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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64C886 it is the complementary color #9B3779. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64C886. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64C886 shade: #69C881, #7ADA94, #8BECA7, #9CFEBA and #ADFFCD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64C886. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64C886 shade: #64C886, #53B673, #42A460, #31924D and #20803A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64C886 shade: #64C886, #64C86B, #78C864, #93C864 and #AEC864

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64C886 shade: #64C886, #64C8A1, #64C8BC, #64B9C8 and #649EC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64C886 shade matches the following richer shades: #64C886, #53D980, #42EA7B and #31FB76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64C886 shade: #64C886, #75B78B, #86A691, #979596 and #A7849C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64C886 shade: #78C864, #64C86A, #64C885, #64C8A0 and #64C8BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64C886 shade: #38A15C, #45BD6E, #64C886, #82D39E and #A1DEB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64C886 shade: #64C886, #6493C8 and #C8646A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64C886 shade: #64C886, #8564C8 and #C88564

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64C886 shade: #64C886, #6493C8, #C864A7 and #C89964

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64C886 shade: #64C886, #6474C8, #C864A7 and #C8B764

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 33 / 22

HEX #64C886

RGB 100 200 134

HSL 140.4, 0.48%, 0.59%

LAB 73.38, -44.01, 24.26

 

Complementary color

CMYK 0 / 65 / 22 / 39

HEX #9B3779

RGB 155 55 121

HSL 320.4, 0.48%, 0.41%

LAB 39.72, 48.74, -16.21

 

CMYK 48 / 0 / 36 / 22

HEX #69C881

RGB 105 200 129

HSL 135.16, 0.46%, 0.6%

LAB 73.48, -43.59, 27.05

 

CMYK 44 / 0 / 32 / 15

HEX #7ADA94

RGB 122 218 148

HSL 136.25, 0.56%, 0.67%

LAB 79.85, -43.39, 25.85

 

CMYK 41 / 0 / 29 / 7

HEX #8BECA7

RGB 139 236 167

HSL 137.32, 0.72%, 0.74%

LAB 86.14, -43.15, 24.71

 

CMYK 39 / 0 / 27 / 0

HEX #9CFEBA

RGB 156 254 186

HSL 138.37, 0.98%, 0.8%

LAB 92.35, -42.9, 23.64

 

CMYK 32 / 0 / 20 / 0

HEX #ADFFCD

RGB 173 255 205

HSL 143.41, 1%, 0.84%

LAB 93.8, -35.01, 16.08

 

CMYK 50 / 0 / 33 / 22

HEX #64C886

RGB 100 200 134

HSL 140.4, 0.48%, 0.59%

LAB 73.38, -44.01, 24.26

 

CMYK 54 / 0 / 37 / 29

HEX #53B673

RGB 83 182 115

HSL 139.39, 0.4%, 0.52%

LAB 66.92, -44.11, 25.55

 

CMYK 60 / 0 / 41 / 36

HEX #42A460

RGB 66 164 96

HSL 138.37, 0.43%, 0.45%

LAB 60.39, -44.08, 26.94

 

CMYK 66 / 0 / 47 / 43

HEX #31924D

RGB 49 146 77

HSL 137.32, 0.5%, 0.38%

LAB 53.76, -43.82, 28.44

 

CMYK 75 / 0 / 55 / 50

HEX #20803A

RGB 32 128 58

HSL 136.25, 0.6%, 0.31%

LAB 47.04, -43.17, 30.04

 

CMYK 50 / 0 / 33 / 22

HEX #64C886

RGB 100 200 134

HSL 140.4, 0.48%, 0.59%

LAB 73.38, -44.01, 24.26

 

CMYK 50 / 0 / 47 / 22

HEX #64C86B

RGB 100 200 107

HSL 124.2, 0.48%, 0.59%

LAB 72.94, -48.47, 37.61

 

CMYK 40 / 0 / 50 / 22

HEX #78C864

RGB 120 200 100

HSL 108, 0.48%, 0.59%

LAB 73.69, -43.53, 42.17

 

