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Color name
HEX #64D826

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #64D826 it is the complementary color #9B27D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #64D826. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #64D826 shade: #69D821, #7AEA34, #8BFC47, #9CFF5A and #ADFF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #64D826. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #64D826 shade: #64D826, #53C613, #42B400, #31A200 and #209000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #64D826 shade: #64D826, #94D826, #C4D826, #D8BC26 and #D88C26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #64D826 shade: #64D826, #34D826, #26D848, #26D878 and #26D8A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #64D826 shade matches the following richer shades: #64D826 and #5EED11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #64D826 shade: #64D826, #6AC43A, #70AF4F, #779A64 and #7D8678

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #64D826 shade: #C3D826, #94D826, #64D826, #35D826 and #26D846

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #64D826 shade: #439219, #54B520, #64D826, #7DDE49 and #96E56C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #64D826 shade: #64D826, #26D8BD and #D826AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #64D826 shade: #64D826, #2664D8 and #D82664

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #64D826 shade: #64D826, #26D8BD, #9A26D8 and #D82641

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #64D826 shade: #64D826, #26BDD8, #9A26D8 and #D84126

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 82 / 15

HEX #64D826

RGB 100 216 38

HSL 99.1, 0.7%, 0.5%

LAB 77.26, -60.93, 69.74

 

Complementary color

CMYK 29 / 82 / 0 / 15

HEX #9B27D9

RGB 155 39 217

HSL 279.1, 0.7%, 0.5%

LAB 43.4, 71.69, -67.55

 

CMYK 51 / 0 / 85 / 15

HEX #69D821

RGB 105 216 33

HSL 96.39, 0.73%, 0.49%

LAB 77.42, -59.75, 71.12

 

CMYK 48 / 0 / 78 / 8

HEX #7AEA34

RGB 122 234 52

HSL 96.92, 0.81%, 0.56%

LAB 83.56, -60.59, 72.06

 

CMYK 45 / 0 / 72 / 1

HEX #8BFC47

RGB 139 252 71

HSL 97.46, 0.97%, 0.63%

LAB 89.66, -61.17, 72.22

 

CMYK 39 / 0 / 65 / 0

HEX #9CFF5A

RGB 156 255 90

HSL 96, 1%, 0.68%

LAB 91.38, -55.71, 67.29

 

CMYK 32 / 0 / 57 / 0

HEX #ADFF6D

RGB 173 255 109

HSL 93.7, 1%, 0.71%

LAB 92.36, -48.51, 60.77

 

CMYK 54 / 0 / 82 / 15

HEX #64D826

RGB 100 216 38

HSL 99.1, 0.7%, 0.5%

LAB 77.26, -60.93, 69.74

 

CMYK 58 / 0 / 90 / 22

HEX #53C613

RGB 83 198 19

HSL 98.55, 0.82%, 0.43%

LAB 71.06, -59.76, 68.06

 

CMYK 63 / 0 / 100 / 29

HEX #42B400

RGB 66 180 0

HSL 98, 1%, 0.35%

LAB 64.8, -58.17, 65.18

 

CMYK 70 / 0 / 100 / 36

HEX #31A200

RGB 49 162 0

HSL 101.85, 1%, 0.32%

LAB 58.5, -55.9, 60

 

CMYK 78 / 0 / 100 / 44

HEX #209000

RGB 32 144 0

HSL 106.67, 1%, 0.28%

LAB 52.12, -53.2, 54.77

 

CMYK 54 / 0 / 82 / 15

HEX #64D826

RGB 100 216 38

HSL 99.1, 0.7%, 0.5%

LAB 77.26, -60.93, 69.74

 

CMYK 31 / 0 / 82 / 15

HEX #94D826

RGB 148 216 38

HSL 82.92, 0.7%, 0.5%

LAB 79.36, -45.54, 72.4

 

CMYK 9 / 0 / 82 / 15

HEX #C4D826

RGB 196 216 38

HSL 66.74, 0.7%, 0.5%

LAB 82.37, -26.76, 76.2

 

CMYK 0 / 13 / 82 / 15

HEX #D8BC26

RGB 216 188 38

HSL 50.56, 0.7%, 0.5%

LAB 76.5, -4.3, 71.84

 

CMYK 0 / 35 / 82 / 15

HEX #D88C26

RGB 216 140 38

HSL 34.38, 0.7%, 0.5%

LAB 64.56, 21.25, 61.57

 

CMYK 54 / 0 / 82 / 15

HEX #64D826

RGB 100 216 38

HSL 99.1, 0.7%, 0.5%

LAB 77.26, -60.93, 69.74

 

CMYK 76 / 0 / 82 / 15

HEX #34D826

RGB 52 216 38

HSL 115.28, 0.7%, 0.5%

LAB 76.06, -70.89, 68.2

 

CMYK 82 / 0 / 67 / 15

HEX #26D848

RGB 38 216 72

HSL 131.46, 0.7%, 0.5%

LAB 76.06, -70.08, 56.88

 

CMYK 82 / 0 / 44 / 15

HEX #26D878

RGB 38 216 120

HSL 147.64, 0.7%, 0.5%

LAB 76.61, -63.55, 35.47

 

CMYK 82 / 0 / 22 / 15

HEX #26D8A8

RGB 38 216 168

HSL 163.82, 0.7%, 0.5%

LAB 77.49, -53.61, 11.73

 

CMYK 54 / 0 / 82 / 15

HEX #64D826

RGB 100 216 38

HSL 99.1, 0.7%, 0.5%

LAB 77.26, -60.93, 69.74

 

CMYK 60 / 0 / 93 / 7

HEX #5EED11

RGB 94 237 17

HSL 99, 0.87%, 0.5%

LAB 83.44, -70.22, 78.74

 

