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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #649E1E it is the complementary color #9B61E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #649E1E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #649E1E shade: #699E19, #7AB02C, #8BC23F, #9CD452 and #ADE665

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #649E1E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #649E1E shade: #649E1E, #538C0B, #427A00, #316800 and #205600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #649E1E shade: #649E1E, #869E1E, #9E931E, #9E701E and #9E4E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #649E1E shade: #649E1E, #419E1E, #1F9E1E, #1E9E3F and #1E9E62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #649E1E shade matches the following richer shades: #649E1E and #65AD0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #649E1E shade: #649E1E, #628F2D, #617F3C, #60704B and #5E615B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #649E1E shade: #9E931E, #869E1E, #649E1E, #429E1E and #209E1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #649E1E shade: #385910, #4E7B17, #649E1E, #7AC124 and #8FD836

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #649E1E shade: #649E1E, #1E9E71 and #9E1E98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #649E1E shade: #649E1E, #1E649E and #9E1E64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #649E1E shade: #649E1E, #1E9E71, #571E9E and #9E1E4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #649E1E shade: #649E1E, #1E9E98, #571E9E and #9E1E24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 81 / 38

HEX #649E1E

RGB 100 158 30

HSL 87.19, 0.68%, 0.37%

LAB 59.21, -38.57, 55.49

 

Complementary color

CMYK 31 / 57 / 0 / 12

HEX #9B61E1

RGB 155 97 225

HSL 267.19, 0.68%, 0.63%

LAB 52.9, 48.61, -56.75

 

CMYK 34 / 0 / 84 / 38

HEX #699E19

RGB 105 158 25

HSL 83.91, 0.73%, 0.36%

LAB 59.46, -36.92, 57.21

 

CMYK 31 / 0 / 75 / 31

HEX #7AB02C

RGB 122 176 44

HSL 84.55, 0.6%, 0.43%

LAB 66.04, -37.55, 57.87

 

CMYK 28 / 0 / 68 / 24

HEX #8BC23F

RGB 139 194 63

HSL 85.19, 0.52%, 0.5%

LAB 72.52, -37.97, 57.66

 

CMYK 26 / 0 / 61 / 17

HEX #9CD452

RGB 156 212 82

HSL 85.85, 0.6%, 0.58%

LAB 78.91, -38.24, 56.98

 

CMYK 25 / 0 / 56 / 10

HEX #ADE665

RGB 173 230 101

HSL 86.51, 0.72%, 0.65%

LAB 85.21, -38.41, 56.07

 

CMYK 37 / 0 / 81 / 38

HEX #649E1E

RGB 100 158 30

HSL 87.19, 0.68%, 0.37%

LAB 59.21, -38.57, 55.49

 

CMYK 41 / 0 / 92 / 45

HEX #538C0B

RGB 83 140 11

HSL 86.51, 0.85%, 0.3%

LAB 52.53, -37.74, 53.9

 

CMYK 46 / 0 / 100 / 52

HEX #427A00

RGB 66 122 0

HSL 87.54, 1%, 0.24%

LAB 45.74, -36.5, 50.18

 

CMYK 53 / 0 / 100 / 59

HEX #316800

RGB 49 104 0

HSL 91.73, 1%, 0.2%

LAB 38.82, -34.83, 44.44

 

CMYK 63 / 0 / 100 / 66

HEX #205600

RGB 32 86 0

HSL 97.67, 1%, 0.17%

LAB 31.72, -32.9, 38.56

 

CMYK 37 / 0 / 81 / 38

HEX #649E1E

RGB 100 158 30

HSL 87.19, 0.68%, 0.37%

LAB 59.21, -38.57, 55.49

 

CMYK 15 / 0 / 81 / 38

HEX #869E1E

RGB 134 158 30

HSL 71.25, 0.68%, 0.37%

LAB 61.32, -24.93, 58.19

 

