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Color name
HEX #649F29

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #649F29 it is the complementary color #9B60D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #649F29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #649F29 shade: #699F24, #7AB137, #8BC34A, #9CD55D and #ADE770

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #649F29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #649F29 shade: #649F29, #538D16, #427B03, #316900 and #205700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #649F29 shade: #639E28, #839E28, #9E9928, #9E7928 and #9E5A28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #649F29 shade: #639E28, #439E28, #289E2D, #289E4D and #289E6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #649F29 shade matches the following richer shades: #639E28, #63AE18 and #63BE08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #649F29 shade: #639E28, #638E38, #637D48, #636D59 and #635D69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #649F29 shade: #9E9A28, #829E28, #639E28, #449E28 and #289E2C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #649F29 shade: #3A5C17, #4E7D20, #639E28, #78BE31 and #8CD049

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #649F29 shade: #649F29, #289E7A and #9E2892

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #649F29 shade: #649F29, #28639E and #9E2863

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #649F29 shade: #649F29, #289E7A, #63289E and #9E284B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #649F29 shade: #649F29, #289E9E, #63289E and #9E2828

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 74 / 38

HEX #649F29

RGB 100 159 41

HSL 90, 0.59%, 0.39%

LAB 59.59, -38.38, 52.21

 

Complementary color

CMYK 28 / 55 / 0 / 16

HEX #9B60D6

RGB 155 96 214

HSL 270, 0.59%, 0.61%

LAB 52.05, 46.5, -51.88

 

CMYK 34 / 0 / 77 / 38

HEX #699F24

RGB 105 159 36

HSL 86.34, 0.63%, 0.38%

LAB 59.82, -36.83, 54.28

 

CMYK 31 / 0 / 69 / 31

HEX #7AB137

RGB 122 177 55

HSL 87.05, 0.53%, 0.45%

LAB 66.41, -37.28, 54.17

 

CMYK 29 / 0 / 62 / 24

HEX #8BC34A

RGB 139 195 74

HSL 87.77, 0.5%, 0.53%

LAB 72.9, -37.55, 53.52

 

CMYK 27 / 0 / 56 / 16

HEX #9CD55D

RGB 156 213 93

HSL 88.5, 0.59%, 0.6%

LAB 79.3, -37.7, 52.59

 

CMYK 25 / 0 / 52 / 9

HEX #ADE770

RGB 173 231 112

HSL 89.24, 0.71%, 0.67%

LAB 85.61, -37.77, 51.53

 

CMYK 37 / 0 / 74 / 38

HEX #649F29

RGB 100 159 41

HSL 90, 0.59%, 0.39%

LAB 59.59, -38.38, 52.21

 

CMYK 41 / 0 / 84 / 45

HEX #538D16

RGB 83 141 22

HSL 89.24, 0.73%, 0.32%

LAB 52.89, -37.77, 51.72

 

CMYK 46 / 0 / 98 / 52

HEX #427B03

RGB 66 123 3

HSL 88.5, 0.95%, 0.25%

LAB 46.08, -36.82, 49.8

 

CMYK 53 / 0 / 100 / 59

HEX #316900

RGB 49 105 0

HSL 92, 1%, 0.21%

LAB 39.17, -35.24, 44.71

 

CMYK 63 / 0 / 100 / 66

HEX #205700

RGB 32 87 0

HSL 97.93, 1%, 0.17%

LAB 32.09, -33.3, 38.85

 

CMYK 37 / 0 / 75 / 38

HEX #639E28

RGB 99 158 40

HSL 90, 0.6%, 0.39%

LAB 59.21, -38.37, 52.19

 

CMYK 17 / 0 / 75 / 38

HEX #839E28

RGB 131 158 40

HSL 73.73, 0.6%, 0.39%

LAB 61.16, -25.74, 54.75

 

CMYK 0 / 3 / 75 / 38

HEX #9E9928

RGB 158 153 40

HSL 57.46, 0.6%, 0.39%

LAB 61.83, -11.42, 56.13

 

