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Color name
HEX #649210

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #649210 it is the complementary color #9B6DEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #649210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #649210 shade: #69920B, #7AA41E, #8BB631, #9CC844 and #ADDA57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #649210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #649210 shade: #649210, #538000, #426E00, #315C00 and #204A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #649210 shade: #649210, #879210, #927A10, #925710 and #923410

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #649210 shade: #649210, #419210, #1E9210, #109225 and #109248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #649210 shade matches the following richer shades: #649210 and #68A003

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #649210 shade: #649210, #60851D, #5C782A, #596B37 and #555E45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #649210 shade: #927A10, #889210, #659210, #429210 and #1F9210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #649210 shade: #314808, #4B6D0C, #649210, #7EB814 and #97DD18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #649210 shade: #649210, #109258 and #8C1092

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #649210 shade: #649210, #106592 and #921065

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #649210 shade: #649210, #109258, #3E1092 and #92104B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #649210 shade: #649210, #10927F, #3E1092 and #921023

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 89 / 43

HEX #649210

RGB 100 146 16

HSL 81.23, 0.8%, 0.32%

LAB 55.38, -33.77, 55.69

 

Complementary color

CMYK 35 / 54 / 0 / 6

HEX #9B6DEF

RGB 155 109 239

HSL 261.23, 0.8%, 0.68%

LAB 56.23, 45.58, -59.27

 

CMYK 28 / 0 / 92 / 43

HEX #69920B

RGB 105 146 11

HSL 78.22, 0.86%, 0.31%

LAB 55.67, -31.9, 56.99

 

CMYK 26 / 0 / 82 / 36

HEX #7AA41E

RGB 122 164 30

HSL 78.81, 0.69%, 0.38%

LAB 62.32, -32.78, 58.79

 

CMYK 24 / 0 / 73 / 29

HEX #8BB631

RGB 139 182 49

HSL 79.4, 0.58%, 0.45%

LAB 68.87, -33.41, 59.23

 

CMYK 22 / 0 / 66 / 22

HEX #9CC844

RGB 156 200 68

HSL 80, 0.55%, 0.53%

LAB 75.32, -33.86, 58.92

 

CMYK 21 / 0 / 60 / 15

HEX #ADDA57

RGB 173 218 87

HSL 80.61, 0.64%, 0.6%

LAB 81.68, -34.18, 58.2

 

CMYK 32 / 0 / 89 / 43

HEX #649210

RGB 100 146 16

HSL 81.23, 0.8%, 0.32%

LAB 55.38, -33.77, 55.69

 

CMYK 35 / 0 / 100 / 50

HEX #538000

RGB 83 128 0

HSL 81.09, 1%, 0.25%

LAB 48.61, -32.72, 52.78

 

CMYK 40 / 0 / 100 / 57

HEX #426E00

RGB 66 110 0

HSL 84, 1%, 0.22%

LAB 41.7, -31.24, 47.04

 

CMYK 47 / 0 / 100 / 64

HEX #315C00

RGB 49 92 0

HSL 88.04, 1%, 0.18%

LAB 34.61, -29.66, 41.15

 

CMYK 57 / 0 / 100 / 71

HEX #204A00

RGB 32 74 0

HSL 94.05, 1%, 0.15%

LAB 27.31, -27.89, 35.01

 

CMYK 32 / 0 / 89 / 43

HEX #649210

RGB 100 146 16

HSL 81.23, 0.8%, 0.32%

LAB 55.38, -33.77, 55.69

 

CMYK 8 / 0 / 89 / 43

HEX #879210

RGB 135 146 16

HSL 65.08, 0.8%, 0.32%

LAB 57.8, -18.89, 58.67

 

CMYK 0 / 16 / 89 / 43

HEX #927A10

RGB 146 122 16

HSL 48.92, 0.8%, 0.32%

LAB 51.91, -0.85, 54.32

 

CMYK 0 / 40 / 89 / 43

HEX #925710

RGB 146 87 16

HSL 32.77, 0.8%, 0.32%

LAB 42.71, 19.26, 46.89

 

CMYK 0 / 64 / 89 / 43

HEX #923410

RGB 146 52 16

HSL 16.62, 0.8%, 0.32%

LAB 35.21, 38.03, 40.82

 

CMYK 32 / 0 / 89 / 43

HEX #649210

RGB 100 146 16

HSL 81.23, 0.8%, 0.32%

LAB 55.38, -33.77, 55.69

 

CMYK 55 / 0 / 89 / 43

HEX #419210

RGB 65 146 16

HSL 97.38, 0.8%, 0.32%

LAB 53.73, -45.93, 53.62

 

CMYK 79 / 0 / 89 / 43

HEX #1E9210

RGB 30 146 16

HSL 113.54, 0.8%, 0.32%

LAB 52.81, -53.61, 52.46

 

CMYK 89 / 0 / 75 / 43

HEX #109225

RGB 16 146 37

HSL 129.69, 0.8%, 0.32%

LAB 52.73, -53.88, 45.96

 

CMYK 89 / 0 / 51 / 43

HEX #109248

RGB 16 146 72

HSL 145.85, 0.8%, 0.32%

LAB 53.1, -49.38, 30.13

 

CMYK 32 / 0 / 89 / 43

HEX #649210

RGB 100 146 16

HSL 81.23, 0.8%, 0.32%

LAB 55.38, -33.77, 55.69

 

CMYK 35 / 0 / 98 / 37

HEX #68A003

RGB 104 160 3

HSL 81.4, 0.96%, 0.32%

LAB 59.97, -38.76, 61.61

 

