / 100 / 68

HEX #205100

RGB 32 81 0

HSL 96.3, 1%, 0.16%

LAB 29.89, -30.86, 37.12

 

CMYK 35 / 0 / 90 / 40

HEX #64990F

RGB 100 153 15

HSL 83.04, 0.82%, 0.33%

LAB 57.58, -36.94, 57.74

 

CMYK 10 / 0 / 90 / 40

HEX #89990F

RGB 137 153 15

HSL 66.96, 0.82%, 0.33%

LAB 60.01, -21.6, 60.73

 

CMYK 0 / 14 / 90 / 40

HEX #99830F

RGB 153 131 15

HSL 50.43, 0.82%, 0.33%

LAB 55.11, -2.63, 57.4

 

CMYK 0 / 39 / 90 / 40

HEX #995E0F

RGB 153 94 15

HSL 34.35, 0.82%, 0.33%

LAB 45.38, 18.4, 49.72

 

CMYK 0 / 63 / 90 / 40

HEX #99390F

RGB 153 57 15

HSL 18.26, 0.82%, 0.33%

LAB 37.36, 38.31, 43.46

 

CMYK 35 / 0 / 90 / 40

HEX #64990F

RGB 100 153 15

HSL 83.04, 0.82%, 0.33%

LAB 57.58, -36.94, 57.74

 

CMYK 59 / 0 / 90 / 40

HEX #3E990F

RGB 62 153 15

HSL 99.57, 0.82%, 0.33%

LAB 55.93, -49.39, 55.67

 

CMYK 84 / 0 / 90 / 40

HEX #19990F

RGB 25 153 15

HSL 115.65, 0.82%, 0.33%

LAB 55.1, -56.47, 54.63

 

CMYK 90 / 0 / 73 / 40

HEX #0F9929

RGB 15 153 41

HSL 131.3, 0.82%, 0.33%

LAB 55.12, -55.79, 46.88

 

CMYK 90 / 0 / 49 / 40

HEX #0F994E

RGB 15 153 78

HSL 147.39, 0.82%, 0.33%

LAB 55.52, -50.89, 30.02

 

CMYK 35 / 0 / 90 / 40

HEX #64990F

RGB 100 153 15

HSL 83.04, 0.82%, 0.33%

LAB 57.58, -36.94, 57.74

 

CMYK 38 / 0 / 99 / 35

HEX #67A601

RGB 103 166 1

HSL 82.91, 0.99%, 0.33%

LAB 61.79, -41.75, 63.29

 

CMYK 35 / 0 / 90 / 40

HEX #64990F

RGB 100 153 15

HSL 83.04, 0.82%, 0.33%

LAB 57.58, -36.94, 57.74

 

CMYK 31 / 0 / 80 / 45

HEX #608B1C

RGB 96 139 28

HSL 83.24, 0.66%, 0.33%

LAB 52.99, -31.64, 50.28

 

CMYK 26 / 0 / 66 / 51

HEX #5D7D2A

RGB 93 125 42

HSL 83.13, 0.5%, 0.33%

LAB 48.46, -25.19, 40.21

 

CMYK 20 / 0 / 51 / 56

HEX #5A7037

RGB 90 112 55

HSL 83.16, 0.34%, 0.33%

LAB 44.29, -18.43, 28.86

 

CMYK 11 / 0 / 30 / 62

HEX #576245

RGB 87 98 69

HSL 82.76, 0.17%, 0.33%

LAB 39.9, -9.95, 15.15

 

CMYK 0 / 14 / 90 / 40

HEX #99840F

RGB 153 132 15

HSL 50.87, 0.82%, 0.33%

LAB 55.39, -3.18, 57.62

 

CMYK 10 / 0 / 90 / 40

HEX #89990F

RGB 137 153 15

HSL 66.96, 0.82%, 0.33%

LAB 60.01, -21.6, 60.73

 

CMYK 35 / 0 / 90 / 40

HEX #64990F

RGB 100 153 15

HSL 83.04, 0.82%, 0.33%

LAB 57.58, -36.94, 57.74

 