CMYK 27 / 0 / 50 / 22

HEX #93C864

RGB 147 200 100

HSL 91.8, 0.48%, 0.59%

LAB 75.1, -34.32, 44.21

 

CMYK 13 / 0 / 50 / 22

HEX #AEC864

RGB 174 200 100

HSL 75.6, 0.48%, 0.59%

LAB 76.82, -24.1, 46.69

 

CMYK 50 / 0 / 33 / 22

HEX #64C886

RGB 100 200 134

HSL 140.4, 0.48%, 0.59%

LAB 73.38, -44.01, 24.26

 

CMYK 50 / 0 / 20 / 22

HEX #64C8A1

RGB 100 200 161

HSL 156.6, 0.48%, 0.59%

LAB 73.93, -38.55, 10.62

 

CMYK 50 / 0 / 6 / 22

HEX #64C8BC

RGB 100 200 188

HSL 172.8, 0.48%, 0.59%

LAB 74.6, -32.19, -3

 

CMYK 50 / 8 / 0 / 22

HEX #64B9C8

RGB 100 185 200

HSL 189, 0.48%, 0.59%

LAB 70.58, -21.66, -15.54

 

CMYK 50 / 21 / 0 / 22

HEX #649EC8

RGB 100 158 200

HSL 205.2, 0.48%, 0.59%

LAB 62.79, -7.28, -27.41

 

CMYK 50 / 0 / 33 / 22

HEX #64C886

RGB 100 200 134

HSL 140.4, 0.48%, 0.59%

LAB 73.38, -44.01, 24.26

 

CMYK 62 / 0 / 41 / 15

HEX #53D980

RGB 83 217 128

HSL 140.15, 0.64%, 0.59%

LAB 77.89, -55.86, 33.26

 

CMYK 72 / 0 / 47 / 8

HEX #42EA7B

RGB 66 234 123

HSL 140.36, 0.8%, 0.59%

LAB 82.61, -65.83, 41.73

 

CMYK 80 / 0 / 53 / 2

HEX #31FB76

RGB 49 251 118

HSL 140.5, 0.96%, 0.59%

LAB 87.46, -74.31, 50.03

 

CMYK 50 / 0 / 33 / 22

HEX #64C886

RGB 100 200 134

HSL 140.4, 0.48%, 0.59%

LAB 73.38, -44.01, 24.26

 

CMYK 36 / 0 / 24 / 28

HEX #75B78B

RGB 117 183 139

HSL 140, 0.31%, 0.59%

LAB 69.12, -30.57, 15.86

 

CMYK 19 / 0 / 13 / 35

HEX #86A691

RGB 134 166 145

HSL 140.63, 0.15%, 0.59%

LAB 65.27, -15.32, 7.26

 

CMYK 0 / 1 / 1 / 41

HEX #979596

RGB 151 149 150

HSL 330, 0.01%, 0.59%

LAB 61.89, 0.92, -0.28

 

CMYK 0 / 21 / 7 / 35

HEX #A7849C

RGB 167 132 156

HSL 318.86, 0.17%, 0.59%

LAB 59.08, 17.51, -7.67

 

CMYK 40 / 0 / 50 / 22

HEX #78C864

RGB 120 200 100

HSL 108, 0.48%, 0.59%

LAB 73.69, -43.53, 42.17

 

CMYK 50 / 0 / 47 / 22

HEX #64C86A

RGB 100 200 106

HSL 123.6, 0.48%, 0.59%

LAB 72.93, -48.62, 38.09

 

CMYK 50 / 0 / 34 / 22

HEX #64C885

RGB 100 200 133

HSL 139.8, 0.48%, 0.59%

LAB 73.36, -44.19, 24.76

 

CMYK 50 / 0 / 20 / 22

HEX #64C8A0

RGB 100 200 160

HSL 156, 0.48%, 0.59%

LAB 73.9, -38.76, 11.12

 