CMYK 54 / 0 / 82 / 15

HEX #64D826

RGB 100 216 38

HSL 99.1, 0.7%, 0.5%

LAB 77.26, -60.93, 69.74

 

CMYK 46 / 0 / 70 / 23

HEX #6AC43A

RGB 106 196 58

HSL 99.13, 0.54%, 0.5%

LAB 71.45, -50.52, 57.97

 

CMYK 36 / 0 / 55 / 31

HEX #70AF4F

RGB 112 175 79

HSL 99.38, 0.38%, 0.5%

LAB 65.49, -37.77, 42.39

 

CMYK 23 / 0 / 35 / 40

HEX #779A64

RGB 119 154 100

HSL 98.89, 0.21%, 0.5%

LAB 59.85, -22.44, 24.53

 

CMYK 7 / 0 / 10 / 47

HEX #7D8678

RGB 125 134 120

HSL 98.57, 0.06%, 0.5%

LAB 54.83, -6.07, 6.4

 

CMYK 10 / 0 / 82 / 15

HEX #C3D826

RGB 195 216 38

HSL 67.08, 0.7%, 0.5%

LAB 82.3, -27.17, 76.11

 

CMYK 31 / 0 / 82 / 15

HEX #94D826

RGB 148 216 38

HSL 82.92, 0.7%, 0.5%

LAB 79.36, -45.54, 72.4

 

CMYK 54 / 0 / 82 / 15

HEX #64D826

RGB 100 216 38

HSL 99.1, 0.7%, 0.5%

LAB 77.26, -60.93, 69.74

 

CMYK 75 / 0 / 82 / 15

HEX #35D826

RGB 53 216 38

HSL 114.94, 0.7%, 0.5%

LAB 76.07, -70.75, 68.23

 

CMYK 82 / 0 / 68 / 15

HEX #26D846

RGB 38 216 70

HSL 130.79, 0.7%, 0.5%

LAB 76.05, -70.28, 57.65

 

CMYK 54 / 0 / 83 / 43

HEX #439219

RGB 67 146 25

HSL 99.17, 0.71%, 0.34%

LAB 53.84, -44.94, 51.47

 

CMYK 54 / 0 / 82 / 29

HEX #54B520

RGB 84 181 32

HSL 99.06, 0.7%, 0.42%

LAB 65.78, -52.92, 60.68

 

CMYK 54 / 0 / 82 / 15

HEX #64D826

RGB 100 216 38

HSL 99.1, 0.7%, 0.5%

LAB 77.26, -60.93, 69.74

 

CMYK 44 / 0 / 67 / 13

HEX #7DDE49

RGB 125 222 73

HSL 99.06, 0.69%, 0.58%

LAB 80.23, -53.74, 61.62

 

CMYK 34 / 0 / 53 / 10

HEX #96E56C

RGB 150 229 108

HSL 99.17, 0.7%, 0.66%

LAB 83.76, -45.26, 50.88

 

CMYK 54 / 0 / 82 / 15

HEX #64D826

RGB 100 216 38

HSL 99.1, 0.7%, 0.5%

LAB 77.26, -60.93, 69.74

 

CMYK 82 / 0 / 13 / 15

HEX #26D8BD

RGB 38 216 189

HSL 170.9, 0.7%, 0.5%

LAB 77.99, -48.33, 1.25

 

CMYK 0 / 82 / 20 / 15

HEX #D826AC

RGB 216 38 172

HSL 314.83, 0.7%, 0.5%

LAB 50.64, 76.03, -29.25

 

CMYK 54 / 0 / 82 / 15

HEX #64D826

RGB 100 216 38

HSL 99.1, 0.7%, 0.5%

LAB 77.26, -60.93, 69.74

 

CMYK 82 / 54 / 0 / 15

HEX #2664D8

RGB 38 100 216

HSL 219.1, 0.7%, 0.5%

LAB 44.92, 23.22, -64.93

 

CMYK 0 / 82 / 54 / 15

HEX #D82664

RGB 216 38 100

HSL 339.1, 0.7%, 0.5%

LAB 48.14, 68.86, 10.44

 

CMYK 54 / 0 / 82 / 15

HEX #64D826

RGB 100 216 38

HSL 99.1, 0.7%, 0.5%

LAB 77.26, -60.93, 69.74

 

CMYK 82 / 0 / 13 / 15

HEX #26D8BD

RGB 38 216 189

HSL 170.9, 0.7%, 0.5%

LAB 77.99, -48.33, 1.25

 

CMYK 29 / 82 / 0 / 15

HEX #9A26D8

RGB 154 38 216

HSL 279.1, 0.7%, 0.5%

LAB 43.08, 71.62, -67.5

 

CMYK 0 / 82 / 70 / 15

HEX #D82641

RGB 216 38 65

HSL 350.9, 0.7%, 0.5%

LAB 47.45, 66.8, 30.91

 

CMYK 54 / 0 / 82 / 15

HEX #64D826

RGB 100 216 38

HSL 99.1, 0.7%, 0.5%

LAB 77.26, -60.93, 69.74

 

CMYK 82 / 13 / 0 / 15

HEX #26BDD8

RGB 38 189 216

HSL 189.1, 0.7%, 0.5%

LAB 70.71, -28.13, -24.24

 

CMYK 29 / 82 / 0 / 15

HEX #9A26D8

RGB 154 38 216

HSL 279.1, 0.7%, 0.5%

LAB 43.08, 71.62, -67.5

 

CMYK 0 / 70 / 82 / 15

HEX #D84126

RGB 216 65 38

HSL 9.1, 0.7%, 0.5%

LAB 50.12, 57.53, 48.65

 

Description

Color code: HEX #64D826 | qconv.com Color code: HEX #64D826 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 216 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 216 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 82 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 82% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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