CMYK 0 / 7 / 81 / 38

HEX #9E931E

RGB 158 147 30

HSL 54.84, 0.68%, 0.37%

LAB 60.1, -8.63, 57.85

 

CMYK 0 / 29 / 81 / 38

HEX #9E701E

RGB 158 112 30

HSL 38.44, 0.68%, 0.37%

LAB 50.63, 10.84, 49.38

 

CMYK 0 / 51 / 81 / 38

HEX #9E4E1E

RGB 158 78 30

HSL 22.5, 0.68%, 0.37%

LAB 42.48, 29.98, 41.78

 

CMYK 37 / 0 / 81 / 38

HEX #649E1E

RGB 100 158 30

HSL 87.19, 0.68%, 0.37%

LAB 59.21, -38.57, 55.49

 

CMYK 59 / 0 / 81 / 38

HEX #419E1E

RGB 65 158 30

HSL 103.59, 0.68%, 0.37%

LAB 57.72, -49.75, 53.58

 

CMYK 80 / 0 / 81 / 38

HEX #1F9E1E

RGB 31 158 30

HSL 119.53, 0.68%, 0.37%

LAB 56.92, -56.51, 52.53

 

CMYK 81 / 0 / 60 / 38

HEX #1E9E3F

RGB 30 158 63

HSL 135.47, 0.68%, 0.37%

LAB 57.16, -53.45, 39.59

 

CMYK 81 / 0 / 38 / 38

HEX #1E9E62

RGB 30 158 98

HSL 151.88, 0.68%, 0.37%

LAB 57.67, -47.53, 22.11

 

CMYK 37 / 0 / 81 / 38

HEX #649E1E

RGB 100 158 30

HSL 87.19, 0.68%, 0.37%

LAB 59.21, -38.57, 55.49

 

CMYK 42 / 0 / 92 / 32

HEX #65AD0E

RGB 101 173 14

HSL 87.17, 0.85%, 0.37%

LAB 63.91, -45.11, 63.17

 

CMYK 37 / 0 / 81 / 38

HEX #649E1E

RGB 100 158 30

HSL 87.19, 0.68%, 0.37%

LAB 59.21, -38.57, 55.49

 

CMYK 31 / 0 / 69 / 44

HEX #628F2D

RGB 98 143 45

HSL 87.55, 0.52%, 0.37%

LAB 54.48, -31.61, 45.39

 

CMYK 24 / 0 / 53 / 50

HEX #617F3C

RGB 97 127 60

HSL 86.87, 0.36%, 0.37%

LAB 49.55, -22.75, 32.69

 

CMYK 14 / 0 / 33 / 56

HEX #60704B

RGB 96 112 75

HSL 85.95, 0.2%, 0.37%

LAB 45.06, -13.13, 18.65

 

CMYK 3 / 0 / 6 / 62

HEX #5E615B

RGB 94 97 91

HSL 90, 0.03%, 0.37%

LAB 40.71, -2.42, 3.01

 

CMYK 0 / 7 / 81 / 38

HEX #9E931E

RGB 158 147 30

HSL 54.84, 0.68%, 0.37%

LAB 60.1, -8.63, 57.85

 

CMYK 15 / 0 / 81 / 38

HEX #869E1E

RGB 134 158 30

HSL 71.25, 0.68%, 0.37%

LAB 61.32, -24.93, 58.19

 

CMYK 37 / 0 / 81 / 38

HEX #649E1E

RGB 100 158 30

HSL 87.19, 0.68%, 0.37%

LAB 59.21, -38.57, 55.49

 

CMYK 58 / 0 / 81 / 38

HEX #429E1E

RGB 66 158 30

HSL 103.13, 0.68%, 0.37%

LAB 57.76, -49.48, 53.62

 

CMYK 80 / 0 / 81 / 38

HEX #209E1E

RGB 32 158 30

HSL 119.06, 0.68%, 0.37%

LAB 56.93, -56.38, 52.55

 