CMYK 59 / 0 / 90 / 40

HEX #3F990F

RGB 63 153 15

HSL 99.13, 0.82%, 0.33%

LAB 55.96, -49.12, 55.72

 

CMYK 83 / 0 / 90 / 40

HEX #1A990F

RGB 26 153 15

HSL 115.22, 0.82%, 0.33%

LAB 55.11, -56.35, 54.65

 

CMYK 35 / 0 / 91 / 69

HEX #334E07

RGB 51 78 7

HSL 82.82, 0.84%, 0.17%

LAB 29.83, -21.8, 34.84

 

CMYK 35 / 0 / 90 / 55

HEX #4B730B

RGB 75 115 11

HSL 83.08, 0.83%, 0.25%

LAB 43.92, -29.59, 46.48

 

CMYK 35 / 0 / 90 / 40

HEX #64990F

RGB 100 153 15

HSL 83.04, 0.82%, 0.33%

LAB 57.58, -36.94, 57.74

 

CMYK 35 / 0 / 91 / 25

HEX #7CBE12

RGB 124 190 18

HSL 83.02, 0.83%, 0.41%

LAB 70.28, -43.91, 68.26

 

CMYK 35 / 0 / 90 / 11

HEX #95E416

RGB 149 228 22

HSL 83.01, 0.82%, 0.49%

LAB 82.88, -50.63, 78.5

 

CMYK 35 / 0 / 90 / 40

HEX #64990F

RGB 100 153 15

HSL 83.04, 0.82%, 0.33%

LAB 57.58, -36.94, 57.74

 

CMYK 90 / 0 / 38 / 40

HEX #0F995F

RGB 15 153 95

HSL 154.78, 0.82%, 0.33%

LAB 55.8, -47.6, 21.23

 

CMYK 2 / 90 / 0 / 40

HEX #960F99

RGB 150 15 153

HSL 298.7, 0.82%, 0.33%

LAB 36.22, 64.65, -41.42

 

CMYK 35 / 0 / 90 / 40

HEX #64990F

RGB 100 153 15

HSL 83.04, 0.82%, 0.33%

LAB 57.58, -36.94, 57.74

 

CMYK 90 / 35 / 0 / 40

HEX #0F6499

RGB 15 100 153

HSL 203.04, 0.82%, 0.33%

LAB 40.44, -3.32, -35.4

 

CMYK 0 / 90 / 35 / 40

HEX #990F64

RGB 153 15 100

HSL 323.04, 0.82%, 0.33%

LAB 34.05, 58.05, -11.64

 

CMYK 35 / 0 / 90 / 40

HEX #64990F

RGB 100 153 15

HSL 83.04, 0.82%, 0.33%

LAB 57.58, -36.94, 57.74

 

CMYK 90 / 0 / 38 / 40

HEX #0F995F

RGB 15 153 95

HSL 154.78, 0.82%, 0.33%

LAB 55.8, -47.6, 21.23

 

CMYK 56 / 90 / 0 / 40

HEX #440F99

RGB 68 15 153

HSL 263.04, 0.82%, 0.33%

LAB 23.24, 52.74, -63.13

 

CMYK 0 / 90 / 53 / 40

HEX #990F48

RGB 153 15 72

HSL 335.22, 0.82%, 0.33%

LAB 33.1, 55.4, 5.18

 

CMYK 35 / 0 / 90 / 40

HEX #64990F

RGB 100 153 15

HSL 83.04, 0.82%, 0.33%

LAB 57.58, -36.94, 57.74

 

CMYK 90 / 0 / 10 / 40

HEX #0F9989

RGB 15 153 137

HSL 173.04, 0.82%, 0.33%

LAB 56.77, -37, -1.08

 

CMYK 56 / 90 / 0 / 40

HEX #440F99

RGB 68 15 153

HSL 263.04, 0.82%, 0.33%

LAB 23.24, 52.74, -63.13

 

CMYK 0 / 90 / 80 / 40

HEX #990F1F

RGB 153 15 31

HSL 353.04, 0.82%, 0.33%

LAB 32.29, 53.1, 30.71

 

Description

Color code: HEX #64990F | qconv.com Color code: HEX #64990F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 153 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 153 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 90 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 90% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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