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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6491C8 it is the complementary color #9B6E37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6491C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6491C8 shade: #6991C3, #7AA3D6, #8BB5E9, #9CC7FC and #ADD9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6491C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6491C8 shade: #6491C8, #537FB5, #426DA2, #315B8F and #20497C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6491C8 shade: #6491C8, #6476C8, #6D64C8, #8864C8 and #A364C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6491C8 shade: #6491C8, #6476C8 and #6464C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6491C8 shade matches the following richer shades: #6491C8, #538FD9, #428EEA and #318CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6491C8 shade: #6491C8, #7593B7, #8694A6, #979695 and #A79884

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6491C8 shade: #64C6C8, #64ACC8, #6491C8, #6476C8 and #6C64C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6491C8 shade: #3867A1, #457BBD, #6491C8, #82A7D3 and #A1BCDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6491C8 shade: #6491C8, #AF64C8 and #B9C864

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6491C8 shade: #6491C8, #C86491 and #91C864

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6491C8 shade: #6491C8, #AF64C8, #C89B64 and #7DC864

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6491C8 shade: #6491C8, #C864C3, #C89B64 and #64C869

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 28 / 0 / 22

HEX #6491C8

RGB 100 145 200

HSL 213, 0.48%, 0.59%

LAB 59.09, 0.08, -33.14

 

Complementary color

CMYK 0 / 29 / 65 / 39

HEX #9B6E37

RGB 155 110 55

HSL 33, 0.48%, 0.41%

LAB 49.97, 11.95, 37.12

 

CMYK 46 / 26 / 0 / 24

HEX #6991C3

RGB 105 145 195

HSL 213.33, 0.43%, 0.59%

LAB 59.15, -0.19, -30.21

 

CMYK 43 / 24 / 0 / 16

HEX #7AA3D6

RGB 122 163 214

HSL 213.26, 0.53%, 0.66%

LAB 65.89, -0.65, -30.31

 

CMYK 40 / 22 / 0 / 9

HEX #8BB5E9

RGB 139 181 233

HSL 213.19, 0.68%, 0.73%

LAB 72.51, -1.03, -30.43

 

CMYK 38 / 21 / 0 / 1

HEX #9CC7FC

RGB 156 199 252

HSL 213.13, 0.94%, 0.8%

LAB 79.01, -1.36, -30.58

 

CMYK 32 / 15 / 0 / 0

HEX #ADD9FF

RGB 173 217 255

HSL 207.8, 1%, 0.84%

LAB 84.86, -5.59, -23.15

 

CMYK 50 / 28 / 0 / 22

HEX #6491C8

RGB 100 145 200

HSL 213, 0.48%, 0.59%

LAB 59.09, 0.08, -33.14

 

CMYK 54 / 30 / 0 / 29

HEX #537FB5

RGB 83 127 181

HSL 213.06, 0.4%, 0.52%

LAB 52.24, 0.76, -33.09

 

CMYK 59 / 33 / 0 / 36

HEX #426DA2

RGB 66 109 162

HSL 213.13, 0.42%, 0.45%

LAB 45.23, 1.63, -33.08

 

CMYK 66 / 36 / 0 / 44

HEX #315B8F

RGB 49 91 143

HSL 213.19, 0.49%, 0.38%

LAB 38.05, 2.78, -33.09

 

CMYK 74 / 41 / 0 / 51

HEX #20497C

RGB 32 73 124

HSL 213.26, 0.59%, 0.31%

LAB 30.71, 4.36, -33.12

 

CMYK 50 / 28 / 0 / 22

HEX #6491C8

RGB 100 145 200

HSL 213, 0.48%, 0.59%

LAB 59.09, 0.08, -33.14

 

CMYK 50 / 41 / 0 / 22

HEX #6476C8

RGB 100 118 200

HSL 229.2, 0.48%, 0.59%

LAB 51.65, 16.13, -44.83

 

CMYK 46 / 50 / 0 / 22

HEX #6D64C8

RGB 109 100 200

HSL 245.4, 0.48%, 0.59%

LAB 47.67, 29.21, -51.14

 

CMYK 32 / 50 / 0 / 22

HEX #8864C8

RGB 136 100 200

HSL 261.6, 0.48%, 0.59%

LAB 50.12, 35.94, -47.09

 

CMYK 19 / 50 / 0 / 22

HEX #A364C8

RGB 163 100 200

HSL 277.8, 0.48%, 0.59%

LAB 53.03, 43.23, -42.29

 

CMYK 50 / 28 / 0 / 22

HEX #6491C8

RGB 100 145 200

HSL 213, 0.48%, 0.59%

LAB 59.09, 0.08, -33.14

 

CMYK 50 / 41 / 0 / 22

HEX #6476C8

RGB 100 118 200

HSL 229.2, 0.48%, 0.59%

LAB 51.65, 16.13, -44.83

 

CMYK 50 / 50 / 0 / 22

HEX #6464C8

RGB 100 100 200

HSL 240, 0.48%, 0.59%

LAB 46.97, 27.16, -52.31

 

CMYK 50 / 28 / 0 / 22

HEX #6491C8

RGB 100 145 200

HSL 213, 0.48%, 0.59%

LAB 59.09, 0.08, -33.14

 

CMYK 62 / 34 / 0 / 15

HEX #538FD9

RGB 83 143 217

HSL 213.13, 0.64%, 0.59%

LAB 58.5, 3.08, -43.66

 

CMYK 72 / 39 / 0 / 8

HEX #428EEA

RGB 66 142 234

HSL 212.86, 0.8%, 0.59%

LAB 58.46, 6.82, -53.24

 

CMYK 80 / 44 / 0 / 2

HEX #318CFB

RGB 49 140 251

HSL 212.97, 0.96%, 0.59%

LAB 58.39, 12.27, -62.77

 