CMYK 37 / 0 / 82 / 65

HEX #385910

RGB 56 89 16

HSL 87.12, 0.7%, 0.21%

LAB 34.03, -24.67, 35.69

 

CMYK 37 / 0 / 81 / 52

HEX #4E7B17

RGB 78 123 23

HSL 87, 0.68%, 0.29%

LAB 46.77, -31.58, 45.73

 

CMYK 37 / 0 / 81 / 38

HEX #649E1E

RGB 100 158 30

HSL 87.19, 0.68%, 0.37%

LAB 59.21, -38.57, 55.49

 

CMYK 37 / 0 / 81 / 24

HEX #7AC124

RGB 122 193 36

HSL 87.13, 0.69%, 0.45%

LAB 71.15, -45.29, 65.09

 

CMYK 34 / 0 / 75 / 15

HEX #8FD836

RGB 143 216 54

HSL 87.04, 0.68%, 0.53%

LAB 79.17, -46.61, 67.6

 

CMYK 37 / 0 / 81 / 38

HEX #649E1E

RGB 100 158 30

HSL 87.19, 0.68%, 0.37%

LAB 59.21, -38.57, 55.49

 

CMYK 81 / 0 / 28 / 38

HEX #1E9E71

RGB 30 158 113

HSL 158.91, 0.68%, 0.37%

LAB 57.96, -44.22, 14.22

 

CMYK 0 / 81 / 4 / 38

HEX #9E1E98

RGB 158 30 152

HSL 302.81, 0.68%, 0.37%

LAB 38.66, 62.92, -36.84

 

CMYK 37 / 0 / 81 / 38

HEX #649E1E

RGB 100 158 30

HSL 87.19, 0.68%, 0.37%

LAB 59.21, -38.57, 55.49

 

CMYK 81 / 37 / 0 / 38

HEX #1E649E

RGB 30 100 158

HSL 207.19, 0.68%, 0.37%

LAB 40.99, -0.05, -37.48

 

CMYK 0 / 81 / 37 / 38

HEX #9E1E64

RGB 158 30 100

HSL 327.19, 0.68%, 0.37%

LAB 36.21, 55.92, -8.28

 

CMYK 37 / 0 / 81 / 38

HEX #649E1E

RGB 100 158 30

HSL 87.19, 0.68%, 0.37%

LAB 59.21, -38.57, 55.49

 

CMYK 81 / 0 / 28 / 38

HEX #1E9E71

RGB 30 158 113

HSL 158.91, 0.68%, 0.37%

LAB 57.96, -44.22, 14.22

 

CMYK 45 / 81 / 0 / 38

HEX #571E9E

RGB 87 30 158

HSL 266.72, 0.68%, 0.37%

LAB 27.91, 51.16, -58.42

 

CMYK 0 / 81 / 53 / 38

HEX #9E1E4B

RGB 158 30 75

HSL 338.91, 0.68%, 0.37%

LAB 35.41, 53.52, 6.65

 

CMYK 37 / 0 / 81 / 38

HEX #649E1E

RGB 100 158 30

HSL 87.19, 0.68%, 0.37%

LAB 59.21, -38.57, 55.49

 

CMYK 81 / 0 / 4 / 38

HEX #1E9E98

RGB 30 158 152

HSL 177.19, 0.68%, 0.37%

LAB 58.97, -33.75, -6.35

 

CMYK 45 / 81 / 0 / 38

HEX #571E9E

RGB 87 30 158

HSL 266.72, 0.68%, 0.37%

LAB 27.91, 51.16, -58.42

 

CMYK 0 / 81 / 77 / 38

HEX #9E1E24

RGB 158 30 36

HSL 357.19, 0.68%, 0.37%

LAB 34.65, 51.18, 30.55

 

Description

Color code: HEX #649E1E | qconv.com Color code: HEX #649E1E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 158 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 158 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 81 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 81% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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