CMYK 0 / 23 / 75 / 38

HEX #9E7928

RGB 158 121 40

HSL 41.19, 0.6%, 0.39%

LAB 53.06, 6.15, 47.65

 

CMYK 0 / 43 / 75 / 38

HEX #9E5A28

RGB 158 90 40

HSL 25.42, 0.6%, 0.39%

LAB 45.27, 23.78, 39.73

 

CMYK 37 / 0 / 75 / 38

HEX #639E28

RGB 99 158 40

HSL 90, 0.6%, 0.39%

LAB 59.21, -38.37, 52.19

 

CMYK 58 / 0 / 75 / 38

HEX #439E28

RGB 67 158 40

HSL 106.27, 0.6%, 0.39%

LAB 57.85, -48.56, 50.38

 

CMYK 75 / 0 / 72 / 38

HEX #289E2D

RGB 40 158 45

HSL 122.54, 0.6%, 0.39%

LAB 57.17, -54.01, 47.54

 

CMYK 75 / 0 / 51 / 38

HEX #289E4D

RGB 40 158 77

HSL 138.81, 0.6%, 0.39%

LAB 57.5, -50.01, 33.1

 

CMYK 75 / 0 / 32 / 38

HEX #289E6C

RGB 40 158 108

HSL 154.58, 0.6%, 0.39%

LAB 58.03, -44.1, 17.12

 

CMYK 37 / 0 / 75 / 38

HEX #639E28

RGB 99 158 40

HSL 90, 0.6%, 0.39%

LAB 59.21, -38.37, 52.19

 

CMYK 43 / 0 / 86 / 32

HEX #63AE18

RGB 99 174 24

HSL 90, 0.76%, 0.39%

LAB 64.15, -45.9, 61.44

 

CMYK 48 / 0 / 96 / 25

HEX #63BE08

RGB 99 190 8

HSL 90, 0.92%, 0.39%

LAB 69.11, -52.58, 68.14

 

CMYK 37 / 0 / 75 / 38

HEX #639E28

RGB 99 158 40

HSL 90, 0.6%, 0.39%

LAB 59.21, -38.37, 52.19

 

CMYK 30 / 0 / 61 / 44

HEX #638E38

RGB 99 142 56

HSL 90, 0.43%, 0.39%

LAB 54.33, -29.77, 40.29

 

CMYK 21 / 0 / 42 / 51

HEX #637D48

RGB 99 125 72

HSL 89.43, 0.27%, 0.39%

LAB 49.24, -19.36, 25.86

 

CMYK 9 / 0 / 18 / 57

HEX #636D59

RGB 99 109 89

HSL 90, 0.1%, 0.39%

LAB 44.68, -7.83, 9.91

 

CMYK 6 / 11 / 0 / 59

HEX #635D69

RGB 99 93 105

HSL 270, 0.06%, 0.39%

LAB 40.41, 4.93, -5.97

 

CMYK 0 / 3 / 75 / 38

HEX #9E9A28

RGB 158 154 40

HSL 57.97, 0.6%, 0.39%

LAB 62.11, -11.95, 56.4

 

CMYK 18 / 0 / 75 / 38

HEX #829E28

RGB 130 158 40

HSL 74.24, 0.6%, 0.39%

LAB 61.09, -26.16, 54.66

 

CMYK 37 / 0 / 75 / 38

HEX #639E28

RGB 99 158 40

HSL 90, 0.6%, 0.39%

LAB 59.21, -38.37, 52.19

 

CMYK 57 / 0 / 75 / 38

HEX #449E28

RGB 68 158 40

HSL 105.76, 0.6%, 0.39%

LAB 57.88, -48.29, 50.42

 

CMYK 75 / 0 / 72 / 38

HEX #289E2C

RGB 40 158 44

HSL 122.03, 0.6%, 0.39%

LAB 57.16, -54.1, 47.93

 