CMYK 50 / 0 / 7 / 22

HEX #64C8BB

RGB 100 200 187

HSL 172.2, 0.48%, 0.59%

LAB 74.58, -32.44, -2.5

 

CMYK 65 / 0 / 43 / 37

HEX #38A15C

RGB 56 161 92

HSL 140.57, 0.48%, 0.43%

LAB 59.07, -45.74, 27.3

 

CMYK 63 / 0 / 42 / 26

HEX #45BD6E

RGB 69 189 110

HSL 140.5, 0.48%, 0.51%

LAB 68.6, -50.97, 30.3

 

CMYK 50 / 0 / 33 / 22

HEX #64C886

RGB 100 200 134

HSL 140.4, 0.48%, 0.59%

LAB 73.38, -44.01, 24.26

 

CMYK 38 / 0 / 25 / 17

HEX #82D39E

RGB 130 211 158

HSL 140.74, 0.48%, 0.67%

LAB 78.35, -36.17, 18.6

 

CMYK 27 / 0 / 18 / 13

HEX #A1DEB5

RGB 161 222 181

HSL 139.67, 0.48%, 0.75%

LAB 83.52, -27.63, 13.96

 

CMYK 50 / 0 / 33 / 22

HEX #64C886

RGB 100 200 134

HSL 140.4, 0.48%, 0.59%

LAB 73.38, -44.01, 24.26

 

CMYK 50 / 27 / 0 / 22

HEX #6493C8

RGB 100 147 200

HSL 211.8, 0.48%, 0.59%

LAB 59.66, -1.07, -32.26

 

CMYK 0 / 50 / 47 / 22

HEX #C8646A

RGB 200 100 106

HSL 356.4, 0.48%, 0.59%

LAB 54.48, 40.28, 15.26

 

CMYK 50 / 0 / 33 / 22

HEX #64C886

RGB 100 200 134

HSL 140.4, 0.48%, 0.59%

LAB 73.38, -44.01, 24.26

 

CMYK 34 / 50 / 0 / 22

HEX #8564C8

RGB 133 100 200

HSL 259.8, 0.48%, 0.59%

LAB 49.82, 35.16, -47.58

 

CMYK 0 / 34 / 50 / 22

HEX #C88564

RGB 200 133 100

HSL 19.8, 0.48%, 0.59%

LAB 61.63, 22.07, 28.26

 

CMYK 50 / 0 / 33 / 22

HEX #64C886

RGB 100 200 134

HSL 140.4, 0.48%, 0.59%

LAB 73.38, -44.01, 24.26

 

CMYK 50 / 27 / 0 / 22

HEX #6493C8

RGB 100 147 200

HSL 211.8, 0.48%, 0.59%

LAB 59.66, -1.07, -32.26

 

CMYK 0 / 50 / 17 / 22

HEX #C864A7

RGB 200 100 167

HSL 319.8, 0.48%, 0.59%

LAB 56.27, 48.06, -17.87

 

CMYK 0 / 24 / 50 / 22

HEX #C89964

RGB 200 153 100

HSL 31.8, 0.48%, 0.59%

LAB 66.51, 11.13, 34.51

 

CMYK 50 / 0 / 33 / 22

HEX #64C886

RGB 100 200 134

HSL 140.4, 0.48%, 0.59%

LAB 73.38, -44.01, 24.26

 

CMYK 50 / 42 / 0 / 22

HEX #6474C8

RGB 100 116 200

HSL 230.4, 0.48%, 0.59%

LAB 51.12, 17.35, -45.68

 

CMYK 0 / 50 / 17 / 22

HEX #C864A7

RGB 200 100 167

HSL 319.8, 0.48%, 0.59%

LAB 56.27, 48.06, -17.87

 

CMYK 0 / 9 / 50 / 22

HEX #C8B764

RGB 200 183 100

HSL 49.8, 0.48%, 0.59%

LAB 74.23, -4.94, 44.06

 

Description

Color code: HEX #64C886 | qconv.com Color code: HEX #64C886 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 200 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 200 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 33 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 33% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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