CMYK 32 / 0 / 89 / 43

HEX #649210

RGB 100 146 16

HSL 81.23, 0.8%, 0.32%

LAB 55.38, -33.77, 55.69

 

CMYK 28 / 0 / 78 / 48

HEX #60851D

RGB 96 133 29

HSL 81.35, 0.64%, 0.32%

LAB 51.09, -28.76, 48.16

 

CMYK 23 / 0 / 65 / 53

HEX #5C782A

RGB 92 120 42

HSL 81.54, 0.48%, 0.32%

LAB 46.81, -23.09, 38.41

 

CMYK 17 / 0 / 49 / 58

HEX #596B37

RGB 89 107 55

HSL 80.77, 0.32%, 0.32%

LAB 42.64, -16.17, 26.82

 

CMYK 10 / 0 / 27 / 63

HEX #555E45

RGB 85 94 69

HSL 81.6, 0.15%, 0.32%

LAB 38.49, -8.49, 13.2

 

CMYK 0 / 16 / 89 / 43

HEX #927A10

RGB 146 122 16

HSL 48.92, 0.8%, 0.32%

LAB 51.91, -0.85, 54.32

 

CMYK 7 / 0 / 89 / 43

HEX #889210

RGB 136 146 16

HSL 64.62, 0.8%, 0.32%

LAB 57.87, -18.45, 58.77

 

CMYK 31 / 0 / 89 / 43

HEX #659210

RGB 101 146 16

HSL 80.77, 0.8%, 0.32%

LAB 55.44, -33.38, 55.76

 

CMYK 55 / 0 / 89 / 43

HEX #429210

RGB 66 146 16

HSL 96.92, 0.8%, 0.32%

LAB 53.76, -45.63, 53.67

 

CMYK 79 / 0 / 89 / 43

HEX #1F9210

RGB 31 146 16

HSL 113.08, 0.8%, 0.32%

LAB 52.83, -53.46, 52.48

 

CMYK 32 / 0 / 89 / 72

HEX #314808

RGB 49 72 8

HSL 81.56, 0.8%, 0.16%

LAB 27.59, -19.53, 32.41

 

CMYK 31 / 0 / 89 / 57

HEX #4B6D0C

RGB 75 109 12

HSL 81.03, 0.8%, 0.24%

LAB 41.94, -26.69, 44.54

 

CMYK 32 / 0 / 89 / 43

HEX #649210

RGB 100 146 16

HSL 81.23, 0.8%, 0.32%

LAB 55.38, -33.77, 55.69

 

CMYK 32 / 0 / 89 / 28

HEX #7EB814

RGB 126 184 20

HSL 81.22, 0.8%, 0.4%

LAB 68.58, -40.54, 66.56

 

CMYK 32 / 0 / 89 / 13

HEX #97DD18

RGB 151 221 24

HSL 81.32, 0.8%, 0.48%

LAB 80.94, -46.98, 76.65

 

CMYK 32 / 0 / 89 / 43

HEX #649210

RGB 100 146 16

HSL 81.23, 0.8%, 0.32%

LAB 55.38, -33.77, 55.69

 

CMYK 89 / 0 / 40 / 43

HEX #109258

RGB 16 146 88

HSL 153.23, 0.8%, 0.32%

LAB 53.35, -46.35, 21.83

 

CMYK 4 / 89 / 0 / 43

HEX #8C1092

RGB 140 16 146

HSL 297.23, 0.8%, 0.32%

LAB 34.03, 61.52, -40.76

 

CMYK 32 / 0 / 89 / 43

HEX #649210

RGB 100 146 16

HSL 81.23, 0.8%, 0.32%

LAB 55.38, -33.77, 55.69

 

CMYK 89 / 31 / 0 / 43

HEX #106592

RGB 16 101 146

HSL 200.77, 0.8%, 0.32%

LAB 40.4, -6.62, -31.27

 

CMYK 0 / 89 / 31 / 43

HEX #921065

RGB 146 16 101

HSL 320.77, 0.8%, 0.32%

LAB 32.75, 56.36, -14.4

 

CMYK 32 / 0 / 89 / 43

HEX #649210

RGB 100 146 16

HSL 81.23, 0.8%, 0.32%

LAB 55.38, -33.77, 55.69

 

CMYK 89 / 0 / 40 / 43

HEX #109258

RGB 16 146 88

HSL 153.23, 0.8%, 0.32%

LAB 53.35, -46.35, 21.83

 

CMYK 58 / 89 / 0 / 43

HEX #3E1092

RGB 62 16 146

HSL 261.23, 0.8%, 0.32%

LAB 21.84, 50.03, -61.15

 

CMYK 0 / 89 / 49 / 43

HEX #92104B

RGB 146 16 75

HSL 332.77, 0.8%, 0.32%

LAB 31.78, 53.68, 1.12

 

CMYK 32 / 0 / 89 / 43

HEX #649210

RGB 100 146 16

HSL 81.23, 0.8%, 0.32%

LAB 55.38, -33.77, 55.69

 

CMYK 89 / 0 / 13 / 43

HEX #10927F

RGB 16 146 127

HSL 171.23, 0.8%, 0.32%

LAB 54.24, -36.68, 0.95

 

CMYK 58 / 89 / 0 / 43

HEX #3E1092

RGB 62 16 146

HSL 261.23, 0.8%, 0.32%

LAB 21.84, 50.03, -61.15

 

CMYK 0 / 89 / 76 / 43

HEX #921023

RGB 146 16 35

HSL 351.23, 0.8%, 0.32%

LAB 30.89, 51.11, 26.25

 

Description

Color code: HEX #649210 | qconv.com Color code: HEX #649210 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 146 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 146 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 89 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 89% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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