CMYK 50 / 28 / 0 / 22

HEX #6491C8

RGB 100 145 200

HSL 213, 0.48%, 0.59%

LAB 59.09, 0.08, -33.14

 

CMYK 36 / 20 / 0 / 28

HEX #7593B7

RGB 117 147 183

HSL 212.73, 0.31%, 0.59%

LAB 59.95, -1.48, -22.14

 

CMYK 19 / 11 / 0 / 35

HEX #8694A6

RGB 134 148 166

HSL 213.75, 0.15%, 0.59%

LAB 60.78, -1.05, -11.14

 

CMYK 0 / 1 / 1 / 41

HEX #979695

RGB 151 150 149

HSL 30, 0.01%, 0.59%

LAB 62.14, 0.18, 0.65

 

CMYK 0 / 9 / 21 / 35

HEX #A79884

RGB 167 152 132

HSL 34.29, 0.17%, 0.59%

LAB 63.62, 2.19, 12.53

 

CMYK 50 / 1 / 0 / 22

HEX #64C6C8

RGB 100 198 200

HSL 181.2, 0.48%, 0.59%

LAB 74.36, -28.14, -9.87

 

CMYK 50 / 14 / 0 / 22

HEX #64ACC8

RGB 100 172 200

HSL 196.8, 0.48%, 0.59%

LAB 66.81, -14.89, -21.24

 

CMYK 50 / 28 / 0 / 22

HEX #6491C8

RGB 100 145 200

HSL 213, 0.48%, 0.59%

LAB 59.09, 0.08, -33.14

 

CMYK 50 / 41 / 0 / 22

HEX #6476C8

RGB 100 118 200

HSL 229.2, 0.48%, 0.59%

LAB 51.65, 16.13, -44.83

 

CMYK 46 / 50 / 0 / 22

HEX #6C64C8

RGB 108 100 200

HSL 244.8, 0.48%, 0.59%

LAB 47.59, 28.98, -51.28

 

CMYK 65 / 36 / 0 / 37

HEX #3867A1

RGB 56 103 161

HSL 213.14, 0.48%, 0.43%

LAB 42.94, 3.02, -36.13

 

CMYK 63 / 35 / 0 / 26

HEX #457BBD

RGB 69 123 189

HSL 213, 0.48%, 0.51%

LAB 50.81, 2.95, -39.97

 

CMYK 50 / 28 / 0 / 22

HEX #6491C8

RGB 100 145 200

HSL 213, 0.48%, 0.59%

LAB 59.09, 0.08, -33.14

 

CMYK 38 / 21 / 0 / 17

HEX #82A7D3

RGB 130 167 211

HSL 212.59, 0.48%, 0.67%

LAB 67.34, -1.59, -26.38

 

CMYK 27 / 15 / 0 / 13

HEX #A1BCDE

RGB 161 188 222

HSL 213.44, 0.48%, 0.75%

LAB 75.34, -1.51, -20.02

 

CMYK 50 / 28 / 0 / 22

HEX #6491C8

RGB 100 145 200

HSL 213, 0.48%, 0.59%

LAB 59.09, 0.08, -33.14

 

CMYK 13 / 50 / 0 / 22

HEX #AF64C8

RGB 175 100 200

HSL 285, 0.48%, 0.59%

LAB 54.45, 46.56, -39.96

 

CMYK 8 / 0 / 50 / 22

HEX #B9C864

RGB 185 200 100

HSL 69, 0.48%, 0.59%

LAB 77.6, -19.74, 47.82

 

CMYK 50 / 28 / 0 / 22

HEX #6491C8

RGB 100 145 200

HSL 213, 0.48%, 0.59%

LAB 59.09, 0.08, -33.14

 

CMYK 0 / 50 / 28 / 22

HEX #C86491

RGB 200 100 145

HSL 333, 0.48%, 0.59%

LAB 55.52, 44.86, -6.17

 

CMYK 28 / 0 / 50 / 22

HEX #91C864

RGB 145 200 100

HSL 93, 0.48%, 0.59%

LAB 74.98, -35.04, 44.05

 

CMYK 50 / 28 / 0 / 22

HEX #6491C8

RGB 100 145 200

HSL 213, 0.48%, 0.59%

LAB 59.09, 0.08, -33.14

 

CMYK 13 / 50 / 0 / 22

HEX #AF64C8

RGB 175 100 200

HSL 285, 0.48%, 0.59%

LAB 54.45, 46.56, -39.96

 

CMYK 0 / 23 / 50 / 22

HEX #C89B64

RGB 200 155 100

HSL 33, 0.48%, 0.59%

LAB 67.01, 10.04, 35.14

 

CMYK 38 / 0 / 50 / 22

HEX #7DC864

RGB 125 200 100

HSL 105, 0.48%, 0.59%

LAB 73.93, -41.92, 42.52

 

CMYK 50 / 28 / 0 / 22

HEX #6491C8

RGB 100 145 200

HSL 213, 0.48%, 0.59%

LAB 59.09, 0.08, -33.14

 

CMYK 0 / 50 / 3 / 22

HEX #C864C3

RGB 200 100 195

HSL 303, 0.48%, 0.59%

LAB 57.4, 52.7, -32.25

 

CMYK 0 / 23 / 50 / 22

HEX #C89B64

RGB 200 155 100

HSL 33, 0.48%, 0.59%

LAB 67.01, 10.04, 35.14

 

CMYK 50 / 0 / 48 / 22

HEX #64C869

RGB 100 200 105

HSL 123, 0.48%, 0.59%

LAB 72.92, -48.76, 38.57

 

Description

Color code: HEX #6491C8 | qconv.com Color code: HEX #6491C8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 145 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 145 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 28 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 28% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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