CMYK 37 / 0 / 75 / 64

HEX #3A5C17

RGB 58 92 23

HSL 89.57, 0.6%, 0.23%

LAB 35.23, -24.82, 34.09

 

CMYK 38 / 0 / 74 / 51

HEX #4E7D20

RGB 78 125 32

HSL 90.32, 0.59%, 0.31%

LAB 47.48, -31.94, 43.17

 

CMYK 37 / 0 / 75 / 38

HEX #639E28

RGB 99 158 40

HSL 90, 0.6%, 0.39%

LAB 59.21, -38.37, 52.19

 

CMYK 37 / 0 / 74 / 25

HEX #78BE31

RGB 120 190 49

HSL 89.79, 0.59%, 0.47%

LAB 70.21, -44.06, 60.17

 

CMYK 33 / 0 / 65 / 18

HEX #8CD049

RGB 140 208 73

HSL 90.22, 0.59%, 0.55%

LAB 76.78, -43, 58.17

 

CMYK 37 / 0 / 74 / 38

HEX #649F29

RGB 100 159 41

HSL 90, 0.59%, 0.39%

LAB 59.59, -38.38, 52.21

 

CMYK 75 / 0 / 23 / 38

HEX #289E7A

RGB 40 158 122

HSL 161.69, 0.6%, 0.39%

LAB 58.33, -40.82, 9.71

 

CMYK 0 / 75 / 8 / 38

HEX #9E2892

RGB 158 40 146

HSL 306.1, 0.6%, 0.39%

LAB 39.35, 59.07, -32.11

 

CMYK 37 / 0 / 74 / 38

HEX #649F29

RGB 100 159 41

HSL 90, 0.59%, 0.39%

LAB 59.59, -38.38, 52.21

 

CMYK 75 / 37 / 0 / 38

HEX #28639E

RGB 40 99 158

HSL 210, 0.6%, 0.39%

LAB 40.97, 1.82, -37.51

 

CMYK 0 / 75 / 37 / 38

HEX #9E2863

RGB 158 40 99

HSL 330, 0.6%, 0.39%

LAB 37.28, 52.69, -6.05

 

CMYK 37 / 0 / 74 / 38

HEX #649F29

RGB 100 159 41

HSL 90, 0.59%, 0.39%

LAB 59.59, -38.38, 52.21

 

CMYK 75 / 0 / 23 / 38

HEX #289E7A

RGB 40 158 122

HSL 161.69, 0.6%, 0.39%

LAB 58.33, -40.82, 9.71

 

CMYK 37 / 75 / 0 / 38

HEX #63289E

RGB 99 40 158

HSL 270, 0.6%, 0.39%

LAB 30.97, 48.9, -53.35

 

CMYK 0 / 75 / 53 / 38

HEX #9E284B

RGB 158 40 75

HSL 342.2, 0.6%, 0.39%

LAB 36.55, 50.33, 8.25

 

CMYK 37 / 0 / 74 / 38

HEX #649F29

RGB 100 159 41

HSL 90, 0.59%, 0.39%

LAB 59.59, -38.38, 52.21

 

CMYK 75 / 0 / 0 / 38

HEX #289E9E

RGB 40 158 158

HSL 180, 0.6%, 0.39%

LAB 59.32, -30.9, -9.22

 

CMYK 37 / 75 / 0 / 38

HEX #63289E

RGB 99 40 158

HSL 270, 0.6%, 0.39%

LAB 30.97, 48.9, -53.35

 

CMYK 0 / 75 / 75 / 38

HEX #9E2828

RGB 158 40 40

HSL 0, 0.6%, 0.39%

LAB 35.87, 48.08, 29.5

 

Description

Color code: HEX #649F29 | qconv.com Color code: HEX #649F29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 159 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 159 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 74 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 74% 38% C M Y K

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Provide designers and agencies with accurate